Masters Degrees (Printmaking)

Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. Using the latest techniques, you'll work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating.

Overview

Discover the vital contribution that printmaking has made to the language of contemporary art practice, and how recent technological advances have broadened its definition.

Much of your time will be spent independently researching and undertaking your own practice-based projects. You’ll receive technical inductions for the use of both traditional and emerging processes (including relief printing and intaglio, screen print, lithography, photo-based and digital media) and be free to experiment with, and combine, them in your creative work.

Throughout the course you’ll have support from experienced print and fine art practitioners, and benefit from working in a supportive and critically informed art school. Our connection with the MA Printmaking course at Camberwell College of Art creates opportunities for exchange crits and gives you the chance to build networks with fellow artists. And you'll get a window onto the professional art world through our visiting lecturers, field trips and links to galleries.

Our series of workshops, tutorials, seminars, critiques, presentations and lectures, will allow you to develop research skills that you’ll use on this course and in your future career. In addition, you’ll gain experience of other areas of professional practice including curating and critical writing.

Our links with local printmaking and art organisations, such as Cambridge Original Printmakers, the Curwen Print Study Centre, Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in portfolio reviews, live projects and professional exhibitions.

Teaching times: Tuesdays and Wednesdays from 10am-5pm (full-time); Wednesdays from 10am-5pm in Year 1, Tuesdays from 10am-5pm in Year 2 (part-time).

Careers

As well as preparing you for a successful career in creative practice, our course will equip you for many other roles. Our past students enjoy careers in further and higher education, professional print workshops, museum and gallery management, public arts projects, artist in residence schemes and fellowship opportunities, in the UK and overseas.

Or you might decide to continue on to a research degree, like our PhD Fine Art.

You’ll have access to events such as Creative Front Futures, which will give you a taste of different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for our students and alumni.

Fortnightly lectures run by our Fine Art Research Unit (FARU) will give you a chance to hear artists and staff talk about their work, and engage in debates about art practice. Our recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.

Visiting printmaking professionals have included Katherine Jones, Stephen Chambers, Sean Rorke, Rebecca Salter, Penny Brewill, Mike Taylor, Kate Palmer, Jo Love and Jane Dixon, Leo Brook and Amanda Couch.

Core modules

Process and Practice as Research
Printmaking: Research and Context
Acts and Discourses
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

On our core modules you’ll demonstrate your progress through your visual research outcomes and supporting evaluative statements, except for the Master’s Dissertation, for which you’ll submit a 6,000-word contextual essay.

Specialist facilities

You’ll work in our fully equipped print studios, with industry-standard facilities including intaglio, screen, relief, litho and photo print processes. You’ll also have access to our 3D workshops, laser cutting facilities, large format digital printer, photography studios and dark rooms, and computer suites for video production and digital imaging.

Studio teaching takes places in our print studio and MA Fine Art studios, which also act as lively hubs for our full- and part-time students in printmaking and fine art.

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Introduction

MA Printmaking at Camberwell College of Arts encourages students to reflect on printmaking in its many contexts. The international success of our MA in Printmaking is due to how we explore this medium in its own right, as well as its relationship to wider contemporary practices. We respond to current debates about the role of skill and authorship in the creation of artworks, as well as the notion of the unique work of art.

Content

What students can expect from the course:

- To take an innovative approach, using all forms of autographic printmaking; these include intaglio, lithographic, relief print, screen-printing, letterpress and computer generated processes

- To investigate and reconsider assumptions underlying the applications of autographic processes and new technologies

- Their programmes of study to place the practice of printmaking in both a contemporary critical context as well as a wider, historical perspective

- To research the content, materials and technical skills appropriate to their projects, and produce written as well as practical work exploring their chosen subject area and relationship to contemporary practice

- Visits to important print collections and participate in symposiums and talks with curators and international artist.

- To develop a project from proposal to final exhibition

Structure

Unit One – Research, Development and Practice

Students will explore, experiment and research to further develop their Project Proposals. This unit introduces students to pathway specific issues and topics, research methodologies and techniques. It aims to orientate students and their practice within the course, and develop their contextual, critical and research skills at the onset of their MA learning.

Unit Two – Reflection and Presentation

Resolution and presentation of students' work according to their Project Proposal. A symposium will provide the opportunity to present their research and provide further peer feedback. Students' practice at this stage should synthesise their practical, conceptual and professional abilities and they will be expected to consider their future practice, audience and context of their work in contemporary practice.

The intention and context of students' work will inform their decisions they will take regarding a final exhibition. Students' will also be expected to work collaboratively with their peers to actively plan, organise and install an exhibition as part of their continued Personal and Professional Development.

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With state-of-the-art facilities and expert guidance from some of the UK's leading academics and technical specialists, our course will enable you to explore both experimental and traditional approaches to Printmaking. Using innovative resources for etching, intaglio, lino, letterpress, stone lithography, screenprint, ceramic and 3D printing, you will develop your own unique approach to Printmaking through workshop enquiry, research and critical understanding of your practice.

Why study MA Printmaking at Middlesex?

At Middlesex we take a highly practical approach to Printmaking that enables you to explore your interests and enhance your skills through experimentation, research and critical analysis. Flexibly designed to meet the ambitions of students from a wide range of creative backgrounds, including illustration, fine art, and design, our course will equip you with the advanced skills, contemporary knowledge and industry insights you need to develop your own practice to a professional standard.

Based in our £80 million Art and Design School and taught by a diverse range of Printmaking academics and industry professionals, our course features world-class facilities and specialist workshops fitted with both new and traditional equipment. With opportunities to build industry contacts and exhibit your work off-site, you'll also gain the employability skills, exposure and experiences you need to navigate a successful career path in today's competitive creative industries.

Course highlights:

- Our facilities are among the best in the UK with etching, intaglio, lino, letterpress, stone lithography, screenprinting, ceramic decal and glaze transfers available in a dedicated print workshop with specialist technical support
- Access to innovative software and equipment across the School of Art and Design including a 3D printer, large format digital printer, dark rooms, photographic studios, laser cutters and metalwork workshops
- An exhibition of your work in central London to create networking opportunities and build industry contacts in a professional environment
- Direct access to London's art world with valuable industry links to a range of galleries, printmakers, businesses, libraries and collections that will enhance your research and inform your practice
- Access to networking opportunities, world-leading research and expertise through the Art & Design Research Institute (ADRI) on campus

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MA Multi-Disciplinary Printmaking at UWE Bristol is best known for its experimental, forward-thinking approach to printmaking today and the future of the printed artefact. With a focus on making, you can explore and experiment with a diverse mix of traditional and emerging fine art printmaking media and develop ideas through processes such as laser cutting, enamelling, electronics, wood engraving and lithography.

This degree is an ideal springboard for professional artist-printmakers looking to extend their practice and also for those with less print-based experience to explore and experiment creatively, and gain valuable real world experience through the Professional Practice module.

Active links with the CFPR brings research expertise, opportunities for placements and access to associated symposia, conferences and exhibitions.

Key benefits

You will have the opportunity to explore your practice through a self-initiated placement/project/experience as part of the Practice in a Professional Context module. You will gain valuable insight into the professional arena and use your knowledge and skills to further develop your practice and future career aspirations.

Course detail

You will study alongside a broad base of students with diverse backgrounds in a professional, well-connected, research-active environment with full access to specialist facilities (some of the best in the country) and support from highly regarded master printers, practicing artists and researchers.

You will study in a creative, vibrant city with active arts communities and opportunities for collaboration and public engagement and gain valuable industry-insight from high profile visiting speakers from creative industries including Emma Stibbon, Sue Gregor and Otto Graphic.

Structure

The full masters course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Masters. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Modules

• Introduction to Multi-Disciplinary Printmaking (30 credits)
• Research Practice (30 credits)
• Developing Practice (30 credits)
• Practice in a Professional Context (30 credits)
• Extended Practice (60 credits)

Format

Students are taught through a combination of seminars, technical workshops, lectures and independent self-directed study. Students learn from each other through presentations and open portfolios and guest speakers bring valuable real-world insight to the course.
There is strong emphasis on developing your creative, conceptual, technical and professional skills with support and guidance on careers and developing your own practice.

Assessment

You will be assessed on your body of practical work, contextually supported by the critical journal. For the Research Practice module you will be assessed on a presentation and written essay.

Careers / Further study

Our students are taught by practicing artists and researchers, bringing skills and expertise exclusively to those at Postgraduate level.

Many of our graduates enter or continue employment in the creative industries in professional studios, as self-employed artists, illustrators and designers running their own businesses or in teaching in both formal and community education programmes.

Spike Print Studio in Bristol, the largest open-access print studio in the South West, employs four alumni (including the studio manager). Others are employed at national studios including Curwen Studio and Lazarides Editions in London. Alumni have also established their own professional studios, for example John Lynch's Stereograph workshops or David Abbott's Chesapeake Ltd, Bristol.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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The MFA program is dedicated to helping students understand both the making and theorizing of art against the background of the diverse intellectual environment of a major university, and within the context of local and international art communities. The MFA degree is also the standard qualifying degree for teaching visual arts at the post secondary level. Most students are given the opportunity to teach foundation courses as Teaching Assistants, thus providing them valuable experience in visual arts instruction.

Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, three-dimensional and installation work, photography, digital art, intermedia, video, performance, sound, or in any interdisciplinary form. The program does not include training in applied art, commercial art and design, graphic design, film or television.

Each MFA student receives his/her own private studio (approximately 250 square feet) and access to the department's extensive facilities including a state-of-the art Photo/Digital lab, Printmaking unit, and Workshop. MFAs participate in an intensive weekly studio seminar that is also a forum for critical discussions about leading issues in contemporary art, visual culture, and cultural theory. Students take additional academic coursework to enrich their particular focus, and present their Major Paper research and artwork to peers, faculty, and the public at their final oral presentation (occurring in the spring of their final year) and at a final critique (occurring during their graduation exhibition). Open Studios, interdepartmental critiques, and organised exhibitions showcase the students' art production and broaden their exposure to the local art scene and beyond.

Quick Facts

- Degree: Master of Fine Arts
- Specialization: Visual Arts
- Subject: Arts, Social Sciences and Humanities
- Mode of delivery: On campus
- Program components: Coursework + Major Project/Essay required
- Faculty: Faculty of Arts

Research focus

Students in the program may work in any area of contemporary art production including painting, drawing, printmaking, three-dimensional and installation work, photography, digital art, intermedia, video, performance, sound, or in any interdisciplinary form. The program does not include training in applied art, commercial art and design, graphic design, film or television.

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Led by Professor Jo Stockham, the Print programme is a two-year specialist MA course. Renamed from Printmaking in 2015, this change signals that the study of the expanded field of Print is equal to the making of prints as a series of medium specific choices. We explore the mediated image approached through a range of intellectual approaches provided by a diverse team of tutors, all practicing artists. 

Access to world-class technical facilities in all print media means that we are able to both explore and expand the field of Print addressing the constant interplay between thinking and making, the image and technology. Students from a wide variety of backgrounds choose to study with us because of their interest in questions, which include, the nature of the copy, diagramming, appropriation, materiality of the image, the politics of print and print as a collaborative practice. 

Artists’ books and web based work as forms of distribution and explorations of narrative structures are a growing aspect of the course. We are benefiting from the renewed interest in the circulation, reception and creation of multiple images due to the ubiquity of digital images and computing.

We are embedded in a network of international print publishers, archives and galleries. A publishing project and exhibiting work are an integral part of the course. The potential for collaboration and residency situations where making work is a form of exchange is core to many students and we help them prepare for making applications to such opportunities. 

The aim of the programme is to enable students to work across a broad platform of media appropriate to their self defined ambitions and interests. By equipping graduates with experience of exhibiting, collaboration, editioning, lecturing, curating and a thorough critical engagement with a self defined body of work we aim to develop artists who understand the expressive nuances of different materials and forms of distribution in the expanded field of print. Evidence suggests they will be able to sustain themselves on graduation as exhibiting artists often engaged in related fields such as, teaching, publishing, curating and research.

An active research culture of staff, visiting artists, MPhil and PhD students is a core part of the programme and is shared through lectures, seminars, publications, presentations and exhibitions.

Alumni include, Andrea Buettner, Adam Dant, Mabe Bethonico, William Latham, Haris Epaminonda, Daniel Gustav Cramer, Christiane Baumgartner and Katsutoshi Yuasa.

The programme offers:

• a critical context to understand the field of Print through making, exhibiting, discussion and writing
• individual desk space 
• access purpose-built workshops, offering internationally renowned printmaking facilities and instruction in relief and intaglio, screen printing, stone and plate lithography and large-format digital printing
• access to college wide workshop facilities including metalwork casting, photography, ceramics and 3D printing. 
• opportunities for teaching placements, workshop placements, exhibitions, overseas travel and international exchanges
• an annual collaborative publishing project 
• introductions to archives and collections, (eg V&A, Tate and British Museum) and editioning workshops (Paupers Press, The Thames Barrier Print Studio, Curwen)
• a well-established publications programme which most recently published a print by Mark Titchner. Sales from these publications contribute to the Print Appeal Fund to support current students
• continued support for alumni through Alumni RCA and programme specific events

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Follow in the footsteps of acclaimed children’s artists. Show your work to publishers at book fairs and exhibitions and get dedicated support from a team of internationally-recognised artists, who’ll help you to develop your own personal visual vocabulary and make connections with the children’s publishing industry.

Overview

This taught studio course, the first of its kind in the UK, will give you the dedicated support and knowledge you need to develop your practice in the art of children’s book illustration.

Within the broad guidelines of each module, you’ll propose and develop a project, with guidance from internationally recognised illustrators, writers and publishers of children's books. You’ll share and discuss your work with other students in group critiques, and attend lectures and seminars that will inform your studio practice.

Illustration at Anglia Ruskin is built on a tradition that goes back to the founding of the Cambridge School of Art in 1858. Our MA students work in dedicated illustration studios right next door to the Ruskin Gallery, with access to a fully equipped printmaking studio.

By studying with us, you’ll follow in the footsteps of alumni such as designer and war artist Edward Bawden, acclaimed graphic satirist Ronald Searle, and Roger Law and Peter Fluck, founders of the TV phenomenon Spitting Image.

Teaching times: currently either Mondays and Thursdays (9am-3pm) or Tuesdays and Fridays (9am-3pm). There are also lectures and presentations on Wednesdays from 3-5pm (full-time); Wednesdays 9am-5pm in semesters 1 and 2 (part-time)

Careers

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Many of our past students now enjoy careers as freelance authors and illustrators for children. Among our published graduates are Paula Metcalf, Marta Altés, Nadia Shireen, Birgitta Sif, Rebecca Patterson and Jo Empson.

You may decide to take your work to a deeper level with a research degree, like our PhD Children’s Book Illustration.

Modules

Core modules:
Observation and Experiment
The Sequential Image
The Diploma Project
The Diploma Review
Master's Project: Art and Design

Assessment

In your first three studio modules, you’ll show your progress through project work, worth 80% of your module grade, and an essay relating to the contextual study lectures, which is worth 20%.

Your Diploma Review thesis will be assessed 100% on your 6,000-8,000 word essay, while the Master’s Stage Project will be assessed 90% on your project work and 10% on your written report.

What you'll study

Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.

Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.

We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.

Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.

We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.

Field trips

At our annual London graduation exhibition you’ll show your work to leading publishing companies and literary agencies. We also organise a stand at Bologna Children's Book Fair each year, where you’ll have more opportunities to secure a publishing deal with industry reps. As a direct result, our past students have signed contracts with publishers including Macmillan, Random House, Nosy Crow, Sarbacane (Fr), Donizelli (It), Child's Play, Walker Books, HarperCollins (NY), Doubleday (NY), Penguin (NY), Faber & Faber and Hodder. Advances against royalties have ranged from €2,000 with an independent publisher, to $50,000 for a three-book deal.

Work experience

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Specialist facilities

You’ll work in dedicated illustration studios right next door to our Ruskin Gallery, with access to a fully-equipped printmaking studio.

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This course is for people who want to pursue their passion for particular areas of Fine Art, at an advanced level and with professional support.

Course overview

This course is built around your personal interests and aspirations. It allows you to push the boundaries of creativity, within a framework of academic rigour and contextual research.

Given the strong practical element in the course, we invite applicants to share their portfolios and aspirations with us at interview stage. We are eager to explore how to develop each person’s individual interests and passions in Fine Art.

During the course, we encourage you to develop your personal practice through research, critiques, analysis and questioning. We also tackle issues that face Fine Art professionals, from fundraising to self-presentation, as part of boosting your employability.
At Masters level, the specialisms of tutors are an important factor. Sunderland’s research expertise includes painting, printmaking, studio-based drawing and collage, sculpture, collaborative practice, art in architecture, video and digital art.

By the end of the course, you will have prepared and participated in a public exhibition. Your work will form a Masters-level portfolio that excites and impresses potential clients, collaborators and employers.

Graduates from Sunderland have gone on to work throughout the creative industries. A Masters qualification not only opens doors in the workplace but also helps you progress more rapidly once your career is underway.

To find out more about the part time version of this course, please view this web-page: http://www.sunderland.ac.uk/courses/artsdesignandmedia/postgraduate/fine-art-part-time/

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors. Modules on this course include:
-Fine Art 1 (60 Credits)
-Fine Art 2 (60 Credits)
-Fine Art 3 (60 Credits)

Teaching and assessment

Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working. The course aims to stretch your creativity and maximise your sense of personal fulfilment.

We use a wide variety of teaching and learning methods which include lectures, seminars, critiques, workshops and practical demonstrations. These are supported by a range of guest speakers from diverse academic and industry backgrounds. You will also have high levels of contact with tutors who give regular feedback and support.

We organise field trips and visits to galleries and art events throughout the UK. Destinations include cities such as London, Edinburgh and Liverpool. There are also opportunities to visit international venues in places such as New York, Barcelona, Venice and Berlin.

Facilities & location

The facilities at our Priestman Building include state-of-the-art teaching space, generous studio space and a fantastic Arts and Design Library. Facilities include:
-Workshops for wood, metal and printmaking
-Project spaces
-Student gallery
-Digital studio with video, sound editing and screening facilities
-Digital suites with open-access Apple Macs
-Digital sewing and embroidery facilities

Arts and Design Library
Our Arts and Design Library has a specialist collection of over 120,000 books, CD-ROMs, videos, slides and one of the largest electronic information networks in the sector. The experienced library team provide a high-quality service and are sensitive to the requirements and working methods of Arts and Design students.

Journals and research
We subscribe to a comprehensive range of print and electronic journals so you can access the most reliable and up-to-date articles. Some of the most important sources for your course include:
-Art Full Text + Art Abstracts, which is a major resource for media and arts information
-Design and Applied Arts Index, which covers journals featuring both new designers and the development of design and the applied arts since the mid-19th century
-British Universities Film and Video Council (BUFVC), which provides resources for the production, study and use of film and related media
-JSTOR (short for ‘Journal Storage’), which provides access to important journals across the humanities, social sciences and sciences
-Lexis, which provides access to legal information as well as full-text newspaper articles
-Screen Online (BFI), which is an online encyclopaedia of British film and television, featuring clips from the vast collections of the BFI National Archive

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course, you will be equipped for roles throughout the media and cultural industries, for example as a practitioner, curator or educator. Opportunities could include arts development, public arts projects, community art organisations, social and art therapy support units, galleries and festivals.

Recent Sunderland graduates have also set up their own creative businesses, undertaken commissions and exhibited their work regionally and nationally.

During the course we encourage you to gain industry experience which will enhance your skills, build up a valuable network of contacts and boost your employability. Past placements have included exhibition work in a range of public contexts such as galleries, schools and hospitals.

A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

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The MA in Fine Art enables artists to evaluate and develop their creative practice to the highest of standards. It develops theoretical awareness, critical thinking and independent arts practice to a professional level.

The course facilitates critical debate between artists working both within and across media areas including painting, photography, digital imaging, printmaking, sculpture, installation and site-specific art. Alongside their studio-based enquiry, students undertake related research into the broader context of contemporary art practices and theoretical debates.

The course offers access to comprehensive specialist resources with technical instruction and support. Students are continually mentored by research-active staff to position their practice within professional cultural environments, arts-related employment or higher-level academic research.

Both full time and part time students benefit from spacious and well-equipped facilities and external links with galleries, which have included the Milton Keynes Gallery, NN Contemporary (Northampton), Corby Cube Gallery and Rugby Museum and Art Gallery. The course often offers international study trips, typically one European option (recent visits have been to France, Italy and Spain) and one long-haul destination (recent visits have been to India, Vietnam and the USA) each year.

In addition to the course having very good links with regional galleries and arts organisations, students are encouraged to engage with external activities and events, both national and international. A group of MA Fine Art students recently attended a printmaking residency at the world-renowned Frans Masereel Centrum in Belgium.

Our teaching staff have a broad range of research interests reflecting the disciplines available on the course, and all staff are practicing artists who publish and exhibit both nationally and internationally. Visiting speakers have included the internationally known artists Richard Long, Marcus Harvey, Simon Callery, Ian Davenport, Mark Francis, Lisa Milroy, David Batchelor, Richard Deacon, Svetlana Fialova, Richard Patterson, Ian McKeever, Dan Hays and Richard Wilson along with innovative arts organisations such as Artangel.

Course content

Upon commencing the Masters programme, students undertake the module ‘Extended Fine Art Practice and Research Methodologies’ (20 credits). This provides a grounding in different research-based methods and methodologies in Fine Art.

During the first trimester students also undertake the 20 credit studio-based module ‘Fine Art Practice’ wherein students begin to critically re-appraise and position their creative practice. Full-time students will also be enrolled on ‘Interfacings,’ a 20 credit module that considers a set of theoretical debates, issues and contexts that are pertinent to an interdisciplinary approach to artistic practice.

During the second trimester students enrol on the 40 credit module ‘Fine Art Practice and Context.’ This module culminates in a public developmental exhibition of their work. Alongside this module, full-time students can opt to take either the project-based ‘Independent Study’ module or the 20 credit module ‘Creative Practice and Enterprise.’

The final stage of the MA Fine Art course entails the student producing and exhibiting a body of creative work or completing a 15-18,000 word dissertation.

Course modules (16/17)

-Fine Art Practice and Documentation
-Interfacings: Fine Art and Postmodern Practice
-Creative Practice and Enterprise
-Fine Art Practice and Context
-Independent Study in the Arts
-Research project
-Extended Fine Art Practice and Research Methodologies

Opportunities Abroad

International study trips, typically one European option (recent visits have been to France, Italy and Spain) and one long-haul destination (recent visits have been to India, Vietnam and the USA) each year.

Methods of Learning

The MA Fine Art course supports all learners’ experience and development through a breadth of regular tutorial approaches. Tutor and learner contact is additionally enriched through a host of visiting artists of international stature. Modes of teaching delivery encompass tutorials, group crits, research supervision, lectures and seminars.

Schedule

During the first and second trimester specific modules are delivered usually on Mondays 9:30-12:30 and 13:00 – 16:00.

Assessments

The course is assessed in both theory and practice by assignment, examination, portfolio submission and exhibition.

In addition to an ongoing series of formative assessment points, the MA Fine Art course has three formal assessment periods that occur at the end of each trimester in February, May and September respectively.

Facilities and Special Features

The Fine Art subject is enriched through a spectrum of professional specialist spaces including: Fine Art New Media Space, Photographic Studio, Photographic Dark Room, Wood Workshop, Metal Workshop, Plaster and Resin Workshop, Etching Printroom, Screen Printing Room (including laser cutting), The Drawing Lab (Drawing research space and life room), Canvas Preparation Room and bookable installation spaces.

Careers

The course prepares students for the professional cultural environment and higher research study. PhDs at the University of Northampton can be pursued through traditional or practice led methodologies and this course provides a comprehensive and relevant foundation.

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The MA Illustration course encourages practitioners to question the nature of their practice and its context and position relative to the creative industries.

It recognises an expansive understanding of illustration through the exploration of relationships between illustrator as author, their audience and presentation, and sites and contexts for the work. Ideas are developed through specific individual approaches to research into practice and reflective enquiry. You may come to the course from a number of diverse backgrounds including illustration, graphic design, printmaking, drawing, photography and painting, or from outside art and design practice, having experience across other subject disciplines but demonstrating an abiding interest and evidence of a passion for illustration in all or any of its forms, good ideas and a willingness to take risks with your work.

This Master’s course is designed to appeal to students who are open to engagement with a diverse range of creative approaches and possibilities from traditional methods including drawing and printmaking, to lens and time based media, with ideas that might be realised through exhibition, publication or exciting new hybrid forms. As a particular characteristic of the discipline, the integration within practice of a mix of different media is recognised in the inter-disciplinary nature of the MA course. It is a methodology that can lead smoothly to the realisation of meaningful collaborative outcomes as well as distinct and individual approaches. The course is structured and supportive and will encourage you to further your own ideas and to realise your aspirations for future employment and freelance practice.

The MA Illustration course encourages students to engage imaginatively with their practice in relation to the evolving academic subject and practice of illustration. Your work will be considered in a global context and the emergence of approaches that challenge the orthodox practices and work within and beyond the traditional subject area. Graduates from the MA programme will be able to carve their own niche in an evolving market for visual material.

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The course is designed to enable you to strengthen your position as an artist with a move from undergraduate study or re-entry at postgraduate level characterised by an increased depth of research and increasingly sophisticated, critically reflexive, material practice.

The programme supports the development of your visual research process and enables a testing ground of methods, genres, concepts and contexts that challenge the boundaries and relationship between theory and practice.

Course content
The MA Fine Art is a broad, studio-based programme with an open and inclusive approach to fine art practice. The programme encourages both specialist and cross-disciplinary approaches enabling students to extend and deepen their knowledge and application of fine art practice.

The curriculum is structured on Practice as Research, through which specialist studio disciplines are developed within cultural, aesthetic and socio-political contexts supporting the creative exploration of ideas through practical skills, research methodologies, theoretical and analytical frameworks. This places individual practice at the centre of the programme. Studio-based modules run throughout the programme and maintain the dynamic interrelation between visual research, concepts and theory. Studio research can be developed within: painting, textiles, sculpture (including ceramics), printmaking and digital media.

Home Tuition Fees for 2017

1 Year full time taught including dissertation £5670.00.

Part time - 30 credit module fee £945.00. Dissertation fee £1890.00

There is an Alumni Discount of 10% for students applying within five years of completion of an undergraduate course at Chichester.

Overseas Fees for 2017 are £12,360.00

Our facilities
Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.

The Art department are situated in the dedicated artOne building comprising outstanding studio and workshop facilities. It is an exciting place to study, providing a dynamic and supportive learning environment for the production of original new art work.

The well-equipped workshops and studios provide environments for you to create experimental, inventive and ambitious work. The main studio space in the purpose built artOne building provides individual studio spaces for all students as well as bookable spaces for installation, performance and projection work. If you are doing studio practice modules, you will be allocated a personal studio base in which you can carry out your self-directed projects and art work.

All students also have access to workshop areas and technical support in the key disciplines of the Fine Art programmes. The workshops reflect the range of options across the various degree programmes. A distinctive aspect of the department is that of individualized working areas in the studio space.

Where this can take you
The course provides the opportunity to concentrate on a specific area of research.

Potential Careers

Professional artist
Art teacher, educator, or technician
Art administration and management in galleries and museums
Art therapy (with extra professional qualification) and art community work
Art journalism
Curator

Work placements
Recent students have worked on site-specific commissions, community arts projects, and work placements with local galleries and museums, residencies in schools, and even creating their own virtual gallery. The experience is invaluable in terms of working to time and budgetary constraints, and in dealing with the public.

Indicative modules
Distinctive features of the course:

Practice-based Fine Art research in Painting, Sculpture (including Ceramic), Textiles, Printmaking and/or New Media and technologies
Opportunities to work with nationally recognised arts researchers
Development of professional working practices
All students may leave with a fully functioning website for their own work (the emphasis being on the development of an existing site rather than building one from scratch)
Theory and Research Methodologies linked to practical studio work
Full time students offered studio space
Use of 'artOne' BA studio facilities for full and part time students in the summer period.
Optional modules:

The development of fully functioning websites for students' own work
Share in collaborative work through 'Practising Arts with New Technologies' module.

Teaching and Assessment
To gain an MA students need to complete four out of five modules plus the Independent Exhibition. This is an independent research project, and is largely practical, culminating in a professional context exhibition.

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Prepare for a career as a professional artist. Independently develop your practical work, research skills and critical thinking, with support from our experienced staff and visiting artists. Test out your ideas in a professional environment and gain invaluable experience of exhibiting, curation and collaboration.

See the website http://www.anglia.ac.uk/study/postgraduate/fine-art

Overview

Our Master’s course will allow you to investigate a range of approaches used in fine art, from painting, sculpture, and printmaking, to more contemporary media such as photography, video, digital media, installation, sound and performance.

You’ll spend much of your time working and researching independently - but you’ll also learn about recent theories, contexts and practices in lectures, seminars and one-to-one tutorials.

We’ll give you the chance to test out your ideas in a professional environment, and to pick up important transferable skills for your career through group and individual presentations and critiques, exhibiting, curation and critical writing.

Here at Cambridge School of Art, you’ll be supported by lecturers who are themselves experienced artists. So as well as having access to artists who are working across many disciplines at the forefront of contemporary art practice, you’ll receive invaluable advice and direction for your future career.

Teaching times: Tuesdays and Wednesdays from 10am-5pm (full-time); Wednesdays 10am-5pm in Year 1 and Tuesdays 10am-5pm in Year 2 (part-time).

Careers

As well as preparing you for work as a practising artist, you’ll pick up skills and knowledge that will equip you for other roles. Our past students now enjoy careers in further and higher education, museum and gallery management, public arts projects, artist in residence schemes and fellowships opportunities, both in the UK and abroad.

Or you might decide to continue on to a research degree, like our PhD Fine Art.

Our links with local art organisations, such as Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in professional exhibitions, portfolio reviews and live projects.

You’ll also have access to events such as Creative Front Futures, which will give you a taste of the different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for both students and alumni.

Our Fine Art Research Unit (FARU) runs fortnightly lectures that will give you a chance to hear contemporary artists and staff talk about their work, and engage in debates about art practice. Recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.

Core modules

Process and Practice as Research
Acts and Discourses
Fine Art: Critical Practice
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

On most of our core modules, you’ll demonstrate your progress through visual research outcomes supported by a written evaluative statement, except for the Master’s Dissertation where you’ll submit a 6,000-word contextual essay.

Specialist facilities

You’ll have the chance to experiment with many different art forms, making use of our MA studios, printmaking and 3D/sculpture workshops, photography dark rooms, and computer suites for video production and digital imaging. You’ll also have access to three brand new Mac suites with Adobe Creative Suite software, plus high-quality 27-inch monitors.

If you're a full-time student, you'll have an individual studio space to work in. If you're part-time, you'll need your own external studio facility, but may be able to negotiate some temporary on-site space for specific projects. Whether you're full-time or part-time, you'll be based in our MA studios and we'll encourage you to make full use of them both during and outside of formal teaching times. You can also arrange to use the studios on weekday evenings and at weekends during term-time.

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Contemporary illustration practice has grown to encompass a broad range of ambitions and opportunities for image makers and storytellers. The growth of online digital cultures - and the impact of digital image creation on traditional image making - requires flexible and adaptable practitioners, and it provides unique opportunities for the entrepreneurial illustrator.

Our MA Illustration course offers you the chance to challenge the boundaries of illustration, both in its practice and its context, and is primarily concerned with the illustrated narrative. It offers you a creative and intellectual environment in which you can rigorously pursue a project of self-directed study, and produce a body of work on a topic of your interest within the field of illustration.

Our course enjoys a long tradition of original narrative and storytelling through images, reflecting staff expertise and practice in these areas. As a student here you'll get to explore narrative storytelling, authorship, self-publishing, book production and visual narratives through the development of a personal project.

This MA course supports you to develop your own independent voice and to identify an audience. You're encouraged to take a self-directed entrepreneurial approach, developing and exploring creative opportunities and options for your work. This entrepreneurial emphasis will be supported by access to specialist facilities such as digital media suites, photography, printmaking and bookmaking.

Our course also provides you with the opportunity for extended critical debate, a high degree of critical reflection and integration of theoretical and practical concerns as part of the realisation of an ambitious body of work. It will also promote in-depth, rigorously conducted research, to ensure you're able to contextualise your own work in relation to the leading edge practice in illustration.

Visiting lecturers and practitioners inform and cultivate professional development, encouraging you to question and debate. Recent visiting lecturers have included Graham Rawle, Olivier Kugler, Nick White, Luke Best, Mathew Richardson and Posy Simmonds.

Industry Partners

Illustration at UCA Farnham has a long tradition of original narrative and storytelling through images, reflecting staff expertise and practice in these areas.

Students on MA Illustration also benefit from well-established industry connections.

Careers

Graduates from our MA Illustration course go on to establish careers in a diverse range of exciting areas, such as:

-Freelance illustration

-Self-publishing

-Artist practice

-Printmaking

-Curation

-Editing

-Animation

-Project management

-Education

-Design

-Digital imaging

-Web authoring

-Multi-media production.

Virtual Media Space

Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.

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Programme description

This programme is currently under review for the 2017/18 Academic Year. Please be aware that the programme structure and course availability is subject to change.

This programme encourages practices that are speculative and reflective, supporting work in a range of media. It is concerned with ways of learning that are experiential – embodied through and understood by the acquisition of a practice.

During the late 20th century, developments within visual art introduced new processes and situations, which resulted in an expanded concept of artistic practice.

Media-related disciplines supported by the programme include sculpture, painting and printmaking, photography, audio-visual and new media. The programme also encompasses approaches to practice that are non media-specific, including intermedia, time-based arts, performance, installation, public art and art writing.

Programme structure

You may complete the MA in one year, or continue on to the MFA. You will have access to a designated studio space and a wide range of studio equipment, technicians and resources, including printmaking, metal, wood, casting, painting, photography, reprographic and digital facilities.

Our students often work in groups across subject areas in the School of Art and collaborate throughout the year on critical, creative and curatorial projects. This gives you a unique opportunity to integrate the fields of art practice, art writing and curating, culminating in an exhibition of your own work or in a research project of your own design.

We regularly organise field trips and offer short residency and project opportunities with our local and international partners.

The programme also involves the theoretical study of this family of media and approaches, drawing on related fields and methods.

Facilities

Students on this programme will benefit from studio-based learning in Edinburgh College of Art's (ECA) historic Lauriston Place campus, along with the exhibitions and events associated with a vibrant art college. The art college experience will be complemented by the University's extensive range of student support facilities, its libraries, student societies, and student accommodation.

Our purpose-built studios are adaptable, serving both as working studios and project and exhibition spaces. Our workshops and foundry provide excellent accommodation for working in wood, metal, mould-making, casting and carving and there are facilities for working with sound, digital imaging and video editing.

The programme develops from a broad to a specialist understanding of the technical resources and validating contexts in which artists work today, drawing inspiration and nourishment from the experience of our international student cohort.

Career opportunities

This programme enables you to develop an ambitious art practice as well as providing you with the organisational and economic knowledge required to thrive as a self-employed artist. You will also be qualified to teach studio art in higher education and to work in the contemporary art sector.

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Push the boundaries of creative expression by developing your existing practice in areas such as art, graphics, sculpture, filmmaking, animation, sound and curating. From working with practising arts on live projects and spending time using our outstanding facilities, to attending workshops, seminars and guest lectures, we'll help you gain the expertise you need to help drive your creativity forward.

You'll work on live projects and collaborations affiliated with external partners and agencies within our city, including Leeds City Art Gallery and The Henry Moore Institute, and beyond Leeds in cities such as Birmingham, London and Amsterdam. You'll also be partnered with a mentor - a renowned contemporary artist or curator - who will offer critical and constructive feedback, enabling you to reflect and improve your working practices.

Whether you're a recent graduate, someone who is looking to develop your own business further, or you're simply looking to reignite your passion for the creative arts, this short course is the ideal step which will allow you to research, develop and flourish in an area which is of particular interest to you.

Visit the website http://courses.leedsbeckett.ac.uk/art_design_professional

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

Our course is ideal if you are aiming to develop your skills as a practising artist, designer, curator, publisher, writer or filmmaker. You might also be looking to bridge the gap between undergraduate and postgraduate study, or are hoping to set up your own enterprise. You may also broaden your employment prospects through work undertaken with industry professionals during your time on the course.

- Gallery Curator
- Exhibition Manager
- Artist/Designer
- Studio Manager

Careers advice: The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

Based in the centre of Leeds, you'll be right in the heart of a city that has a thriving and dynamic creative community. Through strong links with local galleries, exhibitions and creative centres, you will have access to some of the best and most contemporary artists in the region and be able to expand your industry contacts.

With 110 contact hours spread over just nine months, you'll have quality one-to-one time with your personal tutor, be able to share ideas in group tutorials, meetings and seminars, and will spend time in our 3D workshops, digital print, photography, printmaking and video-editing facilities all based on site.

This short course is a great way to build your expertise for professional use, re-engage your creativity and embrace a subject you're passionate about, or develop your skills before applying for one of our masters qualifications.

Core Modules

Creative Practice
Identify, propose and negotiate a planned programme of work which articulates your personal practice.

Strategies for Practice
Explore the professional context of creative practice and study the organisational, entrepreneurial and process issues relevant to you.

Marion Harrison

Senior Lecturer in Fine Art and Course Leader

"I have worked in the school of Architecture, Art and Design for 15 years and I am continually impressed by our students’ diverse and idiosyncratic approaches to art and design practice. This new intensive course hopes to continue this tradition and create a new space for graduating students to develop their professional practice."

Marion has teaching experience in both further and higher education. She has taught undergraduate and postgraduate students at Leeds Beckett University, University for the Creative Arts and Sint Lukas, Brussels. She has also been an adviser to an independent international art school in Berlin since 2004 and currently runs her own practice which includes curating radio broadcasts, printmaking and photography.

Facilities

- Library
Our libraries are two of the only university libraries in the UK open 24/7 every day of the year. However you like to study, the libraries have got you covered with group study, silent study, extensive e-learning resources and PC suites.

- Broadcasting Place
Broadcasting Place provides students with creative and contemporary learning environments, is packed with the latest technology and is a focal point for new and innovative thinking in the city.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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