If you enjoy creating sound and experiment with the type of sounds you can make within a musical framework Sonic Arts provides a discipline in which you can explore and develop your knowledge of sonic arts and sound technology. Digital music started to make an impression on society in the pop world but it is now increasingly used across all genres of music to augment the experience for audiences worldwide. Creative practitioners can find niche areas of work which they become known for producing or they can work across the genres and become known for their creative ability in producing recordings, re-recording music, finding a novel creative sound and so on.
You can progress your musical knowledge and range directly from studying at undergraduate level or you may have a combination of training and a portfolio of work which you can continue to progress. You get a wide range of opportunities to advance your skills, experimentation and musicology at Aberdeen to then present a wide ranging portfolio of sonic arts creativity. This area of music is a growth area of the industry due to the wide ranging effects which can enhance any type of musical performance across the recording and performance industry, into theatre, outdoor events, and more. Aberdeen provides the type of environment where you can build your portfolio of work and progress your skills whilst refining your creativity.
The programme prepares you for a career in creative industries in artistic, commercial and academic areas where creative approaches to sound are in demand, offering you a comprehensive overview of sonic arts.
Find out more detail by visiting the programme web page
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*Please be advised that some programmes have different tuition fees from those listed above and that some programmes also have additional costs.
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The MMus in Sonic Arts is an opportunity to explore a wide range of creative approaches to studio-based music, including fixed-media composition, improvisation systems, sound art installation and composition for video/film.
You have full access to the Electronic Music Studios, which offers advanced facilities for electro-acoustic composition, multi-channel work and live/interactive performance.
You develop a rigorous conceptual framework for your creative practice, and engage critically with contemporary ideas and debates in sound art and computer music. As part of your studies you may choose from a range of options that encompass interactive/generative music, film music and film-making.
Studio composers taking this pathway may elect to take options in notation-based composition, providing they have the requisite prior experience.
Collaborative and interdisciplinary projects, in conjunction with other academic departments and/or external organisations, are also facilitated and encouraged.
The pathway is particularly useful for students wishing to pursue studio and computer-based research or professionals seeking to develop their expertise in technology-based creative practice.
You choose two modules from a selection that currently includes:
Study with experts at the cutting-edge of technical, creative and theoretical knowledge in this rapidly evolving area of study. The course focuses upon the relationship between technology and creative practice, training musical students to use software tools and enabling students with a solid music technology background to investigate creative opportunities.
Initial intensive training in the knowledge and methods of the field at the start of the course is followed by opportunities for increasingly independent research and exploration.
We take a broad and inclusive view of the sonic arts; embracing anything from sound installations to free-improvised performances, computer programming through to fine art practice, art in which sound is the medium through to that in which sound plays a supporting role.
Music at Sheffield attracts world-leading academics and musicians working in a wide range of specialist fields. This is reflected in the diversity of the MA programmes we offer, both on campus and by distance learning. Our courses are taught by experts and backed by world-class research. In the 2014 Research Excellence Framework (REF) 84 per cent of our work was rated internationally excellent or world-leading.
We are influential in composition, ethnomusicology, musicology, performance, music technology, music management and psychology of music. Our MA programmes allow students to take advantage of the department’s distinctive interdisciplinary research environment and to be part of a strong postgraduate community by taking modules from other specialist areas. Our three research centres, Music, Mind, Machine; Sheffield Performer and Audience Research Centre, and Music and Wellbeing provide a hub for research collaborations in music psychology and audience research.
Performance is an important part of our work. You will have the chance to participate in orchestras, music theatre, contemporary music, folk and world traditions. We have strong links with the community, giving you the chance to volunteer with local arts organisations.
Our graduates are employed by universities, colleges, concert agencies and music promoters. Many work in education; others are performers in various genres, in the UK and abroad. Some work in recording studios.
We have a postgraduate research suite and several studios for advanced compositional work, software development, sound recording, laboratory and field experimentation, transcription, music notation and other research applications. You will have access to scores, books, periodicals, recordings and online resources.
Through a series of graduate study days you will be able to use the tools for digital recording, video and film. We also have excellent practice facilities and collections of historical and world music instruments.
Our team of professional musicians bring performance expertise to the department – including clarinettist Sarah Watts, pianist Inja Davidovic, jazz guitarist Ronan McCullagh and North Indian tabla and santoor performer John Ball.
University and faculty funding is available each year. The closing date for applications is mid-January. The department has a number of studentships available for our strongest candidates. The closing date for these is the end of April. You can also apply for a small grant to support your postgraduate research project.
Adrian Moore and Adam Stansbie are both highly experienced and internationally recognised composers whose work is widely performed, published and prized.
The course is informed by new technologies and methods of working. There are seminars, laboratory-based demonstrations and individual tutorials.
Assessment takes a variety of forms such as problem-based assignments and the completion of a creative portfolio.
Develop your theoretical understanding, technical skills and creative practice in the emerging field of sonic arts on a course that aims to challenge preconceptions surrounding musical composition, performance and sound art.
You will explore varied approaches to sound practice through exposure to cutting edge ideas and techniques in the areas of electro-acoustic music, spatial sound, contemporary music thinking and sound interactivity. You will have the chance to investigate new software and hardware tools, inquire into the ideas and practical work of the most influential contemporary music thinkers, such as John Cage, Pierre Schaeffer and Brian Eno, and produce a variety of creative artefacts to begin building your own music and sound repertoire.
The course is delivered through a series of lectures, seminars and workshops by a team of internationally acclaimed practitioners dedicated to helping you achieve your goals in this field.
You will be taught by subject experts such as composer Dr Nikos Stavropoulos, whose work is regularly awarded at international competitions and who has presented around the world, and Kingsley Ash, whose live performances and interactive installations feature at international events and major exhibition spaces around the country.
As well as working directly with your tutors, you will have the opportunity to interact with established artists through guest lectures and workshops and our artist in residence programme. Previous visiting artists have included BBC sound recordist, electronic music group UTAH Saints amd Twin Peaks sound designer Kim Cascone.
You will also have access to a suite of high quality, professional music studios, approved by JAMES - the accrediting body of the Music Producers' Guild and the Association of Professional Recording Services.
You will develop a broad range of technical and creative skills preparing you to enter a diverse variety of careers in the music and sound industry. You could work as a music and sound artist creating original tracks and multichannel installations or as a composer and sound designer for film, TV and interactive games.
The Masters in Sound Design & Audiovisual Practice provides advanced training in creative practice with sound and audiovisual technologies. The programme offers topics relevant to practicing musicians, artists, and the creative industries, such as sound shaping and design, audiovisual composition, field recording, creative and experimental approaches to technology, live performance, interdisciplinary perspectives on sound, and sonic aesthetics. You then develop an individual portfolio of sonic and audiovisual artwork based on your particular skills and interests.
The MSc comprises 180 credits as follows:
Semester 1 compulsory courses (60 credits):
Semester 2 compulsory courses (40 credits):
Semester 2 option (one 20 credit course chosen from):
Additionally you will produce an individual creative portfolio over the summer (60 credits).
Teaching methods include small group tutorials, seminars and workshops, lab and studio sessions, and individual guidance meetings.
The attributes you gain will be attractive to employers from the creative industries, and are particularly relevant for contemporary music, sound design and sound production, games, theatre, film and television. Many of our graduates undertake successful portfolio careers as artists and sound practitioners in their own right. The programme also offers an excellent foundation upon which to progress to PhD studies and an academic career.
Build on your Honours degree or Postgraduate Diploma and get the high-level music skills and critical perspective you need for a career in music or a related field. This one-year Master's programme will further your knowledge in either composition, sonic arts or performance and is also designed to prepare you for the Doctor of Musical Arts.
Study at New Zealand's most prestigious music school and learn from world-class musicians and academics who are leaders in their fields.
Choose 30 points worth of courses at 400 or 500 level. You'll need to select topics that explore critical perspectives relating to your creative work, such as aesthetics, performance practice and critical analysis. Your courses must contain substantial written components.
You'll complete a 90-point creative research thesis on an approved topic of your choice.
Composition students will complete a portfolio of compositions or sound-based works, and a written report of between 10,000 and 20,000 words.
Performance students will express their research through one or two public recitals, and a written report of around 10,000 to 20,000 words.
You'll need to submit a research proposal within one month of enrolment for approval by the NZSM Postgraduate Committee. Performance students will express their research through one or two public recitals, and a written report of between 10,000 and 20,000 words.
You'll normally complete your MMA within one year, but may take up to a year and six months from first enrolling. Part-time students can take up to four years to complete it.
If you are studying full time, you can expect a workload of 40–45 hours a week for much of the year. Part-time students will need to do around 20–23 hours of work a week.
The Musicology Masters at Glasgow presents a broad, multi-dimensional approach to Music as a key component of numerous contemporary cultural practices. Building on a thorough grounding in the methodological roots, you’ll be able to specialise in professional fields such as Sound and Music for Screen Media, Historically Informed Performance Practice, Popular Music Studies, Sonic Arts, and Creative Practice Research. A team of world-leading researchers collaborate to provide an up-to-date, interdisciplinary exploration of historiographical, analytical, sociological, and critical approaches, opening opportunities for reflection on a broad range of musical traditions, performing styles and recording media.
You’ll also write a dissertation and have the chance to take a work placement in a music or arts organisation.
This programme prepares students for careers in the music and creative industries as well as related fields, such as media and broadcasting. Additionally, this programme provides the necessary foundation for pursuing further research in musicology in the form of a PhD.
Goldsmiths’ Department of Music has a lively and varied research base, large postgraduate community, active performing tradition, and offers proximity to London’s resources.
Staff research interests are correspondingly diverse and wide-ranging, and we offer research supervision in any of these areas of specialism.
You can register for any one of the following:
You are assigned members of staff qualified to supervise your research throughout your period of registration. Supervision involves regular meetings throughout the period of study, and involves the development of an intensive intellectual relationship between you and your supervisor.
You have access to Goldsmiths’ Graduate School, containing an open-access computer room, a student common room and seminar room for use by postgraduate research students.
Find out more about research degrees at Goldsmiths.
You can study full-time or part-time. The programme normally begins in September, but applications for entry in January and April may be considered.
Supervision is available in any of the areas of specialism outlined above or covered by staff research interests.
Research students are strongly encouraged to contribute to the Department’s research culture. You will have regular opportunities to present papers at seminars and conferences.
Composers can have pieces performed or recorded by Goldsmiths ensembles, including the Sinfonia, or by the Ensembles-in-Residence.
Performers are encouraged to take part in departmental concerts, and may audition for concerto appearances.
On this course, you’ll gain practical, theoretical and creative experience of sound engineering, music production and audio technology.
You’ll explore the design, manipulation and production of audio across many platforms, using our state-of-the-art audio-post recording, radio and TV studios to study a mix of sound engineering and theory modules.
The aim of the course is to develop the skills that you’ll need to create and deliver professional audio, whilst under pinning these skills with a sound theoretical background.
94% of our postgraduates go on to employment and/or further study within six months of graduating.DLHE 2009 and 2010
This course entails both practical based and theory modules. The modules are delivered in the recording studios, the audio technology suite, audio post production suite and lecture theatres.
MSc (one year full-time or up to three years part-time)
PgDip (nine months full-time or 18 months part-time)
MSc (16 months full-time)
PgDip (one year full-time or up to two years part-time)
Teaching and learning involves a mix of lectures and practical sound engineering work, involving individual and group learning, There is an emphasis on motivated students' self-study.
Assessment involves a mixture of practical work, report writing and project work. By the end of the course students will have built up a substantial portfolio of audio, video and new media work.
Assessment is approximately divided across the course as follows:
This degree is based in MediaCityUK,the new home for the BBC, ITV, Coronation Street and parts of the University of Salford. MediaCityUK is located at Salford Quays on the banks of Manchester's historic ship canal. The University has the first four floors of a new, purpose built facility that looks over the water to The Lowry theatre, Imperial War Museum North and the new Coronation Street set. ITV occupy the floors above us, with the three BBC buildings on one side of us and Peel Media Studios on the other.
A number of BBC departments are based at MediaCityUK, having moved from London, including BBC Breakfast, BBC Children's, BBC Radio 5 Live, BBC Future Media and Technology, BBC Learning, BBC Sport and BBC Academy. All of the BBC Manchester operations have also moved to MediaCityUK, including BBC Religion and Ethics, Current Affairs and the BBC Philharmonic.
Here is a summary of our relevant facilities at MediaCityUK:
On the main campus, we also have a Pro Tools equipped studio recording complex consisting of four control rooms and recording areas. Please see this brochure for more detailed information brochure.
The wide range of skills provided on this course will enhance your employability. Possible career paths include: audio manufacturer research and design, broadcast engineer in audio for radio or TV, audio and visual design and installation, education, interactive media and sonic arts.
Possible career paths include:
Staff have strong links with industry either through collaborative R&D projects with industry through the Acoustics Research Centre and our commercial test laboratories. Our research department is a Centre of Excellence for BBC Research.
Some students could go on to study a PhD at our world-class Acoustics Research Centre. We have been carrying out acoustics and audio research for over 30 years. Our research is funded by research councils, government bodies, and industry. It has fed into audio products that companies make and sell worldwide, as well as regulations and standards used in the UK, Europe and beyond. We are also involved in public engagement - getting more people aware of and interested in acoustic science and engineering.