The MA in Music (Contemporary Music Studies) examines aspects of methodology, repertoire studies and cultural theory within a wide-ranging programme of investigation into the role of contemporary music in the society for which it is created.
You'll explore the key methodologies appropriate for scholarly study of the music of the present and recent past, such as oral history and contrasting approaches to musical ‘close reading’.
Musical repertoires, and notions of repertoire, are examined, and you are encouraged to ask such questions as whether the boundaries often considered to exist between, for example, ‘contemporary concert music’ and ‘popular music’ are still meaningful for practitioners, listeners and scholars today.
Various approaches to cultural theory are viewed in the light of what they might bring to the study of contemporary music of different kinds.
The understandings developed in your coursework culminate in the methods and approaches demonstrated in your dissertation.
This gives you the opportunity to address particular challenges of studying and writing about the music of our time arising from your own musical and theoretical enthusiasms.
The programme appeals to a wide range of students concerned to develop their understanding of today's music and keen to harness this to relevant intellectual skills.
While designed as an open-ended programme of study that can subsequently be applied in many ways within, and outside, the musical profession, it will be of special value to those preparing for further postgraduate research, and those considering careers in teaching, journalism, arts administration or the culture industries.
Core module
Option modules
You choose three modules from a selection that currently includes:
Dissertation
You'll develop:
The programme is designed with careful consideration of the opportunities, challenges and intellectual demands presented by careers in music, such as:
Find out more about employability at Goldsmiths.
This MA allows you to build an individual, 'tailor-made' programme of study, which incorporates the intellectual concerns, skills and understandings that lead to a clearly focused research dissertation.
You choose four modules, including at least one of two core modules, which provide you with specific research skills relevant to your interests.
This route is appropriate for those who have a particular interest they wish to develop not covered by one of our specialist pathways, or for those who are seeking a broadly based programme of music study at postgraduate level (taking both core modules, for example, would provide exceptional training for those going on to doctoral study).
Applicants should note that departmental timetable restrictions apply; consequently, part-time study offers the most flexible range of potential course combinations. This programme is not suitable if you're keen to take composition or performance modules – if this is what you'd like to do, please explore our MMus study options.
The programme appeals to a wide range of students developing intellectual skills in music, perhaps as preparation for further postgraduate research, prior to entering teaching, or as a basis for a employment in arts administration, journalism, or other occupations in the creative and cultural industries.
Find out more about the MA in Music.
Core modules
Core modules
You choose three modules from a list that currently includes:
The MA Creative Music Production is aimed at applicants specifically interested in applying studio technologies and production skills to the creation of their own original music (as opposed to “producing” other artists’ music). In addition to equipping students with solid bases in studio technology, processes and practices, the course addresses the purely formal, artistic and aesthetic aspects of music-making, and the specific compositional devices and strategy applicable to DAW-based realisations of original material.
By surveying the defining traits and aesthetic concerns of a number of popular genres centred on electronic composition-production, students develop a sophisticated awareness of current artistic and aesthetic trends, and an enhanced knowledge of the musicology of production. On this course, you will develop a portfolio of original works showcasing your talent as a composer-producer, opening up a wide range of possibilities for your professional career.
Taught sessions will typically cover the following topics:
Graduates from this award will be equipped with a wide range of specialist knowledge and skills in the field of music technology and music creation – from purely technical to creative and intellectual. As such, they will be ideally positioned to pursue a career in the music and media industries, creating their own musical content for production music library, film/TV synch, or commercial release. You may, in addition, consider positions in music publishing, music journalism and criticism, or teaching, or you may continue your higher education at doctoral level.
Lecture, seminars and tutorials are typically scheduled over two consecutive days a week, plus some extra sessions for particular workshops, performance, recording, as necessary. In addition to scheduled sessions, students are expected to engage in continuous self-directed study and studio practice.
The MA Creative Music Production is led by Bruce Aisher. Bruce is a music producer, songwriter, composer, remixer, sound designer and technology journalist whose work is to be found on over 100 commercially released tracks (including a US Billboard Club Chart No.1) on TV programmes such as ‘CSI’ ‘Numb3rs’ and 'Top Gear' and products by Apple, Clavia and Native Instruments.
Our industry partners include:
A good (1st, 2.1 or 2.2) BMus/BSc/BA in Music / Music Technology (or equivalent qualification), or 5 years professional industry experience at the discretion of the admissions or programme tutor. Evidence of solid compositional work with technology prior to undertaking the course is required (determined by the submission of a small portfolio of original compositions with the student’s application).
All international students are required to demonstrate suitable levels of English language competence. This can be through previous study in English, but we often require specific performance in English tests. All undergraduates must be able to prove a minimum of IELTS 6.5 with at least 5.5 in every component or equivalent.
Fees for 2018/19 are still to be confirmed for home students.
Full time: £12,500 for the 2018 academic year
Part time: If you decide to study this course on a part time basis you will be charged £1040 per 15 credits for the 2018 academic year
*Tuition fees are charged annually. The fees quoted above are for the specified year(s) only. Fees may be higher in future years, for both new and continuing students. Please see the University’s Fees and Finance Policy (and in particular the section headed “When tuition fees change”), for further information about when and by how much the University may increase its fees for future years.
For more information about our new MA in Creative Music Production, please contact Bruce Aisher on [email protected]
This programme offers a variety of stimulating and contemporary academic pathways with a range of theoretical and practice-based modules.
The MA in Music programme introduces you to the fundamental principles of research in music. It provides a unique and creative approach to musicology, valuing intellectual curiosity and musical diversity.
Awards available are:
The Masters designed with careful consideration of the opportunities, challenges and intellectual demands presented by careers in music, such as journalism, teaching, broadcasting, librarianship, historically informed performance, contemporary composition, and arts administration.
The programme addresses the challenges of an evolving subject. It encompasses many repertoires of music, offering pathways that reference Western art music and popular music, the music of other cultures, sound art, contemporary music and electronic music.
The programme helps you understand and evaluate current trends and traditions, and appreciate how we, like others before us, reflect the time, place and attitudes of the milieu within which we work.
Each Masters degree is awarded after the accumulation of 180 credits. You take
The topic of your dissertation or project relates closely to the programme outcomes of your pathway and its core modules, and is agreed with your pathway leader.
The options provide you with a choice of modules relevant to your chosen pathway. We will offer advice at interview and/or enrolment about your options. Please note that the availability of options may depend upon the department timetable.
You'll develop:
The programme is designed with careful consideration of the opportunities, challenges and intellectual demands presented by careers in music, such as:
Find out more about employability at Goldsmiths.
MA Specialist Journalism at Cardiff Metropolitan University is taught by academic staff who are both practitioners and researchers. This distinctive degree is aimed to support you while you develop your journalistic skills and techniques within one of the following specialisms: film, music, fashion or sports journalism.
The course has a strong employability focus allowing students to combine journalistic techniques and perspectives with practical vocational skills, which are reinforced by work placements. Whether for professional development purposes, to enhance your freelance career, or as your first step into the world of journalism, the MA will help you gain the knowledge and confidence to be a specialist journalist.
We have expertise across a number of fields and our academic community is vibrant and dynamic with strong industry links.
One of the great strengths of the programme is its flexibility. MA Specialist Journalism can be studied either full or part time allowing you to control the pace and depth of your postgraduate study. Programme delivery is also enhanced by the university's commitment to e-learning.
Core Modules:
This module will provide students with the key skills required to write as journalists and then focus those skills on their chosen specialism.
This module will apply the skills developed in Writing for Magazines by exploring the language, content, style and structure of magazine, newspaper and online features.
The Specialist Journalist
In this module students decide on one specialist subject area, study the nature of journalists’ work in their chosen field, and also produce longer feature articles aimed at specifically targeted audiences.
This module will provide students with the key essential skills to become multimedia journalists and adapt those skills to their specialist field.
This module will provide students with an understanding of the changing landscape of contemporary journalism, and develop knowledge and understanding of journalistic law and ethics.
As well as a work placement in a relevant media organisation, students will also develop essential skills and knowledge needed for making a successful living in the new media landscape.
This module aims to provide the reflective skills necessary to function as a successful journalist, exploring the processes and skills necessary for undertaking rigorous, credible, ethical and worthwhile research.
Dissertation This module allows students to create a journalistic portfolio from their chosen specialism.
Most modules are taught through group workshops and seminars. Some modules will also include individual tutorials and the dissertation module is delivered entirely through one-to-one tutorials with your supervisor.
In workshops and seminars full use is made of University technology and course materials will be delivered and stored through our Virtual Learning Environment. It will be possible for you to access the Virtual Learning Environment remotely and you will be encouraged to do so.
Most modules are 20 credits and the dissertation is worth 40 credits.
In a 20-credit module you will receive 22 hours of timetabled teaching and you will be expected to conduct 178 hours of independent study. In a 30-credit module you will receive 33 hours of timetabled teaching and you will be expected to conduct 267 hours of independent study. The 40-credit dissertation is mainly conducted with independent study. You will receive 4 hours of tutorial supervision (this includes supervisors looking over your work) and you will be expected to conduct 396 hours of independent study.
Each student is appointed a personal tutor who will be available for academic advice, pastoral support and personal development planning. Tutors also have weekly office hours.
A critical but supportive environment is achieved through a combination of workshops, research seminars and e-learning. You will be introduced to the practicalities of preparing and submitting your work for publication.
We have a variety of approaches to assessment across the degree depending upon the module. All practical modules are assessed through portfolios of journalistic work and accompanying critical essays in which you are required to reflect on your journalism and to contextualise your work. These modules also include class-based formative peer-assessment in the form of practical workshops. These do not count towards your final grade but the sessions do help you grow and reflect as a specialist journalist.
Modules also make use of Virtual Learning Environments for assessments and you may be asked to view material online and then to respond to it.
You will receive tutor support in class and through our VLE in order to prepare you for each assessment point. We also have library facilities online and at campus.
As well as a career in journalism, the MA is also a great choice for those wishing to enhance their employment and professional opportunities in editorial and publishing careers.
Key journalistic skills and techniques are, of course, central to the degree. However, this degree will also encourage you to develop the valuable transferable skills of autonomy, effective collaboration, self-direction, organisation, initiative and adaptability that are highly regarded in the workplace.
As well as journalism, a Master's degree in Specialist Journalism could also lead to a variety of other careers, such as: teaching, research, public relations, marketing, the civil service, publishing, the media, and employment in the public or voluntary sectors.
The MA in Music (Ethnomusicology) introduces a range of methodologies in relation to the study of music in its cultural contexts.
As well as engaging with musical practices in various geographic or cultural areas, the programme acknowledges the importance of urban ethnomusicology and the usefulness of applying ethnomusicological approaches to Western art and popular music.
You have the opportunity to engage with key ethnographic methodologies, such as interviewing, videoing and video editing, and musical performance as a research technique.
The innovative structure of the programme allows you to specialise in one of these areas if you wish, leading to a final project that itself may have a significant practical component, and you have the opportunity to undertake fieldwork projects as part of your studies.
A written dissertation option is also available, allowing you to engage in depth with an issue that interests you.
The programme appeals to a wide range of students hoping to develop their intellectual skills in music, particularly those with interests in music as a cultural phenomenon.
It's exceptionally useful, for example, for students preparing for further postgraduate research, or for those considering careers in teaching, journalism, arts administration or the culture industries, or working with government agencies or charities abroad.
Find out more about the MA in Music.
Core module
Option modules
You choose three modules from a list that currently includes:
Ethnomusicology Major Project
You'll develop an awareness of key ethnographic methodologies, investigation and evaluation skills, intellectual skills in music and specific research skills.
The programme will be exceptionally useful for, for example, students preparing for further postgraduate research, or for those considering careers in teaching, journalism, arts administration or the culture industries, or working with government agencies or charities abroad.
Find out more about employability at Goldsmiths.
Be part of a lively popular-music research community that embraces everything from metal music to film scores and work alongside performers, composers and studio producers.
You will join peers with backgrounds in cultural studies, sociology, music and the creative arts to explore today's local live music scene and its connection to the wider industry. From researching gigs and events to composing scores for film and television, you will discover how a variety of communities fuse together to create this vibrant and expanding scene.
Whether developing your songwriting and music editing techniques in our studios or organising events and liaising with artists at Leeds Festival, you will gain the hands-on experience employers are looking for while gathering evidence to carry through into your major research project.
With its combination of research and practice, your course will provide the perfect springboard to discover the interconnectivity of popular music and culture and engage with the vibrant and varied music scene in Leeds.
As well as having access to modern, professional music studios, you will benefit from being taught by a highly-skilled and experienced teaching team, including Professor Karl Spracklen who is Secretary of the International Society for Metal Music Studies and the Editor of Metal Music Studies.
You will also have the chance to network with industry professionals during our guest lecture series. Previous speakers have included Leeds Festival boss Melvin Benn and chart-toppers Rudimental. We also have fantastic links with local and national music, arts and festival organisations, which help ensure you get the most from your course.
Artist in Residence Programme
The Artist in Residence programme gives our students an opportunity to work with professional artists and gives them a taste of what is it like to work on a professional music project. So far we have welcomed artists Chris T-T, Ian Prowse, I Monster, Tom Williams and Utah Saints.
With more festivals and independent production companies than ever before, understanding the links between popular music, culture and the rapidly changing music industry is increasingly important, whether you are a researcher or practitioner. You could use the course to further your research interests by studying for a PhD or take up employment opportunities in sound engineering, performance, teaching, songwriting, production, music for film and television, music journalism, marketing and PR or events organisation.
This flexible pathway provides a solid masters-level foundation in ethnomusicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. The programme of study consists of four taught course units (each 30 credits) plus a dissertation (60 credits). The combination of core and optional course units allows each student to plot a path that best matches his or her special interests and aspirations. Together, the taught units encompass a wide range of topics and approaches - from gender and ethnicity, music and conflict, music revivals and performance culture, to postcolonial theory and the politics of ethnography. Seminars allow for close collaboration between lecturers and students, with ample opportunity for students to present their own work and receive individual feedback. Discussion and debate forms an important part of most course units.
All students on the MusM Music programme take Advanced Music Studies: Skills and Methodologies as their core unit. Students on the Ethnomusicology pathway also take Studying World Music Cultures: Themes and Debates and, usually, Ethno/Musicology in Action: Fieldwork and Ethnography . Other optional course units normally include Case Studies in Musicology: Texts and Histories ; and Historical or Contemporary Performance (subject to audition). A maximum of 30 credits may be chosen from another MA programme in the arts or social sciences (subject to availability and approval by the course tutor): possible options include Gender, Sexuality and the Body ; Filming History: Making Documentary Films for Research; and Documentary and Sensory Media . Students may also undertake a Work Placement with a local arts organisation or institution (by prior arrangement and subject to availability).
SALC Placement offers students the opportunity to spend a minimum of 20 days over a period of up to 12 weeks with an arts and cultural organisation, business or service provider. Placements will be established in Semester 1 to take place early in semester 2; they will be supervised by a work-based mentor and overseen by an academic staff member. The placement may take the form of an investigation of a specific business idea, development strategy or management proposition to resolve a problem or particular issue, and will result in a placement report, proposal or essay.
For further information about the content of individual course units, see Course Unit Details below.
This programme aims to:
Most taught course units are delivered via weekly seminars and/or tutorials. Full-time students take two 30-credit course units per semester; part-time students take one. The dissertation is supported by one-to-one supervision and is submitted at the beginning of September. (Part-time students may submit in either September or December following their second year of study.)
Seminars feature a range of presentation formats and activities, including presentations by course tutors, student presentations, discussion and debate based on prepared reading or coursework tasks, and workshop-style activities. Members of the academic staff are also available for individual consultations during designated office hours.
Alongside their taught units, students have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School of the School of Arts, Languages and Cultures. All postgraduate students are expected to undertake their own programme of self-directed learning and skills acquisition. This may also involve wider reading, language work, computer training and attendance at research seminars in other parts of the university.
There are no formal examinations. Taught course units are assessed by coursework essays or other tasks, normally submitted at the end of each semester (January and May). The precise nature of the assessment varies according to what is appropriate to the course unit in question. In most cases, a choice of questions or topics is offered. All taught units must be satisfactorily completed. The dissertation (12,000-15,000 words) is based on independent research into a topic agreed in consultation with the supervisor. A Research Outline needs to be presented and approved (usually in February) before students proceed with their dissertation. All coursework is double-marked internally and moderated by the External Examiner. Recitals are heard by at least two internal examiners.
Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources.
This flexible pathway provides a solid masters-level foundation in musicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. The programme of study consists of four taught course units (each 30 credits) plus a dissertation or critical edition (60 credits). The combination of core and optional course units allows each student to plot a path that best matches his or her special interests and aspirations. Together, the taught units encompass a wide range of topics and approaches - from musicology as cultural history, through musicology and the body, source studies and performance practice, to postcolonial theory and postmodernism. Seminars allow for close collaboration between lecturers and students, with ample opportunity for students to present their own work and receive individual feedback. Discussion and debate forms an important part of most course units.
All students on the MusM Music programme take Advanced Music Studies: Skills and Methodologies as their core unit. Students on the Musicology pathway also take Case Studies in Musicology: Texts and Histories . Optional course units normally include Contemporary Music Studies ; Historical and Editorial Skills ; Studying World Music Cultures: Themes and Debates : Historical or Contemporary Performance(subject to audition); Advanced Orchestration ; and Ethno/Musicology in Action: Fieldwork and Ethnography . A maximum of 30 credits may be chosen from another MA programme in the arts or social sciences (subject to availability and approval by the course tutor): possible options include From Papyrus to Print: The History of the Book; Perspectives on Medieval and Renaissance Studies ; andGender, Sexuality and the Bod y.
SALC Placement offers students the opportunity to spend a minimum of 20 days over a period of up to 12 weeks with an arts and cultural organisation, business or service provider. Placements will be established in Semester 1 to take place early in semester 2; they will be supervised by a work-based mentor and overseen by an academic staff member. The placement may take the form of an investigation of a specific business idea, development strategy or management proposition to resolve a problem or particular issue, and will result in a placement report, proposal or essay.
This programme aims to:
Most taught course units are delivered via weekly seminars and/or tutorials. Full-time students take two 30-credit course units per semester; part-time students take one. The dissertation or critical edition is supported by one-to-one supervision and is submitted at the beginning of September. (Part-time students may submit in either September or December following their second year of study.)
Seminars feature a range of presentation formats and activities, including presentations by course tutors, student presentations, discussion and debate based on prepared reading or coursework tasks, and workshop-style activities. Members of the academic staff are also available for individual consultations during designated office hours.
Alongside their taught units, students have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School of the School of Arts, Languages and Cultures. All postgraduate students are expected to undertake their own programme of self-directed learning and skills acquisition. This may also involve wider reading, language work, computer training and attendance at research seminars in other parts of the university.
There are no formal examinations. Taught course units are assessed by coursework essays or other tasks, normally submitted at the end of each semester (January and May). The precise nature of the assessment varies according to what is appropriate to the course unit in question. In most cases, a choice of questions or topics is offered. All taught units must be satisfactorily completed. The dissertation or critical edition (12,000-15,000 words or equivalent) is based on independent research into a topic agreed in consultation with the supervisor. A Research Outline needs to be presented and approved (usually in February) before students proceed with their dissertation. All coursework is double-marked internally and moderated by the External Examiner. Recitals are heard by at least two internal examiners.
Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources. One of our graduates writes of how the skills she honed at Manchester helped prepare her for her first job as an Editorial Assistant at Oxford University Press: `I use my written/essay skills in text editing (prefaces, composer notes, biographies etc.) and in preparing sales copy; analytical skills are continually employed during the editing process; the discipline of editing and proofing your own work is as important in my job as it was in my studies; the research skills that I developed during my time at Manchester have been useful in source research and in checking the factual accuracy of texts; and general skills such as planning and time management have been helpful preparation for the world of work.'
Edinburgh College of Art: Postgrad study in Art, Design, Architecture, Music, History of Art
