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This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens. Read more

This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens.

The course has regular visiting lectures from leading figures in the UK's television industry, including the department's own VIsiting Professors James Quinn (Commissioner for Sky Arts) and renowned producer, director and writer Tony Garnett. In the past, we've had visiting lecturers including Alex Graham (Executive Producer of Who Do You Think You Are), James Quinn (Documentary Commissioning Editor, Sky) and Karen Mullins (Project Manager for London Olympics, Rugby World Cup).

You'll study a major BBC drama series from conception through to scripting and production, such as the series Casualty, with time to visit the production base in Cardiff. You'll study with scholars with experience of TV industries around the world, and hear from guest lecturers from London's TV industry.

  • Take control of your own short TV or radio programme, creating something at the expected UK professional standard of such productions.
  • Make use of our exclusive 24-7 media labs and post-production rooms, complemented by our impressive range of professional location filming equipment, TV and sound studio facilities, supported by our committed and approachable technical team.
  • Becomefully conversant with the nature of television as a medium: scheduling, genres, formats – and the more up-close narrative techniques of TV series arcs and character development.
  • Learn how TV shows are traded around the world, how broadcasting is put together and regulated, and how the industry changes from place to place. Giving you practical skills and insight into media scheduling and budgeting. 

Course structure

Core modules

Structures of Broadcasting

In this module you will develop an understanding of public service and commercial models of broadcasting. You will look at the organisation of broadcasting, considering the differing markets for TV programmes, and commission and production regimes around the world. You will examine the nature of global flows in programming, the market system that enables them, and the major broadcasting organisations. You will also explore the structure of the global programme sales and co-production markets.

Television as a Cultural Industry

In this module you will develop an understanding of the interrelation between the organisational forms of broadcasting and the programmes that they produce. You will look at the structuration of broadcasting texts and what makes them distinctive, and examine the major genres of TV production through international examples. You will also consider the nature of innovation in programme making.

Production Study

In this module you will develop an understanding of the key challenges of producing a long running, high-volume, British television drama series. You will look at the role such series play in the television landscape, and examine the organisation, management, funding, budgeting and scheduling of drama productions. You will explore audience profiles and see how these fit within the economic and cultural priorities of television. You will also have the opportunity to meet writers and directors from an ongoing drama series, and learn to use production software packages such as Final Draft Scripting, Movie Magic Budgeting and Movie Magic Scheduling.

Production Practice Dissertation

You will produce a short video or radio piece to UK industry-standards. You will will create work which communicates with its intended audience, and manage all aspects of the production process, including self-direction and the direction of others. On completion, you will refect on your production, using knowledge gained in other areas of the course to analyse its success.

Teaching & assessment

Assessment is carried out by a variety of methods including:

  • seminar presentations
  • written essays
  • research portfolios
  • project work
  • self-assessment documents

Your future careers

Televsion continues to be one of the most dominant global media forms, continuing to attract huge audiences and leading creative talent around the world.

You'll leave our course understanding television in different cultures and contexts and you'll be in a perfect place to find employment in those countries where the TV industry is rapidly growing - backing up your portfolio with knowledge of how programmes are marketed and sold, and how important they are to the creative industries.

We're based near London, so you'll have privileged insight into the UK television industry. You'll have the chance to get familiar with London production businesses – we have regular guest lecturers from production and management. Students from our department have gone on to work in independent television and film production, for broadcasters like the BBC and ITV in the UK as well as international media agencies such as CCTV and Hunan, and for distributors, exhibitors, talent agencies and entertainment lawyers.



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Our innovative MA in Classics and Ancient History gives you the chance to study for a world-class degree with the flexibility to tailor the programme to match your own interests. Read more

Our innovative MA in Classics and Ancient History gives you the chance to study for a world-class degree with the flexibility to tailor the programme to match your own interests. We will give you a supportive and stimulating environment in which to enhance the knowledge and skills you picked up at Undergraduate level.

You can choose to follow an open pathway to mix your modules and interests or one of the specially designed research streams that match our own specialisms. The research streams we currently offer are:

• Ancient Philosophy, Science and Medicine 

• Ancient Politics and Society

• Classical Receptions 

• Cultural Histories and Material Exchanges 

• Literary Interactions

At the heart of the Department is the A.G. Leventis Room, our dedicated Postgraduate study space, which you will have full access to. You might also take the opportunity to participate in Isca Latina, our local schools Latin outreach programme. We have a vibrant Postgraduate community which we hope you will become an active part of.

If you decide to join us at Exeter you will become part of one of the largest and most successful Classics and Ancient History Departments in the UK. We have an excellent reputation for both our teaching and our research with league table rankings to match.

Programme Structure

The programme is divided into units of study(modules).

Compulsory modules

  • Research Methodology
  • Dissertation

Optional modules

The optional modules determine the main focus of your MA study. Some examples of the optional modules are as follows;

  • Food and Culture;
  • Ancient Drama in its Social and Intellectual Context;
  • Hellenistic Culture and Society – History;
  • Hellenistic Culture and Society – Literature ;
  • Cultural Transformations in Late Antiquity;
  • Migration and the Migrant Through Ancient and Modern Eyes;
  • Ancient Philosophy: Truth and Ancient Thought;
  • Roman Myth; Rome: Globalisation, Materiality;
  • The City of Rome (subject to availability);
  • Greek;
  • Latin;
  • Fast-Track Greek;
  • Classical Language and Text: Greek and Latin Epic.

The modules listed here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand.

Research areas

Our academic staff have a broad range of expertise and ground-breaking research interests, some of the research streams available on our MA reflect these. We regularly review and update our MA programme to reflect both the needs of our students and the latest emerging research within the field.

Research expertise

Some of the areas we have a special research interest include:

• Ancient and modern philosophy, especially ethics

• Classical art and archaeology

• Classics in the history of sexuality

• Comparative philology and linguistics

• Food in the ancient world

• Greek and Roman epic, tragedy and comedy

• Greek and Roman mythology, religion and magic

• Greek and Roman social history, especially sexuality

• Hellenistic history, especially the barbarian interface and the Greek culture of Asia Minor and dynastic studies

• History of medicine in antiquity, especially Galen

• Later Greek literature, including Lucian, Athenaeus, ecphrasis

• Latin literature

• Palaeography



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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient History and Classical Culture at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient History and Classical Culture at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

The MA in Ancient History and Classical Culture offers a wide range of modules on the history and culture of ancient Greece and Rome, drawing on the expertise of internationally recognised scholars.

Key Features

Every aspect of the modern world has its roots in the civilisations of the Classical world. This MA in Ancient History and Classical Culture allows students to study a range of topics related to the history and culture of the classical world, from the Mycenaean world to the later Roman Empire. The range of options within the Ancient History and Classical Culture MA allows students to specialise in history or literature, or to combine study of the two.

Students on the Ancient History and Classical Culture MA are encouraged to develop a methodological awareness and are introduced to key concepts and interpretative techniques that shape the study of the ancient civilisations in the modern world. This programme develops research skills needed for high-level work in any field of Ancient History and Classical Civilisation.

Students have the opportunity to study ancient Greek or Latin.

Students of the MA Ancient History and Classical Culture can take advantage of the College of Arts and Humanities' Graduate Centre which fosters and supports individual and collaborative research activity of international excellence and offers a vibrant and supportive environment for students pursuing postgraduate research and taught masters study. The Centre provides postgraduate training to enhance academic and professional development and facilitates participation in seminar programmes, workshops and international conferences.

Modules

Modules on the Ancient History and Classical Culture course typically include:

• Research Methodologies in Ancient History and Classical Culture

• Ancient Greek or Latin

• Being Greek under Rome: Greek Literature and Culture in the Imperial Period

• The Army in the Roman Empire

• The City in the Greco-Roman World

• Explorers, Travel and Geography

• Saints and Sinners in Christian Late Antiquity

• Greek and Roman Magic: Exploring the Sources

• Private Life in Ancient Egypt

• Romance Refracted and novels renewed

Student Quote

"I studied the BA Ancient History and then the MA in Ancient History and Classical Culture. I chose Swansea University because of the variety of courses on offer in Classics, Ancient History and Egyptology. During my study I immersed myself in both academic and extra-curricular student life. I took up archery and I was a regular member of the University archery team. I enjoy both reading and writing fiction and in my final year of study, I was selected as one of four finalists in the “Swansea Life Young Writing Category” of the “Dylan Thomas Prize”. I held several positions of responsibility in the Society of Ancient Studies which was amazing; and I organised social events such as visits to sites such as Hadrian’s Wall, the British Museum, Caerleon, and Rome. I also had the opportunity to work on the Church Hill archaeological excavation (a suspected Roman villa) and the excavation at Oystermouth Castle organised jointly by the Glamorgan-Gwent Archaeological Trust. I thoroughly enjoyed my four years at Swansea."

Shaun Mudd



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This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create. Read more

This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create.

Our aim is to prepare students to be collaborative, responsive, imaginative, politically engaged and culturally aware artist practitioners. The course is aimed at newly-emerging practitioners with a background in theatre, education, activism or social change, as well as at more established practitioners who want to reflect, refresh and develop their skills. We actively encourage the sharing of skills and expertise among our multi-national group of students. We prioritise applicants with some experience in the arts, education, activism or social care, and it is rare that we take applicants directly from their first degree.

Together we explore the ways in which theatre and performance is created by diverse groups of people in a variety of community, social and educational settings: in schools or on the streets, in children’s homes and elderly care, in conflict zones, conferences, crèches and youth clubs, pupil referral units and prisons, women’s refuges and refugee centres, hospitals and hostels – anywhere groups of people meet and interact.

What is applied theatre?

Applied theatre is an umbrella term for a range of exciting worldwide performance forms concerned with personal and social change.

The term embracestheatre of the oppressed, community theatre, theatre-in-education, drama in education, theatre for development, prison theatre, intercultural arts, intergenerational arts, theatre in museums, archives and heritage sites, story-telling, reminiscence theatre, conflict resolution. The work often moves across art forms. This is not a definitive list, as it is a field that is dynamic and changing.

The MA considers case studies from the UK and from across the globe. Central to this investigation are: questions of identity; representation; discrimination; health; equality; human rights; opportunity; access; social inclusion/exclusion; participation; ethics; evaluation and documentation; aesthetics and the role of the artist.

Placement and partnerships

The course is structured so that practice and theory constantly respond to one another, through practical classes and seminars. All students undertake a placement in a recognised host organisation where you'll work with experienced practitioners, and learn from the inside how participatory arts organisations function.

We have active partnerships with many companies, and the majority of the tutors, including the convenor, are active artists, with a variety of arts practices in performance, community and social settings.

Modules & structure

Practical workshops

In the autumn term we look at the roots of Applied Theatre in Education, in Social and Political Change, and in Community. Classes include work with Geese Theatre on their use of mask in Prisons, Drama and Theatre in Education techniques with Gail Babb of Talawa Theatre, intergenerational arts practices with Convenor Sue Mayo, and the use of Drama to explore Domestic Violence, with Tender. Throughout this term students are also engaged in skills-sharing sessions in order to pool their knowledge and expertise. 

In the Spring Term Tutor Raj Bhari, from Talk for Change, leads a module on creative approaches to Community Cohesion, Conflict Resolution, and the artist as activist. We have a short festival of art forms, with classes in song, puppetry and dance- and a residency shared with students of the MA in performance making, working across modules with artists of distinction from within the Goldsmith’s staff and beyond.

Throughout the practical sessions we work with students to develop their facilitation, devising,- project planning and management skills with attention to issues such as group dynamics; power and leadership; inclusion; accessibility; equality; conflict; intercultural practice; safe space and the ethics of touch.

In the summer term students design and lead a weekend of workshops for a public audience.

Histories, Theories and Contexts seminars

This contextual strand enables us consider the thinking behind our embodied knowledge. Through a series of seminars, we consider: the development of applied methods from political theatre; radical and celebratory arts; drama and theatre-in-education; community theatre; prison theatre; therapeutic creative practices and the legacy of Augusto Boal. We study the growing body of writing on applied theatre and its practitioners, and theatre theory. We consider local and international case studies; we read, discuss, watch videos and experience live performances.

Complementary Contextual lectures

Students also choose a lecture based Option module from one of the other exciting MA programmes. Previous modules have included, African Theatre, Performance Praxis, Radical Performance, and The Reflecxtive Practitioner. Our students can also take a specialist applied module led by Danny Braverman, on Disability Theatre, examining the scope and radical nature of disability theatre.

Placement

The Convenor, Sue Mayo, supports students to locate and develop a placement in a recognised host organisation. On the placement students further the skills they have practiced on the programme, whilst dealing with the challenges of a professional context. Placement hosts include London Bubble, Magic Me, Resonate. Greenwich & Lewisham Young People's Theatre, Talawa Theatre, Pan-arts, Crisis, Ovalhouse, Green Shoes Arts, The Young Vic, MIND, CEN8, Lewisham Youth Theatre and Spare Tyre.

Professional development

As part of our commitment to student’s employability, we offer up to five workshops covering various areas directly relevant to workplaces where drama may be applied; for example: planning and managing projects, child protection and working with vulnerable adults, ethics, evaluation, setting up a theatre company or working as an independent artist.

Assessment

The MA Applied Theatre has five points of assessment:

  • a 6,000-word essay based on material covered in Term 1
  • a 6,000-word reflective portfolio on the placement
  • a 12,000-word research project/dissertation

These assessments count towards 80% of the final mark.

The remaining 20% is derived from assessment of the two shared complementary/contextual modules, which include Disability Theatre, Performance Praxis, African Theatre, Musical Theatre and Cultural Theory.



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The MA in Religion provides advanced study of the religious traditions of both the West and Asia. The programme offers two pathways. Read more
The MA in Religion provides advanced study of the religious traditions of both the West and Asia. The programme offers two pathways:
-Buddhist Studies
-Theology and Religious Studies

These reflect the expertise in the Department of Religion and Theology and allow you to study various religious traditions with scholars who are world-renowned experts in those fields.

Programme structure

Students follow one of two pathways, taking units worth 180 credit points.

BUDDHIST STUDIES PATHWAY
Core units (40 credit points):
-Buddhism: the Foundations (20 credit points)

Plus one of the following language units (20 credit points):
-Introductory Sanskrit I
-Classical Chinese
-Pali and Buddhist Sanskrit (only available to students with one year of Sanskrit)

NB: Not all languages will be taught each year

Optional units (80 credit points total; 20 credit points each). Optional units can vary each year but may include:
-Introductory Sanskrit 2
-Buddhism: The Mahayana Tradition
-The Practice of Theravada Buddhism in Asia
-Aspects of Chinese Buddhism
-Buddhist Psychology and Mental Health
-The Origins and Development of Zen Buddhism
-Yoga and Meditation
-Supervised Individual Study (on an aspect of Buddhism not covered by other units)
-An open MA unit chosen from those available in the Faculty of Arts

Dissertation
You will engage in supervised research on a topic of your choice and submit a dissertation of between 10,000 and 15,000 words.

THEOLOGY AND RELIGIOUS STUDIES PATHWAY
Core units
-Buddhism: The Foundations (20 credit points)
-History of Christianity: Core Texts (20 credit points)

Optional units (80 credit points total; 20 credit points each)
-Medieval Mystics and Visionaries in Medieval England
-Reflection on Religious Pluralism in Contemporary Society
-Alchemy, Magic and Science in Early Modernity
-The Renaissance and the Rise of the Modern Age
-Reflection on Religious Pluralism in Contemporary Society
-Greek Language Level A
-Latin Language Level A
-Jesus in an Age of Colonialism
-Ancient Jewish Novels
-Atheism
-Buddhism: The Mahayana Tradition
-The Origins and Development of Zen Buddhism
-Yoga and Meditation
-Buddhist Psychology and Mental Health
-An open MA unit chosen from those available across the Faculty of Arts.

Dissertation
You will engage in supervised research on a topic of your choice and submit a dissertation of between 10,000 and 15,000 words.

Careers

Students who complete this MA programme have taken up many different careers, including academic research, social work, banking and industry, counselling and teaching, design, journalism, film and the arts.

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Our MA in Creative Writing is unique in bringing together the following. Teaching by a strong and diverse group of internationally recognised writers. Read more

Our MA in Creative Writing is unique in bringing together the following:

  • Teaching by a strong and diverse group of internationally recognised writers
  • The rich resources of a world-leading Russell Group university with a top-rated English Department
  • The chance to live and work in a beautiful West Country location in a vibrant cathedral city

Whether you are interested in fiction, non-fiction, poetry or screen writing, Exeter offers you a thriving and supportive writing community. Our team of prize-winning and best-selling authors are highly experienced and will help you develop your writing towards publication. Our strong links with the worlds of publishing, literary journalism and broadcasting, book festivals and prizes will provide valuable insights into the workings of the literary marketplace and open many opportunities to establish the contacts necessary for successful publication.

Learning and teaching

The taught components of the MA Creative Writing are delivered in the first two terms, leaving the third for your dissertation. Modules are taught in seminar groups, with lots of time for discussion and interaction. In seminars you will be expected to take part in debate and present your work.

Compulsory modules

Creative Writing Dissertation is compulsory

Optional modules

Some examples of the optional modules are as follows;

  • Image, shape and music;
  • The poetry of events;
  • Structures of realism
  • Writing for the screen.

The modules listed here provide examples of what you can expect to learn on this degree course based on recent academic teaching. The precise modules available to you in future years may vary depending on staff availability and research interests, new topics of study, timetabling and student demand

Research areas

All members of staff are active researchers and their interests as a whole encompass all the varieties of Anglophone culture not only in Britain, but in the US and elsewhere. This variety is reflected in the range of topics currently being studied by students, from poetry to drama, novels to films, medieval manuscripts to the internet, and from creative and life writing to the study of panoramas and magic lantern shows. It is also reflected in the number of research and reading groups organised by students and staff and by the number of conferences, talks and guest lectures that take place each year.



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Our department offers a distinctively comparative approach to the study of literature; at Essex you don’t just study English literature, you study world literature in English. Read more
Our department offers a distinctively comparative approach to the study of literature; at Essex you don’t just study English literature, you study world literature in English. You explore literature across time, geography, and genre, combining scholarly research with innovative, practical ways of engaging with texts.

You grapple with the challenges of conducting research into Shakespeare and other early modern literature, acquiring specialist skills in archival research, palaeography, and the study of rare and antiquated books. You study materials on 18th century drama and literature, visiting the UK’s only surviving Regency Theatre to investigate how architecture affected the content of drama, and how drama reflected Georgian society. You have the opportunity to explore the history of genres such as the novel and lyric poetry, and study a truly extensive range of work; your reading takes you from African American literature, through Caribbean literatures, to the literature and performance of New York, Paris, Berlin, Vienna, Moscow and London.

Our department is ranked Top 20 in the UK (Guardian University Guide 2015), and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

At Essex, we have an impressive literary legacy. Our history comprises staff (and students) who have been Nobel Prize winners, Booker Prize winners, and Pulitzer Prize winners.

Our Department is a vibrant conservatoire of scholars and practitioners who are committed to unlocking creative personal responses to literature. This distinctive environment is possible because we are a community of award-winning novelists, poets and playwrights, as well as leading literature specialists.

Our academic staff specialise in a range of areas including modernism, comparative and world literature, Shakespeare, the Renaissance, modernism, travel writing, nature writing, translated literature, cultural geography, Irish and Scottish writing, U.S. and Caribbean literatures, and the history of reading.

Specialist facilities

-Meet fellow readers at the student-run Literature Society or at our department’s Myth Reading Group
-Write for our student magazine Albert or host a Red Radio show
-View classic films at weekly film screenings in our dedicated 120-seat film theatre
-Learn from leading writers and literature specialists at weekly research seminars
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting and performance skills at our Lakeside Theatre Workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested

Your future

A good literature degree opens many doors.

We offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as writers, and others are now established as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Example structure

-Dissertation
-Research Methods in Literary and Cultural Analysis
-Georgian and Romantic Literature and Drama
-Early Modern to Eighteenth Century Literature
-The New Nature Writing (optional)
-Writing the Novel (optional)
-Memory Maps: Practices in Psychogeography (optional)
-Dramatic Structure (optional)
-Literature and Performance in the Modern City (optional)
-Adaptation
-Documentary and the Avant-garde: Film, Video, Digital
-Film and Video Production Workshop
-Advanced Film and Industry: Production and Industry
-US Nationalism and Regionalism (optional)
-African American Literature (optional)
-Sea of Lentils: Modernity, Literature, and Film in the Caribbean (optional)
-Writing Magic (optional)
-"There is a Continent Outside My Window" : United States and Caribbean Literatures in Dialogue (optional)
-Literature and the Environmental Imagination: 19th to 21st Century Poetry and Prose (optional)

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Our challenging, practice-based course offers you a unique approach to the practice of writing, emphasising innovation and experimentation in your work. Read more
Our challenging, practice-based course offers you a unique approach to the practice of writing, emphasising innovation and experimentation in your work.

On our MA Creative Writing, you deepen your knowledge of literary tradition, exploring different modes and genres in order to develop your own creative and expressive written skills. You expand your use of creative writing techniques and improve your critical judgement of your own work.

Our course encourages you to develop your writing by stepping outside your comfort zone and discovering the different approaches to verbal art that are possible today. This will invigorate your own practice, whether you are writing psychogeography, plays, novels, stories or something else. You will choose from a variety of modules, covering topics such as:
-Development of a novel plan, from research and concept-development, to plotting, character, and structure
-Experimental language play of the Oulipo group across the short story, autobiography, cartoons, cookery and theatre
-Relating magic to writing and creativity, both in theory and in practice
-Psychogeography, writing about walking, place, landscape, history and the psychic environment
-Poetic practice across experimental writing in poetry from the performative to the visual

To help you hone your craft, we also host two Royal Literary Fund Fellows, professional writers on-hand to help you develop your writing on a one-to-one basis, and regularly host talks and readings by visiting writers.

Essex has nurtured a long tradition of distinguished authors whose work has shaped literature as we know it today, from past giants such as the American poets Robert Lowell and Ted Berrigan, to contemporary writers such as mythographer and novelist Dame Marina Warner, and Booker Prize winner Ben Okri.

We are ranked Top 20 in the UK (Guardian University Guide 2015, and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

Our teaching staff are experienced and established writers who have a breadth of experience across literary genres, from novels, prose and plays, to poetry and song.

Our creative writing teaching team has a breadth of experience in the literatures of different cultures and different forms. Our current teaching staff include poet and short story writer Philip Terry, lyric writer and essayist Adrian May, novelist and camper Matthew de Abaitua, poet and performance-writer Holly Pester, poet, fisherman and memoirist Chris McCully, and award-winning playwrights Elizabeth Kuti and Jonathan Lichtenstein.

Our Centre for Creative Writing is part of a unique literary conservatoire that offers students the skills, support and confidence to respond artistically and critically to the study of writing with the guidance of experts.

Specialist facilities

-Write for our student magazine Albert or host a Red Radio show
-View classic films at weekly film screenings in our dedicated 120-seat film theatre
-Hear writers talk about their craft and learn from leading literature specialists at regular talks and readings
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting skills at our Lakeside Theatre Writers workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested

Your future

Many of our students have gone on to successfully publish their work, notable recent alumni including:
-Ida Løkås, who won a literary prize in Norway for The Beauty That Flows Past, securing a book deal
-Alexia Casale, whose novel Bone Dragon was published by Faber & Faber and subsequently featured on both the Young Adult Books of the Year 2013 list for The Financial Times, and The Independent’s Books of the year 2013: Children
-Elaine Ewert, recent graduate from our MA Wild Writing, placed second in the New Welsh Writing Awards 2015
-Patricia Borlenghi, the founder of Patrician Press, which has published works by a number of our alumni
-Petra Mcqueen, who has written for The Guardian and runs creative writing courses

We also offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as writers, and others are now established as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

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We invite MPhil proposals in any of our research areas. In Pure Mathematics our two main fields are functional analysis and geometric algebra. Read more
We invite MPhil proposals in any of our research areas. In Pure Mathematics our two main fields are functional analysis and geometric algebra. In Applied Mathematics our research is predominantly in fluid mechanics, astrophysics and cosmology.

As a research postgraduate in the School of Mathematics and Statistics you will be working under the supervision of an expert in your chosen field. To help you identify a topic and potential supervisor, we encourage you to find out more about our staff specialisms.

Research areas

Within each field of Pure Mathematics there are multiple subgroups. In analysis, one subgroup concentrates on operator theory and function theory, the other on Banach algebras, cohomology and modules. In algebra there are subgroups devoted to the study of infinite groups, and finite classical groups and their geometries

Our Applied Mathematics staff have research interests in:
-Fluid dynamics, including numerical modelling of quantum fluids (superfluid liquid Helium and Bose-Einstein condensates)
-Classical and astrophysical fluids (the Earth's core, planetary dynamos, accretion discs and galaxies)
-Cosmology, including the very early universe and quantum gravity

Research seminars and events

We run weekly research seminars in algebra and geometries, analysis, and applied mathematics, as well as postgraduate seminars led by students.

Specialist courses are offered through the MAGIC distance learning consortium, sponsored in part by the Engineering and Physical Sciences Research Council (EPSRC).

Partnerships and networks

We are part of:
-The North British Functional Analysis Seminar
-The North British Geometric Group Theory Seminar
-Algebra and Representation Theory in the North, funded by the London Mathematical Society and the Edinburgh Mathematical Society

With Durham University, we are part of the Joint Quantum Centre broadly dedicated to various aspects of quantum science.

Facilities

You will have access to online research facilities via your own desktop PC in a shared postgraduate work space. There is also a teaching cluster (of about 150 PCs) within the School.

As well as the library resources provided by the main Robinson Library, you will have access to the School's mathematics and statistics library and reading room.

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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient Narrative Literature at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Ancient Narrative Literature at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

The MA in Ancient Narrative Literature is the first of its kind in the world. It draws on world-level expertise to explore the various types of narrative produced in ancient Greece, Rome and Egypt.

Key Features

This MA in Ancient Narrative Literature focuses on the narratives of the ancient Greeks, Romans and Egyptians, both fictional and factual, in a variety of literary forms, including the novel, epic poetry, mythology, historiography and biography. It is taught by a team of scholars associated with the KYKNOS research centre, whose research in this field is internationally recognised.

The MA in Ancient Narrative Literature introduces students to the key concepts of literary and cultural theory connected with narrative and encourages them to explore new ways of reading ancient texts. As well as some of the classics of ancient literature, the MA in Ancient Narrative Literature also examines some less familiar texts that articulate the stories of sections of the ancient population marginalised by gender and social status.

The MA in Ancient Narrative Literature offers excellent preparation for students who intend to undertake further research in this exciting and rapidly developing area of Classical literature. Students will have the opportunity to begin or continue the study of Greek and/or Latin.

Students of the MA Ancient Narrative Literature can take advantage of the College of Arts and Humanities' Graduate Centre which fosters and supports individual and collaborative research activity of international excellence and offers a vibrant and supportive environment for students pursuing postgraduate research and taught masters study. The Centre provides postgraduate training to enhance academic and professional development and facilitates participation in seminar programmes, workshops and international conferences.

Modules

Modules on the MA in Ancient Narrative Literature typically include:

• Narrative Theory and Genres

• Ancient Greek or Latin language

• Being Greek Under Rome: Greek Literature and Culture in the Imperial Period

• Romance Refracted and Novels Renewed

• Greek and Roman Magic :Exploring the Sources

• Reading Academic German

• Explorers, Travel and Geography

• Saints and Sinners in Christian Late Antiquity

• Word, Metaphor, Allegory: effective models of reality

Student Quote

"I studied at Swansea University for my Undergraduate degree and fell in love with the city, the university campus and the lecturers and supporting staff at the university. Deciding to do my MA in Ancient Narrative Literature here was therefore partly influenced by this. However, Ancient Narrative Literature at Swansea University was an attractive choice mostly because of the quality of the lecturers here. Both Professor John Morgan who is already a highly esteemed scholar within the area of the Ancient Greek novels and Dr Ian Repath who is a rising star in the same subject area make Swansea University the ideal place to study Ancient Narrative Literature at MA level."

Ida Meland



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This diverse and flexible programme offers you a wide array of choice to explore the wealth of literature in English across periods and geographies. Read more

This diverse and flexible programme offers you a wide array of choice to explore the wealth of literature in English across periods and geographies.

Whether you want to pursue the interests developed during your degree, fill gaps in your knowledge or prepare for a future in research, you’ll have opportunities to sharpen your research skills and specialise in aspects of literary studies that suit your interests.

You can bring together English, American and postcolonial literatures to create an eclectic mix of research-led modules, from Arthurian legend to Shakespeare and psychoanalysis. It’s also a good starting point for exploring wide-ranging research interests that cut across periods and cultures.

You’ll be taught by tutors who are expert researchers in their fields and benefit from access to our world-class Library and Special Collections. It’s an exciting and dynamic environment in which to study some of the world’s greatest literature.

Course content

From the beginning of the programme you’ll start to develop your research skills, as a core module introduces you to the methods and approaches involved in researching literature and helps you to prepare for writing an independent research project / dissertation and for your future career.

You’ll also choose from our broad range of optional modules, which could mean you focus on topics such as American fiction in the 19th century, the memoir, the Brontës, Shakespeare or many others. Alternatively you may choose two of your optional modules from the School of English and a third from elsewhere in the University (subject to availability and agreement from the module tutor).

You’ll choose further optional modules in Semester Two. However, throughout the year you’ll also work on your research project or dissertation: a chance to showcase all the skills you’ve acquired by independently researching a literary topic of your choice. You’ll submit this by the end of the programme in September.

If you choose to study part-time, you’ll take fewer modules in each year and study over a longer period.

Course structure

Compulsory modules

  • Studying English: Research Methods 30 credits
  • Research Project 60 credits

Optional modules

  • Caribbean and Black British Writing 30 credits
  • Arthurian Legend: Medieval to Modern 30 credits
  • Africas of the Mind 30 credits
  • Reading (with) Psychoanalysis 30 credits
  • So Where do you come from? Selves, Families, Stories 30 credits
  • The Brontes 30 credits
  • Fictions of Citizenship in Contemporary American Literature 30 credits
  • The Enigmatic Body of Modernism 30 credits
  • Shakespeare's Tyrants 30 credits
  • Poetry of Catastrophe: Reading Paul Celan 30 credits
  • Global Indigeneity 30 credits
  • Feeling Time 30 credits
  • The Magic of Mimesis 30 credits
  • Romantic Ecologies 30 credits
  • The Literature of Crisis: Politics and Gender in 1790s Britain 30 credits
  • Turks, Moors, and Jews: Staging the Exotic in the Renaissance 30 credits
  • Victorian New Media 30 credits
  • Literature and the Politics of Language 30 credits
  • War, Mourning, Memory: 1914-1939 30 credits
  • Writing Identities: Criticism, Creativity, Practice 30 credits

For more information on typical modules, read English Literature MA Full Time in the course catalogue

For more information on typical modules, read English Literature MA Part Time in the course catalogue

Learning and teaching

You’ll generally have two-hour weekly seminars in each module where you discuss the themes and issues arising from your reading, and you’ll be able to enhance your learning by attending the wide range of research seminars and talks by visiting speakers that we arrange throughout the year. You’ll also benefit from supervisions throughout semester 2 with your dissertation supervisor.

However, independent study is a vital part of the degree as it allows you to build your skills and explore your own ideas.

Assessment

Most of our MA modules are assessed with a single essay of around 4,000 words, which you’ll submit at the end of the semester. You’ll usually also be required to submit unassessed essays to gain feedback on your work and give presentations on your reading in seminars. The research project/dissertation is 12,000-15,000 words in length.



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This MA equips students with the skills necessary for advanced medieval and renaissance scholarship. A wide range of historical, literary, palaeographical, art historical and archaeological modules enables students to explore the aspects of medieval and renaissance culture in which they are interested. Read more

This MA equips students with the skills necessary for advanced medieval and renaissance scholarship. A wide range of historical, literary, palaeographical, art historical and archaeological modules enables students to explore the aspects of medieval and renaissance culture in which they are interested.

About this degree

This MA provides exceptional opportunities to master medieval and renaissance languages and to acquire manuscript expertise working with original manuscripts; key skills for those who want to go on to original research. Students with primary interests in many different areas ‒ linguistic, historical, literary or archaeological ‒ will be able to build on and extend their expertise and skills.

Students undertake modules to the value of 180 credits.

The programme consists of 30 credits of core language modules, optional modules (90 credits), and a research dissertation (60 credits).

Core modules

  • Old and Middle English
  • Medieval Latin (Beginners)
  • Medieval Latin (Intermediate)
  • Medieval French
  • Old and Middle French
  • Medieval Italian
  • Medieval German
  • Classical Hebrew
  • Rabbinic Hebrew
  • Introduction to Old Norse

Optional modules

Up to 90 credits of options drawn from the following:

  • Identity and Power in Medieval Europe, AD 500-1300
  • Magic in the Middle Ages
  • Writing History in Europe, c. 900-1200
  • A Global History of the Middle Ages?
  • Russsian Monarchy: Court Ritual and Political Ideas 1498-1917
  • Science and Medicine across Medieval Worlds
  • Reframing the Renaissance
  • Forging the Early Modern
  • Unstitching the Early Modern: Archival and Book Skills
  • Web 0.1: Early Modern Information Culture c. 1470-1750
  • Confessional Cultures in the Dutch Republic and England, c. 1500-c. 1700
  • Seeing Through Materials: Matter, Vision and Transformation in the Renaissance
  • Sex and the Body in Early Modern Europe
  • Men on the Moon: Cosmic Voyages in the Early Modern Period
  • Metamorphosis: The Limits of the Human
  • Wolfram von Eschenbach's "Parzival"
  • Legendary Histories (Medieval French Literature)
  • The Transformation of the Roman Mediterranean
  • Themes and Debates in Islamic Archaeology and Heritage

This list is indicative only; the modules available are subject to change each year.

Dissertation/research project

All students undertake an independent research project which culminates in a dissertation of up to 12,000 words.

Teaching and learning

The programme is delivered through a combination of lectures, seminars and classes. Several modules include site visits to institutions, notably the British Library, the Warburg Institute, the National Archives and the Institute of Historical Research. Assessment is through unseen examination, long essays, coursework and the dissertation.

Further information on modules and degree structure is available on the department website: Medieval and Renaissance Studies MA

Careers

Recent destinations of recent graduates of this programme include: funded PhDs at UCL, Universities of Oxford, St Andrews, Cambridge, Durham, Cardiff, Lancaster, and UEA; the British Library: Cataloguer; Reuters: News Assistant; Ministry of Trade Industry and Tourism: Government Advisor.

Recent career destinations for this degree

  • Curatorial and Art Intern, Swiss Institute
  • Policy and Communications Officer, Caritas
  • Project Assistant, British Library
  • GDL (Graduate Diploma in Law), BPP University
  • PhD in Medieval Studies, University of Leeds

Employability

The MARS degree allows students to develop an enviable range of skills. This programme not only provides an outstanding foundation for those hoping to undertake PhD research and pursue an academic career but is also popular with students wishing to go into journalism, the civil service, business, museum and heritage and the education sector. Debates, small group seminars and tutorials help students to acquire strong presentation and negotiation skills for their future career. Likewise the analytical and research skills gained by students on this programme are highly valued by employers from a range of industries.

Careers data is taken from the ‘Destinations of Leavers from Higher Education’ survey undertaken by HESA looking at the destinations of UK and EU students in the 2013–2015 graduating cohorts six months after graduation.

Why study this degree at UCL?

The departments contributing to this degree - History; English; the School of European Languages, Culture and Society; History of Art - enjoy outstanding international reputations for research and teaching.

We are strongly committed to the intellectual development of all our students; if you come to UCL, you will receive individual supervision from leading researchers in their fields.

Located in Bloomsbury, we are just a few minutes' walk away from the exceptional resources of the British Library, the British Museum and the research institutes of the University of London, including the Warburg and the Institute of Historical Research.

Research Excellence Framework (REF)

The Research Excellence Framework, or REF, is the system for assessing the quality of research in UK higher education institutions. The 2014 REF was carried out by the UK's higher education funding bodies, and the results used to allocate research funding from 2015/16.

The following REF score was awarded to the department: History

82% rated 4* (‘world-leading’) or 3* (‘internationally excellent’)

Learn more about the scope of UCL's research, and browse case studies, on our Research Impact website.



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Should translated literature be entirely faithful to the original text, or should the translation be creative in its attempt not to lose the poetry of the work? How can translation account for double entendre or other wordplay? Is it possible to translate experimental literature which ignores conventional grammar rules?. Read more
Should translated literature be entirely faithful to the original text, or should the translation be creative in its attempt not to lose the poetry of the work? How can translation account for double entendre or other wordplay? Is it possible to translate experimental literature which ignores conventional grammar rules?

Building on the internationally recognised expertise of both our Departments of Language and Linguistics, and our Department of Literature, Film and Theatre Studies, our MA Translation and Literature course will allow you to further specialise in literature and general translation. In the second term you will also learn techniques of professional literary translation. You develop your own personal translation skills, allowing you to translate a literary work accurately and creatively from one language to another for your dissertation.

Our course is offered with the combination of English and one of Arabic, French, German, Italian, Portuguese and Spanish. You can be a native or near-native speaker of any of these languages, as you learn to translate to and from both languages. You work with native speakers in developing your ability to move accurately and quickly between your chosen language and English.

Explore our hands-on, practical modules, including:
-Principles of Translation
-US and Caribbean literatures in dialogue
-Translation Portfolios
-Technologies of Translation

We are one of the largest and most prestigious language and linguistics departments in the world, a place where talented students become part of an academic community in which the majority of research is rated ‘world-leading’ or ‘internationally excellent’, placing us firmly within the top 10 departments in the UK (REF 2014)

Our Department of Language and Linguistics is ranked among the top 150 departments on the planet and our Department of Literature, Film, and Theatre Studies is ranked among the top 200 departments on the planet, according to the QS World [University] Rankings [2016].

If you want a global outlook, are interested in human communication, and want to study for a degree with real-world practical value in a world-class department, welcome to Essex.

Our expert staff

Our lecturers are skilled interpreters and translators, experienced in training students with the necessary skills for professional practice. We maintain excellent student-staff ratios with capped language-specific seminars.

Our lecturers come from around the world including France, Belgium, Germany, Italy, Brazil, Spain, Cuba, China, and the UK. They will share their expertise with you in the areas of professional translation.

Within our Department of Literature, Film and Theatre Studies, Professor Karin Littau specialises in book and film history, reception, adaptation and translation studies, and is especially interested in the effects of print, cinematograph, and computers on practices of reading, writing and translation. Dr Clare Finburgh has translated several plays from French into English, and worked as dramaturg for productions of British plays in France, and French works in the UK.

Specialist facilities

-24-hour self-access to our translation lab dedicated to translation students
-Use specialist software such as SDL Trados Studio 2015
-Meet fellow readers at the student-run Literature Society or at the department’s Myth Reading Group
-Access the University’s Media Centre, equipped with state-of-the-art studios, cameras, audio and lighting equipment, and an industry-standard editing suite
-Weekly multilingual workshops led by internationally renowned experts from the industry
-Our Languages for All programme offers you the opportunity to study an additional language alongside your course at no extra cost

Your future

If you love literature and languages and would like to acquire professional translation skills, then our MA Translation and Literature is for you. Takers of our courses in translation can use the skills gained to further their future career in this area.

You develop a range of key employability skills including researching, writing for specific purposes, and translation. Our course typically leads to a career in translation, but could also lead to a career in education, publishing and administration.

We work with the University’s Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Within our Department of Language and Linguistics, we also offer supervision for PhD and MPhil. We offer supervision in areas including language acquisition, language learning and language teaching, culture and communication, psycholinguistics, language disorders, sociolinguistics, and theoretical and descriptive linguistics.

Our graduates are successful in a wide variety of career paths. They leave Essex with a unique set of skills and experience that are in demand by employers.

Example structure

-Principles of Translation and Interpreting
-Technologies of Translation
-Dissertation
-Translation Portfolio I (French) (optional)
-Translation Portfolio II (French) (optional)
-Translation Portfolio I (German) (optional)
-Translation Portfolio II (German) (optional)
-Translation Portfolio I (Portuguese) (optional)
-Translation Portfolio II (Portuguese) (optional)
-Translation Portfolio I (Spanish) (optional)
-Translation Portfolio II (Spanish) (optional)
-Translation Portfolio I (Italian) (optional)
-Translation Portfolio II (Italian) (optional)
-Writing the Novel (optional)
-Memory Maps: Practices in Psychogeography (optional)
-The Tale: Tellings and Re-Tellings (optional)
-Dramatic Structure (optional)
-Literature and Performance in the Modern City
-Early Modern to Eighteenth Century Literature
-Georgian and Romantic Literature and Drama
-Adaptation (optional)
-Documentary and the Avant-garde: Film, Video, Digital (optional)
-Film and Video Production Workshop (optional)
-Advanced Film and Industry: Production and Industry
-US Nationalism and Regionalism (optional)
-African American Literature
-Sea of Lentils: Modernity, Literature, and Film in the Caribbean
-Writing Magic (optional)
-"There is a Continent Outside My Window" : United States and Caribbean Literatures in Dialogue (optional)
-Literature and the Environmental Imagination: 19th to 21st Century Poetry and Prose

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Why Surrey?. Our programme will build your confidence and technical ability in composing creative prose and/or poetry, while deepening your critical awareness of the cultural, literary and theoretical history of text production. Read more

Why Surrey?

Our programme will build your confidence and technical ability in composing creative prose and/or poetry, while deepening your critical awareness of the cultural, literary and theoretical history of text production.

Teaching is research-led, so you benefit from the individual expertise and passion of a vibrant, multidisciplinary group of published authors and academics, including our Poet in Residence and Distinguished Writer in Residence.

Programme overview

The MA Creative Writing programme will hone your research and writing skills to produce critically informed prose or poetry, and creative criticism. We will help you to locate your work in its literary and cultural context, and you will have the chance to reflect on your creative process and the finished work.

You will have access to a yearly calendar of events hosted at the University created to broaden your thinking, and develop your writing skills such as the Morag Morris Poetry Lecture, the annual Surrey New Writers’ Festival and the Surrey Poetry Festival.

The MA in Creative Writing provides a strong foundation to embark upon a career in writing, communications, publishing, marketing, advertising, journalism or teaching, or to undertake a PhD.

Programme structure

This programme is studied full-time over one academic year and part-time over two academic years. It consists of eight taught modules and an extended portfolio.

Example module listing

The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.

Educational aims of the programme

The MA Programme in Creative Writing will prepare graduates to undertake a PhD programme in the relevant field.

It will also provide students with the transferable skills of creative writing, critical thinking, textual analysis and communication that are attractive to a wide range of employers, from the cultural industries to marketing and advertising to tourism and leisure to the civil service and public/private partnerships.

It is designed to build confidence and technical ability in a variety of modes of imaginative writing, and to provide students with a clear-eyed grounding in contemporary and historical contexts of text production and circulation, including practical advice on the workings of the publishing industry.

Devoted to assisting students to understand and meet the challenges of producing high quality creative writing in poetry and prose, the programme also provides advanced understanding of the contexts, theoretical paradigms, methodologies and modes of interpretation that are vital in a full understanding of literary production.

The main aims are to:

  • Produce work that reflects a high level of technical ability and engages productively with its historical, cultural and literary contexts
  • Acquire sound knowledge of the major principles of literary criticism
  • Reflect on their own practice as literary critics and how this can help to improve their own creative practice

As a Master’s level programme, it also aims to instil in students the capacity for carrying out independent research.

Academics and events

As a student on this Masters, you will benefit from the expertise of a vibrant, multidisciplinary group of published academics and authors.

You will have access to a number of conferences, seminars and workshops hosted throughout the year. These events cover a range of topics to broaden your thinking in the fields of literature, language and linguistics, cultural studies and creative writing.

Writers to have recently visited the University of Surrey include:

Novelists

  • Iain Sinclair
  • Monica Ali
  • Jaspreet Singh
  • Nikita Lalwani

Poets

  • J.H. Prynne
  • Robert Fitterman
  • Allen Fisher
  • Gilbert Adair

Critics

  • Rod Mengham
  • Bernard O’Donoghue
  • Barbara Hardy

Each year’s cultural activities begin with the Morag Morris Poetry Lecture on campus by a visiting speaker and feature readings by students at the Guildford School of Acting.

The annual Surrey New Writers’ Festival and Surrey Poetry Festival – both affiliated with the Creative Writing programmes at the University of Surrey – aim to engage with writing and creativity in dynamic ways, and involve readings, book signings, performances, panel discussions and more.

This graduate program is delivered by the University's Creative Writing team, all of whom are published authors and poets:

  • Dr Paul Vlitos, Lecturer in Creative Writing
  • Dr Holly Luhning, Lecturer in Creative Writing
  • Dr Stephen Mooney, Lecturer in Creative Writing and former Poet in Residence
  • Dr Angela Szczepaniak, Lecturer in Creative Writing

Global opportunities

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.



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Why Surrey?. This programme encourages you to consider the relationship between literature from a variety of historical periods, regions, contexts and theoretical paradigms. Read more

Why Surrey?

This programme encourages you to consider the relationship between literature from a variety of historical periods, regions, contexts and theoretical paradigms.

You will benefit from the expertise of a vibrant, multidisciplinary group of published authors and academics and will have access to a full calendar of thought provoking literary events.

Programme overview

The MA in English Literature will equip you with a critical understanding of English literary studies, and the ability to reflect on significant questions: How have ideas about literature and literary value changed over time? What effects do innovations in printing and publishing have on writing? How much do political and social factors condition and define authorial identities and practices?

It is ideal for students wishing to pursue doctoral research, those who seek a broad overview of Anglophone literary culture, and those looking to develop expertise in specific literary areas.

Programme structure

This programme is studied full-time over one academic year and part-time over two academic years. It consists of eight taught modules and a dissertation.

On successful completion of the programme, students may go on to do the PhD in English literature.

Example module listing

The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.

Academics and events

As a student on this Masters, you will benefit from the expertise of a vibrant, multidisciplinary group of published academics and authors.

You will also have access to a number of conferences, seminars and workshops hosted throughout the year. These events cover a range of topics to broaden your thinking in the fields of literature, language and linguistics, cultural studies and creative writing.

Academics to have recently spoken at the University of Surrey include:

  • Rod Mengham
  • Bernard O’Donoghue
  • Edward Larrisy
  • Robert Hampson
  • Adam Roberts
  • Helen Hester
  • John Wrighton
  • J.H. Prynne
  • Robert Fitterman
  • Allen Fisher
  • Barbara Hardy
  • Gilbert Adair

They have been joined by novelists Iain Sinclair, Monica Ali, Jaspreet Singh and Nikita Lalwani, to name a few.

Each year’s cultural activities begin with the Morag Morris Poetry Lecture on campus by a visiting speaker and feature readings by students at the Guildford School of Acting.

Educational aims of the programme

The English Literature MA programme will prepare graduates to undertake a PhD programme in the relevant field.

It will also provide students with the transferable skills of critical thinking, analysis, communication, and textuality that are attractive to a wide range of employers, from the cultural industries to marketing and advertising to tourism and leisure to the civil service and public/private partnerships.

Devoted to the requirements and complexities of textual analysis and critical reading, the programme also provides advanced understanding of the contexts, theoretical paradigms, methodologies and modes of interpretation that are vital in contemporary literary studies.

The main aims are to:

  • Acquire sound knowledge of the major principles of literary criticism
  • Develop the critical language and terminology to carry out in-depth analyses of literary texts from across the diverse range of periods, areas, and approaches to the study of English literature
  • Reflect on their own practice as literary critics

The programme will help students to apply scholarly approaches to critically evaluate the major schools of literary criticism and literary theory in light of current and the possibilities of future development.

As a Master’s level programme, it also aims to instil in students the capacity for carrying out independent research in an area of literary studies.

Global opportunities

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.



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