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Masters Degrees (Documentary Film Making)

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The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking. Read more
The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking.

The programme is taught by award-winning filmmakers, internationally recognised film scholars and includes masterclasses from film industry professionals.

Visit the website https://www.kent.ac.uk/courses/postgraduate/343/film-with-practice

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the 2014 Research Excellence Framework (REF). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Course structure

This programme includes two dedicated film practice modules and a dissertation by Film Practice that includes the making of a fiction film. You also choose two modules from the existing Film MA to create a practice-theory mix that accommodates your own interests.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

FI819 - Digital Film Practice: Key Skills (30 credits)
FI820 - Independent Project Development (30 credits)
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History (30 credits)
FI815 - Film and Modernity (30 credits)
FI811 - Conceptualising Film (30 credits)
FI899 - Dissertation by Film Practice (60 credits)

Assessment

Assessment at MA level is 100% course work: that means you will be assessed through essays, treatments, project proposals, seminar participation and a dissertation by film practice.

Programme aims

The programme aims to:

- Develop the understanding and skills possessed by students entering the programme to a notably higher level of sophistication and achievement (appropriate to an M-level award) than would be expected at degree level, such that all leave the programme with a substantial analytic, critical and practice-based understanding of Film.

- Develop the ability of students to think independently, argue with clarity and force, initiate and complete creative work and to discern areas of research and practice-led research within the field.

- Provoke reflection on practical, critical and theoretical approaches to Film and its context.

- Nurture intellectual and creative skills through written work (essays, dissertations, treatments, scripts), creative practice (DV films) as well as in the context of interpersonal interaction (seminars, research papers, supervision, filmmaking processes).

- Develop existing and new areas of teaching informed by and in response to developments in film practice, research and scholarship.

- Provide an excellent quality of higher education

- Attract outstanding students irrespective of race, background, gender, and physical disability, from both within the UK and from overseas.

- Support national and regional economic success by producing graduates in possession of key knowledge and skills, with the capacity to learn.

- Provide opportunities for the development of personal, communication and research skills and other key skills appropriate for both graduate employment in industry or further study.

- Provide learning opportunities that are enjoyable experiences and involve realistic workloads, based within a combined research and practice-led framework

- Offer appropriate support for students from a diverse range of backgrounds

- Provide high quality teaching in a supportive environment with appropriately qualified and trained staff?

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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This unique MA programme is based in a university but run by leading film practitioners, ensuring that you not only receive the highest-quality practice-based learning, but you do so in a university research environment where you learn to understand the world we live in. Read more
This unique MA programme is based in a university but run by leading film practitioners, ensuring that you not only receive the highest-quality practice-based learning, but you do so in a university research environment where you learn to understand the world we live in.

Degree information

Students will learn to devise a visual research project; to apply anthropological and social science approaches to documentary film work; to think critically about the relationship between form and content in ethnographic/documentary practice; to master the technical skills needed to produce different kinds of films of different lengths for varied audiences; and to critically view and review film material.

Students undertake modules to the value of 180 credits. The programme consists of 1/2 core module(s) (45/60 credits), 2/3 optional /elective modules (30/45 credits) and a project/diary (90 credits).

Core modules
-Practical Ethnographic and Documentary Filming and Editing
-Students without a social science background at either undergraduate or Master's level also take Social Anthropology or another social science foundational module in Term One as agreed with the tutor.

Optional modules - students choose two of the following:
-Anthropology and Photography
-Documentary Film and the Ethnographic Eye
-The Story and I - Finding the Form and/or Time and the Staged Index
-One of the practical film-related options offered as part of Film Studies MA according to provision.
-One of the film history modules taught in the School of Slavonic & East European Studies (SSEES), or Departments of History or English, (for example, Russian Cinema in SSEES), details to be confirmed.
-An Anthropology or other social science module from the Faculties of Social & Historical Sciences, or Arts & Humanities.
-An Anthropology or other social science module from the Faculties of Social & Historical Sciences, or Arts & Humanities.

Dissertation/report
A major practical film project and diary allowing the students to demonstrate their mastery of the skills of documentary film-making in a film of 20–35 minutes.

Teaching and learning
The programme is delivered through a combination of practical tutorials, seminars and masterclasses and assessed by camera and editing exercises and a written piece.

Placement
We facilitate two types of placements. Firstly, we will enable short-term internships at the film companies with whom we already have relationships through Open City Docs. Secondly, we will offer all our students the opportunity to work on the collaborative film-making projects linked to MyStreet Films, such as the Doc in a Day workshops that have proved so successful.

Careers

The programme equips students for careers in:
-Mass media including broadcast, cinematic and web-based moving image.
-Film and TV industry as camera operators, producers, directors, editors, researchers.
-Academia – ethnographic research, visual media and culture.
-Marketing and research.
-Communication and other media.
-Archives, as well as cultural heritage organisations.

Employability
The increasing demand for social and scientifically trained moving image specialists in the years ahead will continue, if not accelerate. Many of the graduates of our existing programmes now work in organisations such as Ipsos Mori film unit, BBC World Service and BBC Education.

Why study this degree at UCL?

This MA will allow you to benefit from UCL’s unique position in the heart of London, and from the many activities in film within the Department of Anthropology. The programme is unique in using professional film-makers to teach within a truly pan-disciplinary university research environment.

UCL now houses London’s Global Documentary Film Festival, Open City Docs Fest, created by Professor Michael Stewart. You can participate in the curation and delivery of this festival; gain experience in the delivery of a major public arts event; and benefit from established partnerships with world-famous institutions such as the the Science Museum and the British Film Institute.

This degree will from 2017 provide three strands: the existing non-fiction cinema and reportage based documentary will be joined by a 'Future Docs' strand (including VR and interactive documentary production).

Other admission requirements

Applicants with prior technical knowledge of film making are asked to send a video portfolio of up to 20’ duration (Vimeo link recommended). Applicants without a video portfolio are asked to complete a photo essay. Please see our guidelines on how to make a visual essay. You can submit either by post - a maximum of twenty 20cm x 25cm (8'x10”) stills – or by link to an external site.

All shortlisted applicants will be asked to submit a proposal for a film or video project - to consist of no more than four sides of A4, typed and double-spaced. This should include: an outline of what the film is about; the characters and other elements crucial to the narrative and the film structure/narrative. (You are not committed to the proposal for the final project.)

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The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it. Read more
The programme offers a thorough grounding in postgraduate-level film and is suitable both for graduates in the subject and those new to it.

It is taught by experts in Film and seeks to engage you with the key elements that make up the diverse nature of film and moving images.

The programme allows you to spend your first term at our Canterbury campus with full access to its excellent academic and recreational facilities, before relocating to our Paris centre for the spring term, studying in the heart of historic Montparnasse.

Visit the website https://www.kent.ac.uk/courses/postgraduate/19/film-paris

About the Department of Film

The Film Department at the University of Kent is known for its excellence in research and teaching. It was ranked second in the UK for research power in the most recent Research Assessment Exercise (RAE). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.

Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campusbased film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.

In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

Studying film as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.

Modules

During the first term, you take two 30-credit taught-course modules from your chosen MA pathway. You then spend the second term in Paris, studying two modules from a choice which varies from year to year.

Modules available on this programme may include:
FI812 - Advanced Film Theory (30 credits)
FI813 - Film History: Research Methods (30 credits)
FI821 - Film and Modernity (Paris) (30 credits)
FI998 - Dissertation:GPMS (60 credits)

During the spring term you are free to construct your own programme from across the range of modules available, making it as focussed or as inter-disciplinary as you like. You have plenty of time during the autumn term to make informed decisions about your programme of studies in Paris.

You are encouraged to make full use of the city’s cultural resources and to integrate these into your studies which means you will be able to explore and discover connections between history, literature, the visual arts and other media.

Assessment

Assessment is by coursework and the dissertation.

Programme aims

The programme aims to:

- develop your understanding and skills to a notably higher level of sophistication and achievement (appropriate to an Master’s level award) than would be expected at degree level, such that you leave the programme with a substantial analytic and critical understanding of film and film studies

- develop your understanding and skills to the level necessary for entry into a research programme in film

- develop your ability to think independently, argue with clarity and force, to discern areas of research interest within the field and be able to frame viable research questions

- allow you to spend your first term in Canterbury, studying modules in film, and to spend your second term in Paris developing your interest in cinema within the context of city often seen to be central to the aesthetic developments of filmmaking and critical approaches central to the history of the discipline

- consider the impact of French critics and filmmakers on the wider discipline of film

- provoke reflection on areas of critical and theoretical approaches to French cinema and its context

- nurture the intellectual skills cited above in the context of written work (essays and dissertations) as well as in the context of interpersonal interaction (seminars, research papers, supervision)

- provide access to enhanced intercultural awareness and understanding through the opportunity to study in Paris

- provide opportunities for the development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector.

Research areas

Research in both theory and practice is currently centred in five broad areas:

- national cinemas – form and history: North American, European, Latin American
- the moving image in a digital context
- documentary film
- film aesthetics
- avant-garde and experimental cinema.

Centre for the Interdisciplinary Study of Film and the Moving Image
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.

Careers

Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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This programme supports students who wish to become professional documentary filmmakers and/or research academics. The MA in Documentary Practice provides the ideal creative production environment within a research-based postgraduate Film Studies department. Read more
This programme supports students who wish to become professional documentary filmmakers and/or research academics. The MA in Documentary Practice provides the ideal creative production environment within a research-based postgraduate Film Studies department. This combination of production professionalism and academic excellence is key to promoting intellectual, current, and socially engaged documentary makers.

* The Department of Film Studies at Queen Mary is an exciting and vibrant department.
* You will have the chance to take challenging courses in aspects of film history and theory.
* You will have the opportunity to learn practical production skills, and to put these skills into practice making documentary production.
* Our London location adds a large amount of value to the programme as we have links with the London Film Festival, BFI, local film festivals, East London Film Festival.
* Access to specialist film production equipment and the experienced practitioner staff, able to advise and support.

Why study with us?

We were placed 5th in the Times Good University Guide 2012 table for Communication and Media Studies, and are ranked 6th in the UK in the Guardian University guide for 2012. In the National Student Survey in 2009, Film Studies at Queen Mary ranked first in the UK for overall quality.

Documentary is becoming increasingly popular with both film and TV audiences due to recent successes in the genre such as Senna, Bowling for Columbine, and Supersize me. This programme will allow you to develop a career and skills in production, documentary making, or develop an academic career.

* The department is ideally situated in the heart of the East End, in an immensely exciting part of London, to our west, and to the Olympic Park emerging in time for the London Olympics in 2012 to our east.
* The teaching staff have national and international reputations in their fields. You will be taught by experienced filmmakers, as well as by leading academics in areas which cover many different periods of film history and which draw on films and cinema traditions from around the world.
* According to our students, the Film Studies degree programme offers an outstanding educational experience.
* Queen Mary's commitment to the best teaching and research is reflected in its strong performance in the National Student Survey.
* During your study you will be able to produce three individual documentary productions, each of twenty-three minutes in length (programme length for 30 minute TV broadcast).

Facilities

The Department of Film has its own postgraduate production company which produces documentary and fiction work, as well as its own studio facilities and state-of-the-art 41-seat cinema.

You will have access to facilities and equipment, including:

* Film studios
* Edit suites
* Professional production equipment

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This interdisciplinary programme is taught by staff from a wide range of departments at UCL, all international experts in the field of film studies. Read more
This interdisciplinary programme is taught by staff from a wide range of departments at UCL, all international experts in the field of film studies. Linguistic and cultural expertise informs our teaching on the film-making traditions of Europe, the Americas, the Middle East, Asia and Southeast Asia.

Degree information

The programme covers the history of cinema and a wide variety of world cinemas. It is designed to provide students with advanced knowledge of both the history of cinema and its contemporary developments, and with the skills, concepts, methods and theories required for the study of cinema and media at graduate level.

Students undertake modules to the value of 180 credits.

The programme consists of one core module (30 credits), three options (90 credits), a dissertation (60 credits) and a research methodology module (not credit bearing).

Core modules
-Moving Images: Technology, Forms, Receptions
-Reading and Research Films

Optional modules
-Ancient Rome on Film
-Film Exhibition
-Genre in Italian Cinema
-Hollywood Genres
-How to Make an 8-Minute Documentary
-New Argentine Cinema
-Nordic Cinema: Contextualising Dreyer, Bergman and Dogme
-Political Cinema
-Russian Cinema: Epochs and Genres
-Spanish Film
-The French New Wave
-The Idea of Documentary
-Theories and Practices of Film
-Global Cinemas
-Digital Media
-East and South Asian Cinemas

Dissertation/report
All MA students undertake an independent research project which culminates in a dissertation of 12,000 words.

Teaching and learning
The programme is delivered through a combination of lectures, seminars, tutorials, and film and video screenings. The core courses are assessed by essays and examinations, which together count for 20% of the final mark. Optional courses are assessed by essays (40%), and the dissertation makes up the final 40%.

Careers

Graduates from the MA in Film Studies have pursued various careers, including: academic research and teaching; careers within media arts (writing, directing, editing); print and media journalism; arts and museum management; multimedia authoring and digital design; film preservation and curating.

Top career destinations for this degree:
-Lecturer, SOAS, University of London
-Communication Officer, Camera Lucida Productions
-Head of Development, Clcada Bellweather (CB Productions)
-Media and Film Studies Lecturer, City and Islington College
-Programme Assistant, ICA (Institute of Contemporary Arts)

Employability
Former students of this programme have gone on to careers in education and publishing and a wide variety of careers in the media arts, including film production, festival programming, and film curation with organisations that include the BBC, the Barbican Centre, the Athens International Film Festival, and the London Film School.

Why study this degree at UCL?

Each year, we welcome students from all over the world to our Film Studies MA. Under the aegis of UCL's Centre for Multidisciplinary and Intercultural Inquiry (CMII), students spend a year amongst a thriving, cross-disciplinary community of cinema scholars and research students.

We have particular research strengths in film history, film theory, and in an exceptionally broad range of national and regional cinemas.

UCL has made a major commitment to refurbishing its multimedia infrastructure for the study of film and related media. This includes building a significant collection of print and visual materials and new facilities for teaching and for film and media screenings.

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This course will enable you to develop film production skills with both digital and analogue equipment, as well as knowledge of the theories of contemporary cinema. Read more
This course will enable you to develop film production skills with both digital and analogue equipment, as well as knowledge of the theories of contemporary cinema. The focus is placed firmly on developing clear and simple storytelling techniques that go beyond arbitrary formal categorisations of drama, documentary or genre. The course takes its inspiration from forms of cultural production that have challenged conformity, including the work of artists, musicians, painters and performers, and the movements of Italian neo-realism and the developing cinemas of Africa, Latin America, South Korea and Iran.

Key features
-This course encourages you to synthesise your personal experience, critical knowledge and craft skills to express yourself through moving pictures.
-Your studies will be split broadly into 75 per cent practice and 25 per cent theory.
-As well as the personal tutor scheme, we also run a pioneering peer-mentoring scheme in which recent MA graduates provide one-to-one assistance in the use of equipment and software.
-Staff on this course are practising filmmakers.
-The course is informed by practice and research in black music and cinema, neo-realist cinema, experimental filmmaking, performance and dance, storytelling, participative documentary and ghetto cinema.

What will you study?

You will study the basic principles of filmmaking, develop an understanding of the nature and potential of visual storytelling, and discover the importance of sound, lighting and the screenplay. You will also gain a sound knowledge of theories and ideas that can help in the interpretation of your own work and that of other filmmakers. You will produce a portfolio of moving-image projects to illustrate your technical ability in cinematography, sound recording, editing and writing/direction.

You will be able to use high-definition digital video camcorders, DSLRs and Macs running Final Cut Pro and Adobe Creative Cloud to apply classical and independent principles with contemporary technology; 8mm, super8 and 16mm film cameras are also available to explore analogue forms of filmmaking (students who wish to use our analogue cameras will have to cover their own stock and processing costs).

Assessment

Film production projects, critical journal, essays, and seminar presentations.

Course structure

Please note that this is an indicative list of modules and is not intended as a definitive list.

Core modules
-Film Making 1
-Film Making 2
-Film Making 3 (Dissertation)
-Film Writing
-Sound and Vision

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The NFTS has a tradition of enabling documentary filmmakers to find a distinctive voice that both prepares them for the Industry and makes their work a force for changing it. Read more
The NFTS has a tradition of enabling documentary filmmakers to find a distinctive voice that both prepares them for the Industry and makes their work a force for changing it.

Quick Facts:

2 Year Course
Full-time
Course runs Jan-Dec each year
Next intake: January 2017
NFTS Scholarships available for UK Students

Visit the website https://nfts.co.uk/our-courses/masters/directing-documentary

TO APPLY CONTACT REGISTRY - https://nfts.co.uk/contact-us

COURSE OVERVIEW

- Develop a personal voice.
- Put storytelling at the centre of your process.
- Study in a multi-disciplinary filmmaking environment.
- Shoot on digital formats.
- Unlike other schools, all production costs are met by the School.

This course commences in January each year. The goal of the course is to give our graduates the tools and the confidence to become successful members of the international documentary community. Our students have won the Grierson and Sheffield Student Awards two years running, IDFA and the Royal Television Society last year, and win prizes at the most prestigious festivals round the world: Sundance, IDFA, Hot Docs, Berlin, Sheffield and many others. The most important thing, however, is to prepare them for life as committed documentary storytellers, wherever that may lead.

In the UK, getting a first commission can be a daunting task but last year, for example, Marc Williamson, made a First Cut for Channel 4 from his Sheffield student award winning graduation film which this year won him the Grierson Prize for Best Newcomer. Some use the contacts they make in the last phase of the course, to put together deals with TV production companies and non-TV source as Sam Blair did with Adidas for his brilliant feature debut about sprinters, Personal Best. Since students direct and shoot five films in different genres during the course, many progress swiftly by using their unique skills to contribute to productions throughout the industry, like James Newton who won a Grierson last year as one of the directors of The Year the Town Hall Shrank .

TUTORS

Some of the UK's leading Documentary makers teach at the School, including internationally acclaimed directors Kim Longinotto, Sean McAllister, Asher Tlalim, Nick Broomfield, vastly experienced producer/directors Riete Oord, Ros Franey, award-winning cinematographer Roger Chapman, Rory Peck award winner Rodrigo Vazquez, the founder of Dochouse, Elizabeth Wood, Exec Producer of The Act of Killing, Andre Singer, and successful younger alumni like Lara Agnew, Sandhya Suri, Simon Chambers and Dan Vernon .

The department is led by Dick Fontaine who has directed over forty films for television and the independent media, has recently had retrospectives in New York, Paris, Barcelona and Sao Paulo and was nominated last year for a Grierson Award for his latest film.

ALUMNI

Graduates include Nick Broomfield who pioneered a powerful new genre in documentary: the filmmaker-as- provocateur (The Leader, the Driver and the Driver’s Wife, Aileen: Life and Death of a Serial Killer,and, most recently, Tales from the Grim Sleeper), Grierson Lifetime Achievement Award winner, Molly Dineen (Home from the Hill, The Lie of the Land), Kim Longinotto, whose inspirational films about women are celebrated at festivals around the world (Divorce Iranian–Style, Sisters in Law, and her new film Dreamcatcher), and Sundance winner Sean McAllister (The Liberace of Baghdad, The Reluctant Revolutionary) and many others who are making striking contributions in documentary on many different platforms.

CURRICULUM

YEAR ONE

Built around a series of four practical exercises, increasing in length and complexity, informed and inspired by relevant traditions. Each exercise isolates and focuses on the techniques and content of a specific documentary genre: observation, character–led narrative, image/sound poetry and investigation. Students collaborate in various combinations with editors, cinematographers, sound designers and composers and also work alone using digital video equipment.

YEAR TWO

Includes three projects: a graduation film in which students synthesise what they have discovered in the first year, and use it to confidently challenge conventional approaches to documentary: an MA dissertation in which they reflect on a practical question that has intrigued them during the course so far and a proposal/taster tape for a project to take into the professional arena.

The final stage consists of visits to film festivals, broadcasters, independent producers and other relevant institutions, together with seminars dealing with the commissioning process, legal requirements, finance and festival potential.

Unlike other schools, all production costs are met by the School including an above-the-line cash production budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

ENTRY REQUIREMENTS

Students come from a wide variety of backgrounds and have usually had some previous experience of filmmaking, though this may not be at a professional level. All have a strong social awareness and a keen desire to translate that awareness into stories told with a personal voice.

APPLY WITH

- A 20-minute film, conceived and directed by the applicant (on DVD). Please note: if you wish to submit a longer film, only the first 20 minutes will be viewed. If the dialogue is not in English, you should enclose a dialogue transcript in English.

OR

- A narrative photo essay consisting of 10 20cm x 25cm stills.

AND

- A written proposal for a different film of any specified length (on no more than 4 sides of A4, typed and double-spaced) which should include the basic premise, a description of the characters and locations and, most importantly, the developing narrative.

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MA in Film and Screen Studies offers a unique combination of critical and creative approaches to the past and the future of audiovisual media- http://www.gold.ac.uk/pg/ma-film-screen-studies/. Read more
MA in Film and Screen Studies offers a unique combination of critical and creative approaches to the past and the future of audiovisual media- http://www.gold.ac.uk/pg/ma-film-screen-studies/

The 21st century is when everything about the moving image changes.

MA Film and Screen Studies will equip you with skills and knowledge to address current transformations of moving image media in a globalised world, from the media in your pocket to architectural screens.

It explores both the old and the new, philosophy and history, theory and practice, to help you understand the challenges of the 21st century's culture of moving images, changing artistic and political contexts as well as ever developing technologies.

Innovative approach

What distinguishes the MA in Film and Screen Studies is its innovative approach to learning and research. It takes you well beyond the borders of traditional film studies. It encourages you to think critically and imaginatively, across media forms, disciplinary boundaries as well as conceptual and creative work.

You'll have the option of two pathways:

-Moving Image Studies Pathway
-Media Arts Pathway

Students taking the Media Arts pathway will have the opportunity to submit some work in non-traditional forms.

Globally renowned academics

Teaching and supervision draw on the diverse research strengths of the globally renowned academics at one of the world's leading media and communications departments, which also has strong traditions in audiovisual practice.

You'll be taught by scholars of international standing who have expertise in the interface between film criticism and creation; new screen technologies; in early cinema and the media archaeology of modernity; in artist’s film; and in non-fiction film (eg documentary and avant-garde).

Contact the department

If you have specific questions about the degree, contact Dr Rachel Moore.

Pathways

The MA offers two pathways:

MA Film and Screen Studies: Moving Image Studies Pathway:
The moving image media today are a concentrated form of culture, ideas, socialisation, wealth and power. 21st-century globalisation, ecology, migration and activism fight over and through them. How have the media built on, distorted and abandoned their past? How are they trying to destroy, deny or build the future? This pathway explores new critical approaches that address the currency of moving image media in today's global context – their aesthetics, technology and politics. It seeks to extend the boundaries for studying moving images by considering a wider range of media and introducing students to a wider range of approaches for investigating moving images' past and present.

MA Film and Screen Studies: Media Arts Pathway:
The most intense and extreme forms of media, experimental media arts, test to breaking point our established ideas and practices. From wild abstraction and surrealist visions to activist and community arts, they ask the profoundest questions about high art and popular culture, the individual and the social, meaning and beauty. This pathway explores these emerging experimental practices of image making and criticism. Students on this pathway are encouraged not just to study but to curate and critique past, present and future media arts by building exhibitions and visual essays of their own. Short practical workshops will enable students to make the most of the skills you bring into the course.

Structure

The MA consists of:

two core modules (60 credits in total) comprising one shared and one pathway-specific core module
option modules to the value of 60 credits
a dissertation (60 credits) on a topic agreed in conjuction with your supervisor (on the Media Arts pathway up to 50% of the dissertation can be submitted in audiovisual form)

Core modules

The core modules will give you a foundation to the subject. The shared core module in Archaeology of the Moving Image introduces current debates in film and screen studies through the key notion of media history.

Pathway-specific cores develop new ways of conceptualising the cinematic today, focusing respectively on the political aspects of media forms and styles in Politics of the Audiovisual (the Moving Image Studies pathway) and on artists' use of various screen media in Experimental Media (the Media Arts pathway).

Option modules

We offer a wide range of option modules each year. Below are some examples of modules that are currently running. For a full list, please contact the Media and Communications department.

Intercollegiate options

Students on the MA in Film and Screen Studies can also take one option from the MA Film & Media programmes at other University of London colleges. Please consult the Screen Studies Group website for further details of other programmes and the Film and Screen Studies Convenor at Goldsmiths for more details on how to take part in options at other colleges. Options taken under this scheme are deemed to count for 30 credits at Goldsmiths.

Assessment

The MA is assessed primarily through coursework essays and written projects. Practical modules may require audiovisual elements to be submitted. It will also include a dissertation of approximately 12,000 words.

Skills

You will develop skills enabling you to analyse, contextualise, historicise and theorise current and future developments in screen-based media and to communicate your ideas in written and, on the Media Arts pathway, in audiovisual form.

Careers

Possible careers include film and video distribution, film exhibition, museums, film and television criticism, new media criticism, new media art, and other jobs associated with screen culture, as well as further academic study.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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As part of this course you will produce a major, practical documentary project informed by contemporary debates and historical perspectives, having gained the practical skills via a firm grounding in digital video production and exploring photography and multimedia using industry-standard equipment. Read more
As part of this course you will produce a major, practical documentary project informed by contemporary debates and historical perspectives, having gained the practical skills via a firm grounding in digital video production and exploring photography and multimedia using industry-standard equipment.

You will cover all stages of documentary production - from initial proposal to final edit, learning how to research and write a documentary, and create and edit film.

Choose from video, photography and multimedia technologies, discovering new and unique features of each medium. Underpinning the strong practical element are the political, legal, moral and ethical issues informing contemporary production and exhibition.

Intermediate qualifications available:

• Postgraduate certificate – 60 credits at Masters level
• Postgraduate diploma – 120 credits at Masters level

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/documentary

Course detail

• Study an intensive specialist course in creative documentary, focused on practice informed by ideas, with access to state-of-the-art documentary film-making equipment and excellent links with industry professionals
• Explore a unique opportunity to study documentary practices in moving image, photographic and journalistic forms with opportunities to attend documentary festivals in the UK and mainland Europe
• Develop specialist knowledge of specific areas of the media and use the opportunities presented by your project work to enter competitions and make industry contacts
• Gain a qualification valuable to anyone seeking employment in the rapidly changing field of media: with the knowledge and skills to pitch ideas, write proposals, identify sources of funding and find appropriate avenues of distribution and exhibition of your work
• Benefit from a degree that prepares you for roles such as documentary producer, researcher or director, or qualifies you to continue to MPhil and PhD research degrees

Modules

• Documentary Practice
• Stills and Movies
• Production Research
• Practical Post Production and Digital Effects
• Documentary Project A
• Documentary Project B

Assessment

Assessment is an integral part of your learning. Your assessments will follow the pattern of teaching and learning.

As you complete each stage of your production we will give you feedback and give you advice on how to further develop and improve your work so that you can take it to the next stage. We will assess both the processes you use to produce work and the quality of the final production.

The media industry expects high quality work completed to absolutely fixed distribution deadlines. We will reflect this in our assessment of your work.

Careers

MA Documentary provides the opportunity for the committed student to engage with a range of industry relevant events, this includes professional practice seminars, developing documentary ideas into workable projects and visits to international festivals such as IDFA, British Shorts Berlin and Sheffield International documentary festival.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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This course offers you the opportunity to combine hands-on experience of film making to a professional standard with sound theoretical underpinnings. Read more
This course offers you the opportunity to combine hands-on experience of film making to a professional standard with sound theoretical underpinnings.

You will study with world-class practitioners and academic experts and your final project will challenge you to make a film, which can be a fiction, a documentary piece of work, or a hybrid – or research and produce a dissertation.

During your studies you will meet leading filmmakers, film editors and industry executives and you should acquire all the transferable skills and specialist knowledge to do well in your chosen career.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/creative-digital-film-production

Course detail

• Study with a dynamic and experienced team of acclaimed film-makers and published scholars on a course blending practice and theory
• Explore a range of areas including: cross-media approaches to story-telling, scriptwriting, production planning and development, digital film production, editing and post-production techniques, film history and theory
• Develop your industry network and future employment potential through meeting leading filmmakers, industry executives and academic experts
• Gain experience of making film to a professional standard, from scripting through to post-production and develop specialist knowledge of specific areas of the media - of particular value if you want to develop a career as an independent film maker or work in the television and film industries
• Benefit from a degree equipping you with a range of important transferable skills relevant to work in broadcasting, journalism, arts or media administration, governmental regulation of the media, research, marketing, sales and advertising or enable you to continue to MPhil and PhD research degrees.

Modules

• Practical Production Techniques
• Storytelling
• Insights and Interviews
• Film Analysis
• Practical Post-Production and Digital Effects
• Script to Screen
• Truth and Telling
• Project Development
• Digital Film Project

Assessment

The assessment philosophy of the MA in Creative Digital Film Production begins with understanding your individual starting position. Work will be diagnostic (often at the outset, as with proficiency in academic practice and writing), formative, summative and evaluative.

The procedures used for the assessment of your achievements will correspond with the knowledge, abilities and skills developed through your degree programme.

Careers

You will be encouraged to identify your strengths, interests and development needs in relation to the practices and conventions of both the media industry and of scholarship and research. You will also be encouraged to seek out active engagement with industry, which might lead to either freelance jobs or employment.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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Some of the most exciting work in contemporary film exists at the margins. Dare to be different. Challenge preconceptions about how films should be made and stretch the boundaries of your own practice. Read more
Some of the most exciting work in contemporary film exists at the margins. Dare to be different. Challenge preconceptions about how films should be made and stretch the boundaries of your own practice. Explore a range of idioms from documentary to animation within a supportive environment that will help you to sustain and develop your ideas through experimentation with images, sounds and texts. You'll learn by doing while you deepen your critical engagement with film-making.

Key features

Choose to study full time (one year) or part time (over two years) to fit in with your career plans or other commitments.

Benefit from the practical bias of this programme, giving you the time to develop further as a film-maker. You’ll have the freedom and scope to explore varied forms including documentary, fiction, animation and other experimental and innovative styles of film-making.
Hone and expand your practice with our impressive range of facilities including video resources, sound studios, editing suites, a 360 degree immersive theatre and cinema.

Join a lively interdisciplinary arts and research community where you’ll mix with staff and students from across the arts faculty, creating opportunities for collaborative work and multidisciplinary research. This includes students and staff in the areas of music, theatre, dance and creative writing.

Learn from highly skilled practitioners and scholars who are passionate about their subjects.

Take advantage of our stunning location in the South West. This natural resource will inspire your creative practice and provide varied settings for film-making with its rural and city landscapes, brooding moors and dramatic coastline.

Course details

Explore and exploit the imaginative energy and intellectual buzz surrounding the growth of low-budget and no-budget film-making. You’ll engage in practice-centred projects and produce a range of work in different forms from documentaries to animations. You’ll also consider how experimental film-makers address new audiences and create new constituencies, and how we talk about those practices that do not fit into existing exhibition venues and environments.

Modules provide a supportive context for working on your practical MA project. You’ll participate in critical screenings and discussions, work collaboratively with exterior organisations such as the South West Film Archive and production companies, and undertake two pre-production and development modules examining the relationships between ideas and technologies and how to generate creative ideas. In all modules there is an emphasis on tracing the relationship between theory, research, thinking and making.

Applying

The University aims to make the application procedure as simple and efficient as possible. Our Postgraduate Admissions and Enquiries team are on hand to offer help and can put you in touch with the appropriate faculty if you wish to discuss any programme in detail. If you have a disability and would like further information about the support provided by Plymouth University, please visit our Disability Assist Services website. Support is also available to overseas students applying to the University from our International Office via our how to apply webpage or email .

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This programme offers the opportunity to pursue an individual research project of your own choice (practice or theory) and engage with a wide range of approaches to independent and experimental film and video. Read more
This programme offers the opportunity to pursue an individual research project of your own choice (practice or theory) and engage with a wide range of approaches to independent and experimental film and video.

Designed for those who do not wish to take a taught MA and prefer to pursue a specific research project in film and video, this MRes addresses research issues and methods. It provides a grounding in research processes which are common to work generally in the arts, humanities, creative and cultural industries and related fields, and also explores research questions and methodologies which are specific to film and video – crucially as these relate to both practice and/or theory: students can decide to work in either a practice or theory mode or any permutation and combination of practice and theory.

The programme should particularly attract students who are interested in furthering their practice or theoretical knowledge in one of the following areas: artists’ film and video, experimental film and video (including fiction, documentary, drama documentary, animation); histories of autobiographical, experimental, avant-garde film and video; contemporary theoretical discourses about independent film (including film practice as research, film as philosophy); the study and use of archive film (including home movies) in different contexts and practices; the relationship of film and video to new forms of dissemination (with particular reference to the digital); collaborative projects involving different disciplines (eg performance); community-based and activist video.

Programme content
■ Critical screenings: mapping out the
interconnecting territories of independent
film/video making
■ Research in the arts and humanities:
development of generic research skills and
methods
■ Masters thesis: presenting a substantial
piece of work, either practice- or theorybased,
chosen by the student

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This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment. Read more
This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment.

The programme is informed by industry professionals and our academic team who are actively engaged in research, professional practice, film making and publishing. You will have the chance to develop the professional skills required by senior managers and professionals in the media and to cover the ethics, laws and regulatory frameworks that govern and affect the industry.

You will have the opportunity to develop your practical production skills in our Media Broadcast Centre. You will have the chance to tailor your learning to your interests and career aspirations by choosing to focus on the creative production of programmes in fiction, documentary or experimental forms across a wide range of media platforms.

How You Study

This course is designed to provide an educational context through practical workshops in production techniques, lectures and seminars, through which you will have the opportunity to develop an advanced level of creative, conceptual, technical, critical, organisational and research skills, all of which can be appropriate to employment in the media industries. Independent working engages with production projects, research and the completion of academic assignments.

Weekly contact hours on this programme may vary depending on the individual module options chosen and the stage of study.

Postgraduate level study involves a significant proportion of independent study, exploring the material covered in lectures and seminars. As a general guide, for every hour in class students are expected to spend two - three hours in independent study.

For more detailed information please contact the programme leader.

How You Are Assessed

Assessment is conducted using a range of strategies which include media productions, programme pitches, presentations, case studies and essays.

The University of Lincoln's policy on assessment feedback aims to ensure that academics will return in-course assessments to you promptly – usually within 15 working days after the submission date.

International students may require evidence of a media portfolio posted online.

Modules

-Final Project (MA Media, Film and Television Production)
-Human and Inhuman in the 21st Century (Option)
-Media Ecologies 1
-Media Ethics, Law and Regulation
-Media, Film and Television Production 1
-Media, Film and Television Production 2 & Final Project Pitch
-The Art and Craft of Film and Television

Special Features

Research
Media academics conduct internationally recognised research in a variety of topics, including Spielberg studies, film and medievalism, exploitation studies, and film and gender.

Industry Links
Many academic staff are current media practitioners who are engaged with professional bodies, such as the Royal Television Society, the British Society of Cinematographers and the British Association of Film, Television and Screen Studies, ensuring that course content is informed by the latest industry developments. BAFTA-winning television dramatist Neil McKay and documentary-maker Nick Gray are visiting professors in the School.

Visiting Speakers
Students on this course have the opportunity to hear from visiting guest speakers from many parts of the Film and TV industries. See here for details: http://www.lincoln.ac.uk/home/fm/abouttheschool/visitingspeakers/

Facilities
Students are based in our award-winning Media and Broadcast Production Centre, a specialist production environment with television and radio studios, video and audio editing suites, digital imaging, design and multimedia suites, a sound dubbing theatre, writers’ room, green screen room, colour finishing facility and photography studio.

Career and Personal Development

This programme aims to provide students with the opportunity to develop the high-level technical skills and knowledge required to establish careers in the media, film and television industries in roles including programme making, post-production and project management. Some students may choose to pursue careers in teaching or undertake a research degree at doctoral level.

The University Careers and Employability Team offer qualified advisors who can work with you to provide tailored, individual support and careers advice during your time at the University. As a member of our alumni we also offer one-to-one support in the first year after completing your course, including access to events, vacancy information and website resources; with access to online vacancies and virtual and website resources for the following two years.

This service can include one-to-one coaching, CV advice and interview preparation to help you maximise your future opportunities.
The service works closely with local, national and international employers, acting as a gateway to the business world.

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The course teaches you how modern filmmakers make feature length projects and offers practical experience of making such projects. Read more

COURSE STRUCTURE AND CONTENT

The course teaches you how modern filmmakers make feature length projects and offers practical experience of making such projects. We cannot guarantee that your project will get made and your success in academic terms will not depend upon you having completed a feature (although we are confident that many students will achieve this).

All students will graduate with a wealth of professional contacts, a stunning showreel, a fully developed feature film project and the knowledge and contacts for how to get ahead in the film business.

The aim is that at the end of the MA in Feature Filmmaking you will have received a through education in the needs and techniques of the micro -budget film business and have the skills to be able to negotiate favourable terms for your current (and future) feature projects to be distributed.

TEACHING METHODS AND RESOURCES

This MA is taught in an executive format of intensive workshops and seminars. You will be based at Bath Spa premises in Bristol and at the University’s Corsham Court Centre in Wiltshire. These offer studio facilities and the latest editing software, lights and video cameras including Sony F3 and Canon DSLR 5D and 7D, together with first class tutorial and lecture rooms.

You should expect to work 12-14 hour days for six days a week when filming and editing. It is expected that most productions will involve 4-6 weeks for principal photography. The projects will then go into a period of editing of 10-12 weeks to arrive at a version of the film that is suitable for screening to distributors and agencies to seek further completion funding.

MODULES

Workshop modules: These are practical and creative filmmaking workshops, which will give students the techniques for feature film production for low budget film production. In workshop modules students will be taught by BSU academic staff, with experience in documentary or drama production, and/or by industry professionals.

Context modules: Context modules are offered in the belief that filmmakers will only reap the rewards of their creative skills if they have an adequate understanding of the industry, the financial and legal frameworks and the operation of these systems. These are not modules that would be covered in an MA in Film Studies as they relate entirely to the business functions of the industry although you will investigate the power and dominance of the Hollywood studio system and its impact on narrative, for example. However you will then apply this knowledge to alternative funding models and tax regimes that European countries have adopted to combat Hollywood’s dominance.

Feature development workshops: There will be two script/development workshops and up to 4 hours 1.1 mentoring during this period. Students on the part-time route will have the opportunity to collaborate on productions being filmed by full-time students during this period.

Practicum: This double module is where theory and practice come together in the production and postproduction of a feature length project.

• FM7001 From Script to Screen – low budget production techniques (Workshop): This module will introduce and explore practical and creative techniques, approaches and strategies of low budget feature documentary and fiction production. This gives an over view where key skills are developed building on students’ previous knowledge. Each student will refine their personal project during this module by learning advanced editorial, scripting, stylistic approaches to feature film production.
• FM7002 From Pitch to Production - the international film business (Context): To compete in the global film business low budget practitioners will be required to understand the historical development business systems, procedures and models that influence the contemporary global film business. This model will allow filmmakers to understand how and why the Hollywood model still dominates feature film production.
• FM7003 Planning for Success – pre-production (Workshop): This module builds on the first two modules to give students the ability to further develop/rework/alter their main project in the light of the insights into low budget cinema techniques and how the international film business operates.
• FM7004 Finding an Audience – distribution techniques (Context): This module will give the students a thorough grounding in the theory and practice of contemporary marketing theory and practice as applied to film. The module will introduce traditional marketing theories and strategies on marketing communications, consumer behaviour, direct marketing and customer relationship marketing. It will then update these approaches with a focus on digital marketing techniques that use social networks to build networks of advocates prior to release that can produce a marketing momentum that allows low budget films to compete against Hollywood’s blockbuster marketing clout.
• FM7005 Production & Postproduction (Practicum): This module is the culmination of the previous four modules. In this 16 week module students will turn their projects into a feature length production, building on the insights they have learnt over the course. The projects will normally need to be completed to an ‘off-line’ standard with a stereo mix.

COURSE ASSESSMENT

Students will be assessed through continuous assessment. Assessment tasks will be varied , including group presentations, script development evaluations, industry reports, production folders, marketing reports and feature film project.
Your final mark for the production module will reflect the quality of the final submission and amount of input you have put into the combined project either as a producer or director. Your tutors will evaluate your creative and physical input to the project and your course based on your journals, tutorials, other students’ submissions and any other submissions. In this sense a well-produced project can be awarded a distinction to the producer even if the director achieves a pass for his or her work.

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Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd. Read more
Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd.

Overview

No matter what experience you have of filmmaking, our course will develop your knowledge of factual UK TV and digital media content production, and your creative skills, to an advanced level. Along the way, you’ll make seven films of different lengths and write a dissertation on a media subject that excites and interests you.

Focusing on two key roles, the director and the producer (which in current factual programming are merged into one), you’ll explore the dynamics of this ever-changing industry, and what it takes to succeed. You’ll learn to become a visual storyteller, a communicator, a collaborator, a motivator and a problem solver. You’ll also develop skills in scheduling, production managing, budgeting and marketing programmes. Although the emphasis is on factual programming, there is scope and flexibility to develop more creative films.

With specialist technical workshops on camera operation, sound, lighting and editing, you’ll develop professional skills in screen-based production. This will be supported by tutorials, diary work, and independent research, giving you a strong critical and contextual grounding for your practical work.

You’ll be encouraged to collaborate with other students on this course and others, becoming a flexible media professional who can produce and deliver high-quality video content for many different clients.

All our teaching staff have backgrounds in the film and television industries, and they're supported by industry specialists and visiting lecturers.

Teaching times:
Trimester 1: Wednesdays & Thursdays, 10am - 1pm (full time); Wednesdays, 10am - 1pm (part time).
Trimester 2: Wednesdays 10am – 4pm, Thursdays 10am – 1pm (full time); Wednesdays 10am – 4pm (part time).
Trimester 3: Tuesdays 10am – 12pm for 4 weeks & then tutorials by arrangement (full time).
Trimester 4: Thursdays 10am – 1pm (part time)
Trimester 5 & 6: Tuesdays 10am – 12pm for 4 weeks & then tutorials by arrangement (part time)

Careers

Our course will prepare you for a career in TV or in the broader media, and help you to decide which areas of the industry attract you the most. Although the emphasis is on directing and producing, you might choose to move into cinematography, production management or even television programme sales once you graduate. You might also develop a particular interest in observational documentary, natural history films or science programming, and decide to follow a career in these fields.

Here at Cambridge School of Art, you’ll gain specialist skills that will be useful for traditional, experimental and creative documentary making, or films for education, training, public relations, current affairs, marketing and campaigning. Our course will prepare you to forge a portfolio or freelance career, and give you the ability to make high-quality content for broadcast, web, film festivals or cinema.

Core modules

Process and Practice as Research
Visual Storytelling
Understanding the Audience
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

You’ll demonstrate your learning, and ensure you’re developing the knowledge and skills to complete the course, through:
• Producing and directing films of different lengths and styles
• Working in a team on a TV Studio production
• Written production analyses and reflective commentaries
• Essays
• Filming schedules & budgets
• Film pitches
• Final Masters Project: this film is your “calling card” for the industry

Your assignments are usually submitted at the end of each term. You’ll also be assessed informally and given feedback during the term to help you achieve to the highest level. Feedback could be on a film, a presentation or group participation; it will be given by your tutor and your fellow students.

Events

Our Wired events are specialist lectures and workshops run by industry professionals, where you’ll learn about up-to-date practices and get invaluable advice. Our past speakers have included Sean Bobbitt (cinematographer: 12 Years a Slave, The Place Beyond the Pines, Hunger), Peter Strickland and Nic Knowland (director and cinematographer: Berberian Sound Studio), Cilla Ware (freelance drama director of Silk, Spooks, Primeval), Kathy Lee (film editor: Abuelas, A Letter to Dad), and Larry Sider (sound designer, The Piano Tuner of Earthquakes, Mirrormask).

Our Creative Front Futures events, run by Creative Front Cambridgeshire, will give you a broader taste of the creative industries, and let you find out more about the world of film and television production as well as explore other career options.

You’ll also get first-hand experience of the industry at informal work placements throughout the course and benefit from our close links with Cambridge Arts Picturehouse, where we hold regular student and industry events.

Specialist facilities

When shooting your projects you’ll benefit from our fully-equipped TV studio with full lighting rig; professional-standard gallery; mixer; autocue; multi-purpose scenic backdrops suitable for current affairs, magazine programmes and dramas; a large four-waller film stage with overhead lighting, tracks, dollies and green screens and sets for flats; a full range of HD and SD location cameras (including Steadicam); location lighting; and sound-recording equipment.

For your post-production work you’ll get access to over 30 Final Cut editing suites, Pro Tools and the Adobe Creative Suite master collection. You’ll be trained on all our equipment by a team of experienced technical staff, who also maintain and manage the facilities.

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