This MA gives practitioners and theorists the opportunity to research and develop the new boundaries of image-making made possible by technological change within the context of post-industrial culture.
This programme joins theory and practice, equipping you to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.
The programme allows for specialisation in photography and/or electronic arts – which, in addition to still photography, can include interactive, durational and internet work – but encompasses a broader interpretation of practice.
You'll look at the meaning, production and distribution of images, and the relationship between theory and practice in the context of debates about post-modernism and beyond.
You also participate in enabling sessions in photography:
and/or in electronic arts:
There is an MRes which follows the MA into a second year, in order to develop your work/voice. This will count as the first year of a PhD. Find out more about the MRes.
This programme uniquely joins theory and practice in a way that will equip you with the tools and the vision to develop and achieve highly effectively in the new image media culture. Practice uses both digital and analogue technology, still and durational as well as the study and production of interactivity.
You will study
The programme draws on a broad range of cultural references and technical practices. It offers the opportunity to take stock of evolving practices and developments in image media culture, and is structured to develop the intellectual imagination within each individual student. This is achieved through a combined study of practice and theory, with extensive instruction through ‘enabling sessions’ which engage technical familiarity; core tutorials; secondary tutorials; Issues in Media and Culture and additional theory course options.
Recognising the rapidly changing definitions and context of these practice areas,and the value/positioning of traditional practices, these categories may also be understood through a variety of practices which involve image construction and presentation both still and durational, including: film/video, animation, interactivity, installations, motion graphics, and hyperspace constructs, as well as evolving new exploratory categories.
The programme provides an opportunity to develop and/or research aspects of visual style, and draw on a broad range of cultural references as well as aesthetic and technical approaches engaged through ‘Practice Theory Sessions’, visiting lectures and the Issues in Media and Culture course. Fundamental to the programme is the space that it creates to make it possible for you to explore, question, change and consolidate your work and your ideas.
Original portfolio submission; coursework and essays.
This course is interested in the development of the individual voice. To this end, there are two types of tutorial:
You'll develop specific practice skills to a high level, and the articulation/understanding of the pleasures of media consumption.
Graduates from the programme are extremely successful, with finalists working commercially, developing as artists or continuing to enlarge their academic knowledge. During the course particular attention is given to the development of the individual voice. This, plus students' exposure to a range of technologies, means that our graduates can step into the arena of their choice, or sometimes of their making.
Here are just some examples of the sorts of careers graduates have gone onto:
Find out more about employability at Goldsmiths.
This MA will consolidate your skills in narrative moving-image making to the level of Director of Photography. You will develop your visual storytelling ability during workshops and subsequent application in the context of live filmmaking projects.
This Masters, a pathway of the MA Filmmaking, is housed in a new purpose-built media facility equipped with state-of-the art teaching spaces including film and photography studios equipped with Arri lighting and Greenscreen, Avid Media Composer, Final Cut Pro and Adobe Premiere Film Editing, Animation, Digital Special Effects, Pro Tools Audio Postproduction and Foley suites.
We work with a range of digital formats from high-end cinema cameras like the Red Epic to smaller, flexible units like the Black Magic. You will additionally benefit from the discipline of working on Super-16mm film.
You work on at least one film per term in your specialist role, culminating in a major production towards the end of the degree. In addition to your specialist area, you attend classes in related disciplines such as Film Directing and Editing and collaborate with students across specialisations on film projects. This framework is designed to stimulate collaborative practice by providing you with a breadth of filmmaking knowledge combined with a high level of expertise in your chosen filmmaking discipline.
Experienced tutors such as the highly-regarded Witold Stock (Close My Eyes, Murphy’s Law, Best) and industry guests provide expert guidance designed to enhance the flow of your individual research, experimentation and artistic achievement.
At the same time, you advance your collaborative skills by working in teams on a variety of scheduled films across the year. You leave the course with a diverse portfolio of moving-image work that spans fiction, and documentary as well as hybrid and experimental genres.
You will learn sophisticated lighting and gripping techniques, and you perform all camera department roles from Director of Photography to Camera Operator, Focus-puller, Gaffer, Camera Assistant, Spark and Grip.
For two terms you will spend a full day a week in specialised contact with your specific programme convenor, plus a further day in Screen Lab working with colleagues across the programme in a Talent Campus-style project-led learning structure with:
You will also have a variety of research projects to undertake, as well as other module options.
The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.
You will also advance your collaborative skills by working in teams with fiction and documentary producers and directors and sound and edit students, on a variety of projects and at least three scheduled films across the year.
You will leave the programme with a diverse portfolio of moving-image work that may span a variety of formats – music video, web series drama, documentary, campaign/commercial, experimental art pieces and feature-scale short fiction films.
Screen School options
As well as your Cinematography specialism, you will undertake three short courses to enhance your other skills and critical approaches.
If you are passionate about fashioning an exciting career for yourself as a cinematographer in an environment that promotes innovative filmmaking, this course is for you.
On completing the programme you will be equipped to enter the global job market, armed with an enhanced understanding of your practical, intellectual and creative capacities as a cinematographer.
Possibly the most important skill we furnish you with is the rigorous discipline of working collaboratively under pressure as part of a creative team on challenging projects.
In addition to your practical filmmaking skills, we enable you to develop a variety of transferable intellectual, organisational and communication skills to equip you for a broad range of employment opportunities across the arts and media landscape (film, television, online, the creative arts, advertising and related hybrid forms).
Recent alumni are active in the film, media and cultural industries around the world as:
Find out more about employability at Goldsmiths.
The general objective of this programme is to communicate an anthropologically-informed understanding of social life in both Western and non-Western societies. By confronting students with the remarkable diversity of human social and cultural experience, its aim is to encourage them to question taken-for-granted assumptions and to view the world from a new perspective.
Through a set of core modules, comprising about a third of coursework credits, students are provided with a comprehensive grounding in classical as well as contemporary debates in social anthropology and are introduced to the distinctive research methods and ethical positions associated with the discipline. Students then complete their coursework credits by choosing from a broad range of around 50 different modules offered around the Faculty of Humanities. Through these options, students apply the social anthropological theories and methods learnt on the core modules to particular substantive themes and topics. Diploma students complete their coursework in May and formally graduate in July. Over the summer vacation, MA students carry out research for a 15,000 word dissertation that is submitted in September. They then would normally expect to graduate formally in December.
Most of the coursework optional modules have been organized into pathways based on particular themes and topics. Go to the Study Details tab for more details on the Visual and Sensory Mediapathway. Pathways are designed to ensure both an academic and timetabling fit between the options. Students are encouraged, on the basis of past experience and/or future goals, to select a pathway shortly after registration in consultation with the programme director. MA students' dissertation topics will normally also relate to this pathway. In addition to the Visual and Sensory Media pathway, there are currently six others.
Please note that it is not compulsory to select a pathway and all students will be awarded the same generic degree, MA in Social Anthropology
In each semester students take a small number of 15 credit core modules, and a selection of optional modules that they choose shortly after arrival. Many optional modules are worth 15 credits, though some are worth 30 credits. In total, students are required to achieve 120 coursework credits. Over the summer vacation, students are required to write a dissertation which is worth a further 60 credits.
Some 50 optional modules are available, not only in Social Anthropology but across many other disciplines in the Faculty of Humanities, including Visual Anthropology, Archaeology, Museum Studies, Latin American Studies, Development Studies, Drama, Sociology & History. Drawing on this broad range of disciplines, a number of pathways have been devised in order to maximize the academic & timetabling coherence of the options chosen by students.
The Visual & Sensory Media pathway draws exclusively on modules offered by Social Anthropology & the Granada Centre for Visual Anthropology.
In each semester, students take two 15-credit core modules, & up to 30 credits of optional modules. Many optional modules are worth 15 credits, though some are worth 30. In total, students are required to achieve 120 coursework credits. Over the summer vacation, MA students write a dissertation worth a further 60 credits.
Most modules are assessed by means of an extended assessment essay. Typically, for 15 credit modules, these must be of 4000 words, whilst for 30 credit courses, they are normally of 6000 words. But certain options involving practical instruction in research methods, audiovisual media or museum display may also be assessed by means of presentations &/or portfolios of practical work. The dissertation that MA students are required to submit is normally 15,000 words though this may be reduced in length if work in other media is presented in conjunction with the written text.
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
Past graduates of the MA in Social Anthropology have gone on to many different careers both inside and outside academic life. As it is a 'conversion' course aimed at those who want to explore anthropology after undergraduate studies in another field, or at least within a different anthropological tradition, it often represents a major change of career direction, opening up a wide range of different possibilities.
About 20% of our graduates carry on to do a doctorate, be it here or elsewhere. But the MA in Social Anthropology also represents a very appropriate preparation for careers in which an informed awareness of the implications of social and cultural diversity are important. Some past students have been drawn to the voluntary sector, either in the UK or with development agencies overseas, others have gone on to work in the media or cultural industries or in education at many different levels. Others again have found opportunities in business or the civil service, where ethnography-based methods are increasingly popular as a way of finding out how people - from consumers to employees - interact with their everyday worlds.
The MA in Social Anthropology also trains students in a broad range of transferable skills that are useful in many walks of life, including social research methods and the ethics associated with these, effective essay-writing, oral presentational skills in seminars and other contexts, basic computing skills, using the internet as a research tool and conducting bibliographic research.