Our newly designed programme takes account of twenty-first-century developments in the field, giving students a trans-historical and often multi-disciplinary research approach to a set of broad, founding concepts and making sure they are up-to-date with the evolving digital focus of recent research in English studies. Our research specialisms include American studies and the literary periods Early Modern, Victorian, and Modern and Contemporary.
Additional areas of expertise include linguistics, Irish studies, drama, and the history of the book. We guarantee all students that each module will include components relating to our stated research specialisms.
Alongside our flagship ‘Research Mentoring’ module—where students work under the mentorship of a range of literary experts, studying the research they are currently undertaking – this allows students to follow a specific specialism through their MA.
Study areas include resources for advanced research, research mentorship, icons and iconoclasts, boundaries and transgressions, texts and technology, and a dissertation.
See the website http://www.lboro.ac.uk/study/postgraduate/programmes/departments/arts/english/
This is not a conclusive but typical structure of the programme.
- Icons and Iconoclasts
This module considers issues in literary history, particularly those of canonisation, the politics of reputation, fashion, and posterity, and the processes by which certain writers and texts become culturally embedded and certain others do not. It also examines ideas of formal and generic convention and reception history. In seminars, students will look at either a single text (which could be ‘iconic’ and canonical, ‘iconoclastic’ and unassimilated by cultural institutions such as universities, or a text which is deemed canonical despite its apparent rejection of convention, respectability, etc., e.g. Ulysses), or pit an ‘iconic’ and an ‘iconoclastic’ text against each other. The module will be driven by authors and texts rather than by overarching theoretical considerations. For example, one could read an H.G. Wells scientific romance' such as The Time Machine (1895) against a less well-known example of Victorian or Edwardian science fiction, or pit a familiar early modern drama alongside one which is less often studied or performed. The course will fashion a series of dialogues between writers, texts, history and audiences. These dialogues will range across historical eras appropriate to the research interests of staff teaching on the module, so coverage may vary from one year to another.
- Resources for Advanced Research
The module aims to introduce students to a range of different research methods; develop their research skills to Master’s level; and enhance their library skills. It also aims to introduce them to different ways of engaging in research cultures appropriate to the focus of their studies; enable them to develop a research profile; and gain skills in the presentation of their research. The module prepares students for the Dissertation module and aims to provide them with skills useful for disseminating the results of their dissertation after they graduate.
- Research Mentorship
From a list of available faculty, students choose four staff members (mentors) to work with in three-week blocks throughout the semester. They study what the staff member is currently researching, giving them a unique insight into current research as it happens. The process is one of mentorship and academic shadowing. The reading is likely to be a mixture of primary and secondary texts, and potentially an introduction to specific research questions and methodologies. Staff will be offered in groups, e.g. for every three weeks, there should be between three to five members of staff to choose from and, as far as possible, there will be a spread of expertise so that students can follow an area of faculty research specialism as much as possible. This may include the early-modern, Victorian, or Modern and Contemporary literary periods, American studies, or Irish Studies.
- Boundaries and Transgressions
This module aims to identify and explore forms of transgression in a wide range of written texts from the early modern period to the present. Working with members of staff with a variety of research specialisms, students will assess what is at stake – aesthetically, culturally and ideologically – in boundary-crossings of very diverse kinds. ‘Boundaries and Transgressions’ will be issue-led, analysing some of the conceptual, temporal and spatial crossings performed by literary texts. This module offers students an exciting opportunity to consider mutations in literary transgression during some four hundred years. Cultural boundaries will appear as violated rather than safely policed (as when gender divides break down, or the body and the mind mingle promiscuously, or the human is entangled with – not shielded from – the animal). Elsewhere, the module will explore texts that cross periods (writings in which, for example, Victorianism and modernism interweave) or range across plural geographies (American literature, say, that refuses a posture of national autonomy and traverses the Atlantic or the Pacific).
- Texts and Technologies
This module focuses upon how texts and technologies have developed in intertwined manners. As technology changes, so can texts, their modes of distribution, their social and cultural significance and influence, and their manner of being collected, stored, and accessed. The module seeks to explore how texts and technology have influenced each other in different historical periods; to examine the response to communication technology in literary and theoretical texts; and to trace fundamental changes in literature and literary research brought about by radical technological developments such as the printing press, the internet, digital analysis, and digital data storage. How do changes in technology alter the way we experience texts and how we use them?
The module enables students to initiate, devise, develop and successfully complete a research-based dissertation, and to further their knowledge and practical experience of research methods and techniques in English Studies. Students will identify an area of study that they would like to develop further. The module will consist of independent research, but students will meet with, and receive oral and written feedback from, an individual supervisor. The supervisor will give guidance on the subject matter, focus, structure and research area of the dissertation. Between Easter and the end of semester they can submit up to 5,000 words in draft form for comment and discuss the development of their chapters with their supervisors. Students will then work independently after the end of the semester to produce a 15,000 word dissertation.
Careers and further study
This programme meets the needs of students seeking to qualify for entry to a research degree, teachers of literature and those wishing to update their knowledge or develop their own research skills.
Why choose Arts, English and Drama at Loughborough?
The School of Arts, English and Drama is renowned as one of the world’s top places for studying the visual, literary and performing arts, offering outstanding opportunities across its wide remit. Each course is designed to inspire talented individuals with the drive and determination to succeed.
We provide many exciting ways to enhance skills, including research-led teaching by recognised international scholars, access to multi-million pound facilities, contact with prominent industry links, and superb entrepreneurial support.
A unique range of post-graduate taught programmes and research opportunities encompass art, design, history, theory, performance, postmedieval literature, linguistics studies.
We offer a unique range of postgraduate taught programmes and research opportunities which encompasses art, design, theory, performance by practice, post-medieval literature, creative writing, linguistics and theatre
Our students have full access to our state-of-the-art facilities, which offer a tantalising number of creative possibilities. They provide industry standard outputs, and you will receive an unparalleled level of professional training in using them.
- Career Prospects
Over 92% of our graduates were in employment and/or further study six months after graduating. Our students develop excellent transferable skills because of the range of topics studied on our courses and the diversity of teaching and learning methods we use.
Find out how to apply here http://www.lboro.ac.uk/study/postgraduate/programmes/departments/arts/english/
Upper second class (2:1) honours degree or equivalent in English, Drama or a related subject