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MA Scriptwriting


Course Description

This is a professional training course for working writers. Most scriptwriters work across several media, and the course reflects this. All our tutors are award winning writers with an insight into what it takes to make it in the industry. We aim to turn out writers who understand the structure and craft of drama, have a finished script they can use as a calling card, know the industry in all its variety, and can pitch and sell their work.

The MA is taught in seventeen weekends of intensive workshops. It is not, however, ‘low residency’. There are as many hours of teaching as on Bath Spa University’s established MA in Creative Writing.

The course is taught at our beautiful Corsham Court campus where we have state of the art performance, capture and editing facilities. Our students also have opportunities to see their work for the stage performed and to shoot excerpts from their screenplays. We work closely with the School of Music and Performing Arts, and their students will have the opportunity to help act in and produce our work.

Although this is an intellectually challenging postgraduate course, there is no ‘academic’ side detached from the working side. Everything theoretical is geared to help the students as writers.

The MA in Scriptwriting also offers each of its students a free copy of Final Draft scriptwriting software, a must for professional Scriptwriters.

COURSE STRUCTURE AND CONTENT

The course is full-time from October to September, or part-time over two years, and is taught in modules. The first trimester runs from October to January and there are two modules, each delivered in three intensive weekends.

One is the module on Dramatic Structure. This aims to give you an understanding of the full range of ways that plays and scripts can work. You are introduced to dialogue, character, genre, and the different media. But the emphasis is on how to tell a story - a well made plot. Students will read and view widely, but the academic side is not separate from the working side. This module is to help you write.

The other module in the first trimester is a workshop in Writing Theatre and Radio. This is delivered in three intensive weekends. All of the time is devoted to the students’ own work, and much of the time we work on our feet. At the end of the trimester each student finishes a 45 to 60 minute play or radio script, and a 3,000 word essay that explains the structure of that script.

The second trimester, from February to June, also has two modules. One is Professional Skills, again over three intensive weekends. All our experience is that the ability to write alone is not enough to make your way in the various industries of theatre, television, film and radio. You also need to be able to pitch, and to talk intelligently and flexibly about your own work and others’. One of our tutors facilitates this module, and various industry professionals come in for a day each to inform, rehearse and challenge you.

The other module this trimester is Workshop in Screenwriting, also over three weekends. Here you write a script for film or television. We pay particular attention to genre, to the visual and time requirements of the screen, and to writing for particular markets. At the end of this trimester each student finishes 50 to 60 minutes of TV, or a short film script, or a treatment for a full-length film plus at least 45 minutes of polished script.

The third trimester runs from June to the end of September. Here there is only one double module, the Final Script Workshop. The workshops meet over five intensive Saturdays.

In this module each student writes a full length play, a full length film script, or the equivalent in television or radio. This script can be a development and reworking of earlier pieces, but will often be completely new work. At the end of September students submit this script.

The final assessment is based on four things. The most important is this script. The second is a 1,500 word essay explaining exactly where in the market it is aimed and how it is shaped to fit that niche. The third is a cold pitch for this script. When we speak of the market, we are thinking quite broadly. Some students will want to write for Hollywood, British independent films, soap operas, or theatre. Others will want to write radio plays, documentaries, puppet shows, theatre in education, training videos or school plays. The emphasis is, however, always on getting your work to a stage where it is ready to be produced. The fourth is a practical realisation of a short excerpt of an original work stage, screen or radio play. Students are expected to co ordinate this realisation themselves with advice and support from their tutor and using the University’s resources.

TEACHING METHODS AND RESOURCES

All courses will be taught by intensive workshops. Over the years we have found this is far and away the most productive way of teaching writing. It is particularly suited to scriptwriting, which is very much a social and collective art.

Tutors and visiting professionals:
All of our tutors are writers working in the industry. Among those working on the course will be:

• Ursula Rani Sarma (Course Director) writer for theatre, radio and screen
• Steve May who writes radio and novels
• Lucy Catherine who writes theatre, television and film
• Robin Mukherjee who writes theatre, television and film
• Hattie Naylor who writes film, theatre, radio and opera libretti
• Jonathan Neale who writes theatre, radio and novels

In the second semester we have visits from several professionals in the industry. Each conducts a one-day workshop with students, outlining the industry and giving them rigorous practice in pitching their work. Typically, we will have an agent, a TV producer, a radio producer, a theatre director or literary manager, and a film script editor.

Visit the MA Scriptwriting page on the Bath Spa University website for more details!

Videos
(Student Profile)

Gemma Middleton

764.jpg I chose the course because of my passion for writing scripts, the calibre of teaching at Bath Spa and to enhance my career prospects. I would say that one of the best things about it was meeting professional industry workers because this has enabled me to start networking. I have also enjoyed the opportunity to produce completed pieces of work that I can use as a calling card once I leave Bath Spa. I also studied my undergraduate degree at Bath Spa, achieving a 2:1 in Creative Writing and Drama Studies. I became impressed with my development as a writer over the three years.

The teaching environment and the way that students are encouraged as writers by the lecturers to get their work out into the real world is fantastic. Since finishing the course I have self published a book and now work as a freelance copywriter and English tutor.

The MA has given me the ability and confidence to believe in my own work. The contacts I have made are invaluable as is the understanding and knowledge I now have of working in the film, theatre and television industry. I would encourage anyone who has a passion for creative writing to come to Bath Spa, regardless of age.

(Student Profile)

Lucy Lott

After completing my undergraduate degree in Drama, I worked for seven years in Public Relations and also took a year out to pursue acting. I wanted to feel inspired again and wanted the opportunity to return to doing something creative that linked back to my original degree, and that’s why I chose to do the MA in Scriptwriting. I was also really excited to be using my brain again, learning new skills and challenging myself.

I chose the course at Bath Spa University as it was the most varied. It allows you to explore different types of Scriptwriting for different mediums: theatre, radio, film and TV, rather than focusing on one only, like many other UK courses. I was also drawn to the course by the fact it was taught by working writers and that it also offered a very practical focus in the form of advice about making a living as a scriptwriter and how to navigate the industry. It is a very well-rounded course.

The support from the tutors is excellent and I have made contacts with both tutors and fellow students that will prove helpful in the future when I might need advice or guidance. I particularly like the structure of the course weekends. Also, the course is based at the postgraduate centre at Corsham Court which is a beautiful setting.

Having the MA in Scriptwriting will give me more confidence to pursue a career in Scriptwriting, but it will also ensure I have one polished piece of completed work that is ready for me to approach professionals with.


Scholarships

Entry Requirements

Most students accepted onto the course will have either a first degree or a thorough professional training in acting, theatre, television, or film. Some students, however, will be accepted on the basis of equivalent life experience.Applicants are asked to submit one or two pieces of creative writing with their application form, about twenty pages in all. This can be part of a novel, short stories, poems, or script. Do not assume it has to be drama. Submit your best work rather than your best script.

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