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Examination in Professional Practice: Architecture (RIBA 3)


Course Description

This practice-based course will prepare you for managing architectural projects and is the final step toward registration as an architect in the UK.

About the course

The course is designed to ensure high standards in the professional practice of architecture and to give you the opportunity to extend your area of competence. It focuses on the design process but tempers this concern with the knowledge and experience needed for ideas to become reality in a way that is ethical, economical, efficient and legal.

Students are recruited from a wide range of design professions in the construction industry, and the teaching will examine critical events in your own work experience, that of other course members and of the profession at large. The course will also encourage you to feel confident with higher levels of professional responsibility. Our students have had considerable successes in the Royal Institute of British Architects (RIBA) President's medals.

You'll benefit from the course's central London location and its close proximity to its internationally renowned creative and industry hubs. The faculty's extensive networks encourage graduates of the course to expand their knowledge and skills through lectures, events and careers advice, leaving them with excellent career prospects.

Assessment

The course is assessed in four ways. There are three elements of coursework and documentation related to practical experience and its assimilation, in the form of a case study, a completed RIBA Practical Training Record or its equivalent and a critical self-evaluation. The fourth part of the assessment consists of two unseen examinations. A final viva voce examination assesses all four elements in a summative context.

Modular structure

The course is delivered through lectures, personal tutorials and small group seminars. You will acquire and develop formal knowledge in the fields of statute and common (or case) law, professional conduct, contract administration, communication technique and industrial organisation. You are encouraged to gain familiarity with CAD and project management applications, and use word processing and spreadsheet material.

You can read more about the way the course is structured in our course catalogue.

After the course

RIBA Part 3 and subsequent registration with the Architects Registration Board (ARB) allow you to practice with the title of architect in the United Kingdom and European community.

The RIBA Visiting Board wrote a report about the faculty in January 2012.

Why London Met?

At London Metropolitan University, we place students at the centre of everything we do. We are proud of our vibrant, multicultural and socially diverse community, and welcome applicants regardless of age or background. We offer most of our courses on both a full- and part-time basis, in order to best meet your needs.

The University also has a strong culture of research. Over two thirds of the research we submitted to the most recent Research Assessment Exercise was judged to be “internationally recognised”, “internationally excellent” or “world-leading”. Many of these expert researchers will be leading your lectures, as will employers and professionals with extensive real-world experience. They will be supported by an excellent network of guest speakers and mentors from the industry, making sure you get the best possible guidance.

Support from London Met

If this course is for you, please make sure you also take a look at key resources for postgraduate students on our website:

Postgraduate open days: http://www.londonmet.ac.uk/events/postgraduate-open-days/
Applying for a postgraduate course: http://www.londonmet.ac.uk/applying/postgraduate/
Funding support for postgraduate students: http://www.londonmet.ac.uk/applying/funding-your-studies/

Visit the Examination in Professional Practice: Architecture (RIBA 3) page on the London Metropolitan University website for more details!

(Student Profile)

Gwen Anderson

3066.jpg Gwen, you’ve studied art in both New York and in London – how did it all start?

In 2006 I became a real estate agent in NYC because I was looking for another apartment and that was the best way to find a great place at that time. When I found the ideal apartment a year later there were a lot of walls and we didn’t have much art to cover them. I found out that to buy art was an expensive business, so I decided to make my own.

I attended the Art Student League on 57th street and started making abstract paintings with mixed media/collages. This is the place where some of my favorite artists studied such as: Louise Bourgeois, Philip Guston, Georgia O’Keeffe, Jackson Pollock and Cy Twombly. 48 paintings and three years later I moved to London where I completed a mixed media course and a Higher National Credit. After this year I continued on to a BA and then MA in Fine Art at The Cass at London Met, where I was taught and
coached by Patrick Brill, Rosemary McGoldrick, Ben Cain, Mike Stubbs and Andrea Medjesi Jones. They are amazing tutors and very generous with their time.

Tell us a bit about your current artwork – what made you choose to use silver on your paintings?

My parents came to the Netherlands as political refugees in the 1950s. I was born there and have lived in Amsterdam and other places for 28 years, in the Caribbean for eight years, in New York for 12 years, and now in London for six years. All this made me ‘homeless’ in a way. My paintings are a reflection of that; the roster of silver leaf is a clearing on which the painting happens.

Do you think that it’s important to have qualifications in order to be an artist?

I definitely think it’s important, especially in London. I have talked to gallerists and they said that they don’t even consider your art if you don’t have qualifications.

(Student Profile)

Brandon Kershner

3151.jpg "My passion for design began at a young age and carried into high school where I began learning how to sculpt and manipulate materials such as wood and metal. Although I didn’t know it at the time, this craft would lay the foundation for the rest of my career.

"After graduating high school, I accepted a scholarship to the Art Institute of Colorado in Denver Colorado to pursue a degree in Industrial Design. Over the next few years, my skill set developed tremendously and I quickly began showing and selling my work in local galleries as well as entering design competitions where I was able to find early success.

"In 2007, shortly after earning my BA, I was offered a design position at a Point of Purchase company in San Diego, California. During that time I lead the charge in designing custom retail displays with clients around the globe, communicating with overseas manufactures on a daily basis to manage the production of my designs.

"After a few years of working professionally, I realised my dream was evolving. I quickly discovered that in order to take my career to the next level, I would need a new challenge to pursue. This decision led me to London Metropolitan University.

"As an international student, London Met has provided me an opportunity to grow not only academically, but also professionally. Surrounding myself with European culture has diversified the scope through which I view design and has broadened my view of the world around us.

"Since enrolling my career as an independent designer has already began to look more promising. I've had a product published in Faces, a Swiss lifestyle and trend journal, as well as anticipating multiple lines of outdoor furniture that will hit the market in the next year.

"The opportunity I've experienced at London Met has given me the chance to grow as a designer and will give me a great advantage for years to come."


Scholarships

Entry Requirements

All applicants to the course should either have RIBA Part 2 exemption by examination at a recognised UK or Eire school, or RIBA or ARB Part 2 exemption by interview. Applicants must also submit documentary evidence of practical experience to conform with the RIBA Practical Training Scheme. In cases where exemption from the full year of post-Part 2 training is required, evidence of protracted experience at high levels of responsibility must be submitted, sufficient to allow the course tutor to endorse an application for exemption to the RIBA's Co-ordinator for Practical Training.

Course Fees

Fees vary by start point, please refer to the London Met website for accurate information.


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