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Masters Degrees in TV Production, United Kingdom

We have 35 Masters Degrees in TV Production, United Kingdom

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IN BRIEF. Learn cutting-edge production techniques using the latest technologies on our MediaCityUK campus. Combine elective modules to suit your specialism. Read more

IN BRIEF:

  • Learn cutting-edge production techniques using the latest technologies on our MediaCityUK campus
  • Combine elective modules to suit your specialism
  • Collaborate with the broadcast industry through live-industry briefs and media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

This course will equip you with innovative creative skills in the exciting field of TV Drama Production.

During your time with us, you will learn specialist production crafts and gain a detailed knowledge of the fiction form.

You will receive informed, professional guidance throughout the course. To unlock your full creative potential, you will also collaborate with other students on production projects and team-up to form production teams.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

Past students have gone on to senior producing and commissioning jobs within television, while others now work as researchers, directors, producers, camera operators, editors and sound designers. The course has strong links with leading media organisations, including ITV, Channel 4, the BBC and the independent production sector.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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IN BRIEF. Make use of our industry standard TV production facilities at our campus based in the media hub that is MediaCityUK. Take your post-production skills to a professional standard. Read more

IN BRIEF:

  • Make use of our industry standard TV production facilities at our campus based in the media hub that is MediaCityUK
  • Take your post-production skills to a professional standard
  • Implement your knowledge through live briefs and opportunities for industry placements
  • Creative-Skillset accredited
  • Based at MediaCityUK
  • Work/industrial placement opportunity
  • International students can apply

COURSE SUMMARY

This course will equip you with a solid grounding in the specialist skills and advanced theory that apply to post-production practice.

During your time with us, you will tackle self-directed and team-orientated industry briefs. This will give you a practical understanding of the creative processes, production workflow and industry techniques looked for by employers.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

This course is your route to careers across media. Roles could involve audio and video editing, special-effects work and audio dubbing. Past students have taken work placements with 360 Media, Granada, Sumners Post Production, Films @ 59, Flix Facilities and the BBC Natural History unit.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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IN BRIEF. Connect and engage with children’s media producers, including BBC Children’s Television and the Children’s Media Conference. Read more

IN BRIEF:

  • Connect and engage with children’s media producers, including BBC Children’s Television and the Children’s Media Conference
  • Learn to use high specification production equipment at our campus in the heart of the thriving media hub that is MediaCityUK
  • Engage in industry collaborations through live media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

This course will equip you with creative-content and production skills in the exciting field of children’s programming.

You will develop an in-depth understanding of what it is that children and young people want to watch, why they watch certain programmes, films and moving images, and how they view them. You will also learn how to apply your knowledge to the production of creative content for this age group.

Throughout your time with us, you will be encouraged to develop your own creative ideas to a professional standard. Being based in the heart of MediaCityUK, and next door to BBC Children’s, this course will provide you with many opportunities to learn alongside, and engage with, experienced industry  producers and practitioners in children’s content production.

At the end of the course, you will have gained a thorough, practice-based knowledge of the media industry, with particular emphasis on children’s creative content production.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking.

They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

Links with the BBC and other well-known and respected production companies could lead to work experience that will significantly enhance your CV. The course combines practical and theoretical elements that will appeal to a broad range of employers.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur. Read more
Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur: Legend of the Sword, Bridget Jones's Baby, Christopher Nolan's Dunkirk and The Night Manager. If you would like to follow in their footsteps and get your own credits on top productions, apply today!

‘I wish this course had been around when I started as a Production Manager, as I would have made a lot less mistakes!’ Sue Vertue, Producer Sherlock

-Two scholarships from Sargent-Disc available.
-Delivered in partnership with BBC.
-Intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS.
-Industry work experience placements.
-Course developed to meet Industry demand.
-Plenty of hands-on practice – in both locations and in studios.
-Unlike other schools, all production costs are met by the School.
-Places still available for the course starting September 2017

COURSE OVERVIEW

This course commences in September each year. So what does it take to be a Production Manager? An individual who can multi-task, be dynamic, communicate well and stay calm under pressure. Someone who is creative with budgets but keeps a sharp eye on the bottom line; someone who knows enough about Health and Safety to protect the cast and crew but not detract from getting the right shot; someone who knows about the best locations at the best price - and who knows production from start to finish!

This course combines intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS and industry work experience placements.

CAREER PROGRESSION

Most production managers are freelance, moving from contract to contract, and may find themselves working anywhere in the UK, or even abroad. As a production manager, you could also work for independent production companies on feature films, documentaries, or TV shows, become a Line Producer or progress to Head of Production.

New NFTS graduates are sought-after and typically find employment soon after completing their courses. NFTS alumni are some of the most successful people working in UK film and television today, and many of our students make contacts while at the NFTS which continue in the professional world.

Sargent-Disc generously provide scholarships to support the training of talented individuals in the field of Production Management for Film & TV: http://www.sargent-disc.com/sargent-disc-uk/news-insights/news/nfts-scholarship-update.aspx

CURRICULUM

Covering the key skills required by Production Managers in today’s rapidly-changing environment, this course alternates workshops with practical experience on a range of NFTS productions including TV entertainment shows (live and multi-camera studio shoots), dramas, animation and documentary films.

The course has been developed to meet industry demand and NFTS students are engaged in more productions as part of the curriculum than any of our competitors. Unlike other schools, all production costs are met by the School and productions are given cash production budgets.

The course covers these key skills recognised by the Industry:
-Extensive instruction and practice on scheduling & budgeting
-Health & Safety training including Production Safety Passport qualification
-Production Management for location and studio shoots
-First Aid for Film & TV Production
-Cash flow management and cost reporting
-Location Management
-Shooting abroad
-Research
-Contracts, copyright and legal
-Child licensing
-Post Production routes & delivery for film & television

This course includes opportunities for work experience throughout the year. Previous students have enjoyed placements at Film4, Eon, Carnival Films, Endemol, Kudos, Dragonfly and Revolution Films. Television productions include Big Brother, Come Dine With Me, The BBC Proms, Babylon, 24-Live Another Day and Downton Abbey and feature films such as the Bond films: SkyFall and Spectre, Assassin’s Creed, and Star Wars: The Force Awakens.

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IN BRIEF. Study cutting-edge production techniques using the latest technologies at MediaCityUK. Learn from lecturers with extensive, first-hand experience of the media industry. Read more

IN BRIEF:

  • Study cutting-edge production techniques using the latest technologies at MediaCityUK
  • Learn from lecturers with extensive, first-hand experience of the media industry
  • Gain first had experience of the broadcast industry through live-industry briefs and media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

On this course, you will learn how to research and produce original television documentaries.

During your time with us, you will receive expert instruction and guidance on the concepts, techniques and processes key to the documentary form. And you will produce your own documentaries, collaborating with your fellow students in production teams.

With opportunities to engage closely with industry, the course develops the skills and techniques required to work in the media, while encouraging independent creative content production.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

In previous years, a large number of graduates from this course have moved into broadcasting jobs as camera operators, editors, sound assistants, researchers and assistant producers. Former students are currently employed at the BBC, ITV, Channel 4 and independent companies across the UK.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment. Read more
This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment.

The programme is informed by industry professionals and our academic team who are actively engaged in research, professional practice, film making and publishing. You will have the chance to develop the professional skills required by senior managers and professionals in the media and to cover the ethics, laws and regulatory frameworks that govern and affect the industry.

You will have the opportunity to develop your practical production skills in our Media Broadcast Centre. You will have the chance to tailor your learning to your interests and career aspirations by choosing to focus on the creative production of programmes in fiction, documentary or experimental forms across a wide range of media platforms.

How You Study

This course is designed to provide an educational context through practical workshops in production techniques, lectures and seminars, through which you will have the opportunity to develop an advanced level of creative, conceptual, technical, critical, organisational and research skills, all of which can be appropriate to employment in the media industries. Independent working engages with production projects, research and the completion of academic assignments.

Weekly contact hours on this programme may vary depending on the individual module options chosen and the stage of study.

Postgraduate level study involves a significant proportion of independent study, exploring the material covered in lectures and seminars. As a general guide, for every hour in class students are expected to spend two - three hours in independent study.

For more detailed information please contact the programme leader.

How You Are Assessed

Assessment is conducted using a range of strategies which include media productions, programme pitches, presentations, case studies and essays.

The University of Lincoln's policy on assessment feedback aims to ensure that academics will return in-course assessments to you promptly – usually within 15 working days after the submission date.

International students may require evidence of a media portfolio posted online.

Modules

-Final Project (MA Media, Film and Television Production)
-Human and Inhuman in the 21st Century (Option)
-Media Ecologies 1
-Media Ethics, Law and Regulation
-Media, Film and Television Production 1
-Media, Film and Television Production 2 & Final Project Pitch
-The Art and Craft of Film and Television

Special Features

Research
Media academics conduct internationally recognised research in a variety of topics, including Spielberg studies, film and medievalism, exploitation studies, and film and gender.

Industry Links
Many academic staff are current media practitioners who are engaged with professional bodies, such as the Royal Television Society, the British Society of Cinematographers and the British Association of Film, Television and Screen Studies, ensuring that course content is informed by the latest industry developments. BAFTA-winning television dramatist Neil McKay and documentary-maker Nick Gray are visiting professors in the School.

Visiting Speakers
Students on this course have the opportunity to hear from visiting guest speakers from many parts of the Film and TV industries. See here for details: http://www.lincoln.ac.uk/home/fm/abouttheschool/visitingspeakers/

Facilities
Students are based in our award-winning Media and Broadcast Production Centre, a specialist production environment with television and radio studios, video and audio editing suites, digital imaging, design and multimedia suites, a sound dubbing theatre, writers’ room, green screen room, colour finishing facility and photography studio.

Career and Personal Development

This programme aims to provide students with the opportunity to develop the high-level technical skills and knowledge required to establish careers in the media, film and television industries in roles including programme making, post-production and project management. Some students may choose to pursue careers in teaching or undertake a research degree at doctoral level.

The University Careers and Employability Team offer qualified advisors who can work with you to provide tailored, individual support and careers advice during your time at the University. As a member of our alumni we also offer one-to-one support in the first year after completing your course, including access to events, vacancy information and website resources; with access to online vacancies and virtual and website resources for the following two years.

This service can include one-to-one coaching, CV advice and interview preparation to help you maximise your future opportunities.
The service works closely with local, national and international employers, acting as a gateway to the business world.

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This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens. Read more

This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens.

The course has regular visiting lectures from leading figures in the UK's television industry, including the department's own VIsiting Professors James Quinn (Commissioner for Sky Arts) and renowned producer, director and writer Tony Garnett. In the past, we've had visiting lecturers including Alex Graham (Executive Producer of Who Do You Think You Are), James Quinn (Documentary Commissioning Editor, Sky) and Karen Mullins (Project Manager for London Olympics, Rugby World Cup).

You'll study a major BBC drama series from conception through to scripting and production, such as the series Casualty, with time to visit the production base in Cardiff. You'll study with scholars with experience of TV industries around the world, and hear from guest lecturers from London's TV industry.

  • Take control of your own short TV or radio programme, creating something at the expected UK professional standard of such productions.
  • Make use of our exclusive 24-7 media labs and post-production rooms, complemented by our impressive range of professional location filming equipment, TV and sound studio facilities, supported by our committed and approachable technical team.
  • Becomefully conversant with the nature of television as a medium: scheduling, genres, formats – and the more up-close narrative techniques of TV series arcs and character development.
  • Learn how TV shows are traded around the world, how broadcasting is put together and regulated, and how the industry changes from place to place. Giving you practical skills and insight into media scheduling and budgeting. 

Course structure

Core modules

Structures of Broadcasting

In this module you will develop an understanding of public service and commercial models of broadcasting. You will look at the organisation of broadcasting, considering the differing markets for TV programmes, and commission and production regimes around the world. You will examine the nature of global flows in programming, the market system that enables them, and the major broadcasting organisations. You will also explore the structure of the global programme sales and co-production markets.

Television as a Cultural Industry

In this module you will develop an understanding of the interrelation between the organisational forms of broadcasting and the programmes that they produce. You will look at the structuration of broadcasting texts and what makes them distinctive, and examine the major genres of TV production through international examples. You will also consider the nature of innovation in programme making.

Production Study

In this module you will develop an understanding of the key challenges of producing a long running, high-volume, British television drama series. You will look at the role such series play in the television landscape, and examine the organisation, management, funding, budgeting and scheduling of drama productions. You will explore audience profiles and see how these fit within the economic and cultural priorities of television. You will also have the opportunity to meet writers and directors from an ongoing drama series, and learn to use production software packages such as Final Draft Scripting, Movie Magic Budgeting and Movie Magic Scheduling.

Production Practice Dissertation

You will produce a short video or radio piece to UK industry-standards. You will will create work which communicates with its intended audience, and manage all aspects of the production process, including self-direction and the direction of others. On completion, you will refect on your production, using knowledge gained in other areas of the course to analyse its success.

Teaching & assessment

Assessment is carried out by a variety of methods including:

  • seminar presentations
  • written essays
  • research portfolios
  • project work
  • self-assessment documents

Your future careers

Televsion continues to be one of the most dominant global media forms, continuing to attract huge audiences and leading creative talent around the world.

You'll leave our course understanding television in different cultures and contexts and you'll be in a perfect place to find employment in those countries where the TV industry is rapidly growing - backing up your portfolio with knowledge of how programmes are marketed and sold, and how important they are to the creative industries.

We're based near London, so you'll have privileged insight into the UK television industry. You'll have the chance to get familiar with London production businesses – we have regular guest lecturers from production and management. Students from our department have gone on to work in independent television and film production, for broadcasters like the BBC and ITV in the UK as well as international media agencies such as CCTV and Hunan, and for distributors, exhibitors, talent agencies and entertainment lawyers.



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From start to finish producers are the driving force behind the film and television industry. They generate new projects and ideas, secure finance, manage production and strategically market the result. Read more

From start to finish producers are the driving force behind the film and television industry. They generate new projects and ideas, secure finance, manage production and strategically market the result. The producer’s role has been transformed by the advent of globalisation, digital technology and the multi-channel environment. Now more than ever, the entertainment industries need creative leadership.

Our Masters offers aspiring producers the opportunity to acquire the creative and entrepreneurial skills required to enter the rapidly changing universe of film and television. You will learn to create script ideas, work with writers and directors, manage a production thoroughly and market across platforms, we'll teach you how to navigate the financial and legal aspects of the industry, too.

The course is taught from our creative hub at Royal Holloway's central London campus, 11 Bedford Square. Our proximity to the media industry means that we can draw upon professionals for outstanding master classes, industry panels and careers events. Students are encouraged to attend The London Film Festival, MIPCOM, Berlin, and Cannes international festivals. You will also try out interning at a production company or work on the crew of a professional production.

You will learn from top talent and practice what you learn by making films, and TV programmes. The ‘Role of Producer’ and ‘Script Development’ courses are taught by Professor Jonathan Powell, one of the UK's most respected and experienced drama producers, having previously worked as Controller of BBC1 and Head of Drama for the BBC. The course leader is award winning producer and executive, Gillian Gordon who brings thirty years’ experience in Hollywood and the UK to teaching ‘Producing Workshop’.

Through master classes, industry internships and alumni partnerships, students are provided with opportunities to network with international talent and expertise, as well as building links with current Royal Holloway students and academic partners.

Course structure

Core modules

The Role of the Producer

In this module you will develop an understanding of the role of the producer as the driving force in creating, managing and selling film and television products. You will look at how the independent sector works, and consider how to programme and pitch ideas. You will also examine approaches to working with creative talent.

Script Development

In this module you will develop an understanding of how to write an industry standard script report. You will learn how to analyse both film and TV scripts, and produce reports that constructively engage writers with the process of script development. You will consider the analysis of structure, character, dialogue, genre, and how to transfer feedback verbally.

Producing Workshop

In this module you will develop an understanding of how to create and pitch ideas to film, television and new media executives and financiers. You will learn the basics of script development, set procedure, scheduling, camera work, audio equipment and post production. You will consider how to develop and identify viable fiction projects and lead and manage the production of a short video, . You will work with creative talent, writers, directors, casting agents, and key craft team members, and examine how to finance and market your short film. You will put together a viable presentation package and pitch to a panel of industry professionals.

International Media Business

In this module you will develop an understanding of the global film and TV business. You will learn how to plan and conceptualise the creation and management of a sustainable media enterprise. You will examine the critical issues affecting the success or failure of film and television businesses, considering the role of financial planning in the life-cycle of visual media projects. You will also explore the wider context of finance in the development, marketing and distribution of film and television to investors, partners and government bodies, with a focus on the challenges faced by business startups.

Production Management

In this module you will develop an understanding of basic production accounting and the line management skills needed for film, TV and transmedia production. You will learn how to set-up a production company and budget, schedule, manage cash flow, and supervise a quality fiction production. You will consider how to manage 'below-the line' deals on a drama production and identify financial issues and their implications for day-to-day management. You will also examine how to manage a film crew and supervise the daily operations of a production team, and manage production costs, equipment and facility deals.

Marketing and Media Law

In this module you will develop an understanding of media marketing and promotion in film and television distribution and exhibition. You will look at social media and new trends in the global marketing of films and media projects, including cross-platform marketing. You will consider the fundamental principles of media law, including contract and intellectual property law, and examine issues of content and regulation.

Dissertation

You will produce a 10,000 word dissertation or media project on topic of your choice. You will carry out an investigation that has a clearly defined aim of study and arrive at a carefully argued set of conclusions derived from original research covering print, internet and first hand interview sources.

Teaching & assessment

Assessment is carried out by a variety of methods including essays, script reports, treatments, pitching exercises, studio exercises, production papers, practical film-making, business reports and presentations.

Your future career

Our close links to the film and TV production industry make this a practical course – and one that gives you building blocks for your future.

While you're on the course, we'll encourage and guide you into work placements and internships. Past students have secured placements with industry leading organisations including:

  • Disney studios
  • Heyday Films
  • West End Films
  • Paramount
  •  Universal
  • Channel 4
  • Company Pictures
  • Studio Canal
  • Lionsgate
  • Potboiler Productions
  • Sony Music
  • Warner Bros
  • Hanway Films
  • e-One Entertainment

Graduates from the Department of Media Arts have gone on to work in independent television and film production, for broadcasters like the BBC and ITV, for distributors, exhibitors, talent agencies and entertainment lawyers.



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Build your creative post-production skills to make your mark in the film and television industry. Solent’s MA Post Production in Film and Television will see you working with some of the best industry-standard equipment in a fun and creative environment, surrounded by fellow creative people. Read more

Build your creative post-production skills to make your mark in the film and television industry. Solent’s MA Post Production in Film and Television will see you working with some of the best industry-standard equipment in a fun and creative environment, surrounded by fellow creative people.

You’ll begin by studying the fundamentals of post-production to gain a solid understanding of the core principles and techniques. You’ll then progress into other fields, such as creative editing for drama and for documentary. Here you’ll explore the creative process of editing, from story-telling and character focus for drama, to cutaways and building sequences in documentary. This is complemented by the sound and visual design unit where you’ll learn how to add aural and visual dimension to a production.

The research methods and major project units will give you the opportunity to demonstrate your research skills at master’s level and to work on a personal film or TV project that utilises the skills learnt throughout your studies.

You’ll also have the opportunity to gain professional qualifications alongside your degree studies. You’ll be encouraged sit the Avid Certified User exam - a certificate is recognised by post-production companies worldwide. You could also work towards gaining the Pro Tools Certified User certificate, if you wish to pursue a career in sound design or audio mixing.

The course team’s excellent industry links mean you’ll have access to a long-established and inspiring guest speaker programme. Students on our media technology programmes have had the chance to meet and question some of the country’s top industry professionals in film and television. Recent guest speakers include Sir Alan Parker (BAFTA winning director: Bugsy MaloneEvitaMississippi Burning), Mick Audsley (BAFTA winning editor: Harry Potter and the Goblet of FireEverestAlliedTwelve Monkeys), Eddy Joseph (BAFTA winning sound editor: Casino RoyaleUnited 93Charlie and the Chocolate Factory), Walter Murch (Oscar and BAFTA winning sound and film editor TomorrowlandApocalypse NowJarhead), Nick McPhee (editor: The DurrellsDownton AbbeyDoc Martin), Julian Unthank (screenwriter New TricksSword of Vengeance) and John Lloyd (producer: QIBlackadderNo Such Thing as the News). 

What does this course lead to?

Graduates can expect to pursue jobs in many areas of the TV and film post-production industry. Entry level jobs can include edit assistant, junior editor, or runner. From here, graduates can progress to roles such as picture editor, sound editor, dubbing mixer, grader, colourist, or facilities manager.

Who is this course for?

This course is ideal for anyone wishing to pursue a career in post-production. Candidates should have a first or second class degree in a related discipline. The programme would also suit those already working in the industry with relevant experience, looking to build on their existing knowledge and skills.

Facilities

We invest heavily in making sure our specialist equipment is right up to date.

Students have access to:

  • Over 70 fibre networked Adobe Premiere and FCP X edit workstations.
  • Over 30 Avid Media Composer edit workstations.
  • Post-production sound and colour grading suites.
  • A range of high-end cameras and ancillary equipment – all in HD or 4K.
  • 5.1 surround ADR /Foley dubbing suite.
  • Dolby Atmos cinema.

Your future

Graduates can expect to pursue jobs in many areas of the TV and film post-production industry. Entry level jobs can include edit assistant, junior editor, or runner. From here, graduates can progress to roles such as picture editor, sound editor, dubbing mixer, grader, colourist, or facilities manager.

There are also many post-production-related jobs outside of the broadcast industry. Opportunities within the charity sector, local and national government, emergency services, the financial sector, and the corporate and training video market are possible.

Industry links

The course team have excellent links with industry which has led to a guest speaker programme with talks from inspiring and leading industry experts, including:

  • Walter Murch - film and sound editor: Apocalypse NowTomorrowland
  • Anne V Coates - film editor: Lawrence of ArabiaOut of SightFifty Shades of Grey
  • Sir Alan Parker - director: Bugsy MaloneThe CommitmentsAngel HeartMississippi Burning
  • Mick Audsley - film editor: AlliedEverestHarry Potter and the Goblet of Fire
  • Eddie Joseph - supervising sound editor: Casino RoyaleQuantum of SolaceUnited 93Corpse Bride
  • John Wilson - editor: Downton AbbeyBilly ElliotMe Before You
  • Eddie Hamilton - film editor: Mission: Impossible V
  • Nick McPhee - editor: Doc MartinDownton Abbey
  • Frances Parker - editor: Game of Thrones

A number of Solent’s undergraduate media technology programmes are Skillset-approved, allowing access to a range of industry events, such as the RTS Masterclasses at the BFI in London. Close links with the Royal Television Society locally ensure students are able to attend their events, including ‘Meet the Professionals’.

Placements

Although work experience is not compulsory, you’ll be encouraged and supported to seek relevant placements wherever possible.

At Solent, we have a very strong focus on employability and work experience. Our extensive relationships with professional film and television editors, sound designers, colourists has meant that we have been able to offer unique placement and mentoring opportunities.

You’ll also have the opportunity to access some of the best work experience opportunities imaginable. We are the official university partner to the Glastonbury Festival and you will have the chance apply to work there. Likewise, our links with Bestival, Camp Bestival and Boardmasters mean you have great opportunities throughout the summer. We have close ties with some of the country’s top post-production houses and have been able to offer work experience opportunities with companies such as Envy, Halo and The Mill. Our alumni also offer work experience opportunities to current students.



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MA Television Production offers learners the opportunity to create broadcast content for a live client from week one. Utilising our in-house facilities, learners work to gain essential and invaluable broadcast credit from the start of their course. Read more

MA Television Production offers learners the opportunity to create broadcast content for a live client from week one. Utilising our in-house facilities, learners work to gain essential and invaluable broadcast credit from the start of their course. Our students are given placement opportunities in a range of broadcast realms and students go on to work for ITV, BBC, MUTV, ADI and Televideo. With exceptional links to major broadcasters and staff with decades of relevant broadcast experience, the MA in Television Production is delivered from our JAMES integrated learning centre, at the Media Factory in the heart of Preston.

The course provides an output for specialist interests including Sports Television, Live Event and Drama Production through our customisable study options. UCLan MA Television Production focusses on the individual learner and aims to enable and enhance the programme makers of the future; honing a creative flair and developing multi-skilled content production and development.

It is delivered in 3 equally weighted modules that will develop and enhance advanced skill ranges through; technological, narrative and industry foci. There is no prerequisite of knowledge for the course, our differentiated delivery adapts to the level of learner and will encourage exploration in a number of key planning and production areas. The structure allows for collaborative learning and group cohesion. The end result of the study is high quality broadcast content.

Based in the £15 million, state-of-the-art Media Factory, facilities include: 120m² broadcast TV studio with production gallery and managed application space, 115m² chroma-key infinity stage, 8 camera and multi-sensor motion capture suite. Along with this we have a recently-installed external drama set including pub, flats and corner shop, (new for 2018) emotional intelligence facility across 3 rooms including 360 remote audio and video monitoring, external production gallery and simulation offices.

To finish production we have Adobe Creative Cloud supported, networked post-production facilities across 5 sites. Finally we have 7 audio recording facilities including recording studios and Neve digital sound suites for finishing and dubbing.

The Media Factory offers a collaborative environment for film makers, musicians and performers to work alongside the Television Producers of the future.

Staff maintain links with many regional and national production companies and agencies providing excellent industry contacts and experience.

Television Production is a unique, dynamic and industry driven course. UCLan TV graduates transition into industry through placements and unique working projects.



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-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry. Read more
-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry
-This postgraduate degree provides a practical and intensive study of filmmaking in an environment that encourages experimentation, professional development and cutting edge ideas. Students work with up to date professional equipment and facilities and, as part of their Masters Degree, produce, direct or write a major film project with an individually tailored marketing and distribution strategy
-The University of Hertfordshire film programmes and post-graduate school regularly host industry professionals who lecture and conduct workshops, seminars and tutorials. We work closely with the industry to enable students to connect directly with their future employers and mentors
-The combination of creative, technical, practical and management skills make this course unique and our graduates highly successful, as employees or as independent filmmakers

Why choose this course?

The MA Film and Television production programme offers an opportunity for students to initiate, develop and realise original film and television work in directing, producing and screenwriting. Students enhance their creative practice in film and television to professional levels, with the aim of pursuing a successful career in the industry. The programme commences with a series of taught modules, intended to augment the student's critical judgment and technical capability, before embarking on a major project, in the form of a substantial screenplay or digital film.

The project offers a setting in which the student can increase confidence in creative decision making, whilst expanding awareness of the requirements of film style and technology, finance, marketplace and audience. Students broaden their knowledge and experience to gain a better understanding of film and television production and its professional and commercial practices. They undertake a programme of screenings, master classes and seminars, to extend their knowledge of film and television histories, genres, aesthetics and narrative processes and to develop a range of research and communication skills. Students are encouraged to develop the aesthetic and conceptual awareness required to analyse and critically situate their work within current theoretical, cultural and commercial contexts, whether as a director, producer or scriptwriter.

The modules focus on script development, working with actors, camerawork, lighting, sound recording, post production techniques, funding, distribution and other relevant areas. You will benefit from the expertise and creative ideas of students working in specialised areas elsewhere in the School (eg Visual FX, Special FX, Animation or Music) whose input can enhance the professionalism of your major projects.

Careers

You will also have the opportunity to exhibit your work at the University and there are good opportunities to develop your teaching experience by mentoring undergraduate students in your subject area. When you successfully complete your MA, you will have made a very substantial addition to your CV and have a clear understanding of the next steps in the development of your career.

Teaching methods

You are taught in an intensive mix of lectures, seminars, workshops, tutorials, masterclasses and industry guest sessions. Tutorial support is offered in small groups and one-to-one, with further support available online and by email.

All students on the PG Media programme engage in an interdisciplinary project as a part of their MA study, giving them an opportunity to work with students from other disciplines in an experimental and creative way.

Structure

Core Modules
-Creative Economies
-Discourse/Reflection: Professional Project Development
-Major Study: Film and Television Production
-Practice 1: Script Development
-Practice 2: Camera, Sound and Editing
-Research and Enquiry

Optional
-Creative Economies (Online)
-Research and Enquiry (Online)

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Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd. Read more

Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd.

Overview

No matter what experience you have of filmmaking, our course will develop your knowledge of factual UK TV and digital media content production, and your creative skills, to an advanced level. Along the way, you’ll make seven films of different lengths and write a dissertation on a media subject that excites and interests you.

Focusing on two key roles, the director and the producer (which in current factual programming are merged into one), you’ll explore the dynamics of this ever-changing industry, and what it takes to succeed. You’ll learn to become a visual storyteller, a communicator, a collaborator, a motivator and a problem solver. You’ll also develop skills in scheduling, production managing, budgeting and marketing programmes. Although the emphasis is on factual programming, there is scope and flexibility to develop more creative films.

With specialist technical workshops on camera operation, sound, lighting and editing, you’ll develop professional skills in screen-based production. This will be supported by tutorials, diary work, and independent research, giving you a strong critical and contextual grounding for your practical work.

You’ll be encouraged to collaborate with other students on this course and others, becoming a flexible media professional who can produce and deliver high-quality video content for many different clients.

All our teaching staff have backgrounds in the film and television industries, and they're supported by industry specialists and visiting lecturers.

Teaching times:

Full-time:

Sept starters: Trimester 1 - Weds & Thurs 10.00 – 17.00; Trimester 2 – Tues & Weds 10.00 – 17.00; Trimester 3 – Tuesdays 10.00 – 13.00.

Jan starters: Trimester 2 - Weds & Thurs 10.00 – 17.00; Trimester 1 – Tues & Weds 10.00 – 17.00; Trimester 2 – Tuesdays 10.00 – 13.00.

Part time:

Semester 1: Thursday 10:00 - 17:00; Semester 2: Wednesday 10:00 - 17:00

Careers

Our course will prepare you for a career in TV or in the broader media, and help you to decide which areas of the industry attract you the most. Although the emphasis is on directing and producing, you might choose to move into cinematography, production management or even television programme sales once you graduate. You might also develop a particular interest in observational documentary, natural history films or science programming, and decide to follow a career in these fields.

Here at Cambridge School of Art, you’ll gain specialist skills that will be useful for traditional, experimental and creative documentary making, or films for education, training, public relations, current affairs, marketing and campaigning. Our course will prepare you to forge a portfolio or freelance career, and give you the ability to make high-quality content for broadcast, web, film festivals or cinema.

Core modules

Process and Practice as Research

Visual Storytelling

Understanding the Audience

Master's Dissertation Art and Design

Master's Project: Art and Design

Assessment

You’ll demonstrate your learning, and ensure you’re developing the knowledge and skills to complete the course, through:

• Producing and directing films of different lengths and styles

• Working in a team on a TV Studio production

• Written production analyses and reflective commentaries

• Essays

• Filming schedules & budgets

• Film pitches

• Final Masters Project: this film is your “calling card” for the industry

Your assignments are usually submitted at the end of each term. You’ll also be assessed informally and given feedback during the term to help you achieve to the highest level. Feedback could be on a film, a presentation or group participation; it will be given by your tutor and your fellow students.

Events

Our Wired events are specialist lectures and workshops run by industry professionals, where you’ll learn about up-to-date practices and get invaluable advice. Our past speakers have included Sean Bobbitt (cinematographer: 12 Years a Slave, The Place Beyond the Pines, Hunger), Peter Strickland and Nic Knowland (director and cinematographer: Berberian Sound Studio), Cilla Ware (freelance drama director of Silk, Spooks, Primeval), Kathy Lee (film editor: Abuelas, A Letter to Dad), and Larry Sider (sound designer, The Piano Tuner of Earthquakes, Mirrormask).

Our Creative Front Futures events, run by Creative Front Cambridgeshire, will give you a broader taste of the creative industries, and let you find out more about the world of film and television production as well as explore other career options.

You’ll also get first-hand experience of the industry at informal work placements throughout the course and benefit from our close links with Cambridge Arts Picturehouse, where we hold regular student and industry events.

Specialist facilities

When shooting your projects you’ll have access to our fully-equipped HD TV studio with full lighting rig; our ground-breaking digital exhibition space Ruskin Gallery; a mixer; an autocue, multi-purpose scenic backdrops suitable for current affairs, magazine programmes and dramas; a film studio with overhead lighting, tracks, dollies and green screens and sets for flats; a full range of HD cameras (including Steadicam); location lighting; and sound-recording equipment.

For post-production work you’ll get access to over 30 editing suites with the complete Adobe Creative Cloud software suite including Premier Pro, after Affects, audition and Speed Grade and the Adobe Creative Suite master collection. You’ll be trained on all our equipment by a team of experienced technical staff, who also maintain and manage the facilities.



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This course aims to provide you with a range of creative, practical and critical skills to apply within and beyond the television industry. Read more
This course aims to provide you with a range of creative, practical and critical skills to apply within and beyond the television industry. You will learn about the developing media landscape and emerging trends and practices. Practical sessions are designed to develop your skills and the techniques necessary to generate, develop and produce TV production ideas.

Why Study Television Production with us?

Television Production is taught at Warrington Campus, which lies between the creative and cultural hubs of Manchester and Liverpool and in close proximity to MediaCityUK.

Our Television Production students have twice won the prestigious Production Award at the BBC’s annual Developing Talent Conference, in addition to other accolades such as Royal Television Society Student Television Awards.

You will be encouraged and supported to make industry connections and undertake work experience. There will also be opportunities to work on ‘live’ briefs and showcase work at the annual Department of Media event.

What will I learn?

The course blends theoretical and practical learning, enabling students to develop a critical understanding of the conventions, techniques and current practices in television production and use this knowledge to produce projects.

Modules aim to develop thinking multi-skilled practitioners; you will engage with the whole production process, from writing 'treatments' to editing, and from production management to editorial decision-making.

How will I be taught?

You will have 24-hour access to professional resources, including digital cameras, edit facilities, a TV studio and the Tower Gallery, which includes a multimedia suite and voice-over booth.

You will learn via a mixture of lectures, seminars, tutorials and workshops, as well as guest lectures from industry professionals.
Approximate contact hours for a full-time student will be up to nine hours per week. The expected individual learning activity for a full-time student will be approximately 32 hours per week.

How will I be assessed?

Assessment is through group and individual practical work and written coursework. For the Television Project, you will pursue your particular interests through either a dissertation or research by practice.

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We aim to produce graduates with skills and understanding suitable for entry level posts in all aspects of television and moving image content production. Read more
We aim to produce graduates with skills and understanding suitable for entry level posts in all aspects of television and moving image content production. Above all, students will develop storytelling skills and learn how to make intelligent and surprising programmes that will captivate and engage audiences in a highly competitive broadcast landscape.

Each student will be matched with a BBC mentor who, alongside their tutor, will guide them through the production of a final major project.

Key benefits

You will be given the opportunity to volunteer at a series of events including Encounters Film and Animation Festival, the Vision Conference and Digital Bristol Week. In addition, we encourage students to become delegates at other relevant industry events like Sheffield International Documentary Festival and work alongside external clients making shorts films and documentaries.

Course detail

MA Documentary Production is a practice-based course which provides a full understanding of how to operate in the industry including the use of a wide range of cameras, research and development of ideas, programme structures and formats, compliance, business and budgets and commissioning.

There's a rolling programme of guest lecturers and industry speakers, and live collaborative projects to underpin the real-world knowledge and entrepreneurial skills required to succeed in your career. Bristol is a vibrant and innovative media hub with the highest concentration of creative industries outside London and a thriving independent production sector.

We work closely with a wide range of creative and cultural partners, including the Pervasive Media Studio based at Watershed cinema and digital creativity centre and Encounters Film Festival to ensure a rich teaching and learning experience.

Modules

UWE Bristol and the BBC have jointly developed modules, which include:

• The business of factual
• Ideas, story, format
• Preparing for factual production
• Future docs
• Professional practice in factual production

Format

You will be taught through a combination of lectures, seminars and expert-led technical workshops in camera techniques, sound, recording, post-production, TV studio work and editing using industry-standard software such as AVID, Premier and Final Cut Pro.

Assessment

You will be assessed on the production of short films both independently and in teams and the completion of written reports and portfolios of work.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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During the MA in Screenwriting for Television and Film (in Retreat) you will cover writing for feature film and television as well as new developments such as web drama. Read more

During the MA in Screenwriting for Television and Film (in Retreat) you will cover writing for feature film and television as well as new developments such as web drama. You will develop a range of ideas, then go on to write film and television outlines, and several drafts of a feature film screenplay, a TV single drama, or a TV series or serial bible and sample episodes.

Commencing in September, you will be taught through a mixture of intensive writing retreats and distance learning techniques, including Skype and our dedicated online learning environment, Moodle. The course includes four week-long residential retreats throughout one year (full time), with some taking place in Central London and others at our beautiful Egham Campus, near Windsor. This structure immerses you in a creative atmosphere conducive to concentrated learning and group interaction, with Development Lab as a core module, where you will present your work in progress to the group for criticism and feedback, and experiment with co-writing.

Between retreats the course is run via distance-learning with a website, chat room and e-tutorials. This makes it possible for those living outside the UK, and those with busy working lives, such as freelancers and those in full-time employment, to take time out to attend. The course attracts a wide variety of students including those wishing to make a career change from other sectors through to established actors, comedy writers, editors, producers, novelists and many others.

You will also meet and work with industry and independent producers, directors, agents, writers and actors to provide a production context.

  • You'll come to us for four week-long retreats, over the course of a (full-time) year. Between retreats, you'll learn from home via a website, chatroom and tutorials.
  • You'll learn as part of our creative campus, in a department with combined expertise in both Media theory and Media practice, rated in the top 10 Media Arts departments for research quality (REF, 2014)
  • You'll get to bounce your ideas off other people – core to the course is a 'writers' room' space, where students present their works-in-progress to each other for criticism and feedback. You'll also get to experiment with co-writing.
  • You'll learn from course director Ivan Levene, a screenwriter and script editor with over 15 years of experience in the industry. The teaching team includes Adam Ganz (whose dramas include Pillow Talk and Murder Without Motive), Jonathan Powell (former Controller of BBC One and Head of BBC Drama), Gillian Gordon (award-winning producer with 30 years experience) and John Roberts (BAFTA award winning director of Paulie).
  • You'll meet and work with industry and independent producers, directors, agents, writers and actors. Recent speakers include experts from the BBC, Bad Robot Productions, Bankside Films, Casarotto Ramsay and United Agents as well as as well as directors such as Daniel Wolfe (Catch Me Daddy) and Sarah Gavron (Suffragette).

Course structure

  • Story and Theme
  • Development Lab
  • Contexts - Current British Film and Television Practice

Teaching & assessment

Assessment is carried out by a variety of methods including script outlines and scenes, a completed feature film screenplay and/or TV series episode and ‘bible’, and marketing and pitch documents.

Your future career

You'll be set for a career in television and feature film screenwriting and script development. Graduates with work in film and TV include:

  • Janice Hallett's feature screenplay Retreat, starring Cillian Murphy (2011).
  • Olivia Wakeford wrote for the feature film Baseline (2009).
  • Kay Stonham was commissioned by the BBC, and two of our younger writers are working on a C5 youth drama series. 
  • Adam Rolston's musical, A Sentimental Journey, on Doris Day's life performed at a variety of UK and US venues.
  • Daniel Wolfe directed and co-wrote Catch Me Daddy, released to critical acclaim in 2015.
  • Sir Lenny Henry wrote and starred in the autobiographical drama, Danny and the Human Zoo, for BBC 1.

Other students from our department have gone on to work in independent television and film production, for broadcasters like the BBC and ITV, and for distributors, exhibitors, talent agencies and entertainment lawyers.



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