Through the many learning and teaching experiences the programme offers, students and staff rigorously, critically and supportively engage in personal tutorials, group critiques and presentations. These discussions and critical forums take place in the Painting studios, across the College, through visits to galleries and collaborations with our partner institutions, and during visits to major exhibitions both in this country and abroad.
Our students are here to reflect upon and play out what kind of artists they want to be – how best to serve and challenge their personal agendas and all this in relation to current discussions and developments within the scope of contemporary painting, and the broader cultural realm. The student experience is supported by the painting programme, the opportunities and events that are timetabled across the School of Fine Art, and the Cultural and Historical Studies schedule.
Ultimately the programme is designed and delivered in order to support our graduates in developing art practices that are sustainable and meaningful to each artists particular ambitions and operate at the highest levels of the contemporary art world. With each new year-group the dynamic of the studios and the conversations around painting shift and broaden in their agendas and processes.
On graduation a selection of students are awarded studio residences, which the programme supports through a mentoring scheme, along with all our graduates being supported as they apply for residencies and other professional opportunities.
Recent visiting lecturers include: Milly Thompson, Ansel Krut, Philip Allen, Alison Katz, Sally O’Reilly, Alexis Teplin, Milena Dragicevic, Tom Morton, George Shaw, Amikam Toren, Clarrie Wallis, Paul Housley, Tim Stoner, Sophie von Hellermann, Jamie Shovlin, Varda Caivano, Kate MacGarry, Margot Heller, Daniel Sinsel, Martin Herbert, Markus Vater, Toby Ziegler and Katy Moran.
The programme offers:
The Course aims to:
This course draws on the School’s considerable research reputation and professional expertise in the areas of painting, photography, performance, film and video, sculpture, installations, public art and print-making. This fascinating programme provides highly focused teaching, alongside a critical lecture series within an intellectually supportive environment.
You will be supported by some of the most dynamic artists and researchers in the School. You get the chance to benefit from field trips and gallery visits. Alongside the development of your creative studio work you will gain an understanding of key aspects of art history and theory, as well as an awareness of the social and institutional context within which artworks exist. On completion of the course, your practical work will be exhibited and publicised in a group MA exhibition.
Typical modules include:
The Fine Art Course provides a studio intensive programme supported through theoretical and contextual lecture series, studio based seminar critique and individual tutorials. The ethos of the course is to provide students with the time and space to develop ideas and practice towards the final off-site MA exhibition; this includes the structure of personal research and the development of the critical and/or theoretical emphasis behind your work in order to understand the methodological framework of your working practice.
You will have time to reappraise and analyse previous work, develop new ideas in relation to your practice and it’s theoretical underpinning then consolidate those ideas practically. Finally you will bring those ideas and your work to resolution and focus towards the MA exhibition. The course provides students with the knowledge, ambition and structure in order to proceed towards their future career ambitions. Within the programme you will have the opportunity to develop your awareness of exhibition and the display of your work as well as the audiences for that work. The MA Fine Art course will support you in structuring an advanced independent practice, underpinned by sustained critical engagement.
Matthew Evans MA Fine Art
Matthew Evans completed his MA Fine Art with distinction and has since received several commissions for his innovative new approach; creating bespoke modern-day coat of arms, including a £10k commission for the The Royal Orthopaedic Hospital in Birmingham. He has also been selectedfor the New Art West Midlands 2013 Exhibition at Birmingham Art Gallery Museum which showcases the best of West Midland’s graduates.
"As a result of studying the MA course I have grown professionally as an artist. By adopting a ‘take a risk’ attitude I have been able to further refine my artistic practice and anchor it within the most critically interesting areas. By embracing the challenge of diversification, and enjoying the critical dialogue embedded within the course, I have resolved a number of sticking points, and identified areas for future development.
I chose to study my MA at the University of Wolverhampton as I felt I needed to breathe new life into my practise and relished the challenge of experiencing a new exciting creative environment. The artistic facilities on offer to students and the glowing reputations of the SAD staff and support technicians also played a key role in my decision.
What particularly impressed me about the course was not only the availability and approachability of the lecturers but the general sense of cohesion felt as a student. As well as extensive access to lecturers, and the intensively taught aspects of the course, there are many MA excursions that are incredibly beneficial.
As a positive side note, my affinity with the University has continued this September, with me becoming the Fine Art Artist in Residence for this year."
“The MA has greatly expanded my knowledge of Fine Art.”
“I feel that I’m being supported in my work and that the best of my talent is being encouraged.”
“The lecturers are knowledgeable and enthusiastic and I’m grateful for both their input and the input of the other students”.
“I’m confident it’s setting me up with the right skills and knowledge to succeed in a career within the arts”.
“I’m glad that I made the decision to do the MA; it’s been a positive turning point in my life”.
The curriculum of this programme is under review for the 2018/19 academic year. Programme structure and course availability is subject to change.
This programme encourages practices that are speculative and reflective, supporting work in a range of media. It is concerned with ways of learning that are experiential – embodied through and understood by the acquisition of a practice.
During the late 20th century, developments within visual art introduced new processes and situations, which resulted in an expanded concept of artistic practice.
Media-related disciplines supported by the programme include sculpture, painting and printmaking, photography, audio-visual and new media. The programme also encompasses approaches to practice that are non media-specific, including intermedia, time-based arts, performance, installation, public art and art writing.
You may complete the MA in one year, or continue on to the MFA. You will have access to a designated studio space and a wide range of studio equipment, technicians and resources, including printmaking, metal, wood, casting, painting, photography, reprographic and digital facilities.
Our students often work in groups across subject areas in the School of Art and collaborate throughout the year on critical, creative and curatorial projects. This gives you a unique opportunity to integrate the fields of art practice, art writing and curating, culminating in an exhibition of your own work or in a research project of your own design.
We regularly organise field trips and offer short residency and project opportunities with our local and international partners.
The programme also involves the theoretical study of this family of media and approaches, drawing on related fields and methods.
Students on this programme will benefit from studio-based learning in Edinburgh College of Art's (ECA) historic Lauriston Place campus, along with the exhibitions and events associated with a vibrant art college. The art college experience will be complemented by the University's extensive range of student support facilities, its libraries, student societies, and student accommodation.
Our purpose-built studios are adaptable, serving both as working studios and project and exhibition spaces. Our workshops and foundry provide excellent accommodation for working in wood, metal, mould-making, casting and carving and there are facilities for working with sound, digital imaging and video editing.
The programme develops from a broad to a specialist understanding of the technical resources and validating contexts in which artists work today, drawing inspiration and nourishment from the experience of our international student cohort.
This programme enables you to develop an ambitious art practice as well as providing you with the organisational and economic knowledge required to thrive as a self-employed artist. You will also be qualified to teach studio art in higher education and to work in the contemporary art sector.