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Communication & Media Stud…×

Masters Degrees in Television Studies

We have 36 Masters Degrees in Television Studies

Masters degrees in Television Studies equip postgraduates with the skills to analyse, create and adapt content for the purpose of television viewing. Consideration is also given to the economic significance and governance of TV as a media platform.

Taught MA courses are typical for this subject. Entry requirements normally include a relevant undergraduate degree such as Media Studies.

Why study a Masters in Television Studies?

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MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment. Read more
MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment.

Our MA is distinguished from traditional courses in that it specifically addresses the diversity and crossover of today's film and television culture with the aim of producing adaptive thinkers and highly creative practitioners. Our academic focus engages and interrogates film and television's status in the 21st century, which is often defined in terms of the digital age and digital culture.

On the course you will be required to examine, interpret and contest the notion of digital culture historically, socially, politically and artistically through both your research and creative practice. You will interrogate the increasingly blurred boundaries between film and television, art and technology, production and consumption, with the outcome being a fracturing of traditional categorisations. We reflect an era in which screenwriters Aaron Sorkin (Newsroom, The West Wing) and Lena Dunham (Girls, Tiny Furniture) experiment with dialogue and narrative, while conceptual artists Sam Taylor-Wood (Nowhere Boy, Love You More) and Steve McQueen (12 Years a Slave, Shame) have shifted from the art gallery to the cinema. Directors such as Ben Wheatley (A Field in England, Sightseers) and companies such as Curzon and Film4 are making use of multi-platform release schedules, and brands including HBO, Amazon and Netflix are shaping the very nature of not only what, but how, we watch. MA Film & Television understands this fundamentally shifting zeitgeist.

In examining industrial structure and visual form you will theorise the shifting dynamics of an age where anyone with a phone and a laptop has the ability to record, edit and disseminate visual projects. Such 'democratisation' has arguably made both creative uniqueness and clear industry pathways less discernable, but has provided a new and fruitful framework for those who have the ideas, talent, dedication and adaptability to embrace such immense transitional potential. However, despite these multitudinous transformations attributed to digital culture, the ethos of our MA contends that fundamental skills remain the basis of both sound academic work and creative practice. Rather than being fearful of what is to come, or nostalgic for the past, this course gives you the confidence to look at film and television critically, and acquire cutting edge creative skills in order to produce intelligent, innovative and inspirational visual work.

Our philosophy is one of flexibility, so you'll shape the curriculum around your own interests, whether in theory, creative practice, or a combination of the two. Drawn from the fundamentals of history, theory and criticism, our theoretical strand develops tomorrow's cineastes, cultural commentators, journalists and academics. This also underpins our approach to practice. The most successful film and television makers are students of their chosen medium, highly knowledgeable of historical legacy and social-political context. You'll not only learn how to develop, write, produce, shoot, record, direct and edit well, but why, philosophically and creatively, your ideas are worth being made.

Visit the website https://www.falmouth.ac.uk/film-television-ma

How the course is taught

Our passion is reflected both in the teaching and research track record of our academics, our industry connections and visiting speakers, and the quality of our film and television professionals. Crossing disciplinary areas such as cultural studies, sociology, journalism, English, philosophy and, of course, film and television studies, our MA offers academically-minded students comprehensive supervision and guidance for moving onto PhD research.

Industry and academic links

We have a strong visiting lecturer programme with recent guests including critics Dr Mark Kermode, Professor Linda Ruth Williams and Dr Will Brooker. Our practice tutors are active writers, producers, directors, editors, sound designers and cinematographers who create substantive work across all screen media. We have a wide range of contacts and industry specialists who contribute to the course, including Tony Grisoni (writer of Southcliffe, Red Riding, and How I Live Now), Mary Burke (producer of For Those in Peril, Berberian Sound Studio and The Midnight Beast), and James Henry (writer for Campus and Green Wing).

Falmouth University also recently hosted the Channel 4 Talent Day and we are active in developing work placements and internships for our students. We have sent many of students to Warp Films and TwoFour since 2009, and regularly update our webpages with work experience opportunities and jobs. Our graduates have proceeded to further study and jobs across the film and television industry, for HBO, Sky, ITV, Disney and have worked on major feature films, most recently including About Time (Richard Curtis, 2013) The World's End (Edgar Wright, 2013), The Double (Richard Ayoade, 2014) and Disney's forthcoming Cinderella (Kenneth Branagh, 2015). Falmouth University's MA in Film & Television is for students who to place themselves at the cutting edge of screen culture.

Course outline

The course is divided into three semesters of 15 weeks. Each semester offers the fundamentals vital to every academic and practitioner, and elective choices so you can shape your own learning.

What you'll do

- Study block 1
Foundation
The first semester consists of three core units, offering a diverse entry point to all aspects of the study of film and television, and the interrelationship of theory and practice:

Theorising Contemporary Film & Television Culture (Theory)

In this module you will explore the theoretical conceptualisations of film and television in the context of contemporary academic thought and popular discourse around the concept of digital culture. We will start from a point of questioning the multi-layered and contested effects of digital culture on film and television as discrete forms. You will consider the interrelationship and fusion between media in terms of production, distribution and exhibition examining the advent of new forms of representation and interaction. But we will also look at how traditional notion of film and television are being preserved and even being popular as a reaction to the effects of the digital. The module will also assess and interrogate the economic and technological developments of a more integrated and interactive media environment in terms of the cross-pollination of form and content, and socio-cultural effects on contemporary audiences.

Film & Television Industry Case Study (Theory/Practice)

In this module you will explore the industrial parameters of contemporary film and television based around the experience and expertise of current professionals. The module will utilise the School of Film & Television's many industry links to bring in guest speakers from the BBC, Channel 4, Sky, TwoFour Broadcast, Warp Films, Sheffield Doc Fest, Cornwall Film Festival, Doc Heads, BFI, Pinewood Studios, Dogbite and EngineHouse VFX. You will then have an opportunity to question these professionals about their respective sectors as a basis for a case study. Alternatively, you can investigate the sector/practitioner of your own choosing, with tutor support. The module will also contain workshops on the fundamentals of creative industry research and methodology. The module is designed so that you learn both the challenges and values of networking, and researching specific job roles and industry backgrounds in order to effectively plot your own career trajectory.

Creative Practices (Practice)

This module will engage you in the production workflow, focusing on how creative, professional and technical roles shape a final film or television project. Your weekly seminars and workshops will guide you through pre-production, production and post-production processes, enabling you to devise, develop and produce a short filmed project as part of a small crew of four to six students. You will, therefore, develop your technical skills and production practices in order to devise and deploy modes of creative practice which may include, but are not limited to, research and development, screenwriting, production management, producing, directing, cinematography, lighting, editing and the recording and design of sound.

- Study block 2
Specialisms
The second semester gives you the opportunity to specialise, choosing from a ranging of theory, practice or combination modules. Assessment of combination modules is either through an academic essay or a practice project. Potential optional modules include:

- Cultural Studies to Digital Sociology (Theory/Practice)
- Screen Futures (Theory/Practice)
- Globalisation in Film & Television (Theory/Practice)
- Factual Film & Television (Theory/Practice)
- Screenwriting for Film & Television (Theory/Practice)
- Work Placement (Theory/Practice)

- Study block 3
Expertise
Depending on your chosen specialism, in the third semester you'll produce either:

- Dissertation (Theory)
- Film & Production Portfolio (Theory/Practice)
- Conceptual Project (Theory/Practice)

Facilities

The purpose-built film school facilities include:

- 116-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound

- Equipment store with a range of Blackmagic, Red, Panasonic, JVC, GoPro, Canon DSLR and C100 cameras and lenses, jibs, tracks and dollies

- Digital production suites equipped with Final Draft (screenwriting), Movie Magic (production management) and a range of edit software, including Adobe Creative Cloud/Suite, Final Cut and AVID

- Avid Unity MediaNetwork Edit server

- Recording and sound edit studios equipped with Pro Tools audio editing and Foley traps

- 14x8m TV studio with three studio cameras, full gallery facility, Chromatte grey screen, blue/green screen and full lighting rig

- Centroid 3D (Pinewood-networked) Motion Capture studio/research lab

- Virtual Studio using the latest technology

- 23,500-title TV and film library

Experience you'll get

- Highly flexible, student-focused curriculum

- Mentoring with industry professionals

- Opportunities for placement and work experience

- Creative environment for collaboration

- Using industry-standard software

- A vibrant visiting speaker programme

- Student experience-centred ethos

Assessment

- Continuous assessment with no formal examinations
- Core theory based on written assignments
- Core practice assessed on visual project and accompanying portfolios
- Elective modules all with theory/practice options
- Dissertation and/or major project in final semester

Careers

- Research, teaching or postgraduate study in art/humanities subject areas

- All technical/creative roles linked with direction, production, cinematography, editing, sound, lighting; writing for the screen; film and television criticism; research for film and TV

- Film and TV marketing, distribution and sales – digital and social media content/distribution

- Film festival and arts curatorship – media-based project management

Find out how to apply here - https://www.falmouth.ac.uk/apply

Visiting Us

We hold open days throughout the year so you can meet current students and staff, view our campuses and facilities, and find out more about studying at Falmouth.

Find out more - https://www.falmouth.ac.uk/open-days

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The MLitt in Film & Television Studies, taught in Scotland’s media capital, offers the opportunity for the critical study of film and television. Read more

The MLitt in Film & Television Studies, taught in Scotland’s media capital, offers the opportunity for the critical study of film and television. This well-established programme aims to provide an advanced understanding of the approaches and methodologies in Film & Television Studies and to equip you with core research skills for advanced study in this field.

Why this programme

  • You will be studying in Glasgow, one of the leading media cities in the UK, and be based at our Gilmorehill Centre, with its own cinema as well as extensive collection of video, DVD and digital resources.
  • The Gilmorehill Centre is home to the international journal Screen and hosts the annual Screen conference every summer, attracting leading names in film and television studies from across the world. You will have the opportunity to participate in the conference as well as to engage with guest speakers from the academy and media industries throughout the year.
  • The Masters is designed for those with some background in film, television, media or communication studies (or related fields) who are contemplating, or developing, a career in media research or criticism. It is particularly relevant as preparation for further postgraduate research in film and television.

Programme structure

This programme will encourage advanced level study of specific aspects of film and television, via the exploration of research strategies appropriate to the two mediums. The curriculum is designed to establish the full focus of Film and Television Studies as a discipline and to suggest some of the ways in which its boundaries are being re-drawn by new screen cultures and technologies. 

The programme consists of three components (please see core and optional courses information for more details):

Component 1: Core Course (60 credits)

Semester 1: History of Critical Writing (30 credits)

Semester 2: Research Methods and Preparation (30 credits)

Component 2: Three additional courses (60 credits)

Advanced Topics in Film Studies (20 credits) - compulsory

Advanced Topics in Television Studies (20 credits) - compulsory

(The above two courses will run in semester 1 and 2 in alternate years)

A third option course (20 credits, semester 1 or 2)

Component 3: Dissertation (60 credits)

You will research and write your dissertation over the summer (May to Sept). It will be 15,000 words in length and on a topic chosen in consultation with your tutors and the programme convenor.

Career prospects

The programme provides an excellent foundation for an academic career in this field and we provide support and guidance on PhD applications and funding opportunities if you are considering this path.

As an MLitt student, you will have plenty of opportunity to meet and work with our PhD students – for example, through the annual postgraduate conference – and find out about the range of research projects in which they are involved: from AHRC Collaborative Doctoral Projects with industry partners (BBC Scotland, the Glasgow Film Festival), to personally-conceived projects on filmmakers, genres, periods, or themes within film and television studies.

While the MLitt is a good training for PhD study, graduates go on to a range of careers in the media and creative industries including film education, festival management and programming, and arts administration as well as to research roles in television, academia, or the public sector.

Positions held by recent graduates include Celebrity Management Consultant, Director and University Teacher.



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Our innovative MA in Film and Television builds on its prestigious heritage as the longest running degree programme of its kind in the UK. Read more

Our innovative MA in Film and Television builds on its prestigious heritage as the longest running degree programme of its kind in the UK. We aim to equip you with wide-ranging skills, knowledge and critical awareness to meet your career aspirations in sectors in which moving images play a central role. Our curriculum incorporates an exciting variety of learning and teaching activities designed to foster your capacity for researching and rigorously analysing different aspects of film, television and moving images. You will have the opportunity to develop key skills for communicating about and with moving images across a range of contexts and platforms. You can choose to have a broad-based learning experience in film, television and moving image, or you can specialise in moving image curation and screenwriting via our suggested pathways.

The core teaching team consists of members of the Westminster School of Media, Arts and Design. The course has close links with the Centre for Research and Education in Arts and Media (CREAM), the leading research centre in the UK for arts and design, whose members include internationally renowned filmmakers, film and television theorists and historians, and moving image artists and curators. We combine research-enhanced teaching with classes delivered by film and television industry and moving image art professionals, in order to make sure that you develop the skill sets and the full range of critical awareness that is in demand and to deliver an exciting learning experience for you.

The course combines core and optional taught modules. The design and delivery of our taught modules draw on CREAM’s research excellence in documentary, Asian and European cinema, moving image curation, and television history. The coursework requirements for some modules are research essays or a combination of research essays and research-informed blog posts and presentations. Other modules require a broad range of research-informed professional modes of writing such as a screenplay treatment, a curatorial proposal or an exhibition review. You will also undertake a substantial piece of independent research as a major part of your MA studies. In order to provide you with the flexibility to undertake a piece of independent research suited to your career aspiration, the final project module offers you the choice between writing a traditional dissertation or completing a theoretically-informed professional project such as a curating a film programme, writing and producing a series of themed blog posts, or writing a long-form screenplay.

Course structure

The course is taught in two modes: full-time and part-time.

Full-time Postgraduate students study 180 credits per year. For the award of MA in Film, Television and Moving Image, you must complete two core taught modules, four optional modules and a 60-credit final project module, for a total of 180 credits.

The course structure includes two suggested pathways for those wishing to specialise in film programming and moving image curation, or in screenwriting.

The following modules are indicative of what you will study on this course

Core modules

Core modules provide you with a set of key skills for the theoretical, critical and reflective understanding of moving images.

  • Final Project (core)
  • Key Concepts in Film, Television and Moving Image (core)
  • Contemporary Issues in Moving Image and Screen Studies (core)

Optional modules

Optional modules give you the freedom to choose areas of specialisation. The course leaders can advise on which modules best fit your interests. You have the choice to pursue specialised interests through your choice of optional modules and coursework assignments. If you are not sure which optional modules to choose or fit your interests best, or which types of final project work to produce to best develop your area of specialisation, you should discuss this question individually with the course leaders and you should aim to do so early on in the academic year.

The course structure includes two suggested pathways for those wishing to specialise in film programming and moving image curation, or in screenwriting.

  • Cinema Distribution and Exhibition
  • Documentary Aesthetics, Sites and Spectatorship
  • Film Programming and Moving Image Curation
  • Introduction to Scriptwriting
  • Longform Screenplay Preparation and Short Documents
  • Modern and Contemporary European Cinema
  • Researching Histories in Asian Cinema
  • Television Art: Aesthetics and Quality

Industry links

We have strongly developed links with key London exhibition and research venues such as the BFI SouthbankICALux and Close-Up, as well as key critics, theorists, curators and festivals. We offer field visits to these sites as well as festivals like the Rotterdam Film Festival.

Career path

Our graduates have found employment in small- and large-scale film and television companies as filmmakers, producers, distributors, and exhibitors. Others have gone on to organise film festivals, or to work in film-related magazines and journals as well as in international arts and culture sectors. Some of our recent graduates have gone on to pursue academic careers as researchers or doctoral students at the University of Westminster and elsewhere. As the UK’s longest-running postgraduate programme in film and television several of our alumni are pioneers of the discipline of film and television studies.



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The new MA in Global Film and Television is an online course, offering a range of distinct critical and theoretical approaches. You will be asked to explore the dynamic relationship between visual style and social commentary in work of film and television from around the world. Read more
The new MA in Global Film and Television is an online course, offering a range of distinct critical and theoretical approaches. You will be asked to explore the dynamic relationship between visual style and social commentary in work of film and television from around the world. As the industries of film and television become increasingly interconnected, the course considers their shared stylistic and contextual relationships.

The MA in Global Film and Television is innovative in engaging with comparative close readings of US film beyond Hollywood, of World Cinema, and of contemporary television. The course leads the way in employing cutting-edge advancements in Film and Television Studies, such as the audio visual essay and digital curation. The course’s online delivery means that you will benefit from greater flexibility, innovative teaching and learning strategies via the latest developments in social media and digital technology.

Why choose this course?

With the University of Hertfordshire’s innovative online distance learning programme, you can study for a MA Global Film and Television at your own pace, without ever having to set foot on campus.

You will benefit from:
-Flexible study- fit your degree around your work and life commitments
-Support from experienced and well qualified tutors
-No campus-based exams – assessment is by coursework and online tests
-Pay as you study and possible tuition fee loan eligibility (UK/EU students only)
-Being part of a dynamic and supportive online community of like-minded students
-No travel or student accommodation costs

The degree is for those who wish to advance their skills and knowledge in the area of Film and Television Studies at postgraduate level. The course will provide the opportunity to develop an understanding of film analysis beyond Hollywood, and to engage in close readings of films and television programmes from around the world.

Careers

Graduates are equipped for a variety of careers including those traditionally open to Masters Graduates in the Arts and Humanities: teaching, the Civil Service, Local Government, journalism, marketing, film curation and exhibition, and publishing as well as for further study at postgraduate level.

Teaching methods

-Style and Meaning in Film and Television (30 credits)
-Screen Curation (30 credits)
-Global Screen Violence (15 credits)
-Thinking Images: Philosophy in Film and Television (30 credits)
-Research Methods 1: Critical and Theoretical Debates (15 credits)
-Research Methods 2: Advanced Research Skills (15 credits)
-Dissertation/Extended Project (60 credits)

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Drawing on the internationally recognised expertise of our academics, primarily in the areas of Film and Television aesthetics, history and theory, this course enables you to familiarise yourself with key disciplinary issues and methodologies before focusing on an area of personal academic interest. Read more
Drawing on the internationally recognised expertise of our academics, primarily in the areas of Film and Television aesthetics, history and theory, this course enables you to familiarise yourself with key disciplinary issues and methodologies before focusing on an area of personal academic interest.

You will take a core module in Screen Cultures, in which academics will introduce selected screenings, and illuminate how an element of their own research can inform the methodology/theory under discussion. You then have the choice of three further optional modules taken over the first two terms. These currently include: The City in Film and Television; History and Memory in Italian Cinema; Journeys and Landscapes in Film and Television; Sound Cultures; Television History and Aesthetics;
and Textual Analysis and Film Style. Finally, you will have the opportunity to pursue your own thematic interests through a dissertation and research presentations.

The programme includes dedicated sessions in Graduate Skills that will equip you with the necessary academic skills to excel in Master’s assignments and PhD applications. Our postgraduates have progressed into diverse and often creative roles in film and television production, journalism, marketing, archiving education and publishing. They have also found employment in the voluntary sector, and in major arts and cultural organisations.

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This course is designed for students who have firm PhD study plans and feel that they need to develop their knowledge of fields which is not covered by our taught modules in order to prepare for their proposed PhD project. Read more
This course is designed for students who have firm PhD study plans and feel that they need to develop their knowledge of fields which is not covered by our taught modules in order to prepare for their proposed PhD project.

The MA for Research comprises of three taught modules, plus one independent study module designed in consultation with a supervisor and dissertation. In the past, a selection of the following option modules have been offered: The City in Film and Television; History and Memory in Italian Cinema; Journeys and Landscapes in Film and Television; Sound Cultures; Television History and Aesthetics; and Textual Analysis and Film Style.

The programme includes dedicated sessions in Graduate Skills that will equip you with the necessary academic skills to excel in Master’s assignments and PhD applications. Our postgraduates have progressed into diverse and often creative roles in film and television production, journalism, marketing, archiving education and publishing. They have also found employment in the voluntary sector, and in major arts and cultural organisations. We also have an outstanding record of MA students going on to doctoral study and employment in a number of prestigious HE institutions around the world.

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About the course. The MA in Global Film and Television is an online course, offering a range of distinct critical and theoretical approaches. Read more

About the course

The MA in Global Film and Television is an online course, offering a range of distinct critical and theoretical approaches. You will be asked to explore the dynamic relationship between visual style and social commentary in work of film and television from around the world. As the industries of film and television become increasingly interconnected, the course considers their shared stylistic and contextual relationships. 

This course is innovative in engaging with comparative close readings of US film beyond Hollywood, of World Cinema, and of contemporary television. The course leads the way in employing cutting-edge advancements in Film and Television Studies, such as the audio visual essay and digital curation. The course’s online delivery means that you will benefit from greater flexibility, innovative teaching and learning strategies via the latest developments in social media and digital technology.

To find out more information about how online study works, please visit go.herts.ac.uk/online, or contact us on 01707 281121 or e-mail .  

Free sample materials!

See how online study works and what kind of learning environment and materials you will access as an online student. Access free sample materials

Why choose this course?

With the University of Hertfordshire’s innovative online distance learning programme, you can study for a MA Global Film and Television at your own pace, without ever having to set foot on campus.

You will benefit from:

  • Flexible study- fit your degree around your work and life commitments.
  • Support from experienced and well qualified tutors.
  • No campus-based exams – assessment is by coursework and online tests.
  • Pay as you study and possible tuition fee loan eligibility (UK/EU students only).
  • Being part of a dynamic and supportive online community of like-minded students.
  • No travel or student accommodation costs.

The degree is for those who wish to advance their skills and knowledge in the area of Film and Television Studies at postgraduate level. The course will provide the opportunity to develop an understanding of film analysis beyond Hollywood, and to engage in close readings of films and television programmes from around the world. 

Careers

Graduates are equipped for a variety of careers including those traditionally open to Masters Graduates in the Arts and Humanities: teaching, the Civil Service, Local Government, journalism, marketing, film curation and exhibition, and publishing as well as for further study at postgraduate level.

Teaching methods

  • Style and Meaning in Film and Television (30 credits)
  • Screen Curation (30 credits)
  • Global Screen Violence (15 credits)
  • Thinking Images: Philosophy in Film and Television (30 credits)
  • Research Methods 1: Critical and Theoretical Debates (15 credits)
  • Research Methods 2: Advanced Research Skills (15 credits)
  • Dissertation/Extended Project (60 credits)


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This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. Read more
This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. As a student on this innovative programme, you will be taught the skills of film production, working intensively in small groups to explore aesthetic possibilities and gain insights into the craft and industry of screen media. You will also engage with critical perspectives and develop high-level research and analysis skills.

Optional units offer the chance to specialise in different areas of practical film-making and to gain a greater understanding of specific areas around the history and aesthetics of film and television. At the dissertation stage, you will have the opportunity to undertake a placement in creative industry, to undertake an in-depth study of film and television by means of a traditional dissertation, or to produce a mixed-mode investigation through film practice, either individually or in a team, supervised by one or more academic advisers.

The University of Bristol has more than 40 years of experience in this field and the programme draws on the expertise of world-leading scholars, expert practitioners and industry professionals. The Department of Film and Television hosts a series of research seminars and industry masterclasses that are targeted to enrich your studies. Facilities include a 200-seat cinema, production studio, animation and edit suites, seminar rooms and sound rooms.

Bristol is an excellent city in which to study film and television, with its varied cinema, television and digital media spaces, such as the Arnolfini, BBC Bristol, The Cube and Watershed Media Centre. Bristol's Harbourside is home to an array of film festivals, including the Encounters Short Film and Animation Festival, the Slapstick Festival, and the Afrika Eye Festival.

Programme structure

The programme has been designed to develop skills and knowledge cumulatively, while allowing you the opportunity to tailor your learning to your specific areas of interest.

In the first semester, you will be taught skills and techniques of formal analysis and practical film-making, providing the foundation for optional units across the year, such as Writing and Directing, Screen Histories, Television Forms and Making Short Fiction. Other options include Translation for Subtitling (Chinese-English), Screen Style and Aesthetics, and Making Short Fiction.

In the second semester, you will gain knowledge of research methods relevant to the dissertation stage, which includes the opportunity to undertake a placement in the film/TV industry, write an extended essay or produce a piece of practice (normally a short film) accompanied by individual written reflection.

Careers

Graduates of film and television at Bristol have taken up careers as film-makers, programme researchers, senior academics and broadcasting executives.

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Our MA Film, Television and Creative Practice degree enables students to combine development of their creative skills in film and television production with a grounding in historical and theoretical approaches to the two media, all taught by staff with academic expertise and extensive industry experience. Read more
Our MA Film, Television and Creative Practice degree enables students to combine development of their creative skills in film and television production with a grounding in historical and theoretical approaches to the two media, all taught by staff with academic expertise and extensive industry experience.

Core modules on studying media, creativity and developing ideas, and video production are accompanied by a range of options covering areas such as television and reality, blockbuster cinema, and Asian film culture. All students work towards a dissertation-by-practice, an audio-visual project combining your intellectual and theoretical knowledge with your practical skills, supervised by a faculty member.

Our thriving postgraduate community benefits from regular conferences and events on campus, as well as workshops from visiting media professionals. Graduates from our MA programmes have gone on to rewarding careers in various fields, including in the film and television industries.

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The MA in Visual Culture introduces students to the new and fast-growing intellectual field of visual culture, by examining the histories, theories and practices of cultural production and consumption of visual images/objects in the contemporary and modern world. Read more
The MA in Visual Culture introduces students to the new and fast-growing intellectual field of visual culture, by examining the histories, theories and practices of cultural production and consumption of visual images/objects in the contemporary and modern world. Western and, increasingly, global culture is dominated by visual images – whether material or virtual – and by visual experience.

The course encourages connections across visual arts, architecture, film, cultural studies and critical theory, cultural geography, and history. It gives students the opportunity to concentrate on the modern period, post-1750, while offering the option to choose their modules from a range of disciplines in which visual culture is a key research focus.

Though this MA is offered by the Department of Art History, besides the core module, 'Critical Approaches to Art History and Visual Culture', it is also compulsory for you to take one module in the Institute of Film and Television Studies.

The Department of Art History incorporates the Nottingham Institute for Research in Visual Culture (NIRVC), which is a forum for research in art-historical and visual culture studies, drawing on a range of disciplines, within and beyond the University.

The University’s custombuilt Lakeside Arts Centre provides an excellent environment to support postgraduate studies in visual culture, with contemporary and historic art exhibitions at the Djanogly Art Gallery, and the DH Lawrence Pavilion – a newlybuilt drama, film, and performance space.

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This programme, available in both full-time and part-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories. Read more

This programme, available in both full-time and part-time study modes, offers you a broad-based understanding of how film, television and other screen media have developed and interacted across their varying histories.

It also gives you the opportunity to specialise in film exhibition and archival practice, in order to personalise your MA studies towards specific intellectual interests and future career hopes. The programme is unique in the way that it combines rigorous academic study with creative and practical opportunities, the latter offered both within certain option modules and via the two-month work placement.

This intermixing of the academic and the practical also enables you to take your interests further, into further postgraduate study, towards a career in teaching or into possible work opportunities in many areas of the media industries.

The programme has two other pathways: MA Film and Screen Media and MA Film and Screen Media (European Pathway).

HIGHLIGHTS

COURSE STRUCTURE

The programme consists of the compulsory module Screen Media: History, Technology and Culture, a choice of option modules, a research project or placement and a dissertation.

The compulsory module is designed to introduce you to the basic methodologies and issues involved in the area concerned, as well as research skills and methods. The option modules allow you to pursue specific interests and areas of research.

A unique feature of the programme is the placement, which offers you the experience of working in a prominent media company or institution. Alternatively you can complete a research project which gives you the chance to undertake independent research and reflect on research methodologies.

You will complete the programme with a 15,000-word dissertation.

COMPULSORY MODULES

INDICATIVE OPTION MODULES

DISSERTATION MA FILM AND SCREEN MEDIA

You will also have the option to take an intercollegiate module offered at another college of the University of London through the Screen Studies Group.



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In the age of globalisation, media communication has become increasingly multilingual and multimodal. The rising need for translation is marked by a particular surge in demand for skills in translating for different media forms. Read more

In the age of globalisation, media communication has become increasingly multilingual and multimodal. The rising need for translation is marked by a particular surge in demand for skills in translating for different media forms.

The MA Mass Media Translation programme aims to provide suitably qualified undergraduates an opportunity to procure a deeper understanding of mass media translation between English and Chinese, at both theoretical and practical levels, and to produce graduates capable of operating professionally and reflectively in this rapidly developing media translation environment.

The programme is intended for those who have good bilingual proficiency and are interested in media translation, for translation practitioners who want to gain a deeper understanding of media translation, and for others who wish to develop and extend their professional skills in media translation and bilingual media communication. It is also a stepping stone for any individual wanting to undertake a research degree in translation studies and media translation in particular.

WHY SHOULD I STUDY MASS MEDIA TRANSLATION AT XJTLU?

  • The first MA masters programme in Mainland China specialised in media translation training and bilingual media communication
  • Choose from a wide range of theoretical and practical modules
  • Taught by academic staff members from translation and media and communication studies programmes, as well as other experts in the field.

MODULES

Semester one

  • Theory of translation studies
  • Journalism translation
  • Global media cultures
  • Contemporary media theories
  • Translation and technology.

Semester two

  • Research methods
  • Public relations translation
  • Portrayal of China in Western media
  • Discourse analysis
  • Audio-visual translation
  • Translating Chinese culture.

Semester three

  • Dissertation
  • Translation project.

Additional learning activities

The completion of additional learning activity is required to complete your masters degree. Normally, required ALA hours will be distributed evenly across each semester, amounting to 200 hours per semester. Part-time programmes will normally require 100 to 150 hours per semester.

ALAs may contain the following elements:

  • Graduate teaching or research assistantship
  • Discipline-related academic activities
  • English/Chinese modules
  • Work placements.

CAREERS

The MA in Mass Media Translation opens up a wide range of career paths for graduates. They may enter the profession as media translators or go on to further study in pursuit of a research career. An understanding of cross-cultural media communication and a mastery of English and Chinese prepares students for careers in the following sectors:

  • government organisations
  • media and journalism
  • business sectors
  • public relations
  • editing and writing
  • presenting and hosting
  • teaching
  • administration.

Graduates will also find work in international environments where cross-cultural communication is needed.

Alumni discount

If you are a graduate of XJTLU, the University of Liverpool or Xi’an Jiaotong University, you will automatically receive a discount of 20 percent of the tuition fee.

HOW TO APPLY

Applications should be submitted via our online application system:

  1. Click/tap the APPLY link
  2. Create an account or log in to your existing account
  3. Complete your application

Once your application account is successfully created, enter all the information required in the application form carefully and make sure the information you provide is correct, complete and up to date. Upload the required documents to the corresponding fields.

You may log-in to view your application form at any time and upload any remaining supporting documents.

For further details of how to successfully apply to study at XJTLU, please visit the how to apply page.



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The MA Media Production course gives you the opportunity to kick start or further your career in the television and radio industries. Read more

Course summary

The MA Media Production course gives you the opportunity to kick start or further your career in the television and radio industries. The course offers a clear progression pathway for students who have already completed undergraduate studies in television or radio.

For those who already have industry experience, or are looking to change career path, the course provides the chance to learn additional skills and apply professional media practice to your existing resume.

You can study the MA Media Production full time over one year or part time over two years. This flexibility means it is suitable for those wishing to enter the industry or who are already forging a career in broadcasting and want to attain a well-respected academic qualification to complement their skills.

Course structure

Over the year you will study four modules, each of which consists of 10 class sessions in which students will be introduced to topics through lectures, seminar discussions and workshop activities. Each week students are set independent study tasks, often based upon production activities, and there are two further weeks of directed study.

There will often be guest lectures from leading practitioners in the field and we place a strong emphasis on lecturer and peer review of student presentations and work-in-progress. These sessions are supported by structured material available on the university's Moodle online system.

Many modules make significant use of new social media and students will be asked frequently to contribute to forums, write blogs, or produce podcasts to chart personal and professional development and to engage with the work of others. Your own professional development is an important element throughout the course.

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About the course. This course is the result of a unique collaboration between DMU and one of the country’s most respected broadcasters, Channel 4. Read more

About the course

This course is the result of a unique collaboration between DMU and one of the country’s most respected broadcasters, Channel 4. It is designed to find and educate the next generation of audio-visual investigative journalists. After a thorough grounding in media law, regulation and ethics, students will receive extended tuition in various investigative techniques, including using the Freedom of Information Act, data journalism, financial journalism, and instruction in how to handle complex information. Additionally, you will be taught to use specialist camera equipment, and how to plan, shoot and edit your own material, with a view to making industry-standard broadcast quality journalistic films.

Reasons to Study:

• Course developed in collaboration with Channel 4

professional endorsement from industry ensures high quality teaching by expert academics and professional journalists

• Designed with input from Industry leaders

this specialist course is designed to provide you with the skills, knowledge and contacts you need to embark on a successful career in investigative journalism

• Work on live briefs

produce your own professional programme to pitch to major broadcasters or elsewhere

• First in the UK for media research

our Media Discourse group and The Centre for Cinema and Television History (CATH) informs teaching on the course allowing students to gain expertise into the subject area. DMU’s research in media was recognised as first in the UK for research output in the Research Excellence Framework (REF) 2014

• Work on live briefs

produce your own professional programme to pitch to major broadcasters or elsewhere

• More than 20 years’ experience of teaching journalism

our teaching staff have many years of industry experience which you can draw upon to develop skills and expertise that are relevant for a career in Journalism

• Excellent graduate prospects

this course will equip graduates for a successful career in Investigative Journalism, in national television as well as working for national and international news agencies and roles in PR and corporate communications

Course Structure

Modules

• Investigative Journalism Skills and Theory

• Introduction to Practical Investigative Journalism

• Investigative Journalism Global Perspectives

• Advanced Practical Investigative Journalism

• Final project

Teaching and assessment

You will experience a wide range of teaching styles and environments, from traditional lectures and seminars to intensive skills workshops, news days and studio work. As a postgraduate student, you will be increasingly responsible for developing your own professional practice and working with other course members to produce pieces of journalism.

You will be working collaboratively with undergraduate students and other postgraduate students from our portfolio of related journalism courses including on events.

This is an intensive programme and you should be aware that full-time engagement will be expected throughout.

There will be a diverse range of assessments, including traditional essays, presentations, case studies, phase tests and reports as well as continuous assessment of professional practice. These culminate in your final project or dissertation.

Contact and learning hours

You will normally attend at least 12 hours of timetabled taught sessions per week. As part of this, you will be expected to produce substantial amounts of journalism outside of class.

To find out more

To learn more about this course and DMU, visit our website:

Postgraduate open days: http://www.dmu.ac.uk/study/postgraduate-study/open-evenings/postgraduate-open-days.aspx

Applying for a postgraduate course:

http://www.dmu.ac.uk/study/postgraduate-study/entry-criteria-and-how-to-apply/entry-criteria-and-how-to-apply.aspx

Funding for postgraduate students

http://www.dmu.ac.uk/study/postgraduate-study/postgraduate-funding-2017-18/postgraduate-funding-2017-18.aspx



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Get the training, connections and experiences you need to make your mark in television. Recognised with the Creative Skillset Tick of approval, GCU's MA Television Fiction Writing is the only full-time master's programme focusing solely on scripting for the UK. Read more

Get the training, connections and experiences you need to make your mark in television. Recognised with the Creative Skillset Tick of approval, GCU's MA Television Fiction Writing is the only full-time master's programme focusing solely on scripting for the UK.

Created in close collaboration with industry to maximise your employment opportunities, our programme offers you the full range of industry experiences - and supports you in developing your own original drama or comedy.

  • Instruction from both academic experts and top TV scriptwriters in British television
  • Chance to contribute to programmes currently airing on British TV
  • Individual mentoring from experienced television executives
  • Direct access to producers and commissioners
  • Year of mentoring from a London agent
  • Support from a professional script doctor
  • Opportunity to graduate with several projects ready to take to market

We'll teach you to story conference, storyline and edit scripts - all with direct input from the BBC, STV and other independent producers and writers. And you'll benefit from GCU's global reputation for academic excellence - combining academic theory with practical skills in a thriving and diverse community that shares a belief in the common good.

What you will study

There are four main strands to this Masters:

Story and Script Techniques (2 modules)

You will study storytelling and narrative, genre, character and voice, developing your critical and evaluative skills as well as your creative writing talents.

Writing for Existing Long Running TV Drama (2 modules)

You will gain a thorough understanding of how creative and writing processes work on long running dramas such as soap operas or medical dramas and then write your own mock storylines and scripts.

Creating Original TV Drama (2 modules)

You will tackle the challenge of creating your own original drama in the context of current commissioning trends.

Researching TV Drama Markets

You will explore the terrain of the TV fiction market, the main channels (home and abroad) and commissioning policies and audiences in order to enhance their market readiness.

Creative Skillset Tick

The Creative Skillset Tick is a kitemark of quality, showing the courses that best prepare students and apprentices for a career in the creative industries.

To be awarded the Tick a course has to undergo a rigorous assessment process by experts working in the creative industries and it is only given to courses that have the strongest links with industry.

Your career

With the hands-on experience offered in our MA Television Fiction Writing, you'll graduate uniquely prepared to launch an exciting new career in the field. GCU has built a reputation amongst employers including Warner Bros. Entertainment UK and Shed Productions for training creative and accomplished professionals who leave the programme ready to make meaningful contributions to television. You may also choose to pursue further academic work.



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