Masters Degrees in Print Media explore mass communications through the medium of printed publications such as magazines, newspapers, books and so on.
Courses range from taught MA and MSc degrees, to research oriented MRes and MPhil programmes. Entry requirements normally include an undergraduate degree in a relevant subject, such as Journalism, Media Studies or Design.
Masters in this field are highly diverse, offering a range of career routes and specialisations. For example, you may choose a more practical focus, researching technological innovations of printed media, such as the processes of print-making. Or, you might take a more theoretical approach, scrutinising the role and governance of print media within society.
Courses may also have a larger corporate focus, whereby skills in print advertising and marketing can be explored for a range of products and services across different industries. This could include scrutiny of content creation, audience, and promotion strategies.
Experience in this field would make you suitable for a range of roles in Print Media industries, including graphic design, content writing and editing, and even manufacturing. Other careers may include public relations, journalism or legislation.
The master of science degree in media arts and technology is a one-year applied science and technology program concluding with a capstone project. Students develop relevant knowledge and skills with a technical emphasis and business-oriented approach. Students will recognize new ways for operating and identifying emerging technologies to meet and exceed evolving market demands, and for becoming leaders in the improvements of cross-media products and processes. The program provides students with the ability to create meaningful and measurable changes in graphic communications through applied cross-media initiatives. The required capstone project allows students to develop and demonstrate in-depth knowledge in a specific topic area. Led by senior faculty, the capstone project is designed to prepare students to be innovators in the rapidly evolving media landscape.
The curriculum concentrates on the latest technologies, which allow students to employ knowledge of print, web, mobile, and social media workflows to solve communication problems. The course work investigates strategies, processes, and technologies relating to publishing, graphic communications, print, and media. The diverse expertise of the faculty ensure a breadth of relevant experience while educating students on issues and trends across the graphic communications field. The School of Media Sciences strives to be on the leading edge of graphic communications and give students the opportunity to address real world problems within the industry. This program aims to create a collaborative environment where students combine course work with access to faculty expertise, staff support, and extensive facilities to extend their current knowledge base.
The program is two semesters, 30 credit hours of study, and culminates in a capstone project.
The program encourages cross-disciplinary and interdepartmental collaboration. Students may choose elective courses from a variety of courses offered in the School of Media Sciences or with other graduate departments and programs at RIT.
The capstone project requires students to develop and demonstrate extensive knowledge on a specific topic related to graphic communications. Students complete original work in the form of a number of methodologies, including experiments, comprehensive case studies, surveys, focus groups, and research analysis. Outcomes from this experience include innovation of a process, recognizing unmet customer needs, solving cross-media issues, and/or identifying resources required for business transformation or business solutions.
To be considered for admission to the MS program in media arts and technology, candidates must fulfill the following requirements:
The MFA program in photography and related media emphasizes a broad interpretation of photography as a conceptual art form, with the intention of inspiring and nurturing the individuality of each student as a creative, productive artist. The program encourages graduate study in photography and related media as a means to personal, aesthetic, intellectual, and career development.
The curriculum provides a focus of study that is continually sensitive to the needs of each student, building upon the strengths each individual brings to the program. Successful completion of the program enables students to seek careers in fields including education, museum or gallery work, or as self-employed visual artists.
The program provides students with the opportunity to use the still and moving image as a means to:
Distribution of work within these guidelines is subject to modification based upon the candidate’s background, abilities, and interests. An individualized course of study is prepared with the advice of the graduate faculty and made a matter of record. Modifications in this prescribed program thereafter must be approved and recorded.
Elective courses are available in areas such as, but not limited to, video, printmaking, painting, sculpture, communication design, crafts, bookmaking, graphic design, new media, computer graphics, art history, and archival preservation and conservation. A complete list of graduate electives is available through the student's adviser. There are also graduate electives offered throughout the university. Students also have opportunities to enhance their studies through independent studies and internships.
Matriculation from the MFA program is obtained when the student has completed and mounted their graduate thesis exhibition, successfully passed their thesis defense, and submitted their thesis publication. The thesis must be an original body of work appropriate to the major commitment of the degree. The thesis publication is a professional, published presentation of the thesis project, which must be submitted, in both print and digital form. It must contain an extended artist statement and a presentation of the majority of thesis artwork. It is prepared for inclusion in the Wallace Library, the School's Archive, and the Graduate Annex Space. The verbal defense requires a public address by the student, discussion of the thesis project, and exhibition in a digital presentation format.
The MFA program in photography and related media and the BFA program in photographic and imaging arts are accredited by the National Association of Schools of Art and Design (NASAD).
Transform your creative practice by engaging with print media on our Master’s course at Cambridge School of Art. Using the latest techniques, you'll work on your own projects in our world-class facilities, and get invaluable experience of exhibiting, curating and collaborating.
Course duration: 12 months full-time or 24 months part-time.
Trimesters 1-3: Tuesdays and Wednesdays (full-time); Wednesdays (part-time)
*Please note: In addition, you will be expected to work independently outside taught times for at least the equivalent amount of time.
Discover the vital contribution that printmaking has made to the language of contemporary art practice, and how recent technological advances have broadened its definition.
Much of your time will be spent independently researching and undertaking your own practice-based projects. You’ll receive technical inductions for the use of both traditional and emerging processes (including relief printing and intaglio, screen print, lithography, photo-based and digital media) and be free to experiment with, and combine, them in your creative work.
Throughout the course you’ll have support from experienced print and fine art practitioners, and benefit from working in a supportive and critically informed art school. Our connection with the MA Printmaking course at Camberwell College of Art creates opportunities for exchange crits and gives you the chance to build networks with fellow artists. And you'll get a window onto the professional art world through our visiting lecturers, field trips and links to galleries.
Our series of workshops, tutorials, seminars, critiques, presentations and lectures, will allow you to develop research skills that you’ll use on this course and in your future career. In addition, you’ll gain experience of other areas of professional practice including curating and critical writing.
Our links with local printmaking and art organisations, such as Cambridge Original Printmakers, the Curwen Print Study Centre, Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in portfolio reviews, live projects and professional exhibitions.
As well as preparing you for a successful career in creative practice, our course will equip you for many other roles. Our past students enjoy careers in further and higher education, professional print workshops, museum and gallery management, public arts projects, artist in residence schemes and fellowship opportunities, in the UK and overseas.
Or you might decide to continue on to a research degree, like our PhD Fine Art.
You’ll have access to events such as Creative Front Futures, which will give you a taste of different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for our students and alumni.
Fortnightly lectures run by our Fine Art Research Unit (FARU) will give you a chance to hear artists and staff talk about their work, and engage in debates about art practice. Our recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.
Visiting printmaking professionals have included Katherine Jones, Stephen Chambers, Sean Rorke, Rebecca Salter, Penny Brewill, Mike Taylor, Kate Palmer, Jo Love and Jane Dixon, Leo Brook and Amanda Couch.
On our core modules you’ll demonstrate your progress through your visual research outcomes and supporting evaluative statements, except for the Master’s Dissertation, for which you’ll submit a 6,000-word contextual essay.
You’ll work in our fully equipped print studios, with industry-standard facilities including intaglio, screen, relief, litho and photo print processes. You’ll also have access to our 3D workshops, laser cutting facilities, large format digital printer, photography studios and dark rooms, and computer suites for video production and digital imaging.
Studio teaching takes places in our print studio and MA Fine Art studios, which also act as lively hubs for our full- and part-time students in printmaking and fine art.
Our MA Illustration course encourages you to question the nature of your practice and its context and position relative to the creative industries.
This course will appeal to you if you're open to participating in a broad range of creative strategies, utilising traditional and digital methods.
These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.
The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration. A selection of our student's work is available to view in our gallery.
Students’ practice is considered within a global context and with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional practice.
Graduates from the MA programme will be able to carve their own niche in an evolving market for visual material.
Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.
The course is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.
Ideas are developed through specific individual approaches to research into practice and reflective enquiry.This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations.
The MA Commercial Photography course offers you the opportunity to enhance your practice with the aim of becoming a photographer at the forefront of the industry.
This course is founded on the assertion that commercial photography is a powerful form of mass communication that can connect with an audience of millions.
What defines it as commercial is that it is conceived and created with a specific audience in mind, conscious of how meaning is affected by sociopolitical criteria. It can be utilised in a variety of ways: to stimulate commerce; promote new trends; deliver complex narratives; and inform and express opinions. In the process, opportunities arise for creative practitioners working in commercial contexts to produce innovative work.
The course is structured in such a way that learning develops systematically and with an emphasis on the independent learning abilities required for continuing professional development and the advancement of your career.
The course allows you to undertake advanced study in a wide range of areas including advertising, documentary, editorial, fashion and portrait photography. Through originality in the application of contemporary academic research and professional practices to the production of new complex work, you will challenge the accepted conventions of the genres.
By a combined approach of practice, theory and professionalism, the course will provide a challenging and stimulating environment in which you are able to develop your full potential, with the aim of becoming a practitioner at the forefront of the discipline.You will expand your commercial potential by applying genre practices across contexts; for example, the aesthetics of documentary can be applied to advertising, editorial, and fashion outcomes.
The course enables you to develop an in-depth and critically informed understanding of the commercial photography industry.You will engage with key themes in emerging and established critical analyses that underpin each professional genre. This will equip you with the theoretical understanding to progress your practice and effectively articulate your concepts through the production of advanced outcomes to specialist and non-specialist audiences.
You are encouraged to make industrial links across a broad range of organisations relevant to your chosen professional specialism. Using these links you will learn to manage and exceed client expectations through the application of your new academic understanding to the production of inventive commercial work.
The course is designed for ambitious photography graduates, or experienced photographers who wish to develop their knowledge and expertise in order to reach the very top of their field. We look for students with a passion for the subject and who are willing to take risks, and in doing so push themselves to new heights.
Whether you want to develop a strong commercial portfolio or test the boundaries of your creative practice, our photography postgraduate course offers a unique opportunity for talented practitioners to work with highly experienced award winning staff and to use state of the art facilities.
You can see examples of our student work on the course gallery page.