Masters degrees in Metal Crafts offer advanced postgraduate training in the use of metals within craft work for aesthetic and practical purposes. Training includes forgework, foundry work and metalsmithing with a range of pure, mixed and precious metals.
Taught MA and practise-based MFA courses are typical for the field. Entry requirements typically include a relevant undergraduate degree such as Art or Design Technology, though sufficient work experience may also be accepted.
A broad range of career options are available to you as a Metal Crafter. If you would like to work artistically, you could become an independent practitioner or join an artists’ guild, designing and creating artwork such as sculptures, whether for exhibitions or public centres. Alternatively, you might wish to undertake other creative work in the form of metal conservation, jewellery design or even bespoke furniture.
Your expertise could also be applied to manufacturing industries, particularly in automation and the production of vehicles such as car and aeroplanes. You could also design products for the medical or veterinary fields, such as prosthetic limbs or parts for surgical machinery.
If you are a highly motivated individual this course prepares you for a career working at the forefront of jewellery and metalwork. You build upon existing craft traditions, extending them in response to the needs of our rapidly changing society both in terms of function and style.
Your work on the course is project led and studio based. You develop and apply advanced skills using traditional and new technologies in the field. You also carry out research through practical and theoretical investigation.
Your individual project work includes research and creative work which explores your study topic. This is supported by lectures and seminars dealing with professional practice issues and reviewing progress. You also take part in regular group and individual tutorials.
This culminates with your final project that demonstrates you can deal with difficult contemporary questions and take a leading role in your profession as a designer.
There are opportunities to participate in study trips and visits to design conferences and debates.
Excellent facilities and creative resources
You have access to a huge range of creative resources to experiment and engage with including • 3D printing for rapid prototyping • state-of-the-art hardware and software • photography studios • a creative media centre • a gallery • well-equipped workshops.
You also have access to our award-winning learning centre featuring a specialist art, design and media library and extensive online resources.
We are one of the oldest established art and design institutions in the UK, renowned for producing internationally recognised research. Your projects are supported by lecturers who are reknowned specialists in jewellery and metalwork.
You benefit from a strong relationship between the masters design programme and the University’s Art and Design Research Centre which has gained international recognition for its work in both practice-based and strategic research. This has led to an approach to postgraduate study in design which emphasises the role of research in professional practice.
Vibrant and supportive learning environment
During the course you regularly take part in constructive critical debates about your own work and that of your peers. You need to communicate your research, ideas and designs in ways that are appropriate to professional leadership.
You study alongside MA and MFA Design students for part of your course and benefit from a vibrant, international, collaborative and supportive postgraduate environment.
Sheffield: an international centre for excellence in metalwork
Sheffield is famous not only for its innovative steel and tool industries but also for being at the leading edge of the design and production of contemporary metalwork, silversmithing and tableware.
MA and MFA study
MA and MFA students complete the same modules during the course except that MFA students complete an extra project module. The MFA project encourages you to develop professional skills that help you to identify, instigate, and deliver projects with external partners, such as communities, galleries or businesses. You find a project partner, agree a brief and then deliver the project to a professional standard.
We are normally asked to shortlist applicants before recommending a small number to apply. If this happens, we consider your interview, portfolio of work, academic qualifications and learning aims. We aim to pick people whose abilities and aims are relevant for the company and who are most likely to be successful in a competitive interview.
This course is part of the Sheffield Institute of Arts (SIA), an amazing, diverse community of makers – where staff, students and partners work as equals to deliver real innovation and creativity. SIA opened in 1843 and is one of the UK's oldest Art and Design Schools. We have recently moved into the Head Post Office, a redesigned Grade II listed building. It includes state-of-the-art workshops which provide you with a unique studio-based learning environment in the heart of the creative community.
• project 1 • theory supporting practice
• project 2 • negotiated project
• major project
Semester four – MFA students only
• MFA project
Semester one (year 1)
• theory supporting practice • negotiated project
Semester two (year 2)
• project 1 • project 2
Semester three (year 3)
• major project
Semester four – MFA students only (year 4)
• MFA project
Assessment and feedback are vital parts of the learning process in creative disciplines. Most assessment is through individual project work which combines research and creative practice.
There are many opportunities for employment or self-employment. We encourage you to take an enterprising approach and to strengthen your ability to develop your own business practice.
An increasing number of our graduates undertake further advanced study through research degrees (PhD) in the University’s Art and Design Research Centre, which has a leading position in the advancement of creative practice in design. Some of our graduates find employment in the University.
Sheffield is home to the largest concentration of creative production in the region. Support for creative industries in the city has encouraged home grown talent as well as practitioners relocating here.
Our MA Contemporary Jewellery course celebrates the contribution of individual artists and designer-makers. It enables you to extend the boundaries of your practice by examining cutting edge ideas in jewellery which you've not been exposed to before.
As a student on this course, you'll be free to explore a variety of materials and to experiment with scale, form, ornament and body adornment in our dedicated facilities.
Our course is responsive to a wide range of topics and creative disciplines, including fine art, fashion, design and photography. It's designed to encourage you to explore the relationship between jewellery and other related disciplines.
Conceived as a breeding ground for experimentation and innovation, this MA is an excellent opportunity for you to develop cutting edge work and develop your individual style.
Working alongside creative practitioners from a variety of different design backgrounds, you'll receive specialist tuition through a combination of lectures, seminars, workshops and tutorials. You'll be expected to present your work-in-progress regularly at formal reviews.
Emphasis will be placed on your personal development through the production of your individual jewellery project.
At UCA Rochester we have dedicated workspaces for postgraduate students, as well as an extensive range of books, journals, special collections and online resources.
The course is based at UCA Rochester, and our jewellery courses at this campus have strong industry links.
You're encouraged to build personal contacts and networks through competitions, exhibitions and publishing.
There are numerous potential career options for graduates of this course.
Our alumni work as:
-Arts administrators or in design consultancies, galleries and designer outlets.
Visit our Postgraduate Virtual Media Space to find out more about our courses, see what it's like to study at UCA and gain access to our campus virtual tours.
The curriculum of this programme is under review for the 2018/19 academic year. Programme structure and course availability is subject to change.
This programme encourages practices that are speculative and reflective, supporting work in a range of media. It is concerned with ways of learning that are experiential – embodied through and understood by the acquisition of a practice.
During the late 20th century, developments within visual art introduced new processes and situations, which resulted in an expanded concept of artistic practice.
Media-related disciplines supported by the programme include sculpture, painting and printmaking, photography, audio-visual and new media. The programme also encompasses approaches to practice that are non media-specific, including intermedia, time-based arts, performance, installation, public art and art writing.
You may complete the MA in one year, or continue on to the MFA. You will have access to a designated studio space and a wide range of studio equipment, technicians and resources, including printmaking, metal, wood, casting, painting, photography, reprographic and digital facilities.
Our students often work in groups across subject areas in the School of Art and collaborate throughout the year on critical, creative and curatorial projects. This gives you a unique opportunity to integrate the fields of art practice, art writing and curating, culminating in an exhibition of your own work or in a research project of your own design.
We regularly organise field trips and offer short residency and project opportunities with our local and international partners.
The programme also involves the theoretical study of this family of media and approaches, drawing on related fields and methods.
Students on this programme will benefit from studio-based learning in Edinburgh College of Art's (ECA) historic Lauriston Place campus, along with the exhibitions and events associated with a vibrant art college. The art college experience will be complemented by the University's extensive range of student support facilities, its libraries, student societies, and student accommodation.
Our purpose-built studios are adaptable, serving both as working studios and project and exhibition spaces. Our workshops and foundry provide excellent accommodation for working in wood, metal, mould-making, casting and carving and there are facilities for working with sound, digital imaging and video editing.
The programme develops from a broad to a specialist understanding of the technical resources and validating contexts in which artists work today, drawing inspiration and nourishment from the experience of our international student cohort.
This programme enables you to develop an ambitious art practice as well as providing you with the organisational and economic knowledge required to thrive as a self-employed artist. You will also be qualified to teach studio art in higher education and to work in the contemporary art sector.
The goal of the Master in Jewelry Design trains professionals to enter and succeed in the complex world of jewelry, a sector constantly changing over the past two decades and that requires a thorough understanding of all its aspects. The Jewel Designer must be able to operate in different areas of the jewelry, i.e. watches, fine jewelry, precious stones, fashion accessories and metal, with an open mind asset for both creative and operative aspects. The Master also offers a broad and strategic vision on trends and market developments, in order to interpret and give an original personality to collections, in line with future scenarios.
Career opportunities - The Jewel Designer can work as a free-lance opening an independent studio or associate at small, medium and large companies in the sector or in public and private institutions. This professional is able to develop and manage a project - in accordance with different customer's requirements - and to support the steps of research and production.
Jewellery & Metal (J&M) forms part of the School of Material. Within this context we are committed to exploring the rich and diverse field of adornment and object culture. We encourage an open-minded approach that in principle embraces all materials. But it is metal that constitutes the technological core of our subject and we believe that a deepening understanding of the metal elements is key in these developments; the Periodic Table is our reference in expanding our activity within the subjects of jewellery and metalwork.
The attitude of Jewellery & Metal has shifted from a purely object-centred focus to a wider scope, questioning and exploring issues centred on the human condition. We are responsive to the rapidly changing social and cultural landscape, and draw on history and technology in nurturing intellectual and creative skills directed at understanding and pushing forward jewellery and objects of human making. The rich and extensive bodies of knowledge associated with object-making and jewellery underpin an approach that is outward-looking, open to the wider discourse on commodity objects, connecting to contemporary life.
As applied artists, being in control of the making process either by using our hands or through digital technologies is very important, it is our way of making sense of the world. As individuals we are fascinated with the rich and diverse materials and resources the world has to offer, and through the individuality of our personal visions we make our contribution to the bigger picture.
Jewellery & Metal provides an environment for exploring, in practical and theoretical ways, what it means to be an applied artist today. We see our role as challenging norms and questioning conventions, interrogating the role and purpose of objects and adornment through the development of a personal approach to researching, experimenting, designing and making in the context of an increasingly complex object culture.
The growing importance and interdisciplinary character of our distinctive discipline within material culture gives the applied arts an added vibrancy and relevance. We believe the physical act of making has an essential role to play in an increasingly virtual world, but we also embrace digital technologies and the virtual and believe that creating a dialogue between these worlds provides the applied arts with one of its most fertile testing grounds at this time.
This course is for materially engaged makers who are looking to explore craft practices across a range of materials and object types. The programme encourages the development of craft across specialist and multi-material making, as you investigate and explore definitions of craft practice.
Your work may already encompass making in a specific area such as glass, ceramics or jewellery, which you are wanting to develop or expand. This course will encourage you to progress and challenge your practice, to explore genre-breaking approaches to material and process making.
Using the wide range of hand, machine and digital technologies at Manchester School of Art, you will work within, across and between definitions of craft, to evolve and progress a unique and personal making practice within contemporary craft.
The programme is supported by a comprehensive range of workshops for hand, machine and digital making. In addition to traditional material making workshops in ceramics, glass, metal, wood, textiles and bookbinding, there are digital making facilities for CNC routing, rapid prototyping, plasma & laser cutting, and digital print for textiles & ceramics. Students have access to a wide range of specialist academic and technical expertise from across the School of Art, to support the development of a wide range of craft making practices.
Based in the heart of the School of Art, MA/MFA Design: Craft is part of an innovative design network — a community of staff and students exploring design ideas in a discursive, cross-disciplinary studio environment. Critically informed practical designers, the group works experimentally, inspired by new insights and possibilities.
While studying towards a particular qualification at MA/MFA level, students experience their subject in the broader context of contemporary design practice.
Dedicated spaces for the postgraduate community have been developed to enable the postgraduate community to flourish. These spaces, for thinking and practice, are located centrally within the School of Art, allowing easy access to an extensive range of workshops where the combination of traditional and state of the art equipment opens up a world of exciting possibilities.
The two-year Design & Crafts MA programme at the Estonian Academy of Arts prepares students for professional practice and helps them identify their own positions as artists — within their communities, society, design field, global economy, natural environment and other contexts. The programme provides students with as many real-world, hands-on situations as possible by giving them access to practising professionals and diverse opportunities. The programme also develops and changes with the students. With each new group, we start with roundtable discussions to find out what our students actually want. What experiences do they value? What is the focus of their interests? What are their professional dreams?
The students enter a common programme but also select a specialisation. Students who study in the Design & Crafts programme remain closely connected with their chosen discipline. Regardless of the specialisation, the MA programme focuses on collaboration. This includes group tasks that cross disciplines, so that students with different backgrounds and study experience work together.
A significant part of the coursework takes place in the form of workshops (supervised by international lecturers), which aim to break routine and provide inspiration.
Material-based design and craft disciplines have a unique outlook and philosophy, and the Estonian Academy of Arts is one the few places in the world where it is possible to study in some of these fields at the MA level. Each MA graduate should be the best in the world in something — whether in producing an ingenious product, having a unique artistic position or demonstrating in-depth, materials-based research. The Design & Crafts MA programme is also an ideal entry point for international students wishing to continue their studies in the EAA doctoral programme.
120 total credits:
“In the Design & Crafts Master’s programme, you learn to analyse and structure your thoughts, plus visualise them in a proper manner. You can experiment and polish your skills in your specific field, while also getting to know more about the practical sides of design, like branding and product development.”
Maria Sidorenko, MA Design & Crafts ’16, Designer and Co-owner of Upstairs Shop
More information: https://www.artun.ee/masters/design-and-crafts/