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Full Time MA Degrees in Manchester, United Kingdom

We have 139 Full Time MA Degrees in Manchester, United Kingdom

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University of Salford School of Health and Society
Distance from Manchester: 0 miles
IN BRIEF. Ranked as ‘excellent’ by the Centre for Higher Education Development. Delivered by experienced staff. A pertinent and engaging subject with real-world relevance. Read more

IN BRIEF:

  • Ranked as ‘excellent’ by the Centre for Higher Education Development
  • Delivered by experienced staff
  • A pertinent and engaging subject with real-world relevance
  • Part-time study option
  • International students can apply

COURSE SUMMARY

Intelligence and security issues are at the top of the political agenda following the terrorist attacks of September 11th 2001 and the insurgencies in Iraq and Afghanistan.

And the increased availability of intelligence material means that it is possible to place these issues within their historical context.

This course is the longest-running non-governmental postgraduate course in the UK in the area of contemporary intelligence and security issues.

This programme can also be studied by part-time Distance Learning. MA Intelligence and Security Studies (Distance Learning) is currently only open to serving professionals in the armed forces, policing organisations and other related bodies. For more information please contact the Programme Leader, Dr. Dan Lomas ().

TEACHING

The course is taught through a combination of:

  • lectures, supported by worksheets, videos, and directed reading
  • seminars, which involve activities such as group discussions, case studies and presentations
  • guest lectures
  • conferences
  • Personal supervision

ASSESSMENT

Module performance is usually assessed by two essays of 3,500 words (50% each). In addition, MA students are required to submit a 14,000 word dissertation.

EMPLOYABILITY

Our graduates follow a range of careers in the civil service, the armed forces, the media, think tanks and research institutions. Some pursue further study at doctoral level.

CAREER PROSPECTS

You will develop a wide range of skills on the course (writing, communication, presentation and analytical skills) that are transferable to a variety of careers in the civil service, the armed forces, international or non-governmental organisations, think-tanks and research institutions. You can also pursue further study at doctoral level.

LINKS WITH INDUSTRY

You are encouraged to attend the European Security, Terrorism and Intelligence (ESTI) seminar series. Convened by Dr Christopher J. Murphy, ESTI aims to bring together scholars with a research interest in European security, terrorism and intelligence and to transcend such artificial disciplinary boundaries in order to examine security, terrorism and intelligence issues together, in both their historical and contemporary dimensions.

Recent speakers have included Professor Keith Jeffery, author of MI6: The History of the Secret Intelligence Service, and Mr Michael Herman, author of Intelligence Power in Peace and War.

FURTHER STUDY

The University has its own research group for security issues called the Centre for European Security (CES). The group builds on the active research programme provided by the European Security, Terrorism and Intelligence (ESTI) network at the University of Salford. If your doctoral research is in security and intelligence issues you can become an associate member of this group. For more information see our website at http://www.espach.salford.ac.uk/page/es_research_centre



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University of Salford School of Health and Society
Distance from Manchester: 0 miles
IN BRIEF. Study in a dynamic interdisciplinary research and teaching environment. Draw upon the resources and expertise of cultural and literary institutions in the region. Read more

IN BRIEF:

  • Study in a dynamic interdisciplinary research and teaching environment
  • Draw upon the resources and expertise of cultural and literary institutions in the region
  • Share your work with peers and academic staff at our Annual MA Conference
  • Part-time study option
  • International students can apply

COURSE SUMMARY

This course is your chance to refine your critical skills through analysis of the literature and language of the modern period. During your time with us, you’ll learn in a lively research environment and benefit from the University’s links with local cultural organisations, including the International Anthony Burgess Foundation.

Your studies will focus on key aspects of literary modernity and explore the interaction between literature and theory. The interdisciplinary nature of the course encourages and stimulates debate on cultural, political and historical issues, as well as analysing the relationships between literature and other cultural forms.

COURSE DETAILS

MA Literature, Culture and Modernity helps you to acquire specific skills in a number of areas including critical thinking, research methods, cultural and literary theory, analysing literary and cultural texts in the context of debates on modernity.

You will develop your analytical and conceptual thinking skills and gain the expertise to focus on a specific research topic that interests you. During this course you will carry out advanced research and produce original and innovative studies.

COURSE STRUCTURE

The syllabus consists of four taught modules, followed by a dissertation. You will select three option modules from a range which varies from year to year. Modules focus on nineteenth, twentieth and twenty first century literature and culture, exploring literature in relation to popular and working-class culture, analysing the interaction between literature, cinema and theory, and examining issues of identity, gender and power. You will also follow the core module Literary Research Practice which helps prepare for the dissertation and for further study.

TEACHING

Teaching for most modules takes place in weekly, two-hour seminars. Personal supervision is provided throughout the course and in support of the writing of the dissertation.  The module Literary Research Practice is taught in three longer block sessions, with additional one-to-one supervisory sessions with a member of staff.

ASSESSMENT

You will be assessed through:

  • Written and oral assignments (66%)
  • Written dissertation(34%)

EMPLOYABILITY

Many graduates of this course have used it as part of their career development in areas as diverse as teaching, librarianship, media, publishing and the arts. Others use it as a means of access to PhD study or further research. You will develop a wide range of skills on this course (writing, communication, presentation and analytical skills) that are transferable to a variety of careers.

CAREER PROSPECTS

This course will suit you if you want to either progress in a career you already have experience in, re-skill for a different career path or continue the studies you took as an undergraduate.

Graduates from this course have progressed onto a number of careers within the arts, museums, libraries, education and others have progressed to PhD study. Graduates have gone on to work for companies including Hello Magazine, the University of Salford, local museums, secondary schools and further education, and to obtain competitive scholarships for PhD study.

LINKS WITH INDUSTRY

The English Subject Directorate has links with the BBC at MediaCityUK. We also have links with local publishers and cultural organisations, including:

  • Working Class Movement Library
  • Imperial War Museum North
  • Manchester Jewish Museum
  • John Rylands Library
  • Chetham's Library
  • International Anthony Burgess Foundation.

Guest speakers from publishers and from other universities across the UK and from abroad regularly visit the Centre for English Literature and Language, as well as making contributions to the module Literary Research Practice. As an MA student on our course you would be encouraged to attend as many of these guest lecturers as possible. Colleagues in English frequently organise international conferences and specialist workshops to which MA students are also warmly invited.

FURTHER STUDY

Research in the English Subject Directorate is coordinated by Dr Scott Thurston, Director of the Research Centre for English Literature and Language. There are over 15 research-active academic staff in English and a number of early career researchers engaged in a range of research projects. We welcome PhD applications from MA students. You can find more information and contact details here: http://www.salford.ac.uk/arts-media/research/centre-for-english-literature-and-language.



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This innovative course focuses on the development of a significant experimental animation production that synthesises research undertaken in areas such as drawing, live-action, drawing on film, under camera manipulation, stop-frame animation, pixilation and sound as art. Read more
This innovative course focuses on the development of a significant experimental animation production that synthesises research undertaken in areas such as drawing, live-action, drawing on film, under camera manipulation, stop-frame animation, pixilation and sound as art. A strong independent research base will underpin individual practice.

Challenging the parameters of film and video production, and identifying new approaches to the notion of art films will be encouraged, as will incorporating experimentation in production and post-production stages.

Features

Animation is part of the Department of Media at Manchester School of Art which has an established community of interdisciplinary staff, and research students with expertise in fields that include Animation, Filmmaking, Photography, Media Theory and Multimedia Digital practices.

The Department promotes a blending of arts practices responsive to current cultural and digital industries demands; inspiring students to engage with real world scenarios through creative and imaginative responses.

It has developed a framework that fosters interesting and diverse approaches to engage with external partners within the city, the region, nationally and internationally. Recent partners include HOME, BBC (Media City), CITV, Manchester City and Regional Art Galleries, Open Eye Photography Gallery, Red Eye Photography Network, International Anthony Burgess Foundation and international partnerships in China, India, Brazil, Russia and Europe.

Core to all of the teaching and research in the Media department is the continuing exploration of new modes of expression through digital technologies and support students in developing a robust and individual creative practice that has relevance to a diverse range of cultural industries.

Course Content

The MA Animation is made up of four units totalling 180 credits.

The programme is designed to help you acclimatise to the challenges of MA level research and practice, enabling you to identify and describe a clear direction for your postgraduate design study.

You will be encouraged to develop design propositions that encompass key design issues and have complexity and ambition, taking full consideration of the relative contextual drivers.

You will also be encouraged and supported to extend your experience in the professional sphere, either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. ou will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Animation award you will study a further two units of 60 credits each.

This route is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Resources

We have developed a dedicated postgraduate area occupying an entire floor of the main School of Art building, offering an exciting space to be, both intellectually and practically. The centre is located in the newly refurbished Chatham Tower with studios, design laboratories, seminar rooms and extensive workshops that form the nucleus of this vibrant, cross-disciplinary learning environment.

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University of Manchester School of Social Sciences
Distance from Manchester: 0 miles
Why choose this course. -You would like to acquire research skills in both anthropology and ethnography. -You are considering moving on to doctoral and research degree programmes. Read more
Why choose this course:
-You would like to acquire research skills in both anthropology and ethnography
-You are considering moving on to doctoral and research degree programmes
-You want a course that is part of the North West Doctoral Training College (NWDTC)

This programme is designed to prepare students to carry out doctoral level research in Social Anthropology. It provides training in a wide range of research methods and teaches students how to develop a substantive research project in a theoretically and methodologically informed way. Although primarily intended as preliminary to doctoral research, the MA Anthropological Research programme is also available as a stand-alone taught MA degree for people who wish to improve their social research skills and gain an in-depth understanding of ethnographic methods and approaches.

Students on the MA Anthropological Research work closely with an expert supervisor in Social Anthropology, with further guidance from a second supervisor. All students attend the following core course units: Issues in Ethnographic Research I and II, Postgraduate Research Seminar, Independent Theoretical and Ethnographic Analysis I, and Introduction to Quantitative Methods. In consultation with their supervisor they also select three short, 5 credit modules in qualitative or quantitative research methods. Computer training is also available. Students then select two specialist course units, of which one must be within Social Anthropology (options vary from year to year) and one may be elsewhere in the University.

Teaching and learning

IMPORTANT NOTE ON PART-TIME STUDY
Part-time students complete the full-time programme over two years. There are NO evening or weekend course units available on the part-time programme.

You must first check the schedule of the compulsory modules and then select your optional modules to suit your requirements.

Updated timetable information will be available from mid-August and you will have the opportunity to discuss your module choices during induction week with your Course Director.

Coursework and assessment

Under the guidance of their supervisors, students are required to complete eight course units and a 12,000-15,000 word dissertation which is, in effect, a doctoral fieldwork research proposal. This is prepared over the summer period and presented in September. Most course units, including the postgraduate research seminar, are assessed by essays of up to 4,000 words. Some units also involve assessment of presentations and practical work.

Facilities

Social Anthropology, and the School of Social Sciences of which it is part, are based in a modern building which allows 24/7 access.
There is shared workspace available for research students within Social Anthropology including networked computers and printing facilities. There are also many work areas elsewhere in the building and in the University.

Career opportunities

In keeping with the main purpose of the MAAR as a research-training masters, many graduates successfully proceed to undertake PhD studies, whether in Manchester or elsewhere. The MAAR is also an excellent programme in which to acquire skills in social research methods, especially the ethnographic methods that are fast becoming popular in the business, voluntary and educational sectors as a way to find out about how people engage with their everyday worlds.

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Why choose this course. -You want to be taught by lecturers at the cutting edge of international research in social archaeology. -You enjoy working in small groups to explore current 'hot topics' and exciting new debates. Read more
Why choose this course:
-You want to be taught by lecturers at the cutting edge of international research in social archaeology
-You enjoy working in small groups to explore current 'hot topics' and exciting new debates
-You are looking for state-of-the art research training that will prepare you for a PhD and develop transferrable skills

Archaeology at Manchester is internationally recognised as a centre for social archaeology. The MA in Archaeology thus facilitates a fascinating journey into the material and social world of past human societies. By combining theory with practice, we are able to ask fundamental questions about the complex web of inter-relationships between societies, individuals, animals and plants, the built environment as well as the material world. This socially-focused approach also encourages a critical and self-reflective attitude towards the politics and practice of archaeology today. Working at the forefront of knowledge and interpretation, the MA brings together researchers of international calibre with specialization in a wide range of geographical areas and chronological periods, and thus offers a unique and stimulating environment for postgraduate study.

This MA programme fosters strong student-led research. By encouraging you to propose your own essay, presentation and dissertation topics, the MA allows you to pursue your specific archaeological interests throughout all our modules.

The MA in Archaeology will appeal to:
-Those wishing to explore the following themes: history, theory and practice of archaeology; the archaeology of cultural identity; landscape, monuments and architecture; technology and society; death and the body; archaeological heritage and the contemporary significance of the past.
-Those interested in the following geographical areas or chronological periods: Mesolithic, Neolithic, and Iron Age Britain, Neolithic and Bronze Age Near East, Cyprus and Greece, Africa, Pacific and historical/colonial archaeology, as well as the role of the past in contemporary societies.
-Those whose first degree was in a related discipline (eg Anthropology, Museology, History of Art, History) and now wish to take a postgraduate degree in Archaeology in order to gain a solid grounding in the discipline.
-Those who have a first degree in Archaeology (single or joint honours) who wish to advance their knowledge, understanding and skills in an exciting research led environment at the forefront of new developments and discoveries.

Aims

The Programme aims are to:
-Enable you to develop their understanding of the interrelationship between archaeological theory, interpretation and practice
-Provide you with an overview of a range of theoretical approaches to artefacts, architecture and landscape, and encourage you to explore these in relation to specific case studies
-Encourage you to develop their critical skills concerning inference and interpretation
-Encourage you to develop a critical awareness of the contemporary social and political context of archaeology
-Enhance and amplify previously acquired disciplinary and transferable skills
-Enable you to undertake self-critical original research (through the MA dissertation)

Coursework and assessment

In addition to the compulsory core module `Archaeologies of the Past, Present and Future', students take three option course units and complete a 12,000-15,000 word dissertation. Most teaching will take place in small interactive seminar groups, involving, as appropriate, directed-reading, staff and student presentations, discussion, debate, problem-solving and group-work. Assessment is both formative and summative. Most courses are summatively assessed by a 6,000-word essay. Oral presentations, poster presentations, self-reflective learning reports and assessed group work may also be used and additional formative feedback is given throughout.

Career opportunities

In addition to subject-specific content and approaches, this Masters degree teaches and develops a wealth of transferable skills that are appreciated by employers in all walks of life. Pursuing this degree thus enables students to keep open a very wide range of career options. This MA provides an excellent vocational foundation for those wishing to pursue a career in archaeology or hoping to embark upon a research degree, but is also a great general degree that teaches a diverse range of transferable skills highly sought after by employers, such as critical thinking, oral presentation, and team work.

Recent graduates have gone on to PhDs in Archaeology, to working in Archaeological Units, to teaching, to contract researching, or to work in local or central government, commerce or industry.

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A taught postgraduate course that conducts research into how global cultural and economic forces influence contemporary cities. Read more
A taught postgraduate course that conducts research into how global cultural and economic forces influence contemporary cities. The design, functioning and future of urban situations is explored in written, drawn and modelled work that builds on the legacy of twentieth century urban theory and is directed towards the development of sustainable cities.

Features and benefits of the course

-This course is jointly accredited by Manchester Metropolitan University (MMU) and the University of Manchester (UoM) with cross-disciplinary connections between the Manchester School of Architecture, the School of Environment and Development (UoM) and Manchester Institute for Research and Innovation in Art and Design (MMU).
-This is an internationally based course that actively disseminates students’ thesis work through conferences, exhibitions, competitions and publications.

About the Course

Through this course you will begin to engage directly with a chosen research subject area, gather data and formulate an original approach in your practice. You will synthesise your project culminating in the production of a leading-edge proposition until you present and contextualise your thesis. This internationally based course actively disseminates students’ thesis work through conferences, exhibitions, competitions and publication.

This course can be considered as partially meeting the requirements for recognition at Part 2 level (RIBA/ARB) through APEL provisions applied to individual graduates. The course is jointly accredited with the University of Manchester.

Assessment details

Self, peer and tutor-based assessment methods.

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Why you should choose this course. -You are interested in how global cultural and economic forces influence contemporary cities. -You want a course that crosses discplines and is accredited by leading institutions in architecture teaching and research. Read more
Why you should choose this course:
-You are interested in how global cultural and economic forces influence contemporary cities
-You want a course that crosses discplines and is accredited by leading institutions in architecture teaching and research
-You are looking to pursue a career in roles associated with the development of sustainable urban spaces

The MA in Architecture and Urbanism is a taught postgraduate course that conducts research into how global cultural and economic forces influence contemporary cities. The design, functioning and future of urban situations is explored in written, drawn and modelled work that builds on the legacy of twentieth century urban theory and is directed towards the development of sustainable cities.

This course is jointly accredited by the University of Manchester (UoM) and Manchester Metropolitan University (MMU) with cross-disciplinary connections between the School of Environment, Education and Development (UoM), the Manchester School of Architecture (MMU) and Manchester Institute for Research and Innovation in Art and Design (MMU). This course can be approved as prior learning for the MSA RIBA Part 2 accredited MArch in certain circumstances.

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Why you should choose this course. -You want to explore emerging critical approaches and shifts in museum practice and theory. -You would like to undertake a work placement in a museum, gallery or related cultural organisation in or around Manchester. Read more
Why you should choose this course:
-You want to explore emerging critical approaches and shifts in museum practice and theory
-You would like to undertake a work placement in a museum, gallery or related cultural organisation in or around Manchester
-You are interested in the rich museum and cultural scene of Manchester and the opportunities for case studies, fieldwork and networking on offer

Art Gallery and Museum Studies (AGMS) has been taught at The University of Manchester for more than 40 years. It is one of the longest established MA degree courses in museum studies in the country, and our alumni have reached senior positions in museums and galleries throughout the UK and overseas.

Today, the AGMS course is continually being reviewed and developed in response to new research, emerging critical approaches and shifts in museum practice. Manchester's traditional focus on the art gallery remains, but is now balanced by course units which address history, theory and practice in a range of institutions.

Throughout the degree, you will examine diverse issues related to museum theory and practice, visit numerous museums, galleries and cultural organisations, and have many opportunities to discuss ideas and issues with professionals and academics in the field. The AGMS course combines both guided and independent study, and includes seminars, guest lectures and site visits.

Teaching and learning

Most teaching takes place in small interactive seminar groups, involving, as appropriate, directed-reading, fieldwork in museums and galleries, staff and student presentations, discussion, debate, problem-solving and group-work.

Most courses run one day/week over 12 weeks and there are variations in the number of class hours per teaching day depending on the course/week (i.e. 2-5 hours). As a general rule, a 30 credit course includes 300 learning hours, which can be roughly divided as follows: a third in classes or class-related work; a third in independent study; and a third in preparation of assignments.

Students undertake also a collections management group project (as part of the 'Managing Collections and Exhibitions' and an exhibition group project (as part of the 'Professional Practice Project' course) in collaboration with a museum, gallery or related cultural organisation in Manchester or the North West of England.

Course unit details

The AGMS MA is a modular degree with core and optional elements totalling to 180 credits. Core and options courses combine to make 120 credits with the remaining 60 credits allocated to the dissertation.

Semester one
Full-time students take two core course units: 'Introduction to Museum Studies' and 'Managing Collections and Exhibitions' (each 30 credits). Part-time students take 'Introduction to Museum Studies' in Year 1 and 'Managing Collections and Exhibitions' in Year 2. These core units are designed to introduce you to key issues and ideas in museum practice, and also to different approaches to the study and analysis of museums. All elements in Semester One are compulsory. Unit details are below.

Semester two
Semester two option courses build on the knowledge and understanding you have gained in semester one, and enable you to develop expertise in a particular disciplinary area of curating (e.g. art or archaeology) or sphere of museum practice (e.g. museum learning or exhibition development). Full-time students take 60 credits of option course units (option courses are offered as 15 or 30 credits). Part-time students take 30 credits of option course units each year. Unit details are below. Please note that not all option courses may be available every year. Students may choose to take one option course in a related subject area, e.g. Archaeology, History, or Social Anthropology.

Dissertation (Semester 2 and summer)
On successful completion of the coursework, you proceed to write a dissertation (60 credits) on a topic of your choice, agreed in conjunction with your dissertation supervisor. Dissertations, like articles (depending on the journal), may be strongly based on original primary source research, they might aim to re-interpret an already well-trawled area of the subject, or they might take up an approach somewhere between these two extremes. In all cases, however, the authors will have chosen and elaborated a body of relevant material which they bring to bear on a clearly defined issue. Dissertation planning and supervision takes place in Semester 2 (February - end of June) and you continue with your independent writing in July and August. You can either undertake a standard dissertation or a practice-based dissertation:
-Standard : 12-15,000 words
-Practice-based A : Exhibition. An exhibition, show or plan thereof. Outcome - exhibition and/or plan plus 8-10,000 words reflection
-Practice-based B : Policy. Student to develop a piece of museum policy. Outcome - policy or report plus max 8-10,000 words reflection.
-Practice-based C : Digital/Online (building on skills developed in Digital Curating). Outcome - digital media application plus max 8-10,000 words reflection.

Career opportunities

How will the AGMS support my career goals?
The AGMS is an important entry-level qualification for anyone seeking to pursue a career in museums or galleries. It is also a valuable resource for continuing professional development for mid-career professionals. In addition, the MA provides a thorough training in the skills needed to do further postgraduate research. These skills in research design and planning are transferable to jobs in the museum sector, as well as being a vital first step to PhD research.

What are the career destinations of AGMS graduates?
Of course, job destinations vary according to the interests, ambitions and skills of each individual, but most of our students are successful in obtaining professional posts in collections, exhibitions, education, interpretation, or some aspect of museum/arts management soon after completing the MA.

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Why you should choose this course?. -You would like a course combining key knowledge and skills in arts management and cultural policy with specialist options. Read more
Why you should choose this course?
-You would like a course combining key knowledge and skills in arts management and cultural policy with specialist options
-You are interested in a work placement at a cultural organisation near Manchester
-You would like to get a job at an arts organisation or festival around the world

Course description

The MA in Arts Management, Policy and Practice enables students to develop their knowledge and understanding of the history, theory and practice of arts management; to gain an insight into the range of professional opportunities in the creative and cultural sector; and to acquire direct experience of the many areas of arts management. The programme has a strong practical, hands-on element. At the same time it offers a solid theoretical grounding, exploring cultural policy in its historical context and encouraging critical engagement with the philosophical, political, social and economic imperatives informing contemporary practice. Above all, we aim to produce pioneers rather than bureaucrats.

Lecturers from the Centre for Arts Management teach the MA with considerable input from arts professionals including staff from the Martin Harris Centre, Contact Theatre, the Royal Exchange, Whitworth Art Gallery and many other local cultural organisations. We also work closely with our sister programme, the highly regarded MA in Art Gallery and Museum Studies.

Aims

The programme is designed to serve as an entry-level qualification for recent graduates as well as offering professional development for mid-career practitioners. It offers flexibility and opportunities for specialisation, while ensuring a thorough grounding in essential principles and methodology. It provides a solid foundation for careers in different areas of the arts and creative industries, and caters for arts practitioners as well as aspiring managers.

Career opportunities

This programme prepares graduates for a diverse range of career opportunities as managers, administrators, policy-makers or practitioners in various branches of the arts and cultural and creative industries. Opportunities exist in the public, private, and voluntary sectors; in theatres, opera houses, concert halls, arts centres, museums and galleries, and the media; with orchestras, theatre companies, dance companies, etc.; or with the Arts Council, British Council, Local Authority, Tourist Board and various funding bodies. Discrete posts include: programming manager; marketing director; education director; development or outreach officer; tour organiser; promoter, agent or artist's manager; website, database or IT manager; producer; consultant or market researcher; fundraiser; community artist; freelance workshop leader. Graduates may also find work in related areas such as teaching, social and educational work. Some students go on to pursue further study and research at doctoral level.

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-Study at one of the largest and liveliest classical world education centres in the UK. -Work with a strong research community, supported by excellent resources. Read more
-Study at one of the largest and liveliest classical world education centres in the UK
-Work with a strong research community, supported by excellent resources
-Opportunities to begin or continue your study of Ancient Greek or Latin

The MA in Classics and Ancient History is extremely flexible and wide-ranging. In this it reflects the broad, multidisciplinary nature of the subject, which includes Latin and Greek language, the history of Greek and Roman antiquity from archaic times to the beginning of the Middle Ages, and Greek and Roman literature, philosophy, and culture. The MA is designed to introduce students to advanced study in their chosen field and to equip them with the skills required for doctoral research. The programme and most modules within it allow students to tailor their advanced study and research-preparation to their interests, needs and existing knowledge. Apart from the thesis, the only compulsory unit is that devoted to research training. We also expect all students to study Latin and/or Greek as part of their MA. (No existing knowledge of Latin or Greek is required, and we are very well-equipped to support students beginning their study of either language; it is also possible to study one or both languages at more Advanced levels). Apart from these requirements, students are able to choose freely in constructing an MA course which best suits their interests and skills.

In addition, we offer one specialist route through the MA programme: namely the 'City of Rome' route. This route involves taking a course unit at the British School at Rome, for which students prepare by studying a course on Roman social and urban history.

Aims

On successful completion of the MA in Classics and Ancient History, students will:

i. Demonstrate the enhancement of previously acquired skills at a more critical, reflective, and sophisticated level, especially skills involving synthesising information from a variety of sources, historical and/or literary interpretation, exercising independent and critical judgement.
ii. Understand and respect the `otherness' of the past by developing specialist knowledge about one or more aspect of Graeco-Roman civilisation.
iii. Be able to describe, analyse, and assess ancient sources, including (as appropriate) literary, non-literary, visual, and material evidence.
iv. Be able to design and complete a substantial piece of independent research.
v. Work effectively as autonomous scholars.
vi. Be able to understand complex problems and communicate them clearly in oral and written form, with the help, where appropriate, of visual or graphic aids.

Coursework and assessment

The MA in Classics & Ancient History is made up of a taught element (120 credits) and a dissertation (60 credits). Taught units are usually assessed by extended essay, but assessment might also include oral presentations, conference posters, commentary exercises and (particularly for language units) formal examinations.

In more detail, the structure of the course is as follows:

Research training . Our core course, 'Studying the Ancient World: Techniques and Approaches', introduces you to the key research questions and methods involved in advanced study of the discipline and, in the second semester, gives you experience in developing and presenting your own research project.

Language units. If you are a beginner, you will take one of our specially-designed `intensive' courses in Latin or Greek, which will put you in a position to start reading ancient texts in the original language before the end of your MA. If you have already studied Greek or Latin, you will continue your study of one or both languages at an appropriate level. If you are already at a very advanced stage in both languages you will take a specially-designed course unit which allows you further to develop your language skills in an area related to your research interests (for example: palaeography; papyrology; textual criticism; epigraphy).

Taught course-units . The remainder of your taught credits are selected from a range of taught units, chosen from a menu covering a range of topics in Greek and Roman history, literature, and culture. Most taught units are worth 15 credits, and usually involve 11 `classroom' hours, consisting of both student-led and tutor-led discussion, supported by additional guidance and planning sessions.

It is possible for one of these units to be an approved unit from another subject area (for example, History or Archaeology), or a Directed Reading course, in which you are free to pursue whatever avenue is of interest to you, by negotiation with a tutor and with the Postgraduate Programme Director. The usual pattern for a Directed Reading course is 6 to 8 hours of contact time, which may be individual or in a small group, or a mixture of the two.

A dissertation of between 12,000 and 15,000 words: 60 credits.

Career opportunities

This non-vocational Masters degree teaches and develops a wealth of transferable skills, and thus enables students to keep open a very wide range of career options. Recent graduates have gone on to vocational MAs (e.g. in Gallery & Museum Studies), to PhDs in Classics or Ancient History, to teaching, to contract researching, or to work in local or central government, commerce or industry.

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The course explores the potential of collaborative practice. You will experiment with approaches to collaboration, challenging traditional disciplinary boundaries, subjectivities, roles and hierarchies. Read more
The course explores the potential of collaborative practice. You will experiment with approaches to collaboration, challenging traditional disciplinary boundaries, subjectivities, roles and hierarchies. You will develop a personal line of enquiry that will be negotiated and applied through a collaborative project. Collaborations may involve communities, collectives, pedagogies, networks, environments, ethics, public arts, cultural activism, anthropology, sustainability, politically or socially engaged practices and more.

Students come from a range of disciplines and share a commitment to the exchange of ideas in a creative forum as a powerful way to learn. You will be supported in the articulation of your ideas, development of working methods and the realisation of personal projects through a regular taught seminar series, individual and group tutorials, visits and guest speakers.

Features

-The course is taught by practicing artists and maintains active links with an international network of art professionals and organisations
-You will have your own spaces in communal studios, with full access to the School's workshops and other resources
-There is also a regular programme of artists talks and studio visits from professionals working in the field
-You will benefit from a regular programme of talks by visiting artists organised in association with The Whitworth Art Gallery
-The University library has outstanding art and design holdings, including a special collection of artist’s books and ephemera.

Course Content

The MA Collaborative Practice is made up of four units totalling 180 credits.

The programme is practice-driven and focused on the development of your existing practice. It will enable you to identify and explore new concepts and approaches negotiated through an individual Working Synopsis.

You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, archives, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Collaborative award you will study a further two units of 60 credits each.

This award is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Resources

We have developed a dedicated postgraduate area occupying an entire floor of the main School of Art building, offering an exciting space to be, both intellectually and practically. The centre is located in the newly refurbished Chatham Tower with studios, design laboratories, seminar rooms and extensive workshops that form the nucleus of this vibrant, cross-disciplinary learning environment.

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-You are interested in a challenging and stimulating career in conference interpreting. -You want personalised training from practising conference interpreters who are accredited by the European Union and the United Nations. Read more
-You are interested in a challenging and stimulating career in conference interpreting
-You want personalised training from practising conference interpreters who are accredited by the European Union and the United Nations
-You are looking for a course that is recognised and supported by key employers such as the European Commission and the European Parliament
-You want to benefit from four additional weeks of advanced simultaneous training after your final summer exams, which are specifically designed to prepare you for the profession
-You want to train and practice in state-of-the-art facilities using professional interpreting equipment

The MA in Conference Interpreting (MACINT) is designed to equip you with the knowledge and advanced interpreting skills required for a career in conference interpreting. All our interpreting trainers are practising conference interpreters in language combinations that reflect market demands. Most trainers are also AIIC members. For a detailed list of regular and visiting trainers and their professional backgrounds, please visit: http://www.alc.manchester.ac.uk/translation-and-intercultural-studies/about/people/external-trainers/

The programme offers simultaneous and consecutive interpreting training in five languages - French, German, Spanish, Russian and Chinese. These are key languages in international organisations such as the UN and EU and are also in demand on the freelance market.

The MA Conference Interpreting can be studied over one year (full-time) or two years (part-time). Part-time study is strongly supported and is actively facilitated in the timetabling of teaching hours for the MA, wherever possible. We also offer a Postgraduate Diploma (PG Dip) in Conference Interpreting for students who do not wish to complete a professional portfolio or research dissertation.

As a prospective student, you will offer one of two profiles, reflecting the two distinct profiles of practising conference interpreters:

-Profile 1: You have English as your native language (A language) and two passive foreign languages (C languages). You will be trained in consecutive and simultaneous interpreting out of both C languages into your A language

-Profile 2: You have Russian, Chinese, French, German or Spanish as your native language (A language) and English as an active foreign language (B language) or English as your A language and one of the five languages mentioned as your B. You will be trained in both types of interpreting in both directions (i.e. B-A and A-B)

Aims

-To equip students with the knowledge and advanced interpreting skills for a career in conference interpreting
-To provide specialist training in consecutive and simultaneous interpreting
-To provide a gradual transition into the professional world through practical, real-life interpreting tasks
-To provide guidance on professional conduct and ethics
-To enable students to reflect critically on their own and others' interpreting practice
-To equip students for further study and research

Teaching and learning

The MACINT degree is devised to train students with aptitude for Conference Interpreting in an intensive and highly individualised manner.

Contact hours with our trainers will involve a mixture of seminars with students studying all six languages on the MACINT degree (English, Chinese, French, German, Russian and Spanish) and language-specific tutorials focusing on your particular language combination. In the Professional Development for Conference Interpreters unit, students will also have the opportunity to work as part of a team of interpreters at a number of simulated multilingual conferences. Class sizes are small which allows for intensive contact with teaching staff.

Students are taught in separate classes for language tutorials covering each direction in which they interpret, for example, an interpreter working with French>
In addition to class contact hours, e-learning provision provides students with the support and feedback required between classes, as well as allowing them the possibility for tracking their progress. Guided self-study sessions in small groups are an essential part of the MACINT degree. These sessions also nurture peer assessment and feedback skills.

Career opportunities

The MA in Conference Interpreting at Manchester is recognised as a qualifying course for students wishing to be admitted for tests to work as simultaneous interpreters at international organisations, such as the UN and the EU. Some of our interpreter trainers have themselves helped to assess candidates for exams at international organisations, so we have a clear idea of what is required. Our own final exam marking criteria reflect those in use at international organisations.

The MA also prepares students for work as interpreters on the private market, i.e. in settings beyond international organisations. This can involve interpreting for businesses, think tanks, national and regional governments, NGOs, trade unions, legal firms and more. Our trainers have experience of working both in international organisations and on the private market so are well-placed to prepare students for all markets.

We maintain close links with key employers, giving students the opportunity to gain experience and receive external feedback on their performances during their training. For example, we have regular visits from senior staff interpreters at the European Commission. Some of our students have had opportunities to volunteer locally, for example our Chinese interpreting students volunteered during the recent visit of President Xi Jinping to Manchester.

The supply of English mother tongue interpreters is expected to fall further over coming years, due to the decline of language-learning in the UK. This will in turn increase the opportunities available for those native speakers who do have the necessary skills to work as simultaneous interpreters.

On the private market, all interpreters are increasingly expected to be able to interpret reliably into (as well as from) English. But employers cannot be expected to pay professional rates for second-rate English. The language immersion and opportunities for feedback that come with studying in small-group sessions, at a reputable UK-based course can help to develop the command of idiom and register, giving you the necessary edge on the job market.

A postgraduate qualification in Conference Interpreting also provides students with highly developed research, analytical and summarizing skills, excellent public speaking skills and an advanced understanding of mediation between cultures and languages. These transferable skills can be used in a variety of different job profiles.

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University of Salford School of Arts and Media
Distance from Manchester: 0 miles
IN BRIEF. Develop your knowledge and skills relating to current debates and practices. Access to your own studio space and workshop support. Read more

IN BRIEF:

  • Develop your knowledge and skills relating to current debates and practices
  • Access to your own studio space and workshop support.
  • You'll be offered placements, residencies and exhibition opportunities with key arts organisations.
  • Part-time study option
  • Work/industrial placement opportunity
  • International students can apply

COURSE SUMMARY

This programme is open for September 2018 entry only.

This course is designed for students to refine their subject specific practice through creative industry experience, studio based experimentation, contextual research and critical dialogue to enable them to graduate as professional artists within the wider context of contemporary arts networks.  

During your time with us, you will be encouraged to undertake independent contextual and theoretical research that will improve your capacity for independent enquiry, creativity and professional practice. 

There are plenty of opportunities to get involved in group exhibitions, residencies and live projects as we work closely with key cultural organisations within the North West. These include; The Center for Chinese Contemporary Art, Hotbed Press, Islington Mill, Castlefield Gallery, International 3, Salford Museum & Art Gallery, Artworks, Mark Devereux Projects and HOME.

COURSE DETAILS

This course embraces a range and diversity of practices and aims to:

  • Provide the skills needed to professionalise careers through embedded creative placements and live projects with industry and community organisations.
  • Develop creative, critical, analytical and intellectual competencies appropriate to Masters level degree study, which is informed by current industry practice.
  • Develop advanced understanding of research methods in the context of contemporary art & design practice and to understand how the boundaries of knowledge are advanced through research.
  • Enhance your knowledge and understanding of professional, contextual and collaborative frameworks appropriate to their experiences and objectives by establishing intellectual debate to enable the articulation and dissemination of their propositions.
  • Assist you at an advanced level in developing, extending and applying complex strategies and approaches to the development of a professional studio practice, embedding the knowledge and skills required to establish you as an arts practitioners within the wider context of contemporary arts networks.

Contemporary Arts Practice is for committed artists who wish to develop their personal creative practice towards a higher, professional level. It actively encourages the pursuit of individual agendas for study and for personal choice of media/disciplines selected from the range of practices within the field.  

You will contextualise your work via rigorous analysis of relevant cultural discourses and reflective studio-based practice. Running alongside this, is the notion of embedding this practice within the creative industries through public exhibition as well as responses to opportunities provided by our industry partners. Studio production is emphasised as a key driver for practice development and there is a challenging seminar programme and a comprehensive schedule of visiting or visits to artists/art professionals and venues.

COURSE STRUCTURE

The programme structure consists of five modules, four of which are delivered within a collaborative framework allowing all students across the Masters in Art & Design programmes (Contemporary Fine Art, Socially Engaged Arts Practice and Design for Communication) opportunities to engage with your peers whilst working through individual assignments focused around each programme. The remaining one module is tailored to the specific programme learning outcomes.

For the full-time study option:Semester 1 - September to February

Semester 2 - February to June

Semester 3 - June to September

You will take five core modules and will study one day a week. Full-time students will have concentrated module delivery in both the morning and afternoon.

TEACHING

This course uses a range of teaching and learning settings including lectures, seminars/workshops, tutorials, situated learning (e.g. ‘live’ projects) and independent learning. The combination of these aims is to develop an environment that allows students to progressively take ownership and direction of their learning so that they may develop as independent, life-long learners. The process of Masters level study, relating to an individual and independent arts practice, is one of dense critical self-reflection; this is achieved by including self-directed projects where students have the opportunity to negotiate their learning and assessment requirements.

Indicative to the course are:

  • formal lectures
  • seminar presentations
  • workshops
  • critical analysis and independent learning

Award specific learning activities include exercises; team and peer-based learning, studio practice and critical seminar-events, site visits, visiting professionals, work placements, online activities and critical debates.

ASSESSMENT

Assessment methods used on the course include:

  • Practical projects (60%)
  • Reflective writing and essays (30%)
  • Group presentations/ exhibitions (10%)

You will be assessed throughout the course on:

  • Body of work and contextual research: e.g studio/portfolio/exhibition/publication/etc.
  • Reflective journals: log or sketch-book/statement/critical writing/seminar or other presentation*  

All submissions are comprised of a body of arts practice: ‘studio’ plus a contextual and critical research portfolio, and reflective logs/journals. As the ‘thesis’ is embedded in the practice there is no requirement for a separate, written dissertation - although you may elect to do so, if appropriate, by negotiation with final award Course Team. 

*You can negotiate the format of your submissions, in response to the needs and priorities within your practice, and in line with contemporary professional practice habits.

EMPLOYABILITY

Our graduates have exhibited successfully in a range of venues and biennales. Many graduates establish themselves within the local creative economy and develop a studio presence in the region and beyond.  

We encourage students to pursue an international profile and presence as soon as possible in support of their professional reputation. Opportunities via MediaCityUK will facilitate internationalisation of practice on individual terms.

Many of our students succeed through related professions in: education, community development, healthcare environments or enterprise. Some graduates prefer to apply their creative practice to commissioning, consultancy or other professional outcomes.

FACILITIES

This programme is based at New Adelphi on the main campus. The facilities include:

  • 2D & 3D Printing Facilities
  • 3D workshop
  • Fibre Workshop
  • Photography studio which includes a lighting set-up
  • Computer suites
  • Gallery Spaces

You will be inducted into the workshops, which covers how to use all the machinery, by trained workshop technicians.



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MA/MFA Contemporary Curating explores the notion of exhibition practice in contemporary culture and considers curatorial methods and strategies in the context of the gallery and museum, as well as in projects such as biennials, public art works and commissions. Read more
MA/MFA Contemporary Curating explores the notion of exhibition practice in contemporary culture and considers curatorial methods and strategies in the context of the gallery and museum, as well as in projects such as biennials, public art works and commissions. The course considers ways in which different kinds of art works and projects are mediated through the exhibition process.

The shifting relationship between artist-institution-curator-critic/writer forms a central element to the course. The course also explores the potential of seeing curating as something that can be applied to different forms of knowledge: publications, symposia, events and interventions.

Features

-Opportunity to work on Holden Gallery exhibitions programme which generates four new shows a year, artists have included: John Baldessari, Sophie Calle, Liam Gillick, Jenny Holzer, Cornelia Parker, Roman Signer, Mark Wallinger
-Curator talks and seminars from a range of galleries and programmes,such as: Liverpool Biennial, Manchester Art Gallery, Open Eye, Tate Liverpool, Whitworth Art Gallery among others
-Partnership arrangements with Castlefield Gallery and Home for placements and work experience.

Course Content

You will establish key theories and issues relating to Contemporary Curating, Design Cultures and Contemporary Visual Culture and then develop these into more complex approaches.

You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Contemporary Curating award you will study a further two units of 60 credits each.

This award is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Resources

We have developed a dedicated postgraduate area occupying an entire floor of the main School of Art building, offering an exciting space to be, both intellectually and practically. The centre is located in the newly refurbished Chatham Tower with studios, design laboratories, seminar rooms and extensive workshops that form the nucleus of this vibrant, cross-disciplinary learning environment.

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University of Salford School of Arts and Media
Distance from Manchester: 0 miles
IN BRIEF. Develop cutting-edge practices and approaches to contemporary performance-making in an interdisciplinary, laboratory environment, with a focus on creative exploration. Read more

IN BRIEF:

  • Develop cutting-edge practices and approaches to contemporary performance-making in an interdisciplinary, laboratory environment, with a focus on creative exploration
  • Make and research in world-class performance-making facilities at MediaCityUK and the New Adelphi Arts Centre
  • Immerse yourself in the vibrant arts and performance scene in Salford and Manchester.
  • Part-time study option
  • International students can apply

COURSE SUMMARY

The MA Contemporary Performance Practice is a practical, interdisciplinary course that will introduce you to a range of approaches and concepts, which are vital to the making of live performance in and in response to the world today. It will equip you with the skills and knowledge to function in contemporary  performance environments, as a performer, maker, collaborative practitioner and researcher.

Drawing upon the excellent facilities for making live performance at New Adelphi and MediaCityUK, this course also provides the entrepreneurial and employability skills you need to function as a practitioner in the wider creative industries.

This course will also allow you to extend and develop skill sets through interdisciplinary exchange and collaboration, mirroring working environments within the creative industries. You will develop the ability to think dynamically, act originally, collaborate and function effectively in creative workplaces,  integrating theoretical concepts, creative practice and real world skills. 

You will also, through the core modules and final project, develop your own contemporary performance practice, culminating in the presentation of a significant piece of work, which you can then go on to use in professional contexts.

COURSE DETAILS

MA Contemporary Performance Practice offers you the opportunity to develop and refine your current practices, learn about new skills and approaches and engage with the issues most relevant to making performance in the world now. 

Through the course you will:

  • Collaborate creatively to explore, experiment and create new performance work
  • Engage with key approaches and aspects of making contemporary performance, such as the use and influence of digital technologies, the role and positioning of the audience and the ways in which your practice can engage with both local and global issues
  • Explore the theories, frameworks and practices in the field and how these are developing and responding to the contemporary world

TEACHING

From the outset, you will work in an interdisciplinary fashion. Your induction will include a creative collaborative project, that will acclimatise you to the ways of working on the programme and other students.

Programme modules are delivered through practical workshops, keynote lectures, seminars, and artist-led residencies. Seminars and student-centred symposia initiate independent work, and foster and facilitate collaborative partnerships and small group work. Adaptability of graduates is considered a core vocational outcome that reflects the hybridity of global culture and is an essential strategy for learning on the programme.

The programme fosters an intensive laboratory research culture intended to explore practice, deconstruct ideas, identify needs and skillsets and apply acquired knowledge to the construction of new modes of practice. At the core of this culture is the encouragement to consistently triangulate theory and reflection with personal practice. Philosophically the programme embraces diversity, innovation and accessibility through these student-centred approaches.

ASSESSMENT

Assessment is via a balanced combination of formative and summative opportunities for each module, which promotes and responds to a fluid and processual development of your practice. Formal opportunities to write are combined with oral presentations, a range of performance outcomes and online portfolios.

You will be assessed through:

  • Practical performances, combined with vivas/oral presentations (65%)
  • Written assignments (critical, reflective, analytical) (35%)

FACILITIES

Digital Performance Lab at MediaCity UK.

Theatre, studio and specialist rehearsal spaces and acting studios at New Adelphi.

CAREER PROSPECTS

Graduates will be able to work in a range of environments from the cultural sector to future media, interactive design and production, small scale touring, venue based and independent production, theatre-making, performing and writing, community arts practices and applied theatre-making with defined sectors.

People who work in the field of contemporary performance are able to work across a wide range of applied areas of creative design and application. This ranges from traditional arts settings to the fields of interactive design, new media production and, as the use of digitally driven interfaces increases, into more commercially driven areas of work. Contemporary performance experts can have a broad set of skills from devising and composition, to technical design, production management, programming, script-development, video editing and post-production skills. 

Potential employers include arts venues and organisations, educational providers and film companies. Skills employed in the making of contemporary performance, such as independent and collaborative problem solving, gathering and synthesis of elements, understanding and integration of the needs of a range of stakeholders, can be used to address many areas of creative practice. Graduates will also be equipped through the programme to pursue careers as individual, self-employed practitioners working across forms and disciplines.

LINKS WITH INDUSTRY

The programme has links with the following organisations and begins each year with a creative intensive, led by a key contemporary performance practitioner:

  • The Lowry Arts Centre
  • HOME
  • Z Arts
  • Blast Theory
  • Imitating the Dog
  • Station House Opera
  • Rimini Protokoll

FURTHER STUDY

Graduates of this programme will be well prepared, through its mix of theoretical and practical research, to pursue practice based MPhils/PhDs, which will build on and develop further practices established within the MA.



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