Intelligence and security issues are at the top of the political agenda following the terrorist attacks of September 11th 2001 and the insurgencies in Iraq and Afghanistan.
And the increased availability of intelligence material means that it is possible to place these issues within their historical context.
This course is the longest-running non-governmental postgraduate course in the UK in the area of contemporary intelligence and security issues.
This programme can also be studied by part-time Distance Learning. MA Intelligence and Security Studies (Distance Learning) is currently only open to serving professionals in the armed forces, policing organisations and other related bodies. For more information please contact the Programme Leader, Dr. Dan Lomas ([email protected]).
The course is taught through a combination of:
Module performance is usually assessed by two essays of 3,500 words (50% each). In addition, MA students are required to submit a 14,000 word dissertation.
Our graduates follow a range of careers in the civil service, the armed forces, the media, think tanks and research institutions. Some pursue further study at doctoral level.
You will develop a wide range of skills on the course (writing, communication, presentation and analytical skills) that are transferable to a variety of careers in the civil service, the armed forces, international or non-governmental organisations, think-tanks and research institutions. You can also pursue further study at doctoral level.
You are encouraged to attend the European Security, Terrorism and Intelligence (ESTI) seminar series. Convened by Dr Christopher J. Murphy, ESTI aims to bring together scholars with a research interest in European security, terrorism and intelligence and to transcend such artificial disciplinary boundaries in order to examine security, terrorism and intelligence issues together, in both their historical and contemporary dimensions.
Recent speakers have included Professor Keith Jeffery, author of MI6: The History of the Secret Intelligence Service, and Mr Michael Herman, author of Intelligence Power in Peace and War.
The University has its own research group for security issues called the Centre for European Security (CES). The group builds on the active research programme provided by the European Security, Terrorism and Intelligence (ESTI) network at the University of Salford. If your doctoral research is in security and intelligence issues you can become an associate member of this group. For more information see our website at http://www.espach.salford.ac.uk/page/es_research_centre
This course is your chance to refine your critical skills through analysis of the literature and language of the modern period. During your time with us, you’ll learn in a lively research environment and benefit from the University’s links with local cultural organisations, including the International Anthony Burgess Foundation.
Your studies will focus on key aspects of literary modernity and explore the interaction between literature and theory. The interdisciplinary nature of the course encourages and stimulates debate on cultural, political and historical issues, as well as analysing the relationships between literature and other cultural forms.
MA Literature, Culture and Modernity helps you to acquire specific skills in a number of areas including critical thinking, research methods, cultural and literary theory, analysing literary and cultural texts in the context of debates on modernity.
You will develop your analytical and conceptual thinking skills and gain the expertise to focus on a specific research topic that interests you. During this course you will carry out advanced research and produce original and innovative studies.
The syllabus consists of four taught modules, followed by a dissertation. You will select three option modules from a range which varies from year to year. Modules focus on nineteenth, twentieth and twenty first century literature and culture, exploring literature in relation to popular and working-class culture, analysing the interaction between literature, cinema and theory, and examining issues of identity, gender and power. You will also follow the core module Literary Research Practice which helps prepare for the dissertation and for further study.
Teaching for most modules takes place in weekly, two-hour seminars. Personal supervision is provided throughout the course and in support of the writing of the dissertation. The module Literary Research Practice is taught in three longer block sessions, with additional one-to-one supervisory sessions with a member of staff.
You will be assessed through:
Many graduates of this course have used it as part of their career development in areas as diverse as teaching, librarianship, media, publishing and the arts. Others use it as a means of access to PhD study or further research. You will develop a wide range of skills on this course (writing, communication, presentation and analytical skills) that are transferable to a variety of careers.
This course will suit you if you want to either progress in a career you already have experience in, re-skill for a different career path or continue the studies you took as an undergraduate.
Graduates from this course have progressed onto a number of careers within the arts, museums, libraries, education and others have progressed to PhD study. Graduates have gone on to work for companies including Hello Magazine, the University of Salford, local museums, secondary schools and further education, and to obtain competitive scholarships for PhD study.
The English Subject Directorate has links with the BBC at MediaCityUK. We also have links with local publishers and cultural organisations, including:
Guest speakers from publishers and from other universities across the UK and from abroad regularly visit the Centre for English Literature and Language, as well as making contributions to the module Literary Research Practice. As an MA student on our course you would be encouraged to attend as many of these guest lecturers as possible. Colleagues in English frequently organise international conferences and specialist workshops to which MA students are also warmly invited.
Research in the English Subject Directorate is coordinated by Dr Scott Thurston, Director of the Research Centre for English Literature and Language. There are over 15 research-active academic staff in English and a number of early career researchers engaged in a range of research projects. We welcome PhD applications from MA students. You can find more information and contact details here: http://www.salford.ac.uk/arts-media/research/centre-for-english-literature-and-language.
This innovative course focuses on the development of a significant experimental animation production that synthesises research undertaken in areas such as drawing, live-action, drawing on film, under camera manipulation, stop-frame animation, pixilation and sound as art. A strong independent research base will underpin individual practice.
Challenging the parameters of film and video production, and identifying new approaches to the notion of art films will be encouraged, as will incorporating experimentation in production and post-production stages.
Animation is part of the Department of Media at Manchester School of Art which has an established community of interdisciplinary staff, and research students with expertise in fields that include Animation, Filmmaking, Photography, Media Theory and Multimedia Digital practices.
The Department promotes a blending of arts practices responsive to current cultural and digital industries demands; inspiring students to engage with real world scenarios through creative and imaginative responses.
It has developed a framework that fosters interesting and diverse approaches to engage with external partners within the city, the region, nationally and internationally. Recent partners include HOME, BBC (Media City), CITV, Manchester City and Regional Art Galleries, Open Eye Photography Gallery, Red Eye Photography Network, International Anthony Burgess Foundation and international partnerships in China, India, Brazil, Russia and Europe.
Core to all of the teaching and research in the Media department is the continuing exploration of new modes of expression through digital technologies and support students in developing a robust and individual creative practice that has relevance to a diverse range of cultural industries.
The MA Animation is made up of four units totalling 180 credits.
The programme is designed to help you acclimatise to the challenges of MA level research and practice, enabling you to identify and describe a clear direction for your postgraduate design study.
You will be encouraged to develop design propositions that encompass key design issues and have complexity and ambition, taking full consideration of the relative contextual drivers.
You will also be encouraged and supported to extend your experience in the professional sphere, either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.
Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. ou will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.
If you choose to progress to MFA Animation award you will study a further two units of 60 credits each.
This route is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.
This programme is designed to prepare students to carry out doctoral level research in Social Anthropology. It provides training in a wide range of research methods and teaches students how to develop a substantive research project in a theoretically and methodologically informed way. Although primarily intended as preliminary to doctoral research, the MA Anthropological Research programme is also available as a stand-alone taught MA degree for people who wish to improve their social research skills and gain an in-depth understanding of ethnographic methods and approaches.
Students on the MA Anthropological Research work closely with an expert supervisor in Social Anthropology, with further guidance from a second supervisor. All students attend the following core course units: Issues in Ethnographic Research I and II, Postgraduate Research Seminar, Independent Theoretical and Ethnographic Analysis I, and Introduction to Quantitative Methods. In consultation with their supervisor they also select three short, 5 credit modules in qualitative or quantitative research methods. Computer training is also available. Students then select two specialist course units, of which one must be within Social Anthropology (options vary from year to year) and one may be elsewhere in the University.
Programme Director: Dr Soumhya Venkatesan
Tel: 0161 275 3917
Email: [email protected]
IMPORTANT NOTE ON PART-TIME STUDY
Part-time students complete the full-time programme over two years. There are NO evening or weekend course units available on the part-time programme.
You must first check the schedule of the compulsory modules and then select your optional modules to suit your requirements.
Updated timetable information will be available from mid-August and you will have the opportunity to discuss your module choices during induction week with your Course Director
Under the guidance of their supervisors, students are required to complete eight course units and a 12,000-15,000 word dissertation which is, in effect, a doctoral fieldwork research proposal. This is prepared over the summer period and presented in September. Most course units, including the postgraduate research seminar, are assessed by essays of up to 4,000 words. Some units also involve assessment of presentations and practical work.
Social Anthropology, and the School of Social Sciences of which it is part, are based in a modern building which allows 24/7 access.
There is shared workspace available for research students within Social Anthropology including networked computers and printing facilities. There are also many work areas elsewhere in the building and in the University.
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
In keeping with the main purpose of the MAAR as a research-training masters, many graduates successfully proceed to undertake PhD studies, whether in Manchester or elsewhere. The MAAR is also an excellent programme in which to acquire skills in social research methods, especially the ethnographic methods that are fast becoming popular in the business, voluntary and educational sectors as a way to find out about how people engage with their everyday worlds.
MA Architecture and Urbanism allows you to study, and conduct in-depth research into, the influence of global cultural and economic forces on contemporary cities.
Throughout the course, you will explore the design, functioning and future of urban situations in written, drawn and modelled work that builds on the legacy of twentieth century urban theory and is directed towards the development of sustainable cities.
The course is therefore perfect preparation for careers in roles associated with the development of sustainable urban spaces. What's more, in certain circumstances, this course can be approved as prior learning for the MSA Royal Institute of British Architects (RIBA) Part 2 accredited MArch Architecture.
This course is jointly accredited by The University of Manchester (UoM) and Manchester Metropolitan University (MMU), with cross-disciplinary connections between UoM's School of Environment, Education and Development (SEED), and MMU's Manchester Institute for Research and Innovation in Art and Design. You will therefore benefit from the input of two leading institutions in architecture teaching and research.
Find out more at the MSA website .
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
Art Gallery and Museum Studies (AGMS) has been taught at The University of Manchester for more than 40 years. It is one of the longest established MA degree courses in museum studies in the country, and our alumni have reached senior positions in museums and galleries throughout the UK and overseas.
Today, the AGMS course is continually being reviewed and developed in response to new research, emerging critical approaches and shifts in museum practice. Manchester's traditional focus on the art gallery remains, but is now balanced by course units which address history, theory and practice in a range of institutions.
Throughout the degree, you will examine diverse issues related to museum theory and practice, visit numerous museums, galleries and cultural organisations, and have many opportunities to discuss ideas and issues with professionals and academics in the field. The AGMS course combines both guided and independent study, and includes seminars, guest lectures and site visits.
Work Placement (Semesters 1 and 2)
One of the most popular aspects of the AGMS is the work placement that you undertake in a museum or gallery. Each placement involves a minimum of 20 days work on a specific project, such as exhibition development, collections management, or education programme. Many students find this such a positive experience that they carry on working in their museum when the work placement has finished, and each year a few students are offered jobs by their placement hosts. Work placements start in Semester 1 (November/December) and finish in Semester 2 (June).
You can take the work placement either as 15-credit or 30-credit course.
During the MA, students have opportunities to design and participate in live projects with cultural organisations in Manchester. These include curating a collection, developing exhibitions, producing cultural events and working on creative collaborative projects.
Most teaching takes place in small interactive seminar groups, involving, as appropriate, directed-reading, fieldwork in museums and galleries, staff and student presentations, discussion, debate, problem-solving and group-work.
Most courses run one day/week over 12 weeks and there are variations in the number of class hours per teaching day depending on the course/week (i.e. 2-5 hours). As a general rule, a 30 credit course includes 300 learning hours, which can be roughly divided as follows: a third in classes or class-related work; a third in independent study; and a third in preparation of assignments.
Students undertake also a collections management group project (as part of the 'Managing Collections and Exhibitions' and an exhibition group project (as part of the 'Professional Practice Project' course) in collaboration with a museum, gallery or related cultural organisation in Manchester or the North West of England.
Postgraduate life in the Centre for Museology
Both the Centre for Museology and the School of Arts, Histories and Cultures host a varied programme of activities and events for postgraduate students, including occasional master classes and workshops, as well as our regular calendar of:
Full-time or part-time?
The AGMS MA is available as a 1 year Full-time or a 2 year Part-time course. We particularly welcome part-time students and there are many advantages in combining study with work practice, whether you already have a museum post, or are just setting out on your career. Each year, a number of mid-career professionals take the MA degree on a part-time basis and find that the University provides a valuable space for reflection as well as for further learning. Part time students have classes one day per week (usually Tuesday or Thursday; although in Semester 2 it might be a different day depending on the option course you choose). On this one should also add our Thursday 5pm research, professional practice and academic skills workshops. You should also count time for library work/fieldwork that may require you coming to Manchester and although sometimes this can be done on the day of teaching, often one needs to come in a second day (and if you do this on Thursdays then you can combine it with the 5pm workshops). When the work placement kicks off (about November/December in Year 1 or Year 2) you should also count one more day/week (on average) at the Work Placement institution (which, if appropriate or relevant, can be the organisation where you currently work; but undertaking a project different to your day-to-day work) - this is of course if you decide to take the Work Placement module.
The MA in Arts Management, Policy and Practice enables students to develop their knowledge and understanding of the history, theory and practice of arts management; to gain an insight into the range of professional opportunities in the creative and cultural sector; and to acquire direct experience of the many areas of arts management. The programme has a strong practical, hands-on element. At the same time it offers a solid theoretical grounding, exploring cultural policy in its historical context and encouraging critical engagement with the philosophical, political, social and economic imperatives informing contemporary practice. Above all, we aim to produce pioneers rather than bureaucrats.
Lecturers from the Centre for Arts Management teach the MA with considerable input from arts professionals including staff from the Martin Harris Centre, Contact Theatre, the Royal Exchange, Whitworth Art Gallery and many other local cultural organisations. We also work closely with our sister programme, the highly regarded MA in Art Gallery and Museum Studies.
The programme is designed to serve as an entry-level qualification for recent graduates as well as offering professional development for mid-career practitioners. It offers flexibility and opportunities for specialisation, while ensuring a thorough grounding in essential principles and methodology. It provides a solid foundation for careers in different areas of the arts and creative industries, and caters for arts practitioners as well as aspiring managers.
The siting of the programme close to a range of leading arts venues offers a unique opportunity for students to engage with the practical considerations of arts management. The Martin Harris Centre is a hub of cutting edge research and interdisciplinary investigation: in addition to the Cosmo Rodewald Concert Hall and John Thaw Theatre, it is home to the Tipp Centre (Theatre in Prisons and Probation), the Centre for Screen Studies, Centre for Applied Theatre Research, Manchester Theatre in Sound (MANTIS), Manchester Centre for Music in Culture (MC2), and the NOVARS Research Centre for Electroacoustic Composition, Performance and Sound-Art. Other cultural organisations based at the university - Manchester Academy, Contact Theatre, Manchester Museum and the Whitworth Art Gallery - are only a few minutes' walk away.
The programme also benefits from the exceptionally rich grouping of arts-based institutions and agencies in Manchester and the North West - an area celebrated for containing more theatres than any other region outside London and now hosting the BBC at the new Media City at Salford Quays. Liverpool (European Capital of Culture 2008), Leeds and Sheffield are all within easy reach. A wide range of regional arts venues and organisations contribute to the programme by providing guest lecturers, site visits and work placements.
The programme is based within the School or Arts, Languages and Cultures. The core of the School's interest is the field of human cultures, beliefs and institutions. Its work embraces the material, visual, creative and performative dimensions of culture, and as such fosters a rich interdisciplinary culture led by world-renowned scholars with a diversity of expertise, from analysts to creative artists, from historians of ideas to cultural theorists. We work particularly closely with staff from the highly-rated departments of Music and Drama.
All students take two core modules (Arts Management: Principles and Practice, and Cultural Policy) and write a dissertation (15,000 words, or for a practice-based dissertation 8,000-10,000 words plus project documentation). The remaining credits (two or three additional modules) are taken from a range of options including:
All modules include a programme of guest lectures and/or practical seminars by experienced professionals based in cultural institutions in and around Manchester. The programme also features visits to a selection of key sites and venues in the North West.
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
This programme prepares graduates for a diverse range of career opportunities as managers, administrators, policy-makers or practitioners in various branches of the arts and cultural and creative industries. Opportunities exist in the public, private, and voluntary sectors; in theatres, opera houses, concert halls, arts centres, museums and galleries, and the media; with orchestras, theatre companies, dance companies, etc.; or with the Arts Council, British Council, Local Authority, Tourist Board and various funding bodies. Discrete posts include: programming manager; marketing director; education director; development or outreach officer; tour organiser; promoter, agent or artist's manager; website, database or IT manager; producer; consultant or market researcher; fundraiser; community artist; freelance workshop leader. Graduates may also find work in related areas such as teaching, social and educational work. Some students go on to pursue further study and research at doctoral level.
This award provides an opportunity for both existing and aspiring professionals connected with children and young people to reflect deeply and critically on the relationship between the structures and policies offered by societies and how these interact with individuals self-actualisation.
The full time MA Childhood and Youth Studies is normally timetabled for teaching on two days a week (currently Tuesdays and Thursdays), with additional independent, guided study requirements. As well as (30 credit) taught units of study, this course also provides opportunities to gain practice experience in UK educational contexts (via optional unit choice), and every student undertakes a (60 credit) dissertation, allowing in-depth and extended study in an area of interest and relevance.
We welcome applications from non-EU internationals who are supported at every stage by MMU International.
The MA in Classics and Ancient History is extremely flexible and wide-ranging. In this it reflects the broad, multidisciplinary nature of the subject, which includes Latin and Greek language, the history of Greek and Roman antiquity from archaic times to the beginning of the Middle Ages, and Greek and Roman literature, philosophy, and culture. The MA is designed to introduce students to advanced study in their chosen field and to equip them with the skills required for doctoral research. The programme and most modules within it allow students to tailor their advanced study and research-preparation to their interests, needs and existing knowledge. Apart from the thesis, the only compulsory unit is that devoted to research training. We also expect all students to study Latin and/or Greek as part of their MA. (No existing knowledge of Latin or Greek is required, and we are very well-equipped to support students beginning their study of either language; it is also possible to study one or both languages at more Advanced levels). Apart from these requirements, students are able to choose freely in constructing an MA course which best suits their interests and skills.
In addition, we offer one specialist route through the MA programme: namely the 'City of Rome' route. This route involves taking a course unit at the British School at Rome, for which students prepare by studying a course on Roman social and urban history.
On successful completion of the MA in Classics and Ancient History, students will:
i. demonstrate the enhancement of previously acquired skills at a more critical, reflective, and sophisticated level, especially skills involving synthesising information from a variety of sources, historical and/or literary interpretation, exercising independent and critical judgement.
ii. understand and respect the `otherness' of the past by developing specialist knowledge about one or more aspect of Graeco-Roman civilisation.
iii. be able to describe, analyse, and assess ancient sources, including (as appropriate) literary, non-literary, visual, and material evidence.
iv. be able to design and complete a substantial piece of independent research.
v. work effectively as autonomous scholars.
vi. be able to understand complex problems and communicate them clearly in oral and written form, with the help, where appropriate, of visual or graphic aids.
The MA in Classics & Ancient History is made up of a taught element (120 credits) and a dissertation (60 credits). Taught units are usually assessed by extended essay, but assessment might also include oral presentations, conference posters, commentary exercises and (particularly for language units) formal examinations.
In more detail, the structure of the course is as follows:
Research training . Our core course, 'Studying the Ancient World: Techniques and Approaches', introduces you to the key research questions and methods involved in advanced study of the discipline and, in the second semester, gives you experience in developing and presenting your own research project.
Language units. If you are a beginner, you will take one of our specially-designed `intensive' courses in Latin or Greek, which will put you in a position to start reading ancient texts in the original language before the end of your MA. If you have already studied Greek or Latin, you will continue your study of one or both languages at an appropriate level. If you are already at a very advanced stage in both languages you will take a specially-designed course unit which allows you further to develop your language skills in an area related to your research interests (for example: palaeography; papyrology; textual criticism; epigraphy).
Taught course-units . The remainder of your taught credits are selected from a range of taught units, chosen from a menu covering a range of topics in Greek and Roman history, literature, and culture. Most taught units are worth 15 credits, and usually involve 11 `classroom' hours, consisting of both student-led and tutor-led discussion, supported by additional guidance and planning sessions.
It is possible for one of these units to be an approved unit from another subject area (for example, History or Archaeology), or a Directed Reading course, in which you are free to pursue whatever avenue is of interest to you, by negotiation with a tutor and with the Postgraduate Programme Director. The usual pattern for a Directed Reading course is 6 to 8 hours of contact time, which may be individual or in a small group, or a mixture of the two.
A dissertation of between 12,000 and 15,000 words: 60 credits.
Course units vary from year to year, depending on staff availability and student enrolment, but you will find below details of the units which we are currently planning to offer in 2017/18. (If you are planning to take the MA part-time, over two years, please note that we cannot guarantee that all of these courses will definitely run in 2018/19: if you are particularly keen to take a specific course, you are advised to discuss your plans with the Programme Director: Dr. Jenny Bryan ([email protected] ).
Please note that we are also planning to offer a new 15-credit course in 2017/18: 'Approaching Women in Greek Tragedy': further details will be available here soon.
This non-vocational Masters degree teaches and develops a wealth of transferable skills, and thus enables students to keep open a very wide range of career options. Recent graduates have gone on to vocational MAs (e.g. in Gallery & Museum Studies), to PhDs in Classics or Ancient History, to teaching, to contract researching, or to work in local or central government, commerce or industry.
The MA/Postgraduate Diploma in Conference Interpreting is designed to equip you with the knowledge and advanced interpreting skills required for a career in conference interpreting. All our interpreting trainers are practising conference interpreters in language combinations that reflect market demands. Most trainers are also AIIC members. For a detailed list of regular and visiting trainers and their professional backgrounds, please visit: http://www.alc.manchester.ac.uk/translation-and-intercultural-studies/about/people/external-trainers/
The programme offers simultaneous and consecutive interpreting training in five languages - French, German, Spanish, Russian and Chinese. These are key languages in international organisations such as the UN and EU and are also in demand on the freelance market.
The MA/Postgraduate Diploma in Conference Interpreting can be studied over one year (full-time) or two years (part-time). Part-time study is strongly supported and is actively facilitated in the timetabling of teaching hours for the MA, wherever possible.
Postgraduate Diploma (PG Dip)
The Postgraduate Diploma (PG Dip) in Conference Interpreting is a slightly shorter course available for students who do not wish to complete a professional portfolio or research dissertation.
Two distinct conference interpreter profiles
As a prospective student, you will offer one of two profiles, reflecting the two distinct profiles of practising conference interpreters:
The University of Manchester's MA/PG Diploma in Conference Interpreting is designed to offer intensive training to enable students to develop the necessary skills for a career as a professional conference interpreter. Class sizes are kept small, to ensure that students can receive individualised feedback. This in turn enables students to progress at their own pace. Students develop their interpreting skills under the guidance of a core team of interpreter trainers - all of whom have worked for international organisations such as the EU or UN, either as staff or on a freelance basis. In addition, students attend professional skills master classes, in which visiting conference interpreters and potential employers offer insights into the profession.
We have two interpreting suites equipped with 12 booths and Brähler consoles used widely in the profession.
The course design reflects best practice criteria set out by the internationally recognised professional body for conference interpreters, AIIC (the International Association of Conference Interpreters). It includes a module specifically focused on professional development, allowing students to focus on the contexts in which they can expect to work as conference interpreters. To ensure that students have an understanding of the dynamics of interpreting in multilingual meetings, simulated conferences are run during the second semester, during which interpretation is provided from several languages. Students considering a career in research benefit from MACINT's location within the Centre for Translation and Intercultural Studies - with staff research interests ranging from translation and conflict to the interpreting profession.
We strive to keep our course up-to-date with the latest developments in the profession and to find ways to make our course as useful and relevant as possible. To that end in 2015 we introduced the following exciting changes:
Additional simultaneous training
We now offer a four-week advanced simultaneous training course to MA students following their final exams. The aim is to give students a further opportunity to bring the standard of their interpreting up to the level required of professional conference interpreters. After the training, students wishing to complete the MA will produce a piece of written work outlining their preparation for a hypothetical interpreting assignment. Students will be encouraged to pick a meeting for which webcasts and documentation are available online, prepare, and then test the effectiveness of their preparation by having a go interpreting from the webcast.
For an additional fee, PG Dip students and graduates from other universities can attend this extra training period if the relevant language groups are running.
Subject-specific training to enhance background knowledge
A new module was introduced to increase students' knowledge of subject-matter that they are likely to encounter as interpreters. This includes the workings of major international organisations (e.g. EU, UN), diplomacy, international law, economics and foreign policy.
Students taking the postgraduate diploma will be offered an opportunity, as part of their course, to work on a new or existing language by enrolling on one of the university's language courses.
For recent updates on our activities please visit our Facebook page or find us on Weibo.
This programme is open for September 2018 entry only.
This course is designed for students to refine their subject specific practice through creative industry experience, studio based experimentation, contextual research and critical dialogue to enable them to graduate as professional artists within the wider context of contemporary arts networks.
During your time with us, you will be encouraged to undertake independent contextual and theoretical research that will improve your capacity for independent enquiry, creativity and professional practice.
There are plenty of opportunities to get involved in group exhibitions, residencies and live projects as we work closely with key cultural organisations within the North West. These include; The Center for Chinese Contemporary Art, Hotbed Press, Islington Mill, Castlefield Gallery, International 3, Salford Museum & Art Gallery, Artworks, Mark Devereux Projects and HOME.
This course embraces a range and diversity of practices and aims to:
Contemporary Arts Practice is for committed artists who wish to develop their personal creative practice towards a higher, professional level. It actively encourages the pursuit of individual agendas for study and for personal choice of media/disciplines selected from the range of practices within the field.
You will contextualise your work via rigorous analysis of relevant cultural discourses and reflective studio-based practice. Running alongside this, is the notion of embedding this practice within the creative industries through public exhibition as well as responses to opportunities provided by our industry partners. Studio production is emphasised as a key driver for practice development and there is a challenging seminar programme and a comprehensive schedule of visiting or visits to artists/art professionals and venues.
The programme structure consists of five modules, four of which are delivered within a collaborative framework allowing all students across the Masters in Art & Design programmes (Contemporary Fine Art, Socially Engaged Arts Practice and Design for Communication) opportunities to engage with your peers whilst working through individual assignments focused around each programme. The remaining one module is tailored to the specific programme learning outcomes.
For the full-time study option:Semester 1 - September to February
Semester 2 - February to June
Semester 3 - June to September
You will take five core modules and will study one day a week. Full-time students will have concentrated module delivery in both the morning and afternoon.
This course uses a range of teaching and learning settings including lectures, seminars/workshops, tutorials, situated learning (e.g. ‘live’ projects) and independent learning. The combination of these aims is to develop an environment that allows students to progressively take ownership and direction of their learning so that they may develop as independent, life-long learners. The process of Masters level study, relating to an individual and independent arts practice, is one of dense critical self-reflection; this is achieved by including self-directed projects where students have the opportunity to negotiate their learning and assessment requirements.
Indicative to the course are:
Award specific learning activities include exercises; team and peer-based learning, studio practice and critical seminar-events, site visits, visiting professionals, work placements, online activities and critical debates.
Assessment methods used on the course include:
You will be assessed throughout the course on:
All submissions are comprised of a body of arts practice: ‘studio’ plus a contextual and critical research portfolio, and reflective logs/journals. As the ‘thesis’ is embedded in the practice there is no requirement for a separate, written dissertation - although you may elect to do so, if appropriate, by negotiation with final award Course Team.
*You can negotiate the format of your submissions, in response to the needs and priorities within your practice, and in line with contemporary professional practice habits.
Our graduates have exhibited successfully in a range of venues and biennales. Many graduates establish themselves within the local creative economy and develop a studio presence in the region and beyond.
We encourage students to pursue an international profile and presence as soon as possible in support of their professional reputation. Opportunities via MediaCityUK will facilitate internationalisation of practice on individual terms.
Many of our students succeed through related professions in: education, community development, healthcare environments or enterprise. Some graduates prefer to apply their creative practice to commissioning, consultancy or other professional outcomes.
This programme is based at New Adelphi on the main campus. The facilities include:
You will be inducted into the workshops, which covers how to use all the machinery, by trained workshop technicians.
MA/MFA Contemporary Curating explores the notion of exhibition practice in contemporary culture and considers curatorial methods and strategies in the context of the gallery and museum, as well as in projects such as biennials, public art works and commissions. The course considers ways in which different kinds of art works and projects are mediated through the exhibition process.
The shifting relationship between artist-institution-curator-critic/writer forms a central element to the course. The course also explores the potential of seeing curating as something that can be applied to different forms of knowledge: publications, symposia, events and interventions.
-Opportunity to work on Holden Gallery exhibitions programme which generates four new shows a year, artists have included: John Baldessari, Sophie Calle, Liam Gillick, Jenny Holzer, Cornelia Parker, Roman Signer, Mark Wallinger
-Curator talks and seminars from a range of galleries and programmes,such as: Liverpool Biennial, Manchester Art Gallery, Open Eye, Tate Liverpool, Whitworth Art Gallery among others
-Partnership arrangements with Castlefield Gallery and Home for placements and work experience.
You will establish key theories and issues relating to Contemporary Curating and then develop these into more complex approaches.
You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.
Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.
If you choose to progress to MFA Contemporary Curating award you will study a further two units of 60 credits each.
This award is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.