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University of London, School of Advanced Study, Full Time MA Degrees

We have 6 University of London, School of Advanced Study, Full Time MA Degrees

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The MA in Art History, Curatorship and Renaissance Culture is offered by the Warburg Institute in collaboration with the National Gallery, London. Read more
The MA in Art History, Curatorship and Renaissance Culture is offered by the Warburg Institute in collaboration with the National Gallery, London. The purpose of the programme is to provide high level linguistic, archive and research skills for a new generation of academic art historians and museum curators. The art historical and scholarly traditions of the Warburg Institute are linked to the practical experience and skills of the National Gallery to provide an academic programme which will equip students either as academic art historians with serious insight into the behind the scenes working of a great museum or as curators with the research skills necessary for high-level museum work.

This twelve-month, full-time programme provides an introduction to:

Museum knowledge, which covers all aspects of curatorship including the technical examination of paintings, connoisseurship, materials and conservation, attribution, provenance and issues relating to display.
Art history and Renaissance culture to increase students’ understanding of methods of analysing the subjects of works of art and their knowledge of Renaissance art works and the conditions in which they were commissioned, produced and enjoyed.
Current scholarship and professional practice in these areas as well as new and emerging areas of research and scholarship.
The programme will be taught through classes and supervision by members of the academic staff of the Warburg Institute and by National Gallery curatorial and archival experts. The teaching staff of the Warburg Institute are leading professors and academics in their field who have published widely and are involved with research related to the topics they teach.

Structure

All students will take three core modules and two optional modules. The core modules include language and paleography classes, which will be selected following an individual language audit for each student, and are spread over two terms. The optional subjects will vary from year to year and students must select at least one in an art historical field.

Core courses:

Art History – Iconology – Dr Paul Taylor
Language, Paleographical and Archive Skills – Various tutors for language and palaeography classes; Dr Claudia Wedepohl (The Warburg Institute) and Mr Alan Crookham (National Gallery) for archive skills
Curatorship in the National Gallery – Curatorial, conservation and scientific staff of the National Gallery, including Dr Ashok Roy, Dr Susanne Avery-Quash, Mr Larry Keith and Ms Rachel Billinge
Optional courses (two to be chosen):

Artistic Intentions 1400 - 1700 – Dr Paul Taylor
Islamic Authorities and Arabic Elements in the Renaissance – Professor Charles Burnett
Music in the Later Middle Ages and the Renaissance - Professor Charles Burnett
New Worlds, Ancient Texts: Renaissance Intellectual History and the Discovery of the Americas - Dr Philipp Nothaft
Renaissance Art Literature – Dr François Quiviger
Renaissance Philosophy – Dr Guido Giglioni
Renaissance Material Culture – Dr Rembrandt Duits and Dr François Quiviger
Sin and Sanctity in the Reformation – Professor Alastair Hamilton

Students will also be encouraged to attend the Director’s weekly seminar on Work in Progress and any of the other regular seminars held in the Institute that may be of interest to them. These at present include History of Art and Maps and Society. The third term and summer will be spent in researching and writing a dissertation, under the guidance of a supervisor from the academic staff of the Warburg Institute or a member of staff from the National Gallery.

Assessment

The usual format for classes is a weekly seminar. All students are required to submit three essays of 4,000 words, one at the beginning of the second term and the remaining two at the beginning of the third term. A dissertation of 15,000 words, on a topic agreed by the student and supervisor, has to be submitted by 30 September. The course is examined on these four pieces of written work, a catalogue entry (submitted at the end of the first term), and examinations in language, paleographical and archive skills. Students are allocated a course tutor and, in addition, are encouraged to discuss their work with other members of the staff at the Warburg Institute and the National Gallery. Because of the small numbers involved (places are limited to 12 per year), students have unusually frequent contact, formal and informal, with their teachers.

Mode of study

12 months full-time only.

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The Warburg Institute MA in Cultural and Intellectual History aims to equip students for interdisciplinary research in Medieval and Renaissance studies and in the reception of the classical tradition. Read more
The Warburg Institute MA in Cultural and Intellectual History aims to equip students for interdisciplinary research in Medieval and Renaissance studies and in the reception of the classical tradition. Students will become part of an international community of scholars, working in a world-famous library. They will broaden their range of knowledge to include the historically informed interpretation of images and texts, art history, philosophy, history of science, literature, and the impact of religion on society. Students will improve their knowledge of Latin, French and Italian and will acquire the library and archival skills essential for research on primary texts.

This twelve-month, full-time course is intended as an introduction to the principal elements of the classical tradition and to interdisciplinary research in cultural and intellectual history from the late Middle Ages to the early modern period. Although it is a qualification in its own right, the MA is also designed to provide training for further research at doctoral level. It is taught through classes and supervision by members of the academic staff of the Institute and by outside teachers. The teaching staff are leading professors and academics in their field who have published widely. Research strengths include: the transmission of Arabic science and philosophy to Western Europe; the later influence of classical philosophy (Aristotelianism, Platonism, Epicureanism and Stoicism); and religious nonconformism in sixteenth- and seventeenth-century Europe. For further details on the research interests of teaching staff please visit the Warburg website:
http://www.warburg.sas.ac.uk/home/staff-contacts/academic-staff

Structure

Core courses (courses may vary from year to year)

Iconology: Mythological painting, allegorical figures, historical subjects, altarpiece - Dr Paul Taylor
Religion and Society - Dr Alessandro Scafi
Optional Courses (courses may vary from year to year)

Artistic Intentions 1400 - 1700 - Dr Paul Taylor
Islamic Authorities and Arabic Elements in the Renaissance – Professor Charles Burnett
Music in the Later Middle Ages and the Renaissance - Professor Charles Burnett
New Worlds, Ancient Texts: Renaissance Intellectual History and the Discovery of the Americas - Dr Philipp Nothaft
Renaissance Philosophy – Dr Guido Giglioni
Renaissance Art Literature – Dr François Quiviger
Renaissance Material Culture – Dr Rembrandt Duits and Dr François Quiviger
Sin and Sanctity in the Reformation – Professor Alastair Hamilton
All students take two compulsory core courses and two optional subjects. The core courses are taught in the first term and the optional subjects in the second term and the options available vary from year to year. In addition, there is a regular series of classes throughout the three terms on Techniques of Scholarship. Subjects dealt with include: description of manuscripts; palaeography; printing in the 15th and 16th centuries; editing a text; preparation of dissertations and photographic images. Some of these classes are held outside the Institute in locations such as the British Library or the Wellcome Library.
Reading classes in Latin, Italian and French are provided and are offered to all students. Students are also encouraged to attend the Director’s weekly seminar on Work in Progress and any of the other regular seminars held in the Institute that may be of interest to them. These at present include History of Art and Maps and Society. The third term and summer are spent in researching and writing a dissertation, under the guidance of a supervisor from the academic staff.

Assessment

The normal format for classes is a small weekly seminar, in which students usually discuss texts in their original languages. In most courses, students also give short presentations of their own research, which are not assessed. The emphasis is on helping students to acquire the skills necessary to interpret philosophical, literary and historical documents as well as works of art. Each compulsory or optional module will be assessed by means of a 4,000 word essay to be submitted on the first day of the term following that in which the module was taught. A dissertation of 18,000 – 20,000 words, on a topic agreed by the student and supervisor, has to be submitted by 30 September. The course is examined on these five pieces of written work, and on a written translation examination paper in the third term. Students are allocated a course tutor and, in addition, are encouraged to discuss their work with other members of the academic staff. Because of our relatively small cohort, students have unusually frequent contact, formal and informal, with their teachers.

Mode of study

12 months full-time only.

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Students will learn how to acquire knowledge from a range of sources including history, horticulture, architecture, garden archaeology and other subjects, to develop an appreciation of the study of garden history as a cultural discipline. Read more
Students will learn how to acquire knowledge from a range of sources including history, horticulture, architecture, garden archaeology and other subjects, to develop an appreciation of the study of garden history as a cultural discipline.

Students will be able to appreciate the differences in garden-making over time and in different countries, from the 16th century to the present day in Britain, Europe and America. Emphasis will be on design and management, ownership, and the culture from which these examples have evolved.

This degree will provide an academically rigorous environment in which students will learn a range of academic research and writing skills. Teaching will be undertaken at the Institute of Historical Research (http://www.history.ac.uk/), with a strong emphasis on tutor/student interaction in class. There will be practical sessions at museums and libraries, as well as visits to gardens in London. There will also be an optional field trip to Italy in the spring.

Structure

The course will be run on a full-time basis over one year. Teaching will take place on Thursdays from 10:00 to 17:00 and will be divided between two terms. The third term will be dedicated to dissertation preparation and writing. Please get in touch if you would like to see the full timetable.

Students must complete core module 1, core module 2 (selecting three options from the six provided), and core module 3 - a 15,000 word dissertation in order to be awarded the full MA.

However, there are a range of options available for flexible study:

Those wishing to pursue this course on a part-time basis can complete Modules 1 and 2 (the taught elements of the course) in their first year and Module 3, the dissertation, in their second year
Module 1 can be undertaken as a standalone unit leading to a PGCert, the credit for which can be banked should the student wish to complete the MA at a later date (within a prescribed time frame) Please enquire for further details.
Module 1: Researching Garden History (60 credits)

The first term will showcase the huge variety of resources available to study garden and landscape history from archaeology, architecture, cartography, horticulture, manuscripts, paintings and other works of art, from the sixteenth century to the present day.

Sessions include:

Early maps of gardens (British library)
Garden Archaeology (Hampton Court)
Gardens and Architecture referencing Drawings Collection at the RIBA and V&A
The Italian Renaissance and English Gardens
The eighteenth century garden + visit to Chiswick House
Gardening and Photographic images
Assessment

A 5,000 word report on the history of a garden chosen by the student and an accompanying presentation.

Module 2: Culture and Politics of Gardens (60 credits)

This module consists of six optional units of which students must choose three.

These sessions aim to:

Develop students’ knowledge and understanding of gardens and landscapes in different countries
Develop students’ critical analysis and judgement
Demonstrate the importance of context and the relationship of garden and landscape history to other disciplines such as literature, social history, film and visual media and the history of ideas
The module will look at Historiography, theory, the connection between culture and politics in landscape making and the expansion of the skills of term one across regional boundaries.

For instance, the influence in Britain of the Italian Renaissance’s new ideas on garden making, including architecture, sculpture and hydraulic engineering; iconography in gardens and landscapes; formality in garden-making as an indicator of the power of the owner, from the sixteenth century onwards, as in France; different aspects of the ‘natural’ garden from the eighteenth century onwards; conflict between the ‘natural’ and the formal in the nineteenth century between William Robinson and Reginald Blomfield in Britain; gender and garden making; and shifting boundaries between architect, landscape architect and plantsman relating to the status of those designing gardens and landscapes in the 21st century.

Students will choose one unit from each group:

Students will choose one unit from each group:

Group A
French gardens of the seventeenth century
The evolution of the English garden in the sixteenth and early seventeenth centuries

Group B
The eighteenth-century garden
The American garden

Group C
The Suburban Garden in England between the wars
Twentieth- and twenty-first-century gardens

Please note: Optional units are subject to change. Please consider this a guide only.

Assessment

Two 5,000 word assessed essays on two of the three options taken, and an assessed student presentation on the outline of the intended dissertation.

Module 3: Dissertation (60 credits), 15,000 words

Mode of study

12 months full-time or 24 months part-time.

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The University of London’s postgraduate degree in the History of the Book was inaugurated in 1995 and each year attracts a range of students from many countries. Read more
The University of London’s postgraduate degree in the History of the Book was inaugurated in 1995 and each year attracts a range of students from many countries. The University’s location in the centre of London, with its unrivalled resources for all aspects of book history within easy reach, together with the expertise that exists in its many colleges and institutes, makes it an ideal place in which to carry out research of an interdisciplinary nature. The history of the book has developed rapidly over the last 40 years as its power to clarify problems in many other disciplines has become evident. Scholars have come to see the study of the book as an aid to understanding literary and other texts and, more recently, as a way of understanding broader social, cultural, and intellectual processes in history.

The programme aims to:

Give students a broad understanding of book history from c. 3000 BCE to 2000 CE

Introduce students to the range of disciplines that make up the subject, including historical bibliography, palaeography, codicology, history of printing, bibliometrics, history of publishing, history of reading, and library history

Provide frequent opportunities to handle archaeological and historical objects relating to the subject

Give students the ability and confidence to deal with primary sources for book history (both manuscript and printed)

In addition, the MRes will:

Provide selected students with a foundation of three appropriately specialised taught courses (60 points in all), which will equip them to undertake a more extensive programme of master’s level research than that offered by the MA

Provide the opportunity for able students to write an extended dissertation (30,000 words) on a subject that requires treatment at a much greater length and depth than the usual MA topic

Offer students a degree programme that satisfies the needs of those who wish to undertake more extensive research or go on to do an MPhil or PhD

Structure

The MA consists of a series of six taught courses (including two core courses) plus a dissertation of 15,000 words.

The MRes consists of a series of three taught courses and a 30,000 word dissertation.

Students may also choose courses from the London Rare Books School programme under the guidance of the Course Director and Course Tutor.

London Book Trade Internship

Students have the option to substitute one of the modules with an internship at a London bookselling firm. The internships offer a key opportunity for students to experience life in a bookselling firm, to undertake projects for the company (everything from stocktaking to cataloguing to running a book stall at a fair), and to make connections in the book trade. In the past, students have been placed in Maggs Bros., Jarndyce Booksellers, Robert Frew Ltd., and Ash Rare Books.

Teaching and Supervision

Teachers are recognised experts drawn from the Institute, the British Library, the Victoria and Albert Museum, Lambeth Palace Library, and other institutions, at which some of the teaching takes place.

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How has the decline of European empires in the extra-European world shaped the 20th century – and beyond?. The Master’s degree in The Making of the Modern World is an innovative programme which addresses the legacies of decolonisation on contemporary nation and state-building around the world. Read more
How has the decline of European empires in the extra-European world shaped the 20th century – and beyond?

The Master’s degree in The Making of the Modern World is an innovative programme which addresses the legacies of decolonisation on contemporary nation and state-building around the world. Students are introduced to debates about decolonisation and its relationship with modernity, addressing the question of how the end of empire has shaped the modern world.

This MA examines the nature of decolonisation in comparative perspective, looking at the British, French, Dutch, Spanish, Portuguese, German and Belgian empires, rather than limiting the study of empire to a few case studies or to a single colonial power. The MA examines the differences in colonial governance and decolonisation processes, and how this has impacted the development of successor colonial states and the processes of decolonisation, nation-building, and the strengthening of the state which these states experienced.

Upon graduating, students will receive a degree awarded by the University of London.

Students will:

Learn about and analyse the political, developmental, institutional and social legacies of the decolonisation process;
Understand the connectivity between domestic politics and society and international diplomacy and policymaking;
Develop skills in understanding and analysing archival sources and undertaking archival and oral research;
Understand the ways in which the decline of the European empires in the extra-European world has shaped the 20th century.
This advanced degree provides an excellent foundation for students who wish to expand their knowledge of international history, politics and society prior to working for international organisations, the media, or in other professional capacities. It also provides the base for those wishing to do further research in African, Asian or European studies.

In addition to the knowledge gained over the course of the MA, the skills students develop - including the ability to analyse material in detail, process quantitative and qualitative data to reach informed conclusions, critique existing knowledge and conduct independent research - will be relevant to a wide variety of careers and will broaden students' appeal to a range of employers.

Structure

In order to pass the MA, students need to have achieved a total of 90 European Credit Transfer and Accumulation System (ECTS) credits. ECTS credits are recognised across the European Union. The degree comprises four compulsory modules (including the dissertation), and three optional modules.

Required (core) modules (Autumn Term):

Historical Research Skills (with the Institute of Historical Research) [10 ECTS]
European Decolonisation in the 20th Century [10 ECTS]
Ethnicity, Nationalism, Liberation and Identity: the view from the Extra-European world [10 ECTS]
Optional modules* (Spring Term):

Diplomacy and Decolonisation [10 credits]
Geopolitics and Decolonisation [10 credits]
Policing, Intelligence and Counter-Insurgency [10 credits]
Decolonisation, Nation-State Building and Development [10 credits]
*All modules are subject to availability.

Dissertation [30 ECTS]

Students will complete a 15,000-word research-based dissertation on a chosen topic within human rights which is of special interest to them. This topic will be chosen in consultation with your dissertation supervisor, who will provide support.

Assessment

The MA is assessed primarily through essays, although class participation also contributes towards assessment. Additional formative assessments include class presentations.

Mode of study

Study options: full-time over one year, or part time over 24 months.

Students undertaking the MA on a part-time basis will take two required modules in Autumn Term of their first year, and up to two optional modules in the Spring Term. They will take one required module in the Autumn Term of their second year, and one or two optional modules in the Spring Term.

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This degree offered by the Human Rights Consortium (http://www.sas.ac.uk/hrc/graduate-study/ma-human-rights) is the longest-running interdisciplinary, practice-oriented human rights MA programme in the UK. Read more
This degree offered by the Human Rights Consortium (http://www.sas.ac.uk/hrc/graduate-study/ma-human-rights) is the longest-running interdisciplinary, practice-oriented human rights MA programme in the UK. Its priority is to provide students with practical skills essential to working as human rights practitioners, including advocacy, fundraising and research. The degree develops students as human rights professionals and is therefore particularly suitable for individuals who are, or seek to become, human rights practitioners in the NGO, governmental and inter-govermental sectors This degree addresses essential questions and debates within the field of human rights, such as: where do rights come from? What are their foundations and justifications? Can the discourse of rights secure social justice?

Structure

Degree code: MTCHR
Credit value: 120/180

Required modules:

Understanding Human Rights I: Ideas and Contexts
Securing Human Rights I: Actors and Mechanisms, Skills and Strategies
Translating Human Rights into Law I: The Foundations of International Human Rights Law
Optional modules*:

Understanding Human Rights II: Genocide, Gross Human Rights Violations and Reconciliation (Optional) [10 ECTS]
Securing Human Rights II: Securing Human Rights in Development and in Conflict [10 ECTS]
Translating Human Rights into Law II: Topics in International Human Rights Law [10 ECTS]
The Politics of Human Rights in Latin America [10 ECTS]
Researching Human Rights: Social Research Methods [10 ECTS]
Business and Human Rights [10 ECTS]
Indigenous Peoples, Minorities and Human Rights [10 ECTS]
Citizenship and New Social Movements in Latin America [10 ECTS]
Human Rights and Everyday Life in Latin America [10 ECTS]
*All modules are subject to availability.

Dissertation

All students must complete a minimum of three compulsory modules and three optional modules, plus a 15,000-words dissertation, in order to fulfil the requirement for the MA (totalling 90 ECTS (European Credit Transfer System)). In addition, students may wish to select one extra optional module (equalling 10 ECTS) and / or the internship (20 ECTS) for additional credit, totalling between 110 and 120 credits.

Assessment

The MA is assessed through essays and examinations, along with more innovative forms of assessment such as legal reports, a media project, mock funding proposal presentations and class participation.

Mode of study

Study options: full-time over one year, or part time over 24 months or 36 months.
Part time students may choose at least three optional modules during the spring term of years 1 or 2. Part time students may undertake more than one internship, e.g. in both years and/or during the summer between years 1 and 2.

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