• Imperial College London Featured Masters Courses
  • University of York Featured Masters Courses
  • Swansea University Featured Masters Courses
  • Leeds Beckett University Featured Masters Courses
  • Xi’an Jiaotong-Liverpool University Featured Masters Courses
  • University of Edinburgh Featured Masters Courses
  • Regent’s University London Featured Masters Courses
De Montfort University Featured Masters Courses
University of Sussex Featured Masters Courses
Coventry University Featured Masters Courses
University of Southampton Featured Masters Courses
Aberdeen University Featured Masters Courses
0 miles

Royal Central School of Speech & Drama, Full Time MA Degrees

  • Royal Central School of Speech & Drama×
  • MA×
  • Full Time×
  • clear all
Showing 1 to 15 of 15
Order by 
The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Read more

ABOUT MA ACTING

The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Successful applicants will be offered a place on one of the two strands.

CLASSICAL STRAND

The Classical strand follows the development of the theatrical art from its earliest ritual roots to the birth of naturalism:
> Greek Tragedy, Chorus and the Neutral Mask
> Clowning and Commedia dell’arte
> Shakespeare and the English Renaissance
> Stanislavski, the Method and ‘Realist’ Theatre.

The Classical strand draws on the hugely influential theories and techniques of the great French acting teacher Michel Saint-Denis, training the expressive body, voice and imagination. Working with some of the greatest dramatic texts ever written, students are asked to consider what they mean now, and how their 21st century reinterpretation and re-imagining still holds a ‘mirror up to nature’. Students are encouraged to understand the demands of both art and craft, as participants in, and practitioners of, the western theatrical tradition, through a course structure that examines, in chronological order, four key periods of innovation and transition.

CONTEMPORARY STRAND

The Contemporary strand addresses the actor’s relationship with the writer, from Early Modern times to the present day through the exploration of:
> Shakespeare and his legacy
> Chekhov, Stanislavski and the birth of naturalism
> the actor and 20th century playwriting
> new writing and the development of new work.

The Contemporary strand combines teaching in practical voice, movement and acting techniques with an exploration of some of the key playwrights that have helped forge the canon of Western theatre, from the Elizabethan and Jacobean dramatists to Chekhov and from Beckett to Kane. Uniquely, it explores the relationship between the two artists at the core of much Western theatre: the actor and the writer.
From Shakespeare and the King’s Men to the work of modern day producing houses, plays are frequently developed in collaboration between actors and writers, sometimes directly and sometimes mediated by a director. Students are encouraged to explore their role as creative artists in relation to writers and the written word. Throughout the course you will have the chance to work with, and alongside, writers on plays in development, both the next generation of playwrights on the MA Writing for Stage and Broadcast Media, and established playwrights with a track record of produced plays.

INDUSTRY LINKS / COLLABORATIONS

All staff are well connected to industry. In the past few years, students have participated in a research symposium and worked on the stage
of Shakespeare’s Globe, performed at the Brighton Festival, made a film with Sir Donald Sinden at the Garrick Club, taken part in workshops with Hannah Miller (Head of Casting, Royal Shakespeare Company) and attended public lectures by Judi Dench, Vanessa
Redgrave, Michael Boyd and Declan Donnellan. Students from Canada and the USA have participated in the Conference of Drama Schools
Showcase in New York and LA, and all students participate in Central’s MA Acting showcase.

ASSESSMENT

Through a combination of practical and written assessments, including a Sustained Independent Project and research presentation.

Read less
The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Read more

ABOUT MA ACTING

The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Successful applicants will be offered a place on one of the two strands.

CONTEMPORARY STRAND

The Contemporary strand addresses the actor’s relationship with the writer, from Early Modern times to the present day through the exploration of:
> Shakespeare and his legacy
> Chekhov, Stanislavski and the birth of naturalism
> the actor and 20th century playwriting
> new writing and the development of new work.

The Contemporary strand combines teaching in practical voice, movement and acting techniques with an exploration of some of the key playwrights that have helped forge the canon of Western theatre, from the Elizabethan and Jacobean dramatists to Chekhov and from Beckett to Kane. Uniquely, it explores the relationship between the two artists at the core of much Western theatre: the actor and the writer.
From Shakespeare and the King’s Men to the work of modern day producing houses, plays are frequently developed in collaboration between actors and writers, sometimes directly and sometimes mediated by a director. Students are encouraged to explore their role as creative artists in relation to writers and the written word. Throughout the course you will have the chance to work with, and alongside, writers on plays in development, both the next generation of playwrights on the MA Writing for Stage and Broadcast Media, and established playwrights with a track record of produced plays.

INDUSTRY LINKS / COLLABORATIONS

All staff are well connected to industry. In the past few years, students have participated in a research symposium and worked on the stage
of Shakespeare’s Globe, performed at the Brighton Festival, made a film with Sir Donald Sinden at the Garrick Club, taken part in workshops with Hannah Miller (Head of Casting, Royal Shakespeare Company) and attended public lectures by Judi Dench, Vanessa
Redgrave, Michael Boyd and Declan Donnellan. Students from Canada and the USA have participated in the Conference of Drama Schools
Showcase in New York and LA, and all students participate in Central’s MA Acting showcase.

ASSESSMENT

Through a combination of practical and written assessments, including a Sustained Independent Project and research presentation.

Read less
MA Acting for Screen is a training that focuses on acting in film, television and other screen-related media. Students will explore the expressive potential of performance and enhance their understanding of the relationship between performers and camera. Read more

ABOUT MA ACTING FOR SCREEN

MA Acting for Screen is a training that focuses on acting in film, television and other screen-related media. Students will explore the expressive potential of performance and enhance their understanding of the relationship between performers and camera. The course is primarily for those who have had previous training or professional experience in theatre, film or television. It will build on the existing
skills of students and focus on the specific needs of the year group. Drawing on the expertise of Central’s permanent staff team and specialist professionals from the industry, the programme aims to encourage the development of creative artists with the flexibility to work across performance mediums.

Across the first two terms, students will follow rigorous training in acting, which will concentrate on core skills: voice, body and creative interpretation. The principles of the study derive from psychophysical methods, particularly the techniques of Michael Chekhov and Stanislavski. The emphasis of the training is on producing actors who have a high level of creative skills and have developed flexible
and adaptable bodies and voices, with the necessary technique to apply to a screen context.

The range of classes across these terms will include screen technique; this will essentially examine the distinction between screen and live performance. It will also cover visual storytelling, working in, and adapting to, shot size, cheating, hitting the mark, shooting contemporary scenes from television and film, and the preparation of different styles of work, including soap, drama and comedy.

Acting classes will interrogate the body and provide students with a toolbox of exercises. There is a specific focus on relaxing the body and working with ease, developing the imagination, unpicking habits, creating character, and investigating the inner life. Voice and dialect classes will encourage an understanding of the voice as an instrument and will work with a variety of text including poetry, verbatim,
classical and contemporary material. In the area of movement, there is exposure to forms, which may include jazz and historical forms of dance, physical acting approaches including Suzuki, Lecoq, yoga, and chi kung. Other classes include sight-reading, textual analysis, casting, and mock auditions led by casting directors, actors and directors. Professional preparation will involve guidance on selecting photographs, writing CVs, self-marketing and online promotion.

ASSESSMENT

Modes of assessment include practical assignments, reflective writing, presentation, written and practice-based research. For the
independent project there is an option to make a film, write a dissertation or compile a portfolio, which would include a case study
of a filmmaker and an extended research enquiry.

Read less
This MA course is for those interested in developing current practice of using theatre and drama in the community and education settings or of using theatre and drama with people whose lives have been affected by the criminal justice system. Read more

ABOUT MA APPLIED THEATRE

This MA course is for those interested in developing current practice of using theatre and drama in the community and education settings or of using theatre and drama with people whose lives have been affected by the criminal justice system.

The MA Applied Theatre encourages investigation into the possibilities and contradictions of drama and theatre practice as transformative and rehabilitative, and engages practically and critically with a range of theories and current practices.

Key features of the MA Applied Theatre are the exploration of theatre work in specific settings; key practices in applied theatre; project-based study examining specific professional work with a varied range of client groups; or specialising in working with people whose lives have been affected by the criminal justice system.

This course develops knowledge of the ways in which drama and theatre are used to benefit a range of distinct groups that are key to today’s evolving cultural landscape. The course offers two specialist pathways: Drama in the Community and Drama Education or Drama and the Criminal Justice System. Each pathway is specifically designed to support current practice at work, or a particular field of interest in the developing landscape of applied theatre and drama in the UK. Students will have the opportunity to develop their own practice and
scholarship.

DRAMA IN THE COOMUNITY AND DRAMA EDUCATION PATHWAY

This pathway is for individuals wishing to develop current – or new – practice of using theatre and drama with people in a range of settings that may include schools, theatres, outreach departments, hospitals and prisons. Concerned with advanced enquiry into theatre for
change or education, this pathway enables students to situate their own emergent/developing practice within a wider understanding of the applied theatre field. Delivery of the course involves contributions and placement opportunities from prestigious key UK organisations.

DRAMA AND THE CRIMINAL JUSTICE SYSTEM

This pathway is for individuals wishing to develop current – or new – practice of using theatre and drama with people whose lives have been affected by the criminal justice system. Concerned with advanced enquiry into prison theatre, this pathway enables you to situate your
own emergent/developing practice within a wider understanding of the applied theatre field. Delivery of the course involves contributions and placement opportunities from prestigious key UK organisations.

ASSESSMENT

Each unit has a written and/or practical assessment. Submission of a dissertation addressing the student’s specialist area of interest.

Read less
The MA Drama and Movement Therapy is an intensive course providing professional and vocational training in drama and movement therapy and the Sesame approach, and is approved by the Health and Care Professions Council (HCPC). Read more

ABOUT MA DRAMA AND MOVEMENT THERAPY (SESAME)

The MA Drama and Movement Therapy is an intensive course providing professional and vocational training in drama and movement therapy and the Sesame approach, and is approved by the Health and Care Professions Council (HCPC).

The course offers a particular pedagogic approach to learning the craft of dramatherapy, which is underpinned by Jungian psychology and the importance of practice-based learning. The combination of intensive movement-based studio practice, collaborative facilitations, seminars, and a shared research unit with other MA students creates a learning environment that encourages personal exploration, collaboration and critical reflection. Particularly in the first term, there is the opportunity for immersive practice in the key subject areas of Laban movement, myth, movement with touch and sound and drama. This is allied by study into key psychological concepts, which can inform the theories and practices of dramatherapy. The group process is central to the student experience and supported by a weekly session across the first three terms that explores interpersonal dynamics between members and draws from group analytic theory.

PLACEMENTS

The placements are at the heart of the training and begin in the second term with the hallmark apprenticeship model. This offers well-supported early clinical practice with a specialist and qualified supervisor working alongside groups of two or three Students in different placement settings. All apprenticeship placements are arranged by Central and will normally include working with adults with mental health problems, elderly clients with dementia, people with learning disabilities, children
with challenging behaviour and people on the autistic spectrum. The apprenticeship model is used for placements in the spring and summer terms. In the extended fourth term, students will work more autonomously and have the opportunity to specialise
their clinical practice. All placement work is closely supported throughout the course through group and individual supervision.

All graduates are eligible to apply to the Health and Care Professions Council for membership as an arts therapist (drama).

ASSESSMENT

By a range of methods which include viva voce exams, written assignments and assessment of clinical practice and ongoing group work. There is ongoing tutor, peer and self-assessment.

Read less
MA Music Theatre is a unique course combining conservatoire-style training and critical reflection. It is specifically designed for performers who wish to further enhance their performance and creative skills and deepen their knowledge within the many. Read more
MA Music Theatre is a unique course combining conservatoire-style training and critical reflection. It is specifically designed for performers who wish to further enhance their performance and creative skills and deepen their knowledge within the many
forms and expressions of music theatre, including musicals, opera, actor-musicianship, operetta, melodrama, film and video, public performance, and interdisciplinary performance.

It is predominantly an intensive practical course that integrates acting, singing, movement and voice with a view to enabling students to enter the industry. Within the structure of performance training there may be opportunities to create original work and
to pursue related activities such as composing, writing, choreography and acting with instruments. MA research activities are designed to facilitate and reinforce a deeper reflection of individual processes, creative activities and personal skills development in a dynamic postgraduate culture of theatre practice.

Specialist lecturers and artists are invited to deliver classes and workshops that complement a teaching staff with proven and long-term experience in the profession. Emphasis is placed on acquiring and practising skills through creativity and performance within all aspects of music theatre, from conventional Broadway and West End repertoire to new writing
and that which involves new media and alternative theatre practices. Collaboration and teamwork, imagination and creativity are valued aspects of all activities and are explored from many different perspectives.

ASSESSMENT

This is by public performances, professional assessment in class work, research presentations and written submissions.

Read less
The cultural hub of London is the venue for MA Theatre Criticism and Dramaturgy. The programme balances theoretical study of theatre and performance with the development of diverse skills in dramaturgy and criticism. Read more

ABOUT MA THEATRE CRITICISM AND DRAMATURGY

The cultural hub of London is the venue for MA Theatre Criticism and Dramaturgy. The programme balances theoretical study of theatre and performance with the development of diverse skills in dramaturgy and criticism. Graduates can apply this in academia and throughout the creative industries.

Engaging with theatre and performance practice of the past and the present, and attuned to the economy and ecology of the landscapes in which it takes place, students on this course embrace Central’s unique status as a conservatoire and a University of London college, a vibrant setting fostering the international theatre practice and scholarship of the future.

Students engage with how the city itself performs, and examine questions around tourism and experiences of living, working, and moving in the metropolis. MA Theatre Studies (Performance and the City) considers how theatre shapes and is shaped by the metropolis, taking students into the city and behind the scenes in the institutions that give it its character and potency. Study is grounded in engagement with buildings, events, organisations and practices. As such, the course is excellent preparation for work in various roles in the theatre sector; a critical approach is maintained throughout, and students develop academic and scholarly abilities.

UNITS STUDIED

Students on this programme take six units followed by a final independent unit. Each unit is self-contained, focusing on a specific aspect of theatre and performance.

Units may include:

Reviewing Performance
Shakespeare in London
Archiving Practices, Practising Archives
Critical Contexts
Performing Research
Cultural Landscapes.

ASSESSMENT

Students produce critical work and outputs relevant to theatre sector contexts, including visual presentations, conference papers, essays, reports and reviews. In some cases students are assessed on small-group projects.

The SIP may take the form of a dissertation or a portfolio, depending on the subject matter and the student’s focus.

Read less
The MA/MFA Actor Training and Coaching course offers specialists of appropriate disciplines – actors or other performers, movement or voice teachers, directors or emerging directors in film, theatre and television – the opportunity to diversify by following a specialised study in the education and support of professional actors. Read more

ABOUT MA ACTOR TRAINING AND COACHING

The MA/MFA Actor Training and Coaching course offers specialists of appropriate disciplines – actors or other performers, movement or voice teachers, directors or emerging directors in film, theatre and television – the opportunity to diversify by following a specialised study in the education and support of professional actors.

The course joins Central’s MA Voice Studies and MA Movement Studies to create a cluster of postgraduate degrees aimed at high-level training practices for theatre and performance. Please note the course does not offer training to become an actor, but enables students to work effectively as an educator, coach or director of actors.

Students are introduced to the principles and practices behind the training, education and support of actors. The course addresses various practice and theory interfaces of contemporary acting and brings a variety of methods into creative fusion.

Students may expect to encounter work associated with, for example, Chekhov, Lecoq, Grotowski, Meisner, Stanislavski, Meyerhold, Suzuki, Viewpoints and some methodologies appropriate for acting for screen. Students will also explore ways of developing aptitude in the fundamentals of performance and relate these to a range of production contexts.

Teaching methods include tutorials, group seminars and workshops. Practical sessions are designed to enhance understanding of acting processes and skills in pedagogy, together with associated study of acting techniques and issues of performance including theatre, film and television.

Students will develop advanced interpersonal, facilitation, coaching and pedagogy skills. These include: how to research, plan and deliver courses; knowledge of a wide-range of acting methodologies and practices, as well as some movement and voice; education and support of actors; research skills – both as an individual and through group research; presentation skills; and an ability to plan, conduct and critically reflect on their own practice as an actor trainer.

Students undertake a teaching/coaching placement whilst on the course, as well as placements to engage with different acting and production contexts, with duration ranging from eight hours to three months. Placements are a vital part of the course and enable students to develop pedagogic experience and hone their skills as an educator.

ASSESSMENT

This includes practical assignments, essay, and presentation and submission of a Practitioner Portfolio addressing specialist development and understanding, or a dissertation.

Read less
The MA/MFA Advanced Theatre Practice is a well-established course aimed at drawing together those wishing to play a leading role in tomorrow’s new performance and theatre-making worlds. Read more

ABOUT MA/MFA ADVANCED THEATRE PRACTICE

The MA/MFA Advanced Theatre Practice is a well-established course aimed at drawing together those wishing to play a leading role in tomorrow’s new performance and theatre-making worlds. As participants in this course, students will be part of a carefully selected group wanting to pool their resources and imagine the theatre of the future.

At the start, students are likely to bring their existing knowledge and practical experience, for example, as a Performer, Designer, Visual Artist, Writer, Director, Musician, Puppeteer, or Dramaturg. Alternatively, students may have another body of knowledge and experience that they are keen to hone with others in the creation of new performance work.

Whatever their existing skills, participants will have a passion for innovation and company work, and be ready to challenge and extend specialist practice through collaboration with others. Students on this course may be performers with good physical and vocal skills, for example, wishing to extend their ability to create new work through contact with puppetry and object theatre, writers and directors. Or a student may be a dramaturg, wishing to develop academic knowledge with others in the rehearsal room; or a designer with experience in
lighting, sound, scenography, or visual media for performance wishing to work with colleagues in non-hierarchical situations.

Participants may bring knowledge and experience from other academic disciplines, such as science and mathematics, film and animation, anthropology, choreography, or composition, which they are keen to develop in an experimental theatre-making environment, through improvisation and play. While practical and research interests arise from particular disciplines, engagement with this course will be as a participant in an innovative collaborative laboratory for practical experiment.

ASSESSMENT

Practice is assessed throughout the first three terms through continuous assessment of contribution to the rehearsal/development process
combined with essays reflecting on this work in the broader context of contemporary theatre practice. Peer assessment also forms a part of the assessment process. The course will prepare students for the sustained independent project, where they will take a performance work that they have made with colleagues to a documented encounter with a public audience during the summer.

Read less
Central graduates have become successful producers, among them Sir Cameron Mackintosh, a name synonymous with Britain’s global pre-eminence in musical theatre, and David Jubb, whose pioneering work at Battersea Arts Centre characterises the vibrancy and originality of London’s contemporary Fringe, or ‘off West End’ scene. Read more

ABOUT MA/MFA CREATIVE PRODUCING

Central graduates have become successful producers, among them Sir Cameron Mackintosh, a name synonymous with Britain’s global pre-eminence in musical theatre, and David Jubb, whose pioneering work at Battersea Arts Centre characterises the vibrancy and originality of London’s contemporary Fringe, or ‘off West End’ scene. The entrepreneurially skilled and culturally literate producer works in dialogue with artists to create performances and festivals, run venues and companies, manage projects, raise funds and investment and negotiate commissions. These skills are in ever increasing demand in a competitive production environment.

Students will undertake masterclasses in producing with key industry leaders and innovators and take an active role in the organisation of real world events, productions and projects, underpinned by a solid critical understanding of the cultural industries and creative producing, relevant theory and current research in the performance field. While learning, students will also gain a career head start by building a vital network of industry and peer contacts.

PROJECTS

Students on the MA and the MFA engage with the same core subject matter. In the first year of the MFA, students will join MA colleagues for most of the year, undertaking professional creative producing projects in areas such as:

> festival curation and organisation
> publicity, fundraising and the use of social media
> conference and celebratory event management
> theatre production and tour management
> producing community performance
> audience development.

ASSESSMENT

This is through formats used in the relevant industries and in academia, e.g. individual and group pitches to industry panels, business plans, online presentations, conference presentations, productions, case studies, reflective essays, reports,
reviews and written submissions, and a personal portfolio or dissertation.

Read less
Central has a long-standing and well-recognised place for the dissemination of our actor movement disciplines within the British theatre scene. Read more
[[ABOUT MA Movement: Directing and Teaching ]]
Central has a long-standing and well-recognised place for the dissemination of our actor movement disciplines within the British theatre scene. This pioneering course is the first of its kind in Europe and is aimed at performance and movement practitioners interested in movement teaching and movement directing of the actor.

Students may be actors or dancers who want to diversify their skills and knowledge, people who work with actors (a dance or Movement teacher, or a theatre director with a movement history), or practitioners (from an allied field of sport/holistic practice), who want to enhance their understanding of various practical/theoretical interfaces regarding movement in contemporary performance.

The course offers specialist, vocational teaching in the field of movement for actors, production practice for movement directors and bespoke movement placements at Central and in other professional theatre settings, such as other conservatoires or theatre, opera, or film organisations (both in Britain and internationally).

Students are given the opportunity to develop their own practice as movement specialists according to their interests in this emergent and innovative field, and will undertake potentially ground-breaking research into movement. They will be taught by
tutors who are current professional practitioners in their field of movement pedagogy, movement direction and movement research.

ASSESSMENT

This is through a range of methods, including work on practical projects, written assignments and teaching practice placements. In the last term students work independently to complete their specialist enquiry, arising from work undertaken during the course.

Read less
MA/MFA Performance Practice as Research is a taught course for performance innovators who wish to investigate and interrogate the concepts and practices within contemporary performance. Read more

ABOUT MA PERFORMANCE PRACTICES AND RESEARCH

MA/MFA Performance Practice as Research is a taught course for performance innovators who wish to investigate and interrogate the concepts and practices within contemporary performance.

Designed for the ‘auteur’, the course provides a laboratory for study and experimentation in the area of contemporary performance, mobilising both practical and conceptual work. Whether students are directors, choreographers, performers, visual artists, composers or designers, they will all be invited to engage with new forms and apply established techniques in innovative ways. The production and making of performance is seen not only as an opportunity to experiment, but also as a process through which academic research might be undertaken.

Students are part of a thriving community of postgraduate scholars and practitioners working within a school-wide framework for research and experimentation. They will be invited to interrogate, test and apply the most recent thinking and practices
within their particular fields, and be encouraged to explore, experiment and innovate by developing their own contemporary performance practice(s), while conducting research into performance and pushing the boundaries within their chosen field.
Throughout, emphasis will be placed on a reciprocal relationship between theory and practice, where one always feeds into and enlivens the other.

ASSESSMENT

This is through presentations, performances, process-work and written submissions, as well as a personal documentation project or dissertation.

Read less
Some of the major innovations in performance practices over the past hundred years have been drawn from scenographic developments. Read more

ABOUT MA SCENOGRAPHY

Some of the major innovations in performance practices over the past hundred years have been drawn from scenographic developments. This MA/MFA approaches scenography from multiple practical and theoretical perspectives to create new opportunities for performance design experimentation and authorship.

This is a dynamic course for highly motivated artists and practitioners looking to extend their practice and for those wishing to develop design-led processes for and within performance. Students will engage with scenography through immersion in the process of relating bodies with space, sound, light and objects.

Students will discover, discuss and engage with past and present approaches to performance design informed by a variety of disciplines, for example, video, puppetry, architecture, choreography, sound and scientific enquiry. Existing skills and practice will
be challenged, extended and refined as students investigate speculatively the creative use/misuse of tools and media. Concerned with the body, movement, spatiality and temporality, the course includes a particular attention to, and interrogation
of, the scenographer’s subjective and physical approach to design processes.

There is a mix of collaborative and independent work, exploring the interplay of conceptual and practical thinking. This includes undertaking experimental and laboratory-based case studies, as well as studying the histories and theories of perception, representation and aesthetics within historical and philosophical frameworks.

Drawing on the expertise of current staff and visiting fellow researchers and practitioners, students explore a range of methods in the design studio/rehearsal room and the lecture theatre and have the opportunity to present their work through performance and exhibition. Students work within Central’s existing studio system alongside other courses and, through negotiated learning agreements, in professional contexts.

ASSESSMENT

This is by practical conceptions and realisations, written assignments and research presentations.

Read less
Voice Studies courses at Central are nationally and internationally renowned, giving a specialised education in the study and practice of the spoken voice. Read more

ABOUT MA/MFA VOICE STUDIES

Voice Studies courses at Central are nationally and internationally renowned, giving a specialised education in the study and practice of the spoken voice. They have a close relationship with the celebrated International Centre for Voice, based at Central.

These courses are for graduates of appropriate disciplines who wish to follow a career in voice teaching and who seek specialised study and practice in voice and speech. They are particularly likely to appeal to professionals who already have an interest in, and knowledge
of, the voice and for applying it to the fields of performance practice, performance training or other related pedagogies, for example actors, directors, drama teachers, trained singers and speech therapists.

The MFA offers a further embedding of skills and concepts learnt during its second year. In some countries, the MFA is more recognised, particularly for those interested in teaching, or research in a higher education environment.

INDUSTRY LINKS / COLLABORATIONS

Workshops are provided with leading British, American, Swiss and New Zealand based voice practitioners, including Kristin Linklater, Catherine Fitzmaurice, Meribeth Bunch Dayme, Frankie Armstrong, Annie Ruth, and Jacob Lieberman.

For students studying the MFA Voice Studies, Central are delighted to announce our association with the University of Cincinnati, CCM Drama programmes under Professor Rocco Dal Vera and with the University of Minnesota’s Guthrie Theatre BFA Actor training programme, under D’Arcy Smith. Both of these influential and highly respected performance training organisations have offered on-going opportunities for Central students to engage with them during their second year MFA attachments in voice.

ASSESSMENT

During the first three terms of both courses, assessment is through written work, practical projects and teaching practice. In the fourth term of the MA, students complete a dissertation or portfolio focusing on their specialist area of enquiry arising from the work of the course. In the MFA second year, assessment is by means of documents based on field experience and related research.

Read less
The MA and MFA Writing for Stage and Broadcast Media offers students vocational training in writing drama across a range of different media contexts. Read more

ABOUT THE MA/MFA WRITING FOR STAGE AND BROADCAST MEDIA

The MA and MFA Writing for Stage and Broadcast Media offers students vocational training in writing drama across a range of different media contexts. Although the primary focus is on writing for television, film, theatre and radio, Central also runs
optional units in writing for new music theatre and, in collaboration with MA Applied Theatre, writing with and for communities. The course provides the opportunity for students to develop the core competencies and skills of the dramatist to explore their own ‘voice’ and develop their confidence as dramatists, and to appreciate the specific media contexts within which professional writers work.

Key features are: practice-based enquiry into techniques and processes for writing for stage and screen; a series of writing projects to engage with different styles and formats of production; associated study of writing techniques and issues of
performance in relation to theatre, cinema, television and other relevant contexts.The MA and MFA are taught in group sessions and through individual tutorials. During these sessions participants will consider the fundamentals of dramatic writing. Indicatively, these will include structure, narrative, dramatic action, genre, character, dialogue and rhetorical effect.

Students will study different approaches to writing including individual authorship, group writing and writing to specific briefs. Students will attend masterclasses, seminars and workshops that focus on particular modes of writing for different production contexts, and will be part of a writers’ group, providing peer support in developing their writing. Their vocational work is complemented by individual research and appropriate theoretical discussion and enquiry. Students will address historical, theoretical and critical contexts within which traditions of dramatic writing have evolved.

Students will engage in a range of projects that test and develop their skills as a writer of drama. Indicatively, these will include forming a team of writers to evolve a television series, writing a short play script for a staged reading, writing a short
film script, writing a radio play and developing and writing a complete dramatic script for production in a particular medium (stage, radio, television, music theatre, or film).

ASSESSMENT

This is through peer assessment, practical assignments, essays, scheme of research, presentations, and the submission of a practitioner portfolio, including personal insights, research, the student’s own scripted material and a plan for professional
development.

Read less

  • 1
Show 10 15 30 per page


Share this page:

Cookie Policy    X