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Creative Arts & Design×

University of Roehampton, Full Time MA Degrees in Creative Arts & Design

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This MA Creative Writing (specialist pathway) provides an intensive opportunity for you to focus on a single writing form. Fiction, Fiction for Young Readers or Poetry. Read more

Summary

This MA Creative Writing (specialist pathway) provides an intensive opportunity for you to focus on a single writing form: Fiction, Fiction for Young Readers or Poetry.

This programme is designed for ambitious, committed writers who are developing their independent writing practice. Taught by published, working writers including acclaimed poets, novelists, journalists and screenwriters, this programme provides you with the opportunity to focus on your passion, whether that’s Fiction, Poetry or Fiction for Young Readers.

Every module on this course has a strong focus on the writing industry, which means that it will prepare you for working in this competitive sector or for further academic study. Topics include the specifics of manuscript preparation; editing and redrafting; getting published and performance opportunities. Our strong links with the writing industry give you the chance to attend events and seminars with agents, editors and publishers from across the field of writing. These provide opportunities to network and get your work in front of the people who matter in the literary world.

The department has thriving partnerships with Wimbledon Bookfest, Barnes Children’s Literature Festival, and local schools, giving you the chance to volunteer or undertake paid work experience during your time at Roehampton. Our in-house publishing imprint, Fincham Press, means you could see your work published or be involved in publishing other people’s work.

You’ll be part of a department that combines tradition and innovation, excellent teaching and world-class research - 80% of our research publications are ranked as “world-leading” or “internationally excellent” for their impact. Plus, we are home to the National Centre for Research in Children’s Literature, which is regarded as the premier institution for children’s literature research in the UK. We also house the Roehampton Poetry Centre, which places the department at the forefront of the UK poetry scene.

The department also offers an MA in Creative Writing, which is suitable for individuals who wish to try two different forms of writing before specialising in one for the dissertation.

Content

Fiction pathway

This pathway is ideal for people who are committed to producing fiction of the highest professional calibre. You will examine two primary forms: the short story and the novel to produce a portfolio of fiction. The emphasis is on craft, technique and practical guidance, and you will engage with a variety of storytelling tools and models. You will learn how to make your writing practice more effective, how to break bad habits and how to professionally assess your work in progress.

Fiction for Young Readers pathway

On the Fiction for Young Readers pathway, you will focus on the practice and theory of writing fiction for children. You will read a wide range of theoretical texts exploring definitions and concepts of children’s literature concerning picture-books, fiction for young readers (6-12 years old) and texts for Young Adults (YAs), enabling you to contextualise your own creative practice.

Poetry pathway

On the Poetry pathway, you will explore the contemporary context of poetry and poetics, with a special focus on writing formally innovative work. You will have the opportunity to engage with topics including poetry as process; the materiality of language; literary affiliations and schools of poetry; intertextuality and found text; the contemporary long poem; non-narrative poetry.

The compulsory module, Creative Contexts, introduces you to theoretical and research-based issues faced by creative writers, investigates “critical” writing as a form in its own right, and provides guidance on study skills.

Your seminars, workshops and tutorials will be complemented by guest lectures from industry specialists and off-site visits. Recent guest lectures have been given by Hellie Ogden at Literary Agency Janklow and Nesbitt, and trips have been organised to Tate Modern, the London Bookfair and Apiary Studios. Each pathway will prepare you for writing your extended portfolio and self-critical analysis, which you will undertake during the final section of the programme year.

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Attain the knowledge and tools to open a window into dance in any period and in any part of the world. Explore the place of dance in society from the perspectives of those involved as dancers, dance makers, teachers and/or audience members. Read more

Summary

Attain the knowledge and tools to open a window into dance in any period and in any part of the world.

Explore the place of dance in society from the perspectives of those involved as dancers, dance makers, teachers and/or audience members. By studying these perspectives, you will learn how different people around the world understand dance and how dance influences their value-systems.

MA Dance Anthropology investigates dance from a non-Eurocentric perspective, placing the practices and values of the dancers into socio-cultural and comparative understanding. At the heart of the programme, is a focus upon ethnographic approach in dance to experience first-hand different cultural approaches to dance practice. You will interpret your findings from the field in light of contemporary debates in dance anthropology.

It will interest you if you wish to study non-Western, folk, social, or ritual dance practices, but the approach can be applied to ballet or Western theatre dance, too. This course provides a way to contextualise dance practice and deepen your understanding of dance and specific practices that helps define our humanity.

The Department is home to the internationally-recognised Centre for Dance Research, which foregrounds the research of dance as cultural and artistic expression beyond, and including, theatre performance. Through seminars, forums and conferences involving staff and international invited guests, the centre supports a compelling research culture.

We also have excellent links with dance companies and creative organisations. In easy reach of London’s vibrant dance scene, the campus has superb studios and a state-of-the-art theatre for dance students.

Content

The learning and teaching methods on the MA Dance Anthropology programme are designed to provide a range of opportunities for students to be introduced to new ideas and topics, to enhance understanding and to hone critical thinking and research skills.
You will take the compulsory research methods module Ways of Knowing and one compulsory programme core module and there is flexibility built into the programme to modules that suit your interests.

In Ways of Knowing, a module shared with students of all dance postgraduate taught programmes, you will be introduced to research methods, including ethnography, dance analysis, and practice-as-research.

In Anthropology of Dance, you will be introduced to the multifaceted history of the anthropology of dance and making you experience what ethnographic fieldwork is all about.
Dissertation is an individually tutored module that allows you to delve deeply into a research project that reflects your interests and experience in dance.

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Choreomundus is an Erasmus Mundus programme that investigates dance and other movement systems (ritual practices, martial arts, games and physical theatre) as intangible cultural heritage. Read more

Summary

Choreomundus is an Erasmus Mundus programme that investigates dance and other movement systems (ritual practices, martial arts, games and physical theatre) as intangible cultural heritage.

It is offered by a consortium of four universities (in Norway, France, Hungary and the UK) recognised for their leadership in the development of innovative curricula for the analysis of dance. The Choreomundus programme will help you make sense of intangible heritage within the post-colonial culturally diverse world of the 21st century. The programme will help you develop an appreciation of dance that is comparative, cross-cultural, applied and embodied.

The universities that participate in this programme are Norwegian University of Science and Technology, Trondheim (NTNU) as the coordinating institution Plaise Pascal University (UBP), Clermont-Ferrand, France, Scientific University of Szeged, Hungary (SZTE), University of Roehampton, London, UK (URL), in connection with their groundbreaking Masters in ethnochoreology/dance anthropology, led respectively by Professors Egil Bakka, Georgiana Wierre-Gore, László Felföldi, and Andrée Grau.

The Department is home to the internationally-recognised Centre for Dance Research, which foregrounds the research of dance as cultural and artistic expression beyond, and including, theatre performance. Through seminars, forums and conferences involving staff and international invited guests, the centre supports a compelling research culture.

We also have excellent links with dance companies and creative organisations. In easy reach of London’s vibrant dance scene, the campus has superb studios and a state-of-the-art theatre for dance students.

Content

In the first semester all students start in Norway for an induction and an intensive course. For the rest of the first academic year, they are divided between NTNU Trondheim and UBP Clermont-Ferrand, and then spend their third semester in Hungary, and the fourth and final semester at the University of Roehampton. Students who successfully complete the programme will be awarded a joint Masters degree from all four universities.

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This course is designed for people who have prior dance experience and professonional or volunteering experience with people in need, and would like to practise as a dance movement psychotherapist. Read more

Summary

This course is designed for people who have prior dance experience and professonional or volunteering experience with people in need, and would like to practise as a dance movement psychotherapist.

Dance movement psychotherapy is a relational process in which a client and therapist engage in an empathetic creative process using body movement and dance to assist the integration of emotional, cognitive, physical, social and spiritual aspects of self. We believe that focusing on the creative potential of individuals in a relationship creates a sound ethical basis for psychotherapeutic work.

You will be taught by leading experts who will equip you with the skills, experience, and confidence to work as a dance movement psychotherapist. All graduating students are eligible to apply for registration with the Association for Dance Movement Psychotherapy (ADMP UK). Graduates often create their own positions; facilitating dance movement psychotherapy sessions within settings including: social services; special needs; schools; psychiatry; probationary and rehabilitation units; forensic psychiatry.

The course offers opportunities for you to explore and expand movement preferences, ways of interacting with others, belief systems, prejudices and values. Emphasis is placed on development of your own style as a dance movement psychotherapist. You also have the opportunity to perform and exhibit your ongoing work in a yearly Arts Therapies exhibition.

The MA in DMP benefits from cutting edge research conducted through the Centre for Arts Therapies Research (CATR) and this feeds directly into teaching. The programme ethos emphasises a critical consideration of different descriptions and explanations of bodies, human systems and therapeutic practices in different places and times. In the context of an individual student's experiences, beliefs, values and different 'cultures', our teaching actively promotes a participatory ethic, self-reflexive practices and the ability for critical reflection on: creative processes, intersubjectivity and the construction of social and power differentials, in learning and in psychotherapy.

Content

The uniquely interdisciplinary MA course in Dance Movement Psychotherapy integrates theoretical, experiential and clinical learning, preparing students to practice as dance movement psychotherapists. Cutting edge research cascades into teaching emphasising the social, biological and psychological construction of the moving body and meaning-making. Students are encouraged to develop a self-reflexive practice and the ability for critical reflection on creative processes.

Key areas of study include Contemporary DMP and psychotherapeutic theories, Feminist embodied reflexivity, clinical placement and supervision (for one-two days a week), dance movement improvisation skills and interventions, embodied performance practice, experiential anatomy for clinical practice, human development, movement and growth, Laban Movement Analysis and video observation.

Embodied practice and working with attention to the art of dance is placed at the centre of the programme. Drawing from Feminist, Psychoanalytical, Phenomenological and Systemic frameworks, the training emphasises the creative role of curiosity and a 'not knowing' position, a respect for difference, and appreciation of the effects that mutual influences have in all relationships.

We also offer introductory courses which provide a useful background in related professions. For more information on our Introduction Courses, Summer Schools and Foundation Courses, see our Psychology Short Courses.

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Become a qualified dramatherapist with this unique programme at Roehampton. It offers a practical and clinical approach, underpinned by Ritual Theatre theory, for working with others to impact healing and a positive change through drama. Read more

Summary

Become a qualified dramatherapist with this unique programme at Roehampton. It offers a practical and clinical approach, underpinned by Ritual Theatre theory, for working with others to impact healing and a positive change through drama.

The MA Dramatherapy programme at Roehampton offers unique training within the Ritual Theatre process of dramatherapy. Drawing heavily on the theatrical observations of Peter Brook and the experiments of Jerzy Grotowski, as well as anthropological notions of “rites of passage” and the importance of “myth”, the programmes offers a clearly structured developmental process for the clinical application of dramatherapy at various levels.

On this course, you will learn to facilitate an in-depth therapeutic process for a range of client groups, and devise therapeutic performances and workshops. You will also undertake an original piece of research into dramatherapy practice. The course is approved by the Health and Care Professions Council (HCPC) and leads to a nationally-recognised professional qualification.

The programme consists of three stages, which offers a clearly structured developmental process for the clinical application of dramatherapy. In Stage One, you will be introduced to basic theatre skills and use these creatively to work with established stories and characters. This progresses into an exploration of the personal identifications that we have with stories and myths, and an understanding of the deep foundations within many cultural traditions of using ritual, drama and performance for the enhancement of health. In Stage Two, the focus moves on to employing drama and theatre processes as vehicles for exploring our own inter-personal and internal ‘dramas’.

Stage Three is where you will conduct your own piece of practical investigation or research into the literature and theory-base of dramatherapy practice. The Dramatherapy programme will provide you with a broad range of skills enabling you to pursue your own research interests across a wide spectrum of dramatherapy practice and theory.

Content

You will study a range of topics including how to crafting therapeutic drama stories, understanding the individual and group process, Ritual Theatre, working with myths, paratheatrical explorations and the art of structure when working in dramatherapy.

Our research areas include individual dramatherapy in schizophrenia; perception and evaluation of therapeutic outcomes from therapist and client perspectives; the role of race, culture and gender; dramatherapy and “mentalisation” with borderline personality disorder and complex trauma; therapeutic scenarios and resistance; creativity and destructiveness; the dramatherapist; and the multidisciplinary team.

Alongside the experiential focus of the training, the programme also aims to develop the necessary understanding and reflective capacity required to practice as a professional dramatherapist. This is achieved through workshops, lecture series and clinical application seminars, as well as through assessed clinical placements.

We also offer introductory courses which provide a useful background to those working in related professions or anyone simply wishing to find out more about the work. For information on our Introduction Courses, Summer Schools and Foundation Course in Dramatherapy, see the Psychology Short Courses.

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Become a qualified music therapist to facilitate people’s move towards well-being through specific therapeutic aims using a primarily non-verbal relationship in music. Read more

Summary

Become a qualified music therapist to facilitate people’s move towards well-being through specific therapeutic aims using a primarily non-verbal relationship in music. Music Therapy as practised in Great Britain is largely based on improvisation, the music being the shared, and the spontaneous creation of client and therapist.

The Music Therapy programme offers training for competent, practising musicians to become therapists, bringing together their skills, education and other life experiences. On completion of the training, graduates are eligible to apply to the HCPC for registration, with the ability and flexibility to practice within the NHS, Social Services, education or private sector.

Essential to music therapy is the relationship between client and therapist. At Roehampton we have chosen to base our Music Therapy training programme on the use of psychoanalytic ideas to inform our understanding of the therapy process and the ways the client works with the environment, the therapist and the music. Broader theories and ways of working are also studied in order to equip students to meet a range of clinical need. Other styles of music, including song writing, the use of technology and pre-composed music are also used as appropriate to the need of the individual.

The course emphasises your emotional development as a practitioner, together with clinical exploration through critical enquiry. In addition to this, students must be prepared to enter mandatory individual personal therapy for one year of the training.

Music Therapists work within a wide range of clinical settings, individual and group work. They work with people of all ages; from infants and young children through to elderly adults. Music therapy can benefit people with a wide range of difficulties or challenges, including mental health problems, learning disabilities and autism, dementia and neurology, as well as people experiencing serious illness such as cancer or those who have experienced trauma.

Content

The programme aims to encourage a critical and evaluative approach to both theory and practice in music therapy. It is designed to prepare students for work with children and adults with a range of disabilities and illnesses, and placements usually include work with children and adults with learning disabilities, autism and Asperger’s syndrome and mental health problems.

After visits to a variety of workplaces which offer music therapy, you will undertake individual and group work in two contrasting settings over six months, January to June (first placement) and September to February/March (second placement).These clinical placements will provide you with music therapy work experience alongside qualified Music Therapists. You will also participate in an experiential group, which gives you an opportunity to develop your own self-awareness and examine personal and group dynamics through verbal and musical processes. In addition, it is a requirement for you to find and fund personal individual therapy outside the course.

Key areas of study include human development and growth and the clinical context for music therapy, clinical improvisation, observational studies, music therapy theory, clinical case work and supervision, introduction to research and your dissertation. Personal development and reflection on this is central throughout the programme.

We also offer introductory courses that provide a useful background to those working in related professions or anyone simply wishing to find out more about the work. No particular level of musical competence is required.

For detailed information about Roehampton's MA Music Therapy, please download and read the information pack by clicking on the 'specific entry requirements' link on the course page.

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Study film and screen cultures while immersing yourself in the creative culture of London at film festivals, studios, galleries and pop-up cinemas. Read more

Summary

Study film and screen cultures while immersing yourself in the creative culture of London at film festivals, studios, galleries and pop-up cinemas. Our MA combines the study of mainstream and experimental film, contemporary television and the video-essay form, and includes the option to produce either a written or audio-visual dissertation.

This cutting-edge MA offers the opportunity for advanced studies in television and new media. Taught by leading figures in the field, the course allows you to engage with the most up-to-date research and to explore new approaches to audio-visual scholarship.

The programme includes first-hand engagement with cultural institutions across the city. Building on our links with festivals, studios, cinemas and galleries, this MA is not only about studying film theory but also about immersing yourself in the wealth of screen-related events and institutions the capital has to offer. In recent years, our students have been on trips to the London Film Festival, the British Film Institute, the Scalarama Cult Film Festival, the British Artists' Film & Video Study Collection, and the Tate Modern.

As a student you will also become a member of the Centre for Research in Film and Audiovisual Cultures (CRFAC) which means you will be able to engage with new and emerging research by attending a range of guest talks, conferences, media masterclasses and research seminars led by industry professionals. In recent years students have attended an exclusive preview of comedian and producer Omid Djalili’s film We Are Many, and gained advice on how to be a success in the filmmaking industry from BBC producer and director Jonathan Taylor, and the producer of Woody Allen’s Vicky Cristina Barcelona, Gareth Wiley.

Our alumni go on to have successful careers in film and media. Here is what a few are doing after studying Film at Roehampton.
•Dominic Buchanan (Producer, including Gimme the Loot and Lilting)
•Lyle Lindgren (Director, including a commercial shoot for Breaking Bad)
•Shane O'Sullivan (owns distribution company, E2 Films)
•Christina Mankellow (film editor at Market Me)
•Simon Brand (channel co-ordinator at ABS Broadcast)

Content

You’ll develop your independent critical thinking by engaging in the programme’s four main areas:

•Screen Cultures of London
In a series of visits to festivals, studios, cinemas and galleries, you will gain first hand engagement with cultural institutions across London.

•Cult and Quality Television
You will interrogate the dynamic role of television within the shifting media landscape, focusing on contemporary US television drama.

•Essay Films and Video Essays
You will combine history, theory and practice, be introduced to the Essay Film form and be equipped with the necessary skills to make your own video essays.

•Transnational Cinemas from the Multiplex to the Web
You will undertake an in-depth examination of contemporary cinema through a global lens, taking in a variety of international films from big budget spectacles through to online films and mash-ups.

You will also choose between an academic dissertation and an audio-visual dissertation. The academic dissertation gives you the opportunity to deepen your research skills and knowledge about a topic of particular interest to you. The audio-visual dissertation will provide the opportunity to undertake an innovative combination of theory and practice through the production of an extended audio-visual essay alongside a written critical reflection.

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This MA in Creative Writing degree is designed for ambitious, committed writers who are developing their independent writing practice. Read more

Summary

This MA in Creative Writing degree is designed for ambitious, committed writers who are developing their independent writing practice. You'll be supported throughout your postgraduate studies by academic staff engaged in world-leading research.

Taught by published, working writers including acclaimed poets, novelists, journalists and screenwriters, this programme will focus on four main forms of writing: Fiction, Creative Nonfiction, Poetry and Fiction for Young Readers.

You will be supported to develop your personal writing style, learn how to make your writing more effective, how to break bad habits and how to professionally assess your work. You will graduate with the skills needed for professional practice in the creative writing industry, and with an understanding of the professional context in which those skills are marketed.

Every module on our MA Creative Writing degree has a strong focus on the writing industry, which means that it will prepare you for working in this competitive sector or for further academic study. Topics include the specifics of manuscript preparation; editing and redrafting; getting published and performance opportunities.

The department has thriving partnerships with Wimbledon Bookfest, Barnes Children’s Literature Festival, as well as with local schools, providing you with the chance to volunteer or undertake paid work experience during your time at Roehampton. Our in-house publishing imprint, Fincham Press, means you could see your work published or be involved in publishing other people’s work.

You’ll be part of a department that combines tradition and innovation, excellent teaching and world-class research - 80% of our research publications are ranked as “world-leading” or “internationally excellent” for their impact. Plus, we are home to the National Centre for Research in Children’s Literature, which is regarded as the premier institution for children’s literature research in the UK. We also house the Roehampton Poetry Centre, which places the department at the forefront of the UK poetry scene.

The department also offers this MA Creative Writing programme with a specialist pathway, allowing you to specialise in one of the following: Fiction, Creative Nonfiction, Poetry or Fiction for Young Readers.

Content

This MA focuses on four main forms of writing: Fiction, Creative Nonfiction, Poetry or Fiction for Young Readers.

In Fiction, you will explore two primary forms: the short story and the novel. Emphasis will be placed on structure and craft, and you will have the opportunity to engage with a variety of storytelling tools and models.

In Creative Nonfiction, you will consider a wide range of nonfiction forms including travel writing, biography, memoir, the personal essay and the more ambitious narrative forms of journalism such as reportage. You will develop an understanding of story structure, writing craft and a sense of audience, and become familiar with the professional criteria and standards.

In Poetry, you will have the opportunity to explore the contemporary context of poetry and poetics, with a special focus on writing formally innovative work. You will question assumptions about language and the function of poetry and engage with diverse topics, including poetry as process; the materiality of language; literary affiliations and schools of poetry; intertextuality and found text; the contemporary long poem and non-narrative poetry.

In Fiction for Young Readers, you will explore a wide range of theoretical texts exploring definitions and concepts of children’s literature, from picture-books, fiction for young readers (6-12 years old) to texts for Young Adults (YAs), enabling you to contextualise and extend your own creative practice.

The compulsory module, Creative Contexts, introduces you to theoretical and research-based issues faced by creative writers, investigates “critical” writing as a form in its own right, and provides guidance on study skills.

Your seminars, workshops and tutorials will be complemented by guest lectures from industry specialists and off-site visits. Recent guest lectures have been given by Hellie Ogden at Literary Agency Janklow and Nesbitt, and trips have been organised to Tate Modern, the London Bookfair and Apiary Studios.

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This new postgraduate programme is the only one in the UK to investigate the interconnections between philosophy, history and dance. Read more

Summary

This new postgraduate programme is the only one in the UK to investigate the interconnections between philosophy, history and dance.

Recognising the renewed interest in historical and philosophical enquiry by current dance scholarship and practice, this programme helps emerging and experienced dance practitioners and scholars locate their work effectively within philosophical and historical approaches for the advanced study of dance.

Our programme offers an in-depth, critical exploration of concepts, assumptions and theories underlying dance practice. You will gain an in-depth understanding of dance in the context of philosophy and history and you will learn to debate with critical insight issues of concern within dance and movement analysis. You will also develop your critical thinking on dance practices and issues from philosophical and historical perspectives. The programme incorporates Anglo-American Analytic as well as Continental schools of Philosophy; and Realist-Empiricist as well as Poststructuralist approaches to History.

The Department is home to the internationally-recognised Centre for Dance Research, which foregrounds the research of dance as cultural and artistic expression beyond, and including, theatre performance. Through seminars, forums and conferences involving staff and international invited guests, the Centre supports a compelling research culture.

We also have excellent links with dance companies and creative organisations. In easy reach of London’s vibrant dance scene, the campus has superb studios and a state-of-the-art theatre for dance students.

Content

In this programme, you will take a compulsory research methods module, the programme core module Philosophy and History of Dance and your Dissertation module. Flexibility is built into the programme, so you can also choose some of your modules to suit your interests and needs.

In the module Ways of Knowing, which is shared by all dance postgraduate taught programmes, you will be introduced to research methods including ethnography, analysis, and practice-as-research.

The module Philosophy and History of Dance explores different methodological approaches, with a particular emphasis on the nature and value of historical and philosophical enquiry in dance.

The module Dissertation is an individually tutored module that allows you to delve deeply into a research project that reflects your interests and experience in dance.

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In this new programme, you will explore the relationships between dance and society. You will be encouraged to challenge your thinking about dance within a framework of conceptual, political and social ideas throughout dance history. Read more

Summary

In this new programme, you will explore the relationships between dance and society.

You will be encouraged to challenge your thinking about dance within a framework of conceptual, political and social ideas throughout dance history. Engaging in rich discussions with an international dance community, you will examine dance, dancers and dancing through sociological and political lenses. You will be introduced to a range of concerns about dance, dancing and performance: from the body in society, to issues of representation, and relations of power.

You will have the opportunity to collaborate with experts in the field of dance in our supportive teaching community and with students from all over the world. Our holistic teaching approach will help you gain a strong foundation in understanding of the political and sociological implications for how dance functions in society. You will also gain in-depth knowledge of dance and the dancer as a social and political construct. This programme also provides you with an opportunity to reflect upon your experiences and develop creative ideas to gain a critical perspective in practice and theory.

The Department is home to the internationally-recognised Centre for Dance Research, which foregrounds the research of dance as cultural and artistic expression beyond, and including, theatre performance. Through seminars, forums and conferences involving staff and international invited guests, the centre supports a compelling research culture.

We also have excellent links with dance companies and creative organisations. In easy reach of London’s vibrant dance scene, the campus has superb studios and a state-of-the-art theatre for dance students.

Content

In this programme, you will take a compulsory research methods module, the programme core module of Politics Sociology and Dance and your Dissertation module. Flexibility is built into the programme, so you can also choose some of your modules to suit your interests and needs.

In the module Ways of Knowing, which is shared by all dance postgraduate taught programmes, you will be introduced to research methods including ethnography, analysis, and practice-as-research.

The module Politics and Sociology and Dance encompasses theoretical perspectives that engage with hegemonic and resistive issues relating to dance as a social and economic practice.

The module Dissertation is an individually tutored module that allows you to delve deeply into a research project that reflects your interests and experience in dance.

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Taking the wealth and diversity of London’s unique artistic culture as its prime focus, this unique programme opens up a variety of pathways to students looking to focus their interests in the broad field of theatre and performance. Read more

Summary

Taking the wealth and diversity of London’s unique artistic culture as its prime focus, this unique programme opens up a variety of pathways to students looking to focus their interests in the broad field of theatre and performance. Shaped around a series of thematic investigations of the city’s unparalleled theatrical and cultural resources, you will be able to pursue a range of projects matched to your professional aspirations.

The programme engages with three basic approaches to study: viewing, making and writing, with students given the freedom to interpret key assessment tasks in line with their developing research and professional interests.

This is a flexible MA with full-time and part-time attendance options and which provides a sound practical and theoretical basis from which to move on to professional practice and training or further study at MPhil/PhD level.

You will join a welcoming and diverse postgraduate community in a well-established UK department of drama, theatre and performance which offers a range of opportunities to work on staff and student-led projects in addition to your own studies.

Content

'Viewing' is at the heart of the programme, with regular collective attendance at a curated programme of events in London, during the Autumn and Spring terms, selected by the tutor team and provided without charge to students. Making connections between these events, you will explore a range of themes, genres and contexts that shape the performing arts in the city. This experience is supported by a programme of guided reading and discussion-based seminar sessions.

'Making' and 'Writing' are the strands of the programme where you develop your own responses to these themed investigations, which act as the springboard for your own projects. You will have the freedom to choose from a variety of formats for your assessed work, which might include live performance, theatre criticism, photographic, video or sound-based work. You can choose to explore a variety of formats and approaches or focus your work on a particular type of practice. In the first term, you will be introduced to a range of creative and analytical research methods that are designed to support the development of your own interests, leading on to a proposal for a major project that you undertake during the second half of the year. 'Writing' offers a pathway for students to explore forms of textual practice, including writing for performance, theatre criticism, performative writing, dramaturgical research and response. This approach also offers the possibility of developing new kinds of conversations between audiences, artists, producers and other constituencies in the performance cultures of the city.

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