Want to further your career in language teaching? Learn the latest linguistics theories and apply them to your classroom practice. Gain critical and analytical skills that will boost your career prospects. Choose to study by distance learning or in Cambridge, a city famous for language teaching.
If you’re involved with any aspect of foreign language teaching, this course will further your theoretical understanding of language learning and give you a chance to develop your teaching skills.
You’ll gain a firm grounding in the current theories and methodologies of foreign language teaching and learning, and second language acquisition, and have the chance to apply these to your own classroom practice and curriculum development.
You’ll learn the basics of conducting research, and improve the critical and analytical skills in demand from employers. Our modules will also allow you to investigate other issues of language, like migration or identity.
Outside of the course, you’ll have the chance to attend, and take part in, our research seminars and conferences, like the Identities in Language conference, or the British Association for Applied Linguistics conference 2016.
Course duration: 13 months full-time, 2 years part-time (September starts); 18 months full-time, 28 months part-time (January starts)
Our past students enjoy careers in many language-learning and teaching-related professions, such as teaching English and other languages (in the UK and abroad), and developing courses, tests, materials or language policy.
Second Language Acquistion
Discourse in Society
Research Methods in Applied Linguistics
Materials and Course Design
Classroom Theory and Practice
Impacts of Migration
Language, Identity and Policy
You’ll show your understanding of theoretical issues and their practical application through a combination of portfolios, classroom observation tasks and critical essays. After completing your final module, you’ll also research and prepare a 15,000-word dissertation.
You can take this course on our Cambridge campus or by distance learning. On campus, all teaching takes place in the evening, making it easier for you to take up paid work during the day. With its many language schools, Cambridge is the perfect place for you to gain invaluable experience in language teaching.
Our distance learning course is provided entirely online and asynchronous, allowing you to study flexibly wherever you are.
A good children’s book stays with you for life. Study the key critical and business contexts of children’s literature and prepare for a lifelong career as a writer, teacher, publisher or scholar.
• Join the only MA Children’s Literature course in the East of England and London
• Study without disrupting your work and family life with our blended learning delivery
• Explore the global children’s literature market in depth
Our MA Children’s Literature will introduce you to the key issues in the field of children’s books, from current critical debates to changing fashions in the publishing industry.
You can explore the two major traditions in children’s literature, mimetic (realist) and the literature of the fantastic, while also gaining wider perspectives on critical theory and research methodologies.
Your studies will embrace the all-important subject of the growing children’s literature market, including its changing nature, the role of translation and the impact of adaptation.
All of your modules will be delivered through blended learning. Each will begin with a period of guided reading, with your personal studies supported by online fora, discussions, tutorials and other VLE-based resources. You will also attend one week of on-site, intensive teaching for each module. This will include lectures, seminars, workshops, student presentations and student-led discussions. For the rest of your studies, including your major project, you will continue to receive weekly tutorial support in essay writing via email or Skype.
All your studies will be supported by a teaching team comprising experts in the field of children’s literature, including Professor Eugene Giddens (co-author of Lewis Carroll’sAlice’s Adventures in Wonderland and Through the Looking-Glass: A Publishing History) and Dr Mick Gowar, who has written or edited more than 120 books for children and young people.
You will also have the chance to attend both internal and external events, such as talks by guest speakers and national conferences.
Our MA Children’s Literature is developed with working professionals in mind. If you are a teacher, librarian, publisher or scholar and want to specialise in working with children’s literature, this course will help to enhance your professional and intellectual development. There are also many other fields that require the combination of market awareness, critical / analytical understanding and research skills that you will develop.
Hone your writing and expand your opportunities for publication. Our workshops will help you to develop your self-editing and refine your work using feedback from your peers and tutors. Get advice from our team of specialist lecturers, study classic and contemporary authors, and learn about the modern publishing industry.
Course duration: 12 months full-time or up to 3 years part-time (September starts); 15 months full-time or up to 3 years part-time (January starts).
Semester 1: Monday 18:00 - 20:00 (part-time)
Semester 2: Monday or Thursday 18:00 - 20:00 depending on module choice (part-time).
If you’re a practising writer, this course will allow you to develop your craft in a supportive literary environment.
You’ll get the chance to work on your existing projects or try out something completely new, working across a range of styles and genres. Your first modules will focus on novels and short stories, while Special Topic and dissertation projects can range from drama and screenwriting to graphic novels and performance poetry*.
You’ll share your work with, and get invaluable feedback from, our experienced teaching team as well as your fellow students, giving you a unique perspective on how your work is read by different audiences.
All your writing will be supported by a close study of the most distinguished writers and works in each form. You’ll learn to reflect critically on other people’s writing, and through this discover new ways to understand and improve your own.
If you want to get published, you can get advice from our team of specialists, led by Laura Dietz, Una McCormack and Colette Paul, as well as our current Royal Literary Fund Fellows. We’ll introduce you to the writing industry through talks, masterclasses and networking opportunities with agents, publishers and established fiction writers. Our past tutors and speakers have included writers like Rebecca Stott, Toby Litt, Shelley Weiner, Martyn Waites, Julia Bell, Chris Beckett, Graham Joyce and Esther Freud.
You can choose to study this course in Cambridge (full- or part-time) or Chelmsford (part-time only).
This course will prepare you for a career as a creative writer or in related areas such as publishing and the media, but will also give you critical and analytical skills valued by many employers.
For an idea of how past students have moved from MA study to careers as published authors, read more about Kaddy Benyon, Penny Hancock and Kate Swindlehurst.
On each core module, you’ll show your progress through one or more pieces of writing. For the Patterns of Fiction module, this will be a single critical essay including samples of your own writing. For the other three modules you’ll submit one creative portfolio of up to 4,500 words, plus a critical reflection on your work and writing process.
You can also take several optional modules from our MA Publishing or MA English Literature courses.
The major project at the end of the course will allow you to present up to 15,000 words of your chosen writing project, including a critical commentary.
In addition to our Creative Writing and Publishing events series, the department organises many extra-curricular activities, like the annual three-day trip to Stratford-upon-Avon, poetry and writing evenings, and research symposia and conferences.
You’ll also be able to join the Anglia Ruskin Literary Society, which arranges trips to local plays and poetry readings, organises workshops, and hosts guest speakers and performance evenings.
As a founding member, we also host events for CAMPUS, Cambridge’s only publishing society.
Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd.
No matter what experience you have of filmmaking, our course will develop your knowledge of factual UK TV and digital media content production, and your creative skills, to an advanced level. Along the way, you’ll make seven films of different lengths and write a dissertation on a media subject that excites and interests you.
Focusing on two key roles, the director and the producer (which in current factual programming are merged into one), you’ll explore the dynamics of this ever-changing industry, and what it takes to succeed. You’ll learn to become a visual storyteller, a communicator, a collaborator, a motivator and a problem solver. You’ll also develop skills in scheduling, production managing, budgeting and marketing programmes. Although the emphasis is on factual programming, there is scope and flexibility to develop more creative films.
With specialist technical workshops on camera operation, sound, lighting and editing, you’ll develop professional skills in screen-based production. This will be supported by tutorials, diary work, and independent research, giving you a strong critical and contextual grounding for your practical work.
You’ll be encouraged to collaborate with other students on this course and others, becoming a flexible media professional who can produce and deliver high-quality video content for many different clients.
All our teaching staff have backgrounds in the film and television industries, and they're supported by industry specialists and visiting lecturers.
Sept starters: Trimester 1 - Weds & Thurs 10.00 – 17.00; Trimester 2 – Tues & Weds 10.00 – 17.00; Trimester 3 – Tuesdays 10.00 – 13.00.
Jan starters: Trimester 2 - Weds & Thurs 10.00 – 17.00; Trimester 1 – Tues & Weds 10.00 – 17.00; Trimester 2 – Tuesdays 10.00 – 13.00.
Semester 1: Thursday 10:00 - 17:00; Semester 2: Wednesday 10:00 - 17:00
Our course will prepare you for a career in TV or in the broader media, and help you to decide which areas of the industry attract you the most. Although the emphasis is on directing and producing, you might choose to move into cinematography, production management or even television programme sales once you graduate. You might also develop a particular interest in observational documentary, natural history films or science programming, and decide to follow a career in these fields.
Here at Cambridge School of Art, you’ll gain specialist skills that will be useful for traditional, experimental and creative documentary making, or films for education, training, public relations, current affairs, marketing and campaigning. Our course will prepare you to forge a portfolio or freelance career, and give you the ability to make high-quality content for broadcast, web, film festivals or cinema.
Process and Practice as Research
Understanding the Audience
Master's Dissertation Art and Design
Master's Project: Art and Design
You’ll demonstrate your learning, and ensure you’re developing the knowledge and skills to complete the course, through:
• Producing and directing films of different lengths and styles
• Working in a team on a TV Studio production
• Written production analyses and reflective commentaries
• Filming schedules & budgets
• Film pitches
• Final Masters Project: this film is your “calling card” for the industry
Your assignments are usually submitted at the end of each term. You’ll also be assessed informally and given feedback during the term to help you achieve to the highest level. Feedback could be on a film, a presentation or group participation; it will be given by your tutor and your fellow students.
Our Wired events are specialist lectures and workshops run by industry professionals, where you’ll learn about up-to-date practices and get invaluable advice. Our past speakers have included Sean Bobbitt (cinematographer: 12 Years a Slave, The Place Beyond the Pines, Hunger), Peter Strickland and Nic Knowland (director and cinematographer: Berberian Sound Studio), Cilla Ware (freelance drama director of Silk, Spooks, Primeval), Kathy Lee (film editor: Abuelas, A Letter to Dad), and Larry Sider (sound designer, The Piano Tuner of Earthquakes, Mirrormask).
Our Creative Front Futures events, run by Creative Front Cambridgeshire, will give you a broader taste of the creative industries, and let you find out more about the world of film and television production as well as explore other career options.
You’ll also get first-hand experience of the industry at informal work placements throughout the course and benefit from our close links with Cambridge Arts Picturehouse, where we hold regular student and industry events.
When shooting your projects you’ll have access to our fully-equipped HD TV studio with full lighting rig; our ground-breaking digital exhibition space Ruskin Gallery; a mixer; an autocue, multi-purpose scenic backdrops suitable for current affairs, magazine programmes and dramas; a film studio with overhead lighting, tracks, dollies and green screens and sets for flats; a full range of HD cameras (including Steadicam); location lighting; and sound-recording equipment.
For post-production work you’ll get access to over 30 editing suites with the complete Adobe Creative Cloud software suite including Premier Pro, after Affects, audition and Speed Grade and the Adobe Creative Suite master collection. You’ll be trained on all our equipment by a team of experienced technical staff, who also maintain and manage the facilities.
Prepare for a career as a professional artist. Independently develop your practical work, research skills and critical thinking, with support from our experienced staff and visiting artists. Test out your ideas in a professional environment and gain invaluable experience of exhibiting, curation and collaboration.
Course duration: 12 months full-time or 24 months part-time.
Trimesters 1-3: Tuesdays and Wednesdays (full-time); Wednesdays (part-time)
*Please note: In addition, you will be expected to work independently outside taught times for at least the equivalent amount of time.
See the website: http://www.anglia.ac.uk/study/postgraduate/fine-art
Our Master’s course will allow you to investigate a range of approaches used in fine art, from painting, sculpture, and printmaking, to more contemporary media such as photography, video, digital media, installation, sound and performance.
You’ll spend much of your time working and researching independently - but you’ll also learn about recent theories, contexts and practices in lectures, seminars and one-to-one tutorials.
We’ll give you the chance to test out your ideas in a professional environment, and to pick up important transferable skills for your career through group and individual presentations and critiques, exhibiting, curation and critical writing.
Here at Cambridge School of Art, you’ll be supported by lecturers who are themselves experienced artists. So as well as having access to artists who are working across many disciplines at the forefront of contemporary art practice, you’ll receive invaluable advice and direction for your future career.
As well as preparing you for work as a practising artist, you’ll pick up skills and knowledge that will equip you for other roles. Our past students now enjoy careers in further and higher education, museum and gallery management, public arts projects, artist in residence schemes and fellowships opportunities, both in the UK and abroad.
Or you might decide to continue on to a research degree, like our PhD Fine Art.
Our links with local art organisations, such as Aid & Abet, Changing Spaces, Wysing Arts Centre and Cambridge Artworks, will give you the chance to take part in professional exhibitions, portfolio reviews and live projects.
You’ll also have access to events such as Creative Front Futures, which will give you a taste of the different creative industries, and be able to take part in Fine Art Professional Practice and networking initiatives for both students and alumni.
Our Fine Art Research Unit (FARU) runs fortnightly lectures that will give you a chance to hear contemporary artists and staff talk about their work, and engage in debates about art practice. Recent speakers have included Phillip Allen, Juan Bolivar, Rebecca Fortnum, Danny Rolph, Hayley Newman, Günter Herbst, David Kefford, Cally Spooner, Tim Ellis, Andrew Grassie, Lilah Fowler, Jemima Brown, Caroline Wright and Matthew Derbyshire.
On most of our core modules, you’ll demonstrate your progress through visual research outcomes supported by a written evaluative statement, except for the Master’s Dissertation where you’ll submit a 6,000-word contextual essay.
You’ll have the chance to experiment with many different art forms, making use of our MA studios, printmaking and 3D/sculpture workshops, photography dark rooms, and computer suites for video production and digital imaging. You’ll also have access to three brand new Mac suites with Adobe Creative Suite software, plus high-quality 27-inch monitors.
If you're a full-time student, you'll have an individual studio space to work in. If you're part-time, you'll need your own external studio facility, but may be able to negotiate some temporary on-site space for specific projects. Whether you're full-time or part-time, you'll be based in our MA studios and we'll encourage you to make full use of them both during and outside of formal teaching times. You can also arrange to use the studios on weekday evenings and at weekends during term-time.
Further your professional practice in graphic communication. Learn to challenge preconceived ideas and develop a truly innovative approach to your work. You'll be supported by practising designers and work on self-directed and industry-driven projects, while also honing your research skills.
Course duration: 12 months full-time or 24 months part-time.
Full time - Tuesday & Wednesday 10am - 5pm
Part time - Year 1: Wednesday 10am-5pm; Year 2: Tuesday 10am-5pm
Whether you’re a new graduate or an established, professional designer, our course will help you to engage with graphic design and typography at an advanced level.
You’ll explore working practices in graphic communication and look at issues that designers - and the industry - face. As well as furthering your professional understanding, you'll also be sharpening your academic knowledge and research skills.
Undertaking both self-directed and industry-driven projects, you’ll learn to challenge preconceived thinking and develop innovative approaches to your design work. You’ll also develop your creative thinking around the professional, business and social contexts of graphic communication.
Throughout the course, your project work will be supported by collaboration and dialogue with staff, visiting professionals and fellow students.
Our Master's course will equip you for professional employment or self-employment in graphic design and design consultancy, as well as related fields like brand development, art-editorial design, publishing, typography/typesetting, advertising, and media design.
It will also give you a basis for a teaching career in higher education. You might decide to move on to a research degree, like our PhD Graphic Design and Typography.
You’ll also benefit from our links with industry, including Cambridge University Press, Oxford University Press, Sony, and a number of independent design practices and consultants.
Process and Practice as Research
Interpretation and Origination: Modes of Graphic Authorship
Master's Dissertation Art and Design
Master's Project: Art and Design
You’ll show your progress through a combination of portfolio work, evaluative commentaries, blog participation, group critiques, one-to-one tutorials, presentations, log books and analytical reports, and a 6,000-word research essay.
Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.
Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.
We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.
Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.
We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.