• University of Southampton Featured Masters Courses
  • Anglia Ruskin University Featured Masters Courses
  • Ross University School of Veterinary Medicine Featured Masters Courses
  • Swansea University Featured Masters Courses
  • University of Cambridge Featured Masters Courses
Cranfield University Featured Masters Courses
University of Reading Featured Masters Courses
Cass Business School Featured Masters Courses
Queen’s University Belfast Featured Masters Courses
University of Pennsylvania Featured Masters Courses
United Kingdom
Buckingham×
0 miles
Architecture, Building & P…×

Full Time MA Degrees in Architecture, Building & Planning, Buckingham, United Kingdom

We have 3 Full Time MA Degrees in Architecture, Building & Planning, Buckingham, United Kingdom

  • Architecture, Building & Planning×
  • United Kingdom
  • Buckingham×
  • MA×
  • Full Time×
  • clear all
Showing 1 to 3 of 3
Order by 
This course provides an environment in which directors can find their individual style and their own distinctive voice. Supported by the David Lean Foundation, this is the UK’s premier MA course in directing. Read more
This course provides an environment in which directors can find their individual style and their own distinctive voice. Supported by the David Lean Foundation, this is the UK’s premier MA course in directing.

-Unique specialist course.
-Students of all key film-making disciplines work together on productions.
-Purpose-built film and television studios.
-Industry standard post- production facilities.
-The MA Course in Directing Fiction is supported by the David Lean Foundation.
-Flare Studio scholarship available. More info here: https://www.flare.studio/foundation-projects/nfts-scholarship-award
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Those accepted onto courses starting in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England. It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here: https://nfts.co.uk/fees-funding/funding-guide

COURSE OVERVIEW

This course commences in January each year. The MA course at the NFTS provides two years in which directing students will be adding depth and understanding to their abilities whilst regularly producing work. This is an environment where they will be both challenged and supported by staff and fellow students. The tutor to student ratio is high, thus allowing the teaching to be specific to the needs of the individual director. One great advantage of having different departments within the school is not only that students gain from the practical experience of working with the other specialisations but that their thinking is informed by the various collaborative engagements that together convey an idea to the screen.

The essence of the course is the practical experience of film-making, combined with a wide-ranging series of work-shops emphasising performance, mise-en-scène and an examination of how narrative works in cinema and in television. Engagement with students of other disciplines at the NFTS is a crucial aspect of the course. The curriculum of each specialisation is designed to link with the others throughout the course, so that students work together on projects of varying scale and complexity, increasing their understanding of the various specialist roles involved in film and television programme-making. The course includes weekly sessions on film and television culture, both contemporary and historical, and opportunities to learn from the work of more established directors through masterclasses and set visits. It also involves interaction with other disciplines, ranging from visual art, literature and architecture to installation and performance art.

CURRICULUM

In the first year, Directing Fiction students take part in a series of workshops exploring all aspects of directing, acquiring a solid understanding of current practices and technology across related specialist crafts. The workshops are supported by seminars on screen language and history, as well as individual tutorial sessions; which can guide students in self-motivated research to supplement their particular learning needs. Besides the weekly Screen Arts programme of screenings and seminars, the Directing Fiction department has regular sessions of screenings, scene by scene analysis and discussion led by tutors and students.

The Directing Fiction department workshops focus on isolating and building on skills used in collaboration with other departments. Each series of workshops culminates in a practical production exercise. Production experience is considered essential because the ability to maintain clarity of ideas and their expression within the conflicting demands of script, cast, crew and practical parameters – it is the test of the learning that has come before.

The first year work is aimed not only at developing skills, but at exposing weak areas of understanding and concept. In the final term of the first year, the directors collaborate with a team to make the First Year Film. This is a project which, apart from temporal and budgetary restrictions, gives the students considerable freedom and which encourages them to take responsibility for their work. During the first year, the student will have begun work on developing second year projects and their dissertation.

The second year of the Directing Fiction course provides more of an opportunity for the self- motivated student to develop his or her own voice through two different types of production experience. The dissertation allows for examining a particular area in depth and should be complementing and informing further work. Longer form storytelling is developed through the digital production. The primary collaboration on this production is focused on director/cinematographer/actor.

Short form storytelling and collaboration with a larger crew is developed through a film production called The Summer Fiction. Both it and the Digital Film are heavily supported by individual tutorials.

The productions also include scheduled workshops/seminars/tutorial support for casting, rehearsals, shot planning, set procedures and working with the A.D., as well as intensive and continuous viewings and critiques of rushes and edits. Editing, Sound and Music tutors also provide tutorials during post-production.

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

Read less
This course is to be an interdisciplinary programme enabling students to examine, by way of a thesis, aspects of the history of the English country house between 1485 and 1945. Read more

Course Description

This course is to be an interdisciplinary programme enabling students to examine, by way of a thesis, aspects of the history of the English country house between 1485 and 1945. Students will be encouraged to consider the interrelation of architectural history, art history and social history in the evolution of the country house as a political power house, a setting for the display of art and craftsmanship, a self-contained community and a symbol of continuity and loss in a changing world.

The seminar programme, which serves to complement the student’s individual research, will explore these themes in a series of ten meetings which will be addressed by some of the United Kingdom’s most distinguished country house historians. These will be prefaced by an introduction to research techniques, with particular reference to the use of primary sources such as inventories, estate records and collections of private papers; an introduction to relevant library resources available in London and through the University of Buckingham’s online subscriptions; and an introduction to the most recent academic approaches to the subject.

Each seminar will take place in the early evening, followed by a 40-minute question-and-answer session with the seminar speaker, and a dinner at which there will be further questioning of the speaker and a general conversation about the topic in hand. Four seminars will be scheduled for the period between October and December, and a further six in the period between the New Year and March.

The programme begins with an overview of the architectural and social history of the country house and an examination of recent academic perspectives on the subject, including the latest thematic and period-based approaches and studies of particular mansions and individual architects from Robert Smythson to Sir Edwin Lutyens. It goes on to discuss the changing function of the country house between 1485 and 1945, and to explore how architectural form has been modified by social change.

A series of seminar papers will then explore architectural style; the mechanics of building, owning and living in a country house; and the wider cultural context, which has seen the country house playing a crucial role in the invention of the past, from Ben Jonson’s ‘To Penshurst’ to Evelyn Waugh’s Brideshead Revisited.

Find out more about our School of Humanities on http://www.buckingham.ac.uk/humanities/.

The Course Director

Adrian Tinniswood, OBE, MPhil, Senior Research Fellow of the Humanities Research Institute, Buckingham, and Visiting Fellow in History and Heritage, Bath Spa

Adrian Tinniswood has a distinguished reputation as an architectural and social historian on both sides of the Atlantic. He has worked for many years as a consultant and adviser to the National Trust, and has lectured extensively on the country house and on the architecture and social history of the seventeenth century at British universities including Oxford, Bristol and Nottingham and for the University of California at Berkeley.

His books include His Invention So Fertile: A Life of Christopher Wren, The Verneys (short-listed for the 2007 Samuel Johnson Prize for Non-Fiction) and The Polite Tourist: Four Centuries of Country House Visiting.

His latest book, The Long Weekend: The Country House Between the Wars, is published by Jonathan Cape in March 2016.

He was awarded an OBE in 2013 for services to heritage.

Associate students

For those wishing to attend the evening research seminar programme, but unable to devote the time to the coursework or to register for the MA degree, there is the option of becoming an Associate Student. This status will enable the student to attend the ten research seminars and to meet the guest lecturers, in the first six months of the programme, but does not require the submission of written work. Associate Students are not registered for, and do not receive, the MA degree.

Apply here http://www.buckingham.ac.uk/humanities/ma/country-house.

Read less
This course is to be an interdisciplinary programme enabling students to examine, by way of a thesis of the usual length allowed for Buckingham Master’s degree dissertations, aspects of Western Architectural History from the medieval period to the mid-twentieth century. Read more

Course outline

This course is to be an interdisciplinary programme enabling students to examine, by way of a thesis of the usual length allowed for Buckingham Master’s degree dissertations, aspects of Western Architectural History from the medieval period to the mid-twentieth century. Students will be encouraged to consider the interrelation of architectural history, art history and social history.

The seminar programme, which serves to complement the student’s individual research, will explore these themes in a series of twelve meetings, which will be addressed by some of the United Kingdom’s most distinguished architectural historians. These will be prefaced by a general introductory class led by the Course Director, offering an introduction to research techniques, relevant library resources available in London and through the University of Buckingham’s online subscriptions, to relevant museum collections and to the most recent academic approaches to the subject.

Each seminar will take place in central London in the early evening, followed by a 40-minute question-and-answer session with the seminar speakers, all recognised experts in their fields, and a dinner at which there will be further discussion with the speaker and a general conversation about the topic in hand. Six seminars will be scheduled for the period between October and December, and a further six in the period between the New Year and March.

After the course leader’s general introduction, there will be a series of twelve seminar papers which explore the architecture of the Western world: the medieval castle, the Gothic cathedral, Italian renaissance architecture, French and English baroque palace and country house architecture, European baroque church architecture, the inspiration of the Classical world, the Gothic Revival and historicism, Ruskin and Morris and the birth of conservation philosophy, industrialisation and the transformation of urban architecture, colonial architecture, Beaux-Arts architecture in America in the late nineteenth and early twentieth century, and the meaning of Modern architecture. Reading lists will be made available before each lecture to allow for background reading and discussion with the expert speakers.

Location for seminars: The Reform Club (104 Pall Mall, London, SW1Y 5EW) and the University of Buckingham’s London premises at 51 Gower Street (Bloomsbury, London, WC1E 6HJ)

Course director

Jeremy Musson has a distinguished reputation as an architectural and social historian. A former National Trust assistant curator, he was Architectural Editor of Country Life magazine in 1998-2007, and presented the BBC 2 series The Curious House Guest, 2006-2007. He is an author and historic buildings consultant, working with a range of clients including the National Trust and St Paul’s Cathedral.

He is a regular lecturer and supervisor on the Master’s in Building History course at the University of Cambridge, a second supervisor to the Buckingham Master’s in the English Country House, regular speaker and tutor on the Attingham Summer School and has been a course director for the Victoria & Albert Museum, London. He has also lectured The Royal Oak in the USA and at various US museums.

His books include The Country Houses of Sir John Vanbrugh, English Ruins, Up and Down Stairs: The History of the Country House Servant, English Country House Interiors and Robert Adam: Country House Design, Decoration and the Art of Elegance (2017). He recently contributed a chapter to the new monograph King’s College Chapel 1515-2015: Art, Music and Religion in Cambridge, 2014, and another to Fin de siècle Rediscovered. A Mosaic of the Turn of the Century, proceedings of a conference at the National Museum in Warsaw. He is co-editor with Sir David Cannadine of the forthcoming collection of essays The British Country House Revisited.

Associate students

For those wishing to attend the evening research seminar programme, but unable to devote the time to the coursework or to register for the MA degree, there is the option of becoming an Associate Student. This status will enable the student to attend the twelve research seminars and to meet the guest lecturers, in the first six months of the programme, but does not require the submission of written work. Associate Students are not registered for, and do not receive, the MA degree.

Read less

  • 1
Show 10 15 30 per page



Cookie Policy    X