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Creative Arts & Design×

Full Time MA Degrees in Creative Arts & Design, Bristol, United Kingdom

We have 18 Full Time MA Degrees in Creative Arts & Design, Bristol, United Kingdom

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The brand new, broad and practice-based MA Design takes students on a creative journey where you will explore processes making, materials and context. Read more
The brand new, broad and practice-based MA Design takes students on a creative journey where you will explore processes making, materials and context. You will challenge and extend your design practice at an advanced level whilst developing a range of artistic and practical skills.

The course is delivered through a series of project-based modules 'Make', 'Play' and 'Live', through which you will engage with real-world problems and issues of relevance to contemporary design practice and work towards the production of a physical object.

Course detail

The course attracts a diverse range of practicing designers, makers and industry professionals from a range of disciplines, including but not exclusively: ceramics, fashion design, jewellery design, product design, lighting, fine art and architecture and equally broad ranging staff backgrounds in robotics, graphics, product design and fine art. You will work both independently and collaboratively, pushing boundaries and exchanging ideas across design disciplines.

Students value the experience and knowledge of staff, bringing different perspectives and industry insight to teaching in a highly professional and creative environment. Our students benefit from active links with the on-site Centre for Fine Print Research (3 teaching staff are members), leaders in 3D and 2.5D print research, bringing opportunities for placements, collaborative projects and exhibitions.

You will have access to cutting-edge facilities and technical expertise in fabrication, fashion, textiles, print and photography, in addition to regular guest speakers and live projects, bringing you up-to-date with the latest techniques and developments.

Modules

• Make (30 credits)
• Play (30 credits)
• Research Practice (30 credits)
• Practice in a Professional Context (30 credits)
• Live (60 credits)

Format

You will be taught through a combination of seminars, workshops, lectures and individual tutorials.

Students are responsible for setting their own projects, there are no set briefs and a large proportion of your time will be allocated to self-directed study with guidance from teaching and technical staff.

You will have access to a rolling programme of design-focused guest speakers from industry and academia and students are encouraged to make visits relevant to the practice.

Assessment

You will be assessed through a combination of practical work and accompanying critical design log. Research practice is essay and presentation based.

You will present and communicate design ideas to staff and your peer group as part of the 'play' module, and the 'live' module encourages a live aspect to include the degree show or a negotiated live project with industry.

Careers / Further study

The course places strong emphasis on developing making skills, knowledge and creativity commensurate with the needs of professional practice in design and the creative industries today. It aims to prepare you for professional practice as self-employed designer/makers, artists, design teachers/lecturers and for work in design studios and interior design.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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This creative and experimental MA in Graphic Arts brings together graphic designers, illustrators, and individuals from related industries to engage with communication design practice at a deeper level. Read more
This creative and experimental MA in Graphic Arts brings together graphic designers, illustrators, and individuals from related industries to engage with communication design practice at a deeper level. You will research, investigate and debate the nature and dynamics of communication, and explore how they can produce meaningful outcomes using conventional and unconventional forms.

You will develop your design process: from creative strategies for generating ideas; gathering and analysing information; producing text; to producing final outcomes to industry standards. Skills development is embedded throughout and a vital re-skilling stage, a series of technical workshops delivered by experienced technical staff, ensures you are up-to-date and industry-ready.

Students value the experience and expertise of staff and the extensive, cutting-edge facilities and workshop areas covering digital and traditional print, media, film and animation, fabrication, photography, and apple mac suites.

Course detail

You will benefit from the opportunities generated by the University's strong links to the creative and media industries. Regular guest speakers from industry and live collaborative projects provide invaluable opportunities to gain real-world knowledge and experience. Our students continue to perform well in both local and national awards and competitions.

The course will offer you the chance to extend your practice and explore new areas in the changing world of industry and design. Learning to be independent, to research effectively, to question and to be critical, and to sustain practice for the long term.

Students learn up to date technical skills in design for print, web, motion graphics, and fabrication.

Modules

• Introduction to Graphic Arts (30 credits)
• Research Practice (30 credits)
• Analysing Practice in Graphic Arts (30 credits)
• Developing Practice in Graphic Arts (30 credits)
• Extended Practice in Graphic Arts (60 credits)

Format

You will be based in the department's Graphic Design studios at one of our city centre locations. You will study through a combination of one to one tutorials, group tutorials, seminars, lectures, technical workshops and day projects. Initially there are set briefs to assist you in writing your own study proposal for the MA stage.

Assessment

You will be assessed by a combination of practical and written work at the end of each module.

Careers / Further study

Many of our graduates enter or continue employment in the creative industries as freelance designers whilst others run their own companies or work for large clients. Recent graduates have taken up positions at: The Creative Place Ltd, London; Graham & Green, London; and Proctor & Stevenson, Bristol. Others have secured work producing packaging design for supermarkets like Asda and Lidl. Some work in the education sector at Universities and Colleges in this country and beyond including University of Liverpool, University of Gloucester, Southampton Solent University, Filton College, Weston College, plus institutions abroad.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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Taught by award-winning professional photographers and leading academics in the field, our distinctive, practice-based MA in Photography will allow you to explore the diverse applications of the medium and to deepen your understanding of photography as a discipline. Read more
Taught by award-winning professional photographers and leading academics in the field, our distinctive, practice-based MA in Photography will allow you to explore the diverse applications of the medium and to deepen your understanding of photography as a discipline.

Through a course of intense study, creative practice, and professional partnerships, you will develop the passion that brought you to photography in the first place and be supported to produce innovative work, whilst also building skills to maximise and contextualise your creative outputs.

This course will enable you to contextualise your practice within relevant professional environments, such as research, education, exhibition, curation, project management, marketing, art direction, publishing and design.

It is relevant for graduates wishing to progress from BA study in an arts or humanities subject, who want to focus their practice in the medium of photography as well as for professionals already working in the field, looking to develop and underpin their practice in an academic, theoretical context.

Key benefits

The course is affiliated to and accredited by the Association of Photographers who are the leading professional organisation representing photographers both nationally and internationally.

Course detail

The course includes intense practice-led study weeks and the chance to work with creative industry partners, with professional practitioners running lectures, workshops and mentoring activities.

By taking advantage of a specially designed collective agency featuring a publishing imprint, editing bureaux and exhibiting forum, you will gain hands-on experience of collaborative practice. These skills will allow you to channel both project based personal work and your response to live briefs, initiated by a range of sources such as business clients, curators, picture editors and design agencies, to successful outcomes. You will also benefit from the practice-led research within the department, with links to the Photography Research Group, the Centre for Fine Print Research, Digital Cultures Research Centre, and Centre for Moving Image Research.

Modules

• Enquiry and Context
• Developing Practices
• Consolidating Practices
• Dissemination in Professional Contexts

Format

Through a series of lectures, seminars, tutorials and presentations, you will explore relevant concepts underpinning the theoretical and contextual basis of the photography work you will undertake on the course. Through location orientated workshops and studio based sessions, you will develop lines of enquiry through practical exploration and research, and test out your ideas and techniques in a highly supportive academic and technically excellent environment. You will undertake active research, to critically engage with your chosen practice and produce a body of photographic work on a self-directed theme. You will also learn how disseminate this work via outward facing networks and events, with the help of focused tutorials and workshops.

Assessment

We will make use of different types of assessment, including project reviews, essays, reflective diaries, presentations and reports, as well as assessing your portfolio of work. Your portfolio can take a diverse range of forms, including a photo-book, film, installation or commercial photography portfolio.

Careers / Further study

This MA Photography course will enable you to contextualise your practice within relevant professional environments, such as research, education, exhibition, curation, project management, marketing, art direction, publishing and design.

You will be ready to work professionally and independently, using the experience, networks and opportunities offered by the course to act as a springboard to obtain commissions. You will also be equipped to go on to work in other fields such as studio production, publishing, art direction, curating or picture editing.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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MA Multi-Disciplinary Printmaking at UWE Bristol is best known for its experimental, forward-thinking approach to printmaking today and the future of the printed artefact. Read more
MA Multi-Disciplinary Printmaking at UWE Bristol is best known for its experimental, forward-thinking approach to printmaking today and the future of the printed artefact. With a focus on making, you can explore and experiment with a diverse mix of traditional and emerging fine art printmaking media and develop ideas through processes such as laser cutting, enamelling, electronics, wood engraving and lithography.

This degree is an ideal springboard for professional artist-printmakers looking to extend their practice and also for those with less print-based experience to explore and experiment creatively, and gain valuable real world experience through the Professional Practice module.

Active links with the CFPR brings research expertise, opportunities for placements and access to associated symposia, conferences and exhibitions.

Key benefits

You will have the opportunity to explore your practice through a self-initiated placement/project/experience as part of the Practice in a Professional Context module. You will gain valuable insight into the professional arena and use your knowledge and skills to further develop your practice and future career aspirations.

Course detail

You will study alongside a broad base of students with diverse backgrounds in a professional, well-connected, research-active environment with full access to specialist facilities (some of the best in the country) and support from highly regarded master printers, practicing artists and researchers.

You will study in a creative, vibrant city with active arts communities and opportunities for collaboration and public engagement and gain valuable industry-insight from high profile visiting speakers from creative industries including Emma Stibbon, Sue Gregor and Otto Graphic.

Structure

The full masters course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Masters. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Modules

• Introduction to Multi-Disciplinary Printmaking (30 credits)
• Research Practice (30 credits)
• Developing Practice (30 credits)
• Practice in a Professional Context (30 credits)
• Extended Practice (60 credits)

Format

Students are taught through a combination of seminars, technical workshops, lectures and independent self-directed study. Students learn from each other through presentations and open portfolios and guest speakers bring valuable real-world insight to the course.
There is strong emphasis on developing your creative, conceptual, technical and professional skills with support and guidance on careers and developing your own practice.

Assessment

You will be assessed on your body of practical work, contextually supported by the critical journal. For the Research Practice module you will be assessed on a presentation and written essay.

Careers / Further study

Our students are taught by practicing artists and researchers, bringing skills and expertise exclusively to those at Postgraduate level.

Many of our graduates enter or continue employment in the creative industries in professional studios, as self-employed artists, illustrators and designers running their own businesses or in teaching in both formal and community education programmes.

Spike Print Studio in Bristol, the largest open-access print studio in the South West, employs four alumni (including the studio manager). Others are employed at national studios including Curwen Studio and Lazarides Editions in London. Alumni have also established their own professional studios, for example John Lynch's Stereograph workshops or David Abbott's Chesapeake Ltd, Bristol.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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This well-connected degree is for those wishing to explore curating and develop curatorial skills in one or more of the following areas. Read more
This well-connected degree is for those wishing to explore curating and develop curatorial skills in one or more of the following areas: fine art, digital media, film, festivals and social history.

Key benefits

You will work at least one day a week with your partner institution to gain experience in a real curatorial setting and develop skills required by industry.

Course detail

You will study alongside an intentionally small and supportive group of students with backgrounds in areas including fine art, sculpture, art history, architecture, 3D design, film studies and history, sharing practice and ideas and providing opportunities to work creatively and collaboratively on group projects.

You will benefit from unique and professional mentoring from a curator in one of our partner museums, galleries or other cultural spaces for the duration of the course, culminating in the delivery of a real-world curatorial project. Our partners are renowned creative and cultural organisations: Arnolfini, Bristol Museum and Art Gallery, Encounters Film Festival, M-Shed, Royal West of England Academy, Situations, Spike Island, Watershed, National Museum of Wales, Cardiff and ss Great Britain. A mentor is allocated based on your skills, interests and career aspirations and brings current industry insight and valuable support and guidance.

Through the final live project with your partner institution, you will gain interesting and relevant curatorial experience, sourcing venues, developing audiences, planning, programming and project management whilst developing key contacts.

Structure

The full masters course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Masters. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

The course is made up of five modules taught over three semesters (January - December).

Modules

• Curatorial Histories
• Developing Practice and Audiences
• Professional Practice: Curating
• Curating and Project Management
• Final Project: Curating (MA) or Final Project: Curating (MFA)

Format

You are taught through a series of lectures, seminars, practical workshops, master classes and projects. Guest speakers and study visits enhance learning and provide valuable industry insight.

Assessment

You will be assessed through a combination of practical and written work at the end of each module.

Careers / Further study

MA Curating graduates have gone on to work in a range of professions in areas of social history, fine art, museum curating and film programming in various arts, culture and heritage-related organisations. There are also curating and programming opportunities at film festivals both nationally and internationally and options to teach or progress to further PhD study.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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University of Bristol Faculty of Arts
Distance from Bristol: 0 miles
This programme provides professional training in composition for screen media. Taught by staff and guest composers from the professional world, you will develop a strong technological foundation in the subject, along with specialist understanding of television and screen scoring. Read more
This programme provides professional training in composition for screen media. Taught by staff and guest composers from the professional world, you will develop a strong technological foundation in the subject, along with specialist understanding of television and screen scoring.

The MA is taught within our high-specification composition and recording studios, which have full-time technical support. Students are actively encouraged to build opportunities and networks, within and beyond the University, for projects in film, animation, documentary and more.

In the first semester, you will study Professional Techniques, an introduction to working and recording in studios, and Media Composition, focusing on TV and documentary work. You will also take one elective unit. In the second semester, the programme moves on to Critical Analysis of Media Music and Film Scoring, with an emphasis on longer-term projects for film and TV work. This work feeds into original collaborations that you may choose to include in your final portfolio.

The vibrant musical life of the Department of Music provides opportunities for student and professional performance, and we are located at the heart of one of the UK’s leading cities for broadcast, commercial and creative screen media.

Programme structure

Core units
-Media Composition
-Professional Techniques
-Critical Analysis of Media Music
-Film Scoring

Optional units
Optional units can vary each year. You will be able to choose two units from a wide spectrum that address further compositional skills - such as orchestration, sound design or pastiche composition - research skills for musicians, writing and directing for film and television, and how film and television programmes work.

Media composition portfolio/dissertation
-Either a substantial portfolio of original music for new collaborative films and/or extracts (music totalling 15-25 minutes).
-Or music to one new collaborative film of 10-12 minutes and a critical dissertation of 10,000 words on an agreed film or topic.

Careers

Students who completed the MA programme in Composition of Music for Film and Television have taken up careers as music composers, recording managers and compositing supervisors within animation studios.

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MA Fine Art at UWE Bristol is designed for individuals who wish to pursue their practice to a professional level and gain knowledge and insight into contemporary practice. Read more
MA Fine Art at UWE Bristol is designed for individuals who wish to pursue their practice to a professional level and gain knowledge and insight into contemporary practice. The course provides a structure to enable you to extend your practical, critical, contextual and theoretical knowledge of Fine Art and gain skills and experience in order to operate in a professional context beyond University.

There is no emphasis on a particular type of work. Students work in painting, installation, performance, sculpture, photography, moving image and drawing. This reflects contemporary practice and allows you to explore and experiment with a range of formats throughout your time here.

Course detail

You will study alongside a small yet diverse group of students providing support and sharing insights and perspectives. Students highly value the teaching input and experience of research-active, practicing artists all of whom exhibit nationally and internationally.

Teaching is centred at Spike Island an international centre for the development of contemporary art and design - bringing further expertise, opportunities, access to public events and regular guest speakers.

Modules

• Fine Art Critical Review (30 credits)
• Fine Art Practice (60 credits)
• Practice and evaluation document (60 credits)
• Research Practice (30 credits)

Format

Students meet as a group every Tuesday for taught workshops arranged as appropriate. Fine Art lectures and events are dotted through the year. Most study time is self-directed and self-managed with guidance.
You will make regular visits to galleries and museums and staff provide advice and support. You are also encouraged to attend lectures on other subjects if useful to practice.

Assessment

Students present artwork sometimes in reproduction and written work for assessment.

Careers / Further study

You will gain a broad knowledge base of Fine Art practice and a range of artistic and technical skills in addition to transferable skills highly valued by employers. As a result of the course students gain work in very different areas they have good transferable skills, the ability to work in a team, good initiation, writing skills and creativity. Our students have gone on to successful careers as artists, technicians or artist assistants. Some go into project management, event management and work in museums and galleries as curators and administrators. Other careers include teaching and freelance work as writers and critics.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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Practitioners from Bristol's leading animation studios support both the development and delivery of this course, offering professional advice and guidance through workshops and master classes. Read more
Practitioners from Bristol's leading animation studios support both the development and delivery of this course, offering professional advice and guidance through workshops and master classes. You will also have the opportunity to be mentored one-to-one by industry professionals.

You will learn from the best in the business, gaining industry insight as well as work experience opportunities and the chance to attend networking events and screenings.

A strong focus on long term employability, ensures you graduate as a multi-skilled lifelong learner, with confidence, connections and a desire to further develop and enhance your practice.

Key benefits

Learn your craft from internationally renowned practitioners. We have partnerships with the region’s animation industry - including Aardman Aanimations, A Productions and Arthur Cox - and students have the opportunity to get feedback on their films from leading industry professionals.

Course detail

The course is based at Bower Ashton Campus, part of City Campus, where exceptional facilities and resources include state-of-the-art digital media, production and fabrication workshops offer a combination of traditional tools and the latest technology.
Based in Bristol, a global centre of excellence in animation, film and television production, it attracts students from around the world. Bristol is the place to study animation, home to Aardman Animations, A Productions, Arthur Cox and other internationally renowned animation companies.

Modules

• Developing Practice in Animation (30 credits)
• Pre-Production for Animation (30 credits)
• Production for Animation (45 credits)
• Professional Practice in Animation 1 (15 credits)
• Post Production for Animation (45 credits)
• Professional Practice in Animation 2 (15 credits)

Structure

The full Master's course comprises of 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Masters. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Format

The course is taught via practical workshops, a rolling programme of guest lecturers and industry speakers and there are opportunities for work experience within the industry.

Assessment

You will be assessed through a combination of practical work, presentations and written assignments.

Careers / Further study

This postgraduate course will allow you to return to industry with enhanced skills and further experience or start afresh in the diverse field of animation. The course content and structure enables you to pursue your interests and specialisms whether in 2D/drawn, CG, stop motion or other forms of animation in a range of roles including direction, production, storyboarding, model-making, layout, design and teaching.

Past students have gained employment and worked on productions throughout the worldwith companies such as: Aardman Animations, A Productions, Wonky, Rumpus and Sun and Moon.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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Bristol Old Vic Theatre School Theatre Studies
Distance from Bristol: 0 miles
Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance. Read more
Created to challenge and inspire the next generation of theatre designers, the Theatre Design MA course at Bristol Old Vic Theatre School delivers intensive vocational training, enabling talented designers to develop their creative and technical ability in set and costume design for performance.

The Theatre Design MA course has just four places on offer in each intake, students receive focused individual mentoring and support from the BOVTS team and high-profile visiting professionals, all set in the environment of an integrated company staging fourteen productions a year.

The course duration is four terms; starting in April the course runs until July the following year.

The full time course is aimed at multi-skilled postgraduate level students. We encourage applicants with a range of experience and previous training in Theatre, Art and Design, (Architecture, Costume, Graphics, Interiors, Film Design, Painting, Sculpture, Drama and Theatre). We do not limit entry to students with previous training, although the majority of applicants come from degree courses. A comprehensive portfolio of artwork is required at interview.

Collaborative working with students from a range of disciplines at BOVTS, design students are offered at least three leading design positions on public productions at a variety of respected venues – from The Bristol Old Vic Theatre to the Brewery Theatre.

Master-classes and workshops with visiting professional practitioners help build a thorough understanding of the subject, these include script analysis, life and figure drawing, model making, technical drawing, CAD, Photoshop and model photography. Specialist lectures cover theatre design and costume history. Research and practical work are supported by site and production visits including trips to theatre design events and exhibitions.

An extensive portfolio of industry-standard work can be achieved over the course of four terms, including staged productions and theoretical projects. Students leave BOVTS with the skills, knowledge and confidence to build careers as professional designers. There are end of year exhibitions at the Royal West Academy of Art in Bristol and in London.

Inspiring leadership by Head of Design Angela Davies, who is an award-winning theatre designer with high-level industry links. The course equips its graduates for entry into prestigious Theatre Design competitions such as the Linbury Prize for Stage Design and the RSC’s trainee scheme. BOVTS graduates held 5 out of the 12 final places in the Linbury Prize 2013.

Applications are accepted at least one year in advance of the course start date. The four-term course starts at the beginning of the summer term and completes at the end of the summer term of the following academic year.

Recent graduates have held design positions at the RSC, Pilmlico Opera, Bristol Old Vic, The Brewery Theatre and the Tobacco Factory, The Finsborough Theatre The Vault Festival and with Kneehigh Theatre Company.

To receive more information on course structure and highlights, please contact

Course Outline

Term 1
- Intensive skills-based classes from professional practitioners, including model-making and technical drawing
- Theatre script analysis and period research workshops
- Exploration of the collaborative creative process with a professional director and the MA Directors at BOVTS on the Theatre and Short Play Project
- Master-classes in advanced model-making techniques, technical drawing, an introduction to Photoshop and model photography
- Production and site visits.

Term 2
- Continued exploration of the design process through to presentation with meetings with a visiting professional on the Opera Project
- Regular design tutorials with additional workshops and classes to extend understanding.
- Theory is put into practice by designing the set or costumes for a BOVTS Spring production
- Collaborative working with a staff or visiting director and the BOVTS production teams for professional theatre venues

Term 3
- Design presentations and exploration of the production process through to full stage realisation.
- Close collaboration with actors, stage managers, technicians and scenic artists
- Work with the BOVTS MA Directors to complete production designs for the Brewery Theatre
- Skills classes and support in CAD and Photoshop and an introduction to portfolio design.

Term 4
- Series of small-scale productions for the Brewery Theatre
- Work begins on summer productions, exploring the role of set or costume designer in-depth
- More independent working with mentoring and support through the process
- Development of CV and professional portfolio
- Preparations for the end of year exhibitions at the Royal West Academy of Art, Bristol and London
- Exhibitions and Industry interviews with professional practitioners from a range of theatre disciplines, providing networking opportunities and pathways to work

PLEASE NOTE THAT APPLICATIONS ARE FOR APRIL 2016 ENTRY AND WILL CLOSE ON 27TH FEBRUARY 2015 AT 4PM.

Offline Applications
Please contact:The Admissions Office, 1-2 Downside Road, Bristol BS8 2XF.

Tel: 0117 973 3535.
Email: .

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Bristol Old Vic Theatre School Theatre Studies
Distance from Bristol: 0 miles
This is a four term course (over about 15 months) that runs from Easter to the following July. We take four directing students each year and expect applicants to have significant experience of theatre including directing. Read more
This is a four term course (over about 15 months) that runs from Easter to the following July. We take four directing students each year and expect applicants to have significant experience of theatre including directing. You will have the opportunity to work with students of other disciplines – including actors, designers and technicians – as well as with experienced staff, visiting tutors and theatre professionals.

NB This course is only for candidates possessing a previous degree and substantial previous professional experience.

Please note Applications are a year in advance of the course start date.

Course Outline

Term 1
The first term comprises of a variety of workshops and projects that build skills needed to be an effective, confident and creative drama director. These include:

An overview of the ecology of the theatre industry.
Workshops with professional directors.
Text work.
Involvement in a range of acting techniques (physical theatre, combat, approaching Shakespeare etc).
Lighting/sound and other technical skills.
Design and model making.
Workshops in auditioning.
Observing actors’ classes.
Working with design students on ‘notional projects’.
Observing production weeks on shows in the professional venues we work in.
An introduction to TV directing course.
The term culminates in a presentation of a theoretical production. Each directing student selects a play and prepares for production. You present research and creative ideas, describe the approach that you are taking to the play and show a model box and costume drawings that you have made to a panel of industry professionals. You are then given actors and lead a short rehearsal of a scene from your chosen play.

Terms 2, 3 and 4
Over the following academic year (so from September to July) each directing student has an individually structured timetable allowing you to be involved in a variety of projects and productions. These include:

A text project: Where you work as director with a cast of final year acting students to prepare and present a play to staff and industry professionals (but not the public).

Assistant Directing: You would normally work as an assistant director on two or three theatre school productions, a television project and a radio play. You would be expected to help with research, attend production and design meetings and take some rehearsals under the supervision of the director.

Placements: There may be the opportunity for a placement at a theatre – including Bristol Old Vic Theatre with whom we have a strong working relationship. Recent theatre companies that directors have had placements at include Birmingham Rep, Hull Truck & Shakespeare at the Tobacco Factory.

Directing A Production: You will direct a play at a local Bristol venue using final year acting students. Recent venues have been the Alma Tavern Theatre and The Brewery Theatre (part of the Tobacco Factory). It will be a play that you select (with guidance given and parameters set by BOVTS).

There are three compulsory components on the MA in Drama Directing Course. These are:

Assistant Director; theatre
Assistant Director; radio/TV
Directing a Production.

PLEASE NOTE THAT APPLICATIONS ARE FOR APRIL 2016 ENTRY AND WILL CLOSE ON 27TH FEBRUARY 2015 AT 4PM.

Offline Applications
Please contact:The Admissions Office, 1-2 Downside Road, Bristol BS8 2XF.

Tel: 0117 973 3535.
Email: .

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University of Bristol Faculty of Arts
Distance from Bristol: 0 miles
This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. Read more
This programme offers an exciting combination of both film-making practice and textual and historical approaches to the study of film and television. As a student on this innovative programme, you will be taught the skills of film production, working intensively in small groups to explore aesthetic possibilities and gain insights into the craft and industry of screen media. You will also engage with critical perspectives and develop high-level research and analysis skills.

Optional units offer the chance to specialise in different areas of practical film-making and to gain a greater understanding of specific areas around the history and aesthetics of film and television. At the dissertation stage, you will have the opportunity to undertake a placement in creative industry, to undertake an in-depth study of film and television by means of a traditional dissertation, or to produce a mixed-mode investigation through film practice, either individually or in a team, supervised by one or more academic advisers.

The University of Bristol has more than 40 years of experience in this field and the programme draws on the expertise of world-leading scholars, expert practitioners and industry professionals. The Department of Film and Television hosts a series of research seminars and industry masterclasses that are targeted to enrich your studies. Facilities include a 200-seat cinema, production studio, animation and edit suites, seminar rooms and sound rooms.

Bristol is an excellent city in which to study film and television, with its varied cinema, television and digital media spaces, such as the Arnolfini, BBC Bristol, The Cube and Watershed Media Centre. Bristol's Harbourside is home to an array of film festivals, including the Encounters Short Film and Animation Festival, the Slapstick Festival, and the Afrika Eye Festival.

Programme structure

The programme has been designed to develop skills and knowledge cumulatively, while allowing you the opportunity to tailor your learning to your specific areas of interest.

In the first semester, you will be taught skills and techniques of formal analysis and practical film-making, providing the foundation for optional units across the year, such as Writing and Directing, Screen Histories, Television Forms and Making Short Fiction. Other options include Translation for Subtitling (Chinese-English), Screen Style and Aesthetics, and Making Short Fiction.

In the second semester, you will gain knowledge of research methods relevant to the dissertation stage, which includes the opportunity to undertake a placement in the film/TV industry, write an extended essay or produce a piece of practice (normally a short film) accompanied by individual written reflection.

Careers

Graduates of film and television at Bristol have taken up careers as film-makers, programme researchers, senior academics and broadcasting executives.

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In today's rapidly evolving creative and cultural industries, there is a growing need for talented producers who can apply their ideas and skills across existing and emerging platforms, and technologies to produce new kinds of experience design. Read more
In today's rapidly evolving creative and cultural industries, there is a growing need for talented producers who can apply their ideas and skills across existing and emerging platforms, and technologies to produce new kinds of experience design.

The MA/MFA Creative Producer degree will develop your creative leadership potential. You will become equipped to work at the crossover between creative practice and emerging technologies, managing multiple platforms and interdisciplinary teams.

As part of a dynamic partnership with Bristol's Watershed, the course is hosted by the Pervasive Media Studio and UWE Bristol's Digital Cultures Research Centre. You will realise your potential as a creative producer in this unique research and development space where artists, engineers, academics and designers work together to develop innovation.

Key benefits

All students will have the opportunity to gain real world experience as an assistant producer on an eight week placement during the course.

Several live projects have been agreed with our placement partners. These include some of Bristol's most exciting cultural organisations and providers. Throughout your placement, you will be supported by faculty staff.

Course detail

The course provides an immersion into the world of creative innovation. It is the UK's only Masters course focusing on the use of digital technologies at the interface of physical design and traditional art forms.

You will develop vital practical skills such as bidding, pitching, project management, and social media management. There is also significant emphasis on the key personal development aspects of becoming a producer: collaboration, talent development, ideas development, imagination, resilience, judgement and risk management.

Industry experience is a key component of the course, and we will support you in working alongside experienced producers on live projects. You will work directly with experimental technologies, have placements in some of Bristol's most exciting cultural organisations and companies, and build a portfolio of your own work. You will take the role of lead producer on one of your own projects by the end of the degree.

Format

The course will be delivered with an equal split between practical and analytic learning with the option to study part-time or full-time.

The teaching schedule features a minimal amount of set classroom time, a number of intensive workshop sessions and a high degree of self directed study. Together with online support, it is designed with the flexibility to integrate around working life.

Assessment

We use a variety of assessment tools during the course, with an emphasis on report writing and presentations. These offer a robust and compelling way to track your development while giving you the chance to refine the evaluation and communication skills that are relevant to the real world.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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MA Cinematography is aimed at creative graduates and existing filmmakers wishing to develop their cinematography skills to a professional level. Read more
MA Cinematography is aimed at creative graduates and existing filmmakers wishing to develop their cinematography skills to a professional level. A highly practical course, it is underpinned by relevant contextual studies.

You can expect to build solid technical skills across a range of camera equipment and formats, as well as an understanding of advanced lighting and aesthetic principles. Importantly, you will learn how to connect with and communicate stories through cinematic language.

Key benefits

Offered as a full-time, the course will enable you to develop as a creative, knowledgeable, disciplined practitioner equipped to step into a wide range of camera and lighting roles within a constantly evolving film and television industry.

Course detail

By providing crucial insights into the film business, the course will help you develop a range of transferable skills, enabling you to confidently and professionally collaborate with a creative team in a film, TV studio or on location. Practical live briefs and other exciting industry-integrated learning opportunities will foster resourcefulness and enterprise to help you stand out in today's market.

Exploring the ethical considerations of media production, from broadcast compliance codes to sustainable filmmaking, will ensure you are equipped to make considered decisions on how your work engages with and incorporates diverse communities.

Alongside practical skills, you will develop a deep understanding of film history and theory from leading academics and industry practitioners in the field. You will benefit from the strong base of practice-led research within the Faculty, which has an international reputation through its Research Centres.

Format

The course offers a varied and engaging schedule of study including academic lectures, practical instruction, seminars, and masterclasses with working cinematographers. Guest speakers will introduce and contextualise work. You will also have the chance to attend field trips to camera rental houses, production facilities and laboratories.

You will be encouraged to attend film festivals to gain unique perspectives on industry practice. Screenings and discussions will enable students to analyse and critique a range of film and moving image work and the practice of classic and contemporary cinematographers.

Throughout the course, you will undertake both group and individual project work supported by tutorials, mentoring, workshops and independent study. Part of your final assessment will be based on the production of a body of cinematic work.

Assessment

We will make use of a variety of assessment tools throughout the course, including essays, reflective diaries, presentations, portfolios, coursework and a professional practice report.

Careers / Further study

Successful graduates will be equipped to work in a wide range of film industry contexts, in roles such as Director of Photography, Lighting Cameraperson, Lighting Director Camera Operator, Camera Assistant, Digital Loader, DIT and Camera Trainee.

Other career options include events and theatre lighting, grip work and post-production, as well as independent filmmaking and working with film organisations such as the BFI, Creative England and other regional film agencies. This Masters is also an excellent path of study for those pursuing academic work or who wish to go on to Doctoral level study.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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Bristol Old Vic Theatre School Theatre Studies
Distance from Bristol: 0 miles
This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. Read more
This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. The skills and techniques acquired on this course are to the level necessary for theatre, television, film and animation industries..

During the year students acquire an understanding of professional practice and standards, and gain in-depth skills and experience in scenic art techniques and their application, combined with the practice of managing a scenic art department.

The Course has 3 very intensive terms during which students paint the sets for the School’s six main house public productions, offering them the opportunity to see their finished work used on stage in a wide range of public performances and venues. Teaching is led by the School’s Head of Scenic Art in collaboration with visiting industry professionals who provide master-classes in a range of skills and techniques that include; life drawing, portraiture, perspective, marbling, wood-graining, polystyrene carving and painting for animation. The scenic art students work collaboratively with the School’s other production departments, and most especially with design students. Furthering their introduction to the industry, work placements with principal companies are arranged during the course; particular attention is placed on students developing their own professional portfolio. Upon graduation students will showcase their work in a public exhibition and be interviewed by some of the UK’s leading industry practitioners. In a freelance industry most of our graduates begin working as assistants for scenic artists, scenic workshops and large theatre companies, eventually becoming supervising scenic artists themselves.

Recent graduate employment; The Royal Opera House, The Royal Shakespeare Company, Cardiff Theatrical Services, The Royal National Theatre, Northern Ballet, TR2 Plymouth, Richard Nutbourne - Cool Flight Ltd, Cameron Macintosh's National Tour of ‘Mary Poppins’, Disney's ‘Aladdin’, ‘Charlie and the Chocolate Factory’ for Warner Brothers. Film work includes; Wes Anderson's ‘Fantastic Mr Fox’ and ‘Isle of Dogs’ (still in production) Tim Burton's ‘Frankenweenie’, Aardman Animations' ‘Shaun the Sheep’, ‘Pirates’ and ‘Early Man’ (still in production). TV work includes 'Will' for TNT and ‘Crazy Face’ for Netflix.

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Bristol Old Vic Theatre School Theatre Studies
Distance from Bristol: 0 miles
A one year course for only two students with the career aim of working in theatre production management. The training for this senior management position in theatre develops a student’s skills to an advanced level in leadership, problem-solving and project management. Read more
A one year course for only two students with the career aim of working in theatre production management.

The training for this senior management position in theatre develops a student’s skills to an advanced level in leadership, problem-solving and project management. Students learn to take a high level of responsibility in a creative industry and gain experience in a professional context.

The course begins with a series of case studies and practical classes in the roles, technologies, financial control, scheduling, planning and health and safety of theatre production. Students will then work as assistant, progressing to production manager, on public productions. The course includes a period of secondment working with a professional production company.

By applying for this course you will automatically be considered for the John Pitt Bursary of £4000 to be used towards your tuition fee.

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