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Masters Degrees in Film Studies, Ireland

We have 4 Masters Degrees in Film Studies, Ireland

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The course is a unique opportunity to embark upon a detailed investigation into the intellectual currents and aesthetic concerns surrounding the study and practice of film. Read more
The course is a unique opportunity to embark upon a detailed investigation into the intellectual currents and aesthetic concerns surrounding the study and practice of film. From the outset, questions of history, theory and context are brought to bear on issues of close analysis and interpretation. Elective modules in Screenwriting, Creative Documentary Practice and Editing allow students to balance film theory with practice. At every step of the way your progress will be informed by an emphasis on independent study and critical thinking. In addition, the course aims to develop the key transferable skills required for postgraduate study. These include dissertation preparation, time management and oral and written presentation.


The course consists of six taught modules and a Dissertation module that includes Research Methodologies.

Dissertation and Research Methodologies
This module prepares students for the formal processes of research and writing at M.Phil. level. Classes will cover library use, archival skills, electronic resources, use of Endnote, research skills, note taking, writing and oral presentation and power-point techniques. Students will write a dissertation of approximately 12,000-15,000 words on an approved topic to be supervised by an appropriate member of staff.

In addition, students choose six of the elective modules listed below:

Aesthetics of Digital Cinema
This course traces the history of the development of the digital image with specific reference to its application to filmmaking. We will look at the analogue origins of the digital image and discuss the aesthetic implications of the shift to digital film. Further we will discuss developing models of criticism and their application to the digital cinematic image. We will be drawing examples from Western (Hollywood, Danish, British) cinemas and non-Western (Iranian) cinemas as well as from other outputs, such as YouTube.

Cinema and Ireland

This course will explore the history of Irish cinema from the 1930s to the present. It will also cover such areas as state film production policies, film censorship, and the history of Irish film distribution and exhibition. In addition, it will trace how British and American cinemas have represented Ireland and the Irish, and it will examine representations of political violence, history, gender and the cinema of the Celtic Tiger years, as well as current trends in Irish film production.

Current Trends in European Cinema
This course will look at and examine the changes taking place in cinema in Europe in the latter part of the twentieth century and the beginning of the twenty-first century. This was a period that saw enormous transformation throughout the continent - both East and West - when the post World War II political dispensation collapsed and Cold War divisions crumbled. The fall of the Berlin Wall in 1989, the break-up of the Soviet Union in 1991 and the subsequent overthrow of the remaining Stalinist regimes in Eastern and Central Europe, the emergence of the European Union as a transnational political entity in 1992, and the globalisation of the world economy all impacted on the way in which films were made and the type of themes they explored and topics they tackled.

Cult Cinema
This module will examine a number of films that have acquired 'cult status' for a variety of reasons. It will pay particular attention to the ways in which these films have circulated in popular and academic discourses and the various attempts to identify 'cult' qualities and qualifying practices.

Melodrama
This module will consider a wide range of variations on the ‘melodramatic mode’, including examples from early cinema, classical Hollywood cinema, as well as current American and European cinema.Â

Editing
This module will introduce students to the craft of editing, giving students an understanding of the essential technical and creative skills involved: how a scene is assembled and seamlessly put together, cutting dialogue, creating tension and drama using editing, using pacing, editing to rhythm, cutting to music and beats. It will also provide students with a through knowledge of the editing software, Final Cut Pro X, covering all aspects of the software, from capture and system-settings, editing tools and shortcuts, to effects, transitions and colour correction. The overall aim is to give students the knowledge, tools and confidence to complete their own work to a professional standard.

Creative Documentary Practice
The aim of this module is expose students to the possibilities of creative documentary film making with a strong emphasis on learning thorough practical application. The module will take a critical look at current practices in the genre with an emphasis both on the techniques of documentary filmmaking and the practicalities of how films are made.

Screenwriting
This module will introduce students to the techniques and conventions of screenwriting. Class exercises will involve the analysis of screenplays and short films, and the course will cover both the conventional three-act structure and other models of screenwriting.

Please note: all modules are subject to change and/or availability. Students must take three modules in Michaelmas term and three modules in Hilary term, subject to timetabling.

Assessment is by a combination of coursework and dissertation:

Each module will be assessed by a combination of written and/or practice based assignments as appropriate and class participation. Total ECTS: 60
Dissertation of approximately 12,000-15,000 words and Research Methodologies assessment. Total ECTS: 30
Postgraduate Diploma

A Postgraduate Diploma in Film Theory and History may be awarded in certain circumstances on the basis of coursework alone (60 ECTS). Entry is the same as for the M.Phil. programme.

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Starting in the academic year 2012-13, the music department will be offering a one-year M.Phil. in Music Composition to cater for the growing demand for graduate studies of international standing in the area. Read more
Starting in the academic year 2012-13, the music department will be offering a one-year M.Phil. in Music Composition to cater for the growing demand for graduate studies of international standing in the area. Apart from one-on-one mentorship in composition itself, students will take courses in among others, music composition, experimental music theatre and opera, film music aesthetics, advanced orchestration (using technology as an assistant), and composition for mixed media. This proposed M.Phil. course will provide a backbone of activity for the new centre of Composition and Contemporary music, part of Trinity’s new initiative in Creative Arts, Technology and Culture. The course director is the composer Donnacha Dennehy, and the composer Dr. Evangelia Rigaki is the course coordinator. Course Content: The course consists of three elements:

4 compulsory taught modules spread across two semesters (40 ECTS). Each compulsory module is worth 10 ECTS. The compulsory modules are Advanced Orchestration, Contemporary Music Studies, Composition I and Composition II.
2 optional taught modules, selected from a choice of 4 (20 ECTS). Each optional module is worth 10 ECTS. The optional modules available are (i) Composition for Mixed Media, (ii) Music Cognition and Design, (iii) Experimental Music Theatre and Opera, and (iv)Theory, Aesthetics and Analysis.
Dissertation Module. The dissertation module consists of two components: (a) final portfolio of composition, and (b) an accompanying thesis of between 10,000 and 15,000 words. The final portfolio of compositions must have a performing duration of between 20-35 minutes. Portfolios with longer performance times will also be accepted, but these must be agreed in advance with the course director.

Students will work on developing their portfolio and accompanying thesis in conjunction with an assigned supervisor. The accompanying thesis should deal with the structure, aesthetics and methods used by the candidate in the act of composition. The thesis should demonstrate a good knowledge of the context surrounding the candidate’s work, and in doing so should engage with history, criticism

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This one year (full-time) MA advances practical, research, and writing skills while deepening creative and critical engagement with media of all kinds. Read more

Overview

This one year (full-time) MA advances practical, research, and writing skills while deepening creative and critical engagement with media of all kinds. The core module in Critical and Creative Media Research develops transferable research, writing, and analytical skills, while optional pathways take students through Irish media history and contemporary media archives; creative interactive computing and digital identities, and writing for screen media and screen production.
Students will be offered the flexibility to pursue traditional scholarly and practice-based research, with most modules permitting a combination of critical and creative assessment options. Electives in Digital Humanities, Sociology, Law, English, and History are available for students keen to explore the interdisciplinary character of media.

Course Structure

A single compulsory module, Critical and Creative Media Research, lays the foundation for the programme in Semester One. Students have the freedom to select individual pathways that combine critical media studies and practical work, honing creative computing, audio-visual production, and screenwriting skills. Modules in Irish Media History, Media Archives, and Identity Technologies explore media in cultural and historical context across formats and platforms, from print to celluloid to digital. The MA programme culminates with a supervised individual thesis project that may assume a variety of forms, from scholarly essay to a practice-based project, where creative outcomes are contextualised and framed theoretically. A Postgraduate Diploma is available to students who do not wish to complete a thesis.

Career Options

This programme offers practical training and transferable skill development for individuals from a variety of educational and experiential backgrounds in humanities, social sciences, and IT fields. It is designed for students who aspire to careers in creative and research-driven areas within media industries such as Marketing, TV, Film and Web Production, and user design, as well as for those who intend to pursue doctoral research in Media Studies or Digital Arts and Humanities.

How To Apply

Online application only http://www.pac.ie/maynoothuniversity

PAC Code
MHS59

The following documents should be forwarded to PAC, 1 Courthouse Square, Galway or uploaded to your online application form:
Certified copies of all official transcripts of results for all non-Maynooth University qualifications listed MUST accompany the application. Failure to do so will delay your application being processed. Non-Maynooth University students are asked to provide two academic references and a copy of birth certificate or valid passport.

Find information on Scholarships here https://www.maynoothuniversity.ie/study-maynooth/postgraduate-studies/fees-funding-scholarships

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