The MA in Art History is a stand-alone program providing an intensive two years of coursework during which students will gain an understanding of the centrality of art historical study in comprehending the contemporary world and the history of ideas that are embedded in the subject. In their first year students are exposed to both the most current thinking in the field and to art history's disciplinary archive through the Department's required Methodologies seminar. Through their coursework and research students are encouraged to explore and engage with the art historical discourse and supplement their understanding of art and its cultural context. Students also augment their skills by completing a language requirement and by presenting their research to peers, faculty, and the public during Roundtable presentations.
Critical and Curatorial Studies (CCST) is an emerging field of scholarship and training that looks directly at the roles and responsibilities of curators and critics as mediators between objects, institutions, experiences, individuals and groups. While this involves investigating and negotiating a number of disciplinary fields, from ethnography to aesthetics, organizational behaviour to cultural studies, the main focus is on contemporary conditions of display and understanding.
CCST students take three required graduate seminars that engage with historical frameworks and contemporary contextual issues within curatorial practice, and case studies in exhibitions and institutions. These popular seminars are open to other graduate students as well and foster interesting dialogues on issues surrounding curation. CCST students supplement their knowledge with Art History courses and are given the opportunity to take additional credits outside the department as well. They are also challenged to achieve reading knowledge of a language other than English for their language requirement, along with the MA in Art History and PhD students.
During the graduate practicum students gain professional experience through the research, planning, and realization of a significant project and are expected to rationalize their exhibition in written work and presentations at various stages during its production. Students are exposed to the practical and theoretical concerns of exhibition creation and are rewarded in their endeavour with local, if not national and international exposure.