The MA Animation Production sees observation, drawing and an understanding of the traditional principles of animation as fundamental, but these are critically contextualised in relation to technology, history, theory and professional/studio practice.
The overriding objective is to enable all of our Animation students to see yourselves as part of a ‘community of practice’ (that includes research and critique, and the building of a ‘production culture’), existing not as atomised students ‘doing their own thing’, but as part of a meaningful whole.
The overall aim of our course is to enable you to pursue your interests and specialism – whether 2D/drawn, CG, stop motion or other forms of animation – and produce excellent work that synthesises the ‘strands’ of theory, practice and professionalism.
AUB Animation has achieved alumni success with our graduates going on to work at Aardman, Framestore, Pixar, EA Games and the Moving Picture Company and many other companies. Our BA films have won awards and recognition in the British Animation Awards and Royal Television Society Awards and at festivals around the world. We are proud of the network of AUB graduates who are now employed in Animation – many of whom return to talk to current students.
A number of graduate films are linked to below or can be found on our course gallery
Our studios work in a way that mirrors industry with students working together in a high energy atmosphere.
Our state-of-the-art animation studios provide students with an individual workstation and light box. The course has its own computer suite with specialist software.
12 Field light boxes | Rostrum cameras | Dell Workstations | Stop Motion booths | Linetesting workstations | Wacom Intuos 4/5 | Wacom Cintiq workstation monitors | Professional lighting Set (Dedo/Kino Flo) | Canon 650D HD/SD Stills Cameras + sundries | Motion control rig | High Speed A3 sheet feed scanners integrated into Harmony | A3 Epson GT-2000 scanners | 24TB Isilon IQ 6000 Clustered Storage | Renderfarm running PipelineFx Qube 6.4 integrated into Maya
You’ll also have access to the following:
Online Avid Symphony Nitris DX Edit Suite | Avid Teaching Lab + 16 Workstations for Media Composer & ProTools | Avid Unity ISIS 32TB Server to all Edit Suites | 3 Avid ProTools Edit Suites + Audio Control Surfaces | Sound recording booths
Toon Boom Harmony | Adobe Creative Master Suite 6 | Autodesk Maya | Stop Motion Pro | Toon Boom Pencil Check Pro | Toon Boom Story Board Pro | Nuke | Mari | Zbrush | Extensive library of software tutorial DVDs | DVD/Blu-ray film library
The MA Commercial Photography course offers you the opportunity to enhance your practice with the aim of becoming a photographer at the forefront of the industry.
This course is founded on the assertion that commercial photography is a powerful form of mass communication that can connect with an audience of millions.
What defines it as commercial is that it is conceived and created with a specific audience in mind, conscious of how meaning is affected by sociopolitical criteria. It can be utilised in a variety of ways: to stimulate commerce; promote new trends; deliver complex narratives; and inform and express opinions. In the process, opportunities arise for creative practitioners working in commercial contexts to produce innovative work.
The course is structured in such a way that learning develops systematically and with an emphasis on the independent learning abilities required for continuing professional development and the advancement of your career.
The course allows you to undertake advanced study in a wide range of areas including advertising, documentary, editorial, fashion and portrait photography. Through originality in the application of contemporary academic research and professional practices to the production of new complex work, you will challenge the accepted conventions of the genres.
By a combined approach of practice, theory and professionalism, the course will provide a challenging and stimulating environment in which you are able to develop your full potential, with the aim of becoming a practitioner at the forefront of the discipline.You will expand your commercial potential by applying genre practices across contexts; for example, the aesthetics of documentary can be applied to advertising, editorial, and fashion outcomes.
The course enables you to develop an in-depth and critically informed understanding of the commercial photography industry.You will engage with key themes in emerging and established critical analyses that underpin each professional genre. This will equip you with the theoretical understanding to progress your practice and effectively articulate your concepts through the production of advanced outcomes to specialist and non-specialist audiences.
You are encouraged to make industrial links across a broad range of organisations relevant to your chosen professional specialism. Using these links you will learn to manage and exceed client expectations through the application of your new academic understanding to the production of inventive commercial work.
The course is designed for ambitious photography graduates, or experienced photographers who wish to develop their knowledge and expertise in order to reach the very top of their field. We look for students with a passion for the subject and who are willing to take risks, and in doing so push themselves to new heights.
Whether you want to develop a strong commercial portfolio or test the boundaries of your creative practice, our photography postgraduate course offers a unique opportunity for talented practitioners to work with highly experienced award winning staff and to use state of the art facilities.
You can see examples of our student work on the course gallery page.
MA Fine Art is an opportunity to look at the familiar with a fresh, perhaps oblique perspective in order to explore how “detour” permits “access”(Jullien 2004) to more subtle yet more complex interpretations. What constitutes a meaningful and useful research methodology in one culture may be considered unknown, unnecessary or redundant in another. These differences are at the very fabric of the Fine Art course; establishing deliberate cross-cultural dialogues with students from International and UK backgrounds and providing a vehicle for highlighting differences in working practices and methodologies.
Recognising the individual and their aspirations, and celebrating ideas and risk-taking, our approach and experience of encouraging inter-disciplinary and collaborative activity lies with the provision of a meaningful journey for our students beyond the obvious.
They meet the fresh, often unpredictable and certainly challenging possibilities that are offered as they test, develop, progress, interrogate, ‘make’ and confidently reflect on their practice.
Our guiding principle is to offer distinctive and exciting opportunities for students to engage in their respective subject discipline in order to redefine their particular individual approach to their practice and position it within their chosen external creative economic and cultural environment.
Crucial to the course is that each student demonstrates a passion for their practice within their chosen medium and subject discipline.
See our online student gallery for examples of our student's work.
Our MA Graphic Design course encourages designers to explore ways of developing understanding between co-communicators.
Recognising the individual and their aspirations, and celebrating ideas and risk-taking, our approach and experience of encouraging inter-disciplinary and collaborative activity lies with the provision of a meaningful journey for you beyond the obvious.
You will meet the fresh, often unpredictable and certainly challenging possibilities that are offered as you test, develop, progress, interrogate, ‘make’ and confidently reflect on your practice.
Our guiding principle is to offer distinctive and exciting opportunities for you to engage in your respective subject discipline in order to redefine your particular individual approach to your practice and position it within your chosen external creative economic and cultural environment.
Whatever your background, you will be required to reflect on your worldview; the underlying assumptions and understanding that guides and constrains your practice, and to use this reflection as a starting point from which to further develop. Your practice can take many forms: it can be self-expressive, or socially orientated; print, screen-based or three-dimensional.
You can focus on an aspect of a well-defined area of design, such as branding, experimental typography, publishing, and user-centred design, or on something more unconventional defined as part of your study.
You will develop a Professional Development Portfolio (PDP) that documents your practice and provides a way of capturing the skills and understanding that you acquire.
Graphic designers often work in groups, sometimes comprising members from different disciplines. The MA Graphic Design course provides many opportunities to work in interdisciplinary ways as it sits alongside the courses of other disciplines. Many of the taught sessions occur in these interdisciplinary groups. At other times however you will be developing your project with your supervisor and other students on your course. This will require you to develop a theoretical framework, methodology and research methods that support your research focus.
As a graphic designer you should anticipate the possible consequences of your design interventions, including the meanings constructed through your practice, in relation to ethical and sustainability issues as well as to other relevant contexts. Creative approaches are required that respond to complex situations in which many problems reside. Outcomes are not constrained by media or by limited interpretations of what it is to be a graphic designer.
Consequently, an outcome might involve the design of an experience or service, as much as it might concern more conventional forms of graphic production.
You can view our student work on our course gallery.
Our MA Illustration course encourages you to question the nature of your practice and its context and position relative to the creative industries.
This course will appeal to you if you're open to participating in a broad range of creative strategies, utilising traditional and digital methods.
These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.
The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration. A selection of our student's work is available to view in our gallery.
Students’ practice is considered within a global context and with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional practice.
Graduates from the MA programme will be able to carve their own niche in an evolving market for visual material.
Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.
The course is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.
Ideas are developed through specific individual approaches to research into practice and reflective enquiry.This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations.
The MArch Master of Architecture at AUB explores the possibilities of architectural practices that conceive and articulate diverse processes of community development and transformation.
The MArch course is for you if you are looking for something different and fresh in your route to becoming an architect in a changing world.
Our course explores the possibilities of new architectural practices that make, innovate and collaborate, exploring diverse processes of community development and transformation.
MArch aims to produce: performative, projective enablers and architecture, cutting into societies deepest darkest myths; building interventions in the utopias and dystopias past, present and future; and launching architectural careers and journeys via its laboratory practice, where the body and somatic practice is at the fore.
The periphery is important geographically, as from there you can see the centre. Both the urban region, the rural and the coast has a a great surface for interventions. Join the eclectic global and local, MArch student body, be ready to catch a big one from the Piers and the Portland Stone cliffs or disappear into the New Forest (Mirkwood) to live like a hobbit.
The urban density of the AUB campus has seen the insertion of an amazing Drawing Studio by visiting professor, honorary fellow and alumni Professor Sir Peter Cook. The RIBA award winning building was opened by Zaha Hadid. Her practice is now closely involved with the development of Pavilion Gardens in Bournemouth, the MArch is shadowing this work.
At AUB, our studios work in a way that mirrors industry, with students working together in a high-energy environment. You’ll work in our recently renovated studios and have access to 3D workshops with manual and digital manufacturing equipment.
You’ll also be able to make use of our makers lab – a shared creative space also used by Modelmaking students – and designed to give the the space to create.
The AUB Workshop is situated on campus and can be accessed by any student. Onsite technicians are on hand to help students make use of the fantastic facilities such as:
You’ll also be welcome to use the printmaking room – located with the Fine Art studios. Where, the University has gained a number of traditional presses, including letter press, etching, relief, lithography and silk screen printing. There are dedicated areas for exposure, screen washing and acid etching – and new presses are added all the time.