Masters Degrees in Drawing

Introduction

MA Drawing at Wimbledon College of Arts is aimed at students who want to explore and interrogate the practice of drawing.

Content

What students can expect from the course:

- A course that promotes drawing for a purpose, focusing on process and cross-disciplinary dialogues that centre on communicating ideas to an audience, client or user

- To develop their drawing, discursive skills and agendas through a re-orientation of their practice

- Collaborations across and between diverse disciplines and courses at the College

- To have access to rich research sources such as Wimbledon’s Jocelyn Herbert Archive, the Stanley Kubrick Archives and University of the Arts London Centre for Drawing

- To benefit from the College’s established relationships we have with Tate Britain, The British Museum, Ashmolean Museum, The Royal Academy, The Sir John Soane Museum and the V&A drawing collections

- To explore a range of practices and disciplines where new languages and methodologies can be developed, including: architecture,

art, cartography, dance, design, engineering, performance, the sciences and writing

Structure

Unit One:

This will comprise of input from a range of practitioners from diverse disciplines, encouraging discussion of drawings purpose, its currency and potential for communicating and problem solving. This may include input from scientists, architects, writers and performers exploring the boundaries of drawing.



Unit Two:

This unit will focus on defining and developing themes from Unit One via individual or collaborative research questions. The unit will allow students to set up identifiable internal or external collaborations, and establish specific targets. The collaborative process can be used to resolve issues across and between disciplines.



Unit Three:

Will allow students to further develop their individual research questions, and explore and define practical methodologies to articulate drawing for a purpose.

Read less

This is an intensive, vocational course with strong professional links to the industry, offering a maximum of four students, with high levels of painting and drawing skills, the opportunity to develop their careers as scenic artists. The skills and techniques acquired on this course are to the level necessary for theatre, television, film and animation industries..

During the year students acquire an understanding of professional practice and standards, and gain in-depth skills and experience in scenic art techniques and their application, combined with the practice of managing a scenic art department.

The Course has 3 very intensive terms during which students paint the sets for the School’s six main house public productions, offering them the opportunity to see their finished work used on stage in a wide range of public performances and venues. Teaching is led by the School’s Head of Scenic Art in collaboration with visiting industry professionals who provide master-classes in a range of skills and techniques that include; life drawing, portraiture, perspective, marbling, wood-graining, polystyrene carving and painting for animation. The scenic art students work collaboratively with the School’s other production departments, and most especially with design students. Furthering their introduction to the industry, work placements with principal companies are arranged during the course; particular attention is placed on students developing their own professional portfolio. Upon graduation students will showcase their work in a public exhibition and be interviewed by some of the UK’s leading industry practitioners. In a freelance industry most of our graduates begin working as assistants for scenic artists, scenic workshops and large theatre companies, eventually becoming supervising scenic artists themselves.

Recent graduate employment includes: The Royal Opera House, The Royal Shakespeare Company, Cardiff Theatrical Services, The Royal National Theatre, Northern Ballet, TR2 Plymouth, Richard Nutbourne - Cool Flight Ltd, Rocket Scenery, Cameron Mackintosh’s National and International Tour of ‘Mary Poppins’, Disney's ‘Aladdin’ and ‘Frozen’ on Broadway. Festival work includes ‘Boomtown’ and ‘Glastonbury’. Film work includes: Wes Anderson's ‘Isle of Dogs’ (UK release - March 2018), Tim Burton's ‘Frankenweenie', Aardman Animations' ‘Shaun the Sheep’, ‘Pirates’ and ‘Early Man’ TV work includes: 'Will' for TNT’, ‘Crazy Face’ for Netflix and 'Good Omens' for the BBC. 

Read less

On this unique illustration course - the only one of its kind with a specific academic focus on authorial practice - you'll develop your own voice. You'll learn to see your work as an evolving practice rather than as a response to an already defined concept or brief, as you challenge and re-evaluate your work with the help of teaching staff who are experienced practitioners.

As your authorial voice develops and you learn to identify your audience, you'll also be encouraged to take an entrepreneurial approach, thinking creatively about the outlets and options for your work. This professionalism is aided by the course's close relationship with independent publisher Atlantic Press, offering you opportunities to gain direct experience in the many aspects of producing and publishing graphic literature.

At the heart of this studio-based course is a belief that there is a need to reassert the characteristics of personal origination, ownership, storytelling and literary ideas within the medium of illustration. We'll help you gain the confidence to take ownership of your work, you'll develop new ideas and concepts driven by your desire to create a distinct, original, authorial voice.

You'll explore narrative and storytelling as defined by your developing voice, working on longer-term projects across a variety of mediums that suit your interests – including children's books, graphic novels, digital work and screen-based production. The course will also engage you with current ideas and thinking related to notions of authorship, encouraging you to draw inspiration from a diverse range of influences, providing further personal insight and direction for your practice.

Visit the website https://www.falmouth.ac.uk/illustrationma

Building professional experience

A unique feature of our MA is our relationship with Atlantic Press (http://www.atlanticpressbooks.com/). The specialist publishing house, based in Penryn, was founded 15 years ago by course leader Steve Braund. The partnership enables you to learn about the whole publishing process, from concept to realisation – as well as the practical aspects of printing, distribution and marketing. The close proximity of a publishing press also means that internships to students on the course are offered on a regular basis.

The course will give you a grounding in all aspects of professional practice related to the work of an authorial illustrator. You'll also be encouraged to consider entrepreneurial approaches to your practice. At the end of the course, you'll mount a professional presentation of work from your negotiated MA project.

How the course is taught

Teaching takes place in the form of lectures, seminars, group critiques and workshops, supported by high-profile guest speakers. The Illustration Discourses lecture series considers authorial positions, related theories and their contexts. Both lectures and seminars will help inform your negotiated practical projects, whilst recording your studio practice in a research journal will aid self-reflection.

- Typical workshops

Research Journals
Creative Writing
Screen Printing
Life Drawing
Listening to Images
Book Art
Printmaking & Collography
Etching
Composition
Professional Practice
Table Top Book Binding
Visual Thinking
InDesign I
What are Archives?
Professional Practice, Networking & Entrepreneurship
Visual Narrative
Perspective
Book Design, Layout & InDesign
Bookbinding
Graphic Design

Course outline

This is a one-year course delivered over 45 weeks and divided into three 15-week study blocks. Alternatively, you can study part-time over two years, totalling 90 weeks.

Over the course of the year you'll be required to produce a sequence of three negotiated practical projects based on personal authorial illustration work.

The lecture and seminar series Illustration Discourses supports the practical work, running concurrently with a research journal, which builds connections and the opportunity to reflect on practice. You'll be expected to demonstrate progression; indicating the research, analysis, reflection and investigation necessary for the development of a successful and distinctive authorial illustration practice.

You'll also produce two analytical essays and deliver a presentation exploring areas of personal interest within the authorial context relating to your practice. These will show a consideration of audience awareness and the processes and development of your practice. In order to develop self-reliance the course allows you a good deal of freedom to develop your projects.

Facilities

- Individual studio space
- Full IT facilities
- Print room
- Comprehensive library facilities
- Access to specialist equipment

Assessment

- Assessment takes place at the end of each module
- Combination of visual, verbal and written assignments
- Final assessment takes place in September

Careers

Potential careers include:

- Commissioned or self-published illustrator
- Art director or creative director
- Illustration residencies
- Curatorial roles
- Teaching
- Further study

Interview and selection process

When you apply to join the course, we'll ask you to send us a study proposal and either samples of work or a link to your website or blog, if you have one. At interview we'll look for authorial illustration potential or capabilities, illustration ability, graphic skills, drawing skills, creative writing/storytelling potential, ideas and concepts. We really value meeting you in person but we can hold a telephone or Skype interview if this is not possible.

Falmouth Illustration Forum

Our respected annual Falmouth Illustration Forum recently celebrated its tenth anniversary with the publication of the world's first book devoted to the subject, The Authorial Illustrator (available from atlanticpressbooks.com (http://www.atlanticpressbooks.com/)). Each annual forum explores different aspects of authorial illustration and includes internationally renowned guest speakers.

View information about our forums here - https://www.falmouth.ac.uk/content/ma-illustration-open-forum-2014-witness-reportage-documentary

Find out how to apply here - https://www.falmouth.ac.uk/apply

Read less

Postgraduate study in illustration reflects the diversity of the subject and the opportunities that exist in areas such as publishing, advertising, graphic and web design, theatre, television, art galleries and museums. We welcome applicants with a variety of approaches to Illustration, from both academic and professional perspectives.

You will be encouraged to explore a range of methods with support from highly accomplished and respected staff, all of whom have understanding and expertise in the art of illustration.

Facilities include excellent individual working spaces with access to a drawing studio and extensive printmaking resources. There are life drawing classes, workshops and field trips. You will also have the chance to study bookbinding, book arts, digital technologies and web publishing.

The programme also includes working with writers, designers and publishers in collaboration and in live briefs. Many of our postgraduates have seen their work published and there are a small number of set projects, which evolve from year to year to reflect contemporary developments in Illustration. For example, students have made work for the Royal Botanical Gardens, Edinburgh Filmhouse and the ECA Bookmarks symposium.

You will be encouraged to take part in national and international competitions, with the aim of joining the ranks of those who have exhibited and won prizes in prestigious events, such as the V&A Student Illustration Awards, Folio Society, Penguin Book Awards, 3x3 and Image Nation.

Programme structure

This programme offers an excellent opportunity for independent, focused study. MA students produce a body of practical and written work on an agreed topic. MFA students produce an extended range of work, appropriate to the length of the course. Self-directed projects are connected to a number of set projects, workshops and collaborations throughout the academic year.

Your studies will combine practical studio work with theoretical and written studies, including professional practice elements in preparation for employment in the industry. There is a lecture/seminar series that will examine the wider context of your studies, presented by contemporary illustrators, designers and artists.

Career opportunities

Graduates explore an exciting and diverse range of careers, including working as picture book illustrators, designers, freelance illustrators, artists and craftsmen, or in leading agencies.

Read less

Our MA Illustration course encourages you to question the nature of your practice and its context and position relative to the creative industries.

This course will appeal to you if you're open to participating in a broad range of creative strategies, utilising traditional and digital methods.

These include drawing and printmaking, lens and time-based media, with ideas and concepts that might be realised through exhibition, publication or exciting new hybrid forms.

The course encourages you to engage imaginatively with illustration, in relation to both the academic subject and practice of illustration. A selection of our student's work is available to view in our gallery.

Students’ practice is considered within a global context and with an awareness of the emergence of new and innovative approaches that interrogate, challenge and advance traditional practice.

Graduates from the MA programme will be able to carve their own niche in an evolving market for visual material.

Who would this course suit?

Students studying on the course come from a number of diverse backgrounds including Illustration, Graphic Design, Printmaking, Drawing, Photography and Painting. Others come from outside of art and design, having had experience across other subject disciplines, but demonstrating a passion for illustration.

Course structure

The course is structured and delivered in order to encourage and support you in developing your own distinct visual language, recognising an expansive understanding of contemporary illustration through the exploration of relationships between illustrator as author, audience and context.

Ideas are developed through specific individual approaches to research into practice and reflective enquiry.This deeper understanding and commitment to practice assists students in identifying, exploring and achieving your future career aspirations.

Read less

The Master of Fine Art in Fine Art (MFA) provides postgraduate studio-based arts practice, critical theory in fine arts and access to the professional skills and knowledge to succeed in a career in the fine arts. The programme will appeal to independent artists wanting to extend their practice within a critical research framework supported by practicing tutors. Artists looking to extend their career path into curatorial practice in the contemporary arts, collaborative projects with arts organisations, arts in socially engaged practices and/or further research will find support for this trajectory in this broad-based programme. Teaching involves lectures, seminars, and group and individual tutorials from active artists with research profiles. The programme will equip you with creative, interpretive, critical and analytical skills to develop an advanced understanding of contemporary art and its social, cultural and historical contexts.

The image above shows a close up of the work Nova by Saad Querishi, a former student of Fine Art at Oxford Brookes. Saad has been commissioned to produce a piece of work for the new areas of the campus and will be acting as a resource for the students on the programme.

Why choose this course?

Your artistic practice – An independent studio environment enables you to further your work within a supported critical framework. Through group and individual tutorials, staff/peer critique and presentations, an incremental approach is applied whereby you will confidently develop your work towards public exhibition/dissemination. There are two formal exhibitions during the MFA programme.

Flexible studio options – Students may select to locate their studio either at Oxford Brookes or elsewhere. Students working from their own studios will be eligible for a reduced tuition fee. 

Technical resources – The School of Arts’ workshops offer supported working environments in a range of specialist areas including: sculpture, photography, video, sound, printmaking and book-works. All our workshops are staffed by highly skilled and creative Technical Specialists.

Extra-curricular activities – You will gain exposure to a range of contemporary artistic practice through the thriving creative student community in the School of Arts at Oxford Brookes. You will participate in the lectures and film screenings set up by the Fine Art Research (FAR) Group. These include visiting contemporary artists, critics, curators and notable alumni. Free life drawing classes extend your drawing skills and optional local, regional and international field trips provide further stimulus.

Theoretical framework – Your ability to articulate your own creative position is enabled through a critical engagement with a range of scholarship informed by diverse practices by nationally and internationally recognised artists, collectives and movements. An early theoretical module explores contemporary art discourse through seminars informed by selected readings and in a later module you develop a more intense involvement with theory related to your individual research interests.

Professional development – The programme enables you to identify a professional focus which is likely to inform your subsequent career trajectory. This might involve research preparation, a placement, a collaborative project or exhibition management/curatorial practice. With the guided experience in this module our graduates are better prepared for a successful career as a professional artist.

Careers and professional development

How this course helps you develop

In addition to the support, teaching and development opportunities afforded by the curriculum, as a student you will be immersed in the active arts environment of the School. During your studies with us you will have access to the visiting speakers arranged for this and for other arts programmes, for the seminars and conferences in diverse fields, including publishing, film, music and digital production in the School. The field trips, visiting artists, PhD students and opportunities in the programme’s Professional Experience module offer a rich network of individuals and organisations that enable you to make useful contacts for your future career. 

Careers

Graduates from this programme will be well equipped to pursue their practice as independent artists who have a well-developed understanding of the theoretical and professional contexts of the current and contemporary landscape of the arts and creative industries. 

This programme is delivered within the School of Arts, which offers a vibrant environment for the creative industries including film, photography, music and publishing. Through the modules, which address practice, theory and professional experience, students are provided with links to engage with employment and further study opportunities, either as independent practitioners, facilitators or participants within a range of group and collaborative practices and contexts. 

Free language courses for students - the Open Module

Free language courses are available to full-time undergraduate and postgraduate students on many of our courses, and can be taken as a credit on some courses.

Please note that the free language courses are not available if you are:

• studying at a Brookes partner college
• studying on any of our teacher education courses or postgraduate education courses.

Read less

The MA Animation Production sees observation, drawing and an understanding of the traditional principles of animation as fundamental, but these are critically contextualised in relation to technology, history, theory and professional/studio practice.

The overriding objective is to enable all of our Animation students to see yourselves as part of a ‘community of practice’ (that includes research and critique, and the building of a ‘production culture’), existing not as atomised students ‘doing their own thing’, but as part of a meaningful whole.

The overall aim of our course is to enable you to pursue your interests and specialism – whether 2D/drawn, CG, stop motion or other forms of animation – and produce excellent work that synthesises the ‘strands’ of theory, practice and professionalism.

What does the course cover?

We have detailed information on the course structure and content on our website: https://aub.ac.uk/courses/postgraduate/ma-animation/course-journey/

Where will this degree take you?

AUB Animation has achieved alumni success with our graduates going on to work at Aardman, Framestore, Pixar, EA Games and the Moving Picture Company and many other companies. Our BA films have won awards and recognition in the British Animation Awards and Royal Television Society Awards and at festivals around the world. We are proud of the network of AUB graduates who are now employed in Animation – many of whom return to talk to current students.

A number of graduate films are linked to below or can be found on our course gallery

Facilities

Our studios work in a way that mirrors industry with students working together in a high energy atmosphere.

Our state-of-the-art animation studios provide students with an individual workstation and light box. The course has its own computer suite with specialist software.

Animation Hardware

12 Field light boxes | Rostrum cameras | Dell Workstations | Stop Motion booths | Linetesting workstations | Wacom Intuos 4/5 | Wacom Cintiq workstation monitors | Professional lighting Set (Dedo/Kino Flo) | Canon 650D HD/SD Stills Cameras + sundries | Motion control rig | High Speed A3 sheet feed scanners integrated into Harmony | A3 Epson GT-2000 scanners | 24TB Isilon IQ 6000 Clustered Storage | Renderfarm running PipelineFx Qube 6.4 integrated into Maya

You’ll also have access to the following:

Online Avid Symphony Nitris DX Edit Suite | Avid Teaching Lab + 16 Workstations for Media Composer & ProTools | Avid Unity ISIS 32TB Server to all Edit Suites | 3 Avid ProTools Edit Suites + Audio Control Surfaces | Sound recording booths

Animation Software

Toon Boom Harmony | Adobe Creative Master Suite 6 | Autodesk Maya | Stop Motion Pro | Toon Boom Pencil Check Pro | Toon Boom Story Board Pro | Nuke | Mari | Zbrush | Extensive library of software tutorial DVDs | DVD/Blu-ray film library

More details and photographs of the specialist studios are available on our website: https://aub.ac.uk/courses/postgraduate/ma-animation/resources/

Read less

Illustrators work within many disciplines, are able to visualise, elucidate and extend the meaning of a given field of knowledge or information and communicate ideas and narratives to specific audiences.

The contemporary practice of illustration is multidisciplinary, incorporating drawing, printmaking, traditional and digital media, model making, performance and collaborative, interactive practices.

Design Network

Based in the heart of the School of Art, MA/MFA Design: Illustration is part of an innovative design network — a community of staff and students exploring design ideas in a discursive, cross-disciplinary studio environment. Critically informed practical designers, the group works experimentally, inspired by new insights and possibilities.

While studying towards a particular qualification at MA/MFA level, students experience their subject in the broader context of contemporary design practice.

Specialist Environment

Dedicated spaces for the postgraduate community have been developed to enable the postgraduate community to flourish. These spaces, for thinking and practice, are located centrally within the School of Art, allowing easy access to an extensive range of workshops where the combination of traditional and state of the art equipment opens up a world of exciting possibilities.

Course Content

The MA Design: Illustration is made up of four units totalling 180 credits.

The programme is designed to help you acclimatise to the challenges of MA level research and practice, enabling you to identify and describe a clear direction for your postgraduate design study.

You will be encouraged to develop design propositions that encompass key design issues and have complexity and ambition, taking full consideration of the relative contextual drivers.

You will also be encouraged and supported to extend your experience in the professional sphere either through a practical project, research context, exchange, work experience, or other negotiated professional set of interactions with an external partner, groups of students and creative industry.

Towards the end of the programme you will undertake a major project to consolidate your past research and practice into fully realised collections, pieces, proposals, business plans, or exhibitions – whatever means is appropriate to the work. You will also have developed a strategy for the continuation of your practice located and contextualised to the profession or discipline.

If you choose to progress to MFA Design: Illustration award you will study a further two units of 60 credits each.

This route is focused on the continuation of your practice aligned to the research and selection of appropriate public or professional venues and platforms to disseminate a significant body of work. You will be required to produce work for a public audience in the most relevant and appropriate form along with any implicit publicity and dissemination material.

Read less

Why take this course?

This exciting new MA in Illustration offers you the opportunity to question, develop and reflect upon you own practice by exploring both traditional and innovative techniques. Through a negotiated project you will be encouraged to define your role as a creative practitioner in a broad social, political and historical context. This MA would suit graduates from arts based courses but also professionals returning to education to complete ‘unfinished creative business’.

The staff team has a wealth of experience with internationally renowned practitioners in the field of artist’s books and zines, practice-based PhDs and printmaking. The course benefits from an extensive dedicated collection of artists’ books and zines located within the illustration studios. You will consider the question “what is illustration?” and seek to redefine and cross boundaries. A strong social awareness ethos underpins the course enabling you to develop a unique voice within the creative industries.

What will I experience?

On this course you can:

Reflect on and challenge your illustration practice through a mix of lectures, seminars, group critiques, themed events, short projects, workshops and individual tutorials.
Engage with high profile visiting lecturers alongside the University’s dedicated careers department to build your Professional Practice skills.
Develop your existing skills through specialist workshops which could include print workshops, Adobe workshops that could lead to Adobe Certified Associate status, laser cutting and 3D printing, photography, collage and drawing.
Explore themes such as, narrative and sequential illustration, humour and satire, ethical and social positioning of the artist, and exploring literary sources for inspiration, limited edition publications, small presses and artists’ books.
Discuss the social responsibility of the illustrator as a cultural producer.

What opportunities might it lead to?

The course will provide you with the practical skills necessary to compete in a commercial arena and rhetorical skills to enable you to promote your work.

Our graduates could pursue careers such as:

Art director
Animator, storyboard artist and digital illustrator
Graphic/editorial designer
Toy and character designer
Comic book or graphic novelist
Printmaker and small press publisher
Zinester

Module Details

This course will help you learn independently through practice-based study, culminating in a self-defined project, with a reflective report. You will also position your work in relation to what is happening at the forefront of the subject area, with particular focus on social, political and social issues.

Here are the units you will study:

Proposal: This unit is about designing an independent practice-based project that will form the basis of your body of work. You will research a theme related to your practice and develop an independent programme of study outlining research and development.

Illustration Major Project: You will produce a resolved body of work responding to and reflecting on your initial MA proposal. This will consist of critical diary/blog, media experiments, sketchbooks and final artwork(s). It could take a variety of forms, e.g. artists book, print sequences, children’s books, comics and zines, animation etc.

A Question of Research: This unit provides an introduction to debates and research methods relevant for creative practitioners and your application to a pertinent research question. It also encourages self reflection on the research process.

Contextual Research in Illustration – You will use a variety of forms/techniques to communicate your research into your practice and the reverse. It will consist of three elements that build upon each other: a verbal presentation - sharing research and development; Illustration major project reflective document - evidencing methodology through to resolution; and a final project statement with accompanying digital portfolio of images.

Programme Assessment

You will receive guidance and supervision throughout the programme that encourages independent learning. There will be regular contact teaching time including group tutorials, 1-1 tutorials and workshops but we also aim for you to engage in the wider studio culture that develops within the subject area along side the undergraduate students in illustration.

During the final stage of the course in the summer term the learning becomes more independent and self-managed, making your timetable more flexible.

You will be assessed after the submission of your work for each unit. We also present structured feedback to ensure your project development on the right track.

Student Destinations

We anticipate that once you have completed this degree the scope of your opportunities within the creative industries will have widened giving you the rhetorical skills to enable you to effectively promote your work. You will have consolidated or repositioned your practice as a creative individual giving you a competitive edge in the commercial arena as an illustrator/artist. Alternatively, for those who wish to continue studying, there is always the option of progressing to doctoral level in your specialised area of illustration.

Our graduates could pursue careers such as:

Children’s book author/illustrator
Animator, storyboard artist and digital illustrator
Graphic/editorial designer
Comic book or graphic novelist
Educational, heritage or medical illustratort
Printmaker and small press publisher
Zinester

Read less

The Master of Fine Arts (M.F.A.) degree program offers students the opportunity to pursue graduate study in the Departments of Art, New Media, or Theatre and Dramatic Arts. These majors emphasize a combination of theory and practice relevant to their discipline. Faculty, comprised of artists and scholars, foster an environment of active engagement with material, critical and conceptual investigations in production and performance. The M.F.A. program allows graduate students to concentrate in their chosen disciplines and to synthesize their research into a unique and challenging Thesis Project. Exceptional facilities, integrated technical support, a lively community of arts and culture, and a commitment to academic and creative excellence are integral qualities of the Faculty of Fine Arts.

Course detail

Building on our reputation for excellent undergraduate education in Art Studio (theory and practice) and Art History/Museum Studies, the Master of Fine Arts (MFA) in Art offers students the opportunity to join a dynamic community of contemporary visual artists, historians, and scholars. As a smaller program with high caliber students, the MFA in Art encompasses material, critical, and conceptual investigations in contemporary art through an exceptional level of interaction with faculty, staff, and visiting artists. The MFA in Art is a two-year, full-time studio program of applied and academic study. The University of Lethbridge is committed to providing competitive financial support to all graduate students.

Located a short drive from Calgary, the United States border, and Canadian Rockies, Lethbridge is a growing city that enjoys a diverse geography of prairie, rolling hills, and an expansive natural river valley area. Lethbridge is home to numerous artist collectives, the Allied Arts Council, Trapdoor artist-run centre, and several contemporary art galleries including the University of Lethbridge Art Gallery, Casa, Niche Gallery, Trianon Gallery, Parlour, and the nationally acclaimed Southern Alberta Art Gallery. Several sites for exhibitions are available to graduate students, including in the University of Lethbridge Penny Building, which provides a strong downtown presence.

The University of Lethbridge possesses one of the largest and most accessible art collections in Canada, fostering direct student access to 19th, 20th, and 21st century national and international artwork. A lively and extensive Visiting Speakers in the Arts Program enhances communication with national and international artists, writers, critics, and curators. MFA students are encouraged to augment their studio practice through interactions with our strong Art History/Museum Studies Program, and other graduate programs in the Faculty of Fine Arts (New Media, Music, and Drama). The University’s liberal arts focus offers opportunities to take courses and explore collaborations with the Humanities, Sciences, and Social Sciences.

During the summer months, a unique studio residency is available to graduate students through the University of Lethbridge Gushul Studio Residency Program, located in the Crowsnest Pass, Alberta.

Located in the U of L Centre for the Arts, the Art Department is supported by excellent studio and resourced with a wide range of outstanding technical workshops and digital facilities. Students also have access to an extensive collection of HD and analog cameras, lighting kits, video, and sound equipment.

For more information, including admission requirements and tuition, visit the School of Graduate Studies http://www.uleth.ca/graduatestudies/

Areas of Study

Applications for the upcoming term will have available supervisors in the following areas:

- Drawing
- Installation and Spatial Art
- Painting
- Performance
- Photo Arts (analog and digital)
- Print Media
- Media Arts (sound, video, computer, electronics)
- Sculpture (traditional and experimental fabrication)
- Social Practice

Why study at the University of Lethbridge?

As a graduate student at the University of Lethbridge, you’ll find yourself at the centre of a student-focused environment that nurtures innovation, critical thinking and creativity.

The University of Lethbridge is one of Canada’s top-ranked universities and leading research institutions.

At the foundation of our graduate programs is a multidisciplinary and personalized experience. A collaborative environment is encouraged between faculty and students. This means you have flexibility in decisions regarding the research and learning path you take.

At the U of L, we are committed to helping every one of our students thrive. From aiding with financial support to one-on-one mentorship to individualized career advice, you’ll find support every step of the way.

When you graduate, you will have the confidence you need to succeed in whatever you do, whether that means pursuing further education, teaching in an academic setting or establishing a professional career.

We’re here to help as you find the answers to your questions. As Alberta’s Destination University, the U of L gives you room to think, create and explore, providing a university experience unlike any other.

How to apply

In order to apply, you will need to provide the following documentation:

• Academic Transcripts
• Curriculum Vitae
• Three Letters of Reference
• Letter of Intent
• English Language Proficiency (ELP)

All applications and supporting documents must be provided through the online portal: https://www.uleth.ca/future-student/graduate-studies/apply

Funding

Find information on Scholarships here http://www.uleth.ca/graduate-studies/award-opportunities

Read less

See the department website - http://www.rit.edu/healthsciences/graduate-programs/medical-illustration/

A medical illustrator is a professional artist with advanced education in the life sciences and visual communication. Collaborating with scientists and physicians, medical illustrators transform complex information into visual images that are used in education, research, patient care, public relations, legal cases, and marketing efforts.

Plan of study

The MFA program provides training in the biomedical sciences, the principles of visual communication, and a variety of digital media including 2D illustration, 3D computer modeling, animation, and interactive media. Students produce a thesis, which involves independent research and visual problem-solving to communicate a complex scientific subject.

Admission requirements

To be considered for admission to the MFA in medical illustration, candidates must fulfill the following requirements:

- Hold a baccalaureate degree in a field of the arts, sciences, or education from a regionally accredited college. The undergraduate degree should include studio art courses, one year of general or introductory biology (for biology majors), and a minimum of three advanced biology courses, such as vertebrate anatomy, physiology, neurobiology, cell biology, molecular biology, immunology, microbiology, genetics, developmental biology, or pathology.

- Demonstrate, through the quality of the undergraduate record and creative production, a genuine, professional potential,

- Demonstrate, through the submission of a portfolio, outstanding drawing skills, particularly the ability to draw subjects from direct observation.

- Submit official transcripts (in English) of all previously completed undergraduate and graduate course work, and

- Complete a graduate application.

- International applicants whose native language is not English must submit scores from the Test of English as a Foreign Language. Minimum scores of 550 (paper-based) or 80 (Internet-based) are required. Scores from the International English Language Testing System may be submitted in place of the TOEFL. A minimum score of 6.5 is required. Those applicants coming from countries where the baccalaureate degree is not awarded for programs in the practice of art may be admitted to graduate study if the diploma or certificate received approximates the standards of the BFA, BA, or BS degrees, and if their academic records and portfolios indicate an ability to meet graduate standards.

Read less

MA in Visual Islamic and Traditional Arts

At the School of Traditional Arts, based in London, UK, our MA degree is a full-time, two-year, taught course.

Our MA degree in Visual Islamic and Traditional Arts is unique – there is nothing like it anywhere else. We emphasize improving practice in skills and techniques in a range of traditional arts and crafts as much as theoretical and philosophical learning. 

In the first year students take taught modules in geometry, ceramics, stained glass, woodwork, Indian and Persian miniature painting, icons, methods and materials. There is also a residential field study trip. (120 units)

In the second year teaching continues while students work on their own practical and research projects under supervision. (60 units)

At the end of the course, students select examples of their best art to exhibit in our Degree Show.

Our MA students tell us they especially appreciate

·        Expert tuition and attentive supervision

·        Good student:teacher ratio

·        Small groups; close, supportive community

·        International perspectives - teachers and students from varied backgrounds and from all over the world

·        Our apprenticeship model - practising artists and experts guide students' development and deepen knowledge of techniques, materials and philosophical principles  

·         Varied learning - formal presentations, seminars, critical studio-based sessions, residential field study trip, staff and student meetings; informal visits to galleries, museums and other institutions

·         Free access to our School's programme of short courses, in addition to the MA course

·        Individual work space for each MA student

·        Good technical facilities and support 

Find out more about our Masters degree course here.

Applying

Applications for MA course beginning in September 2018 are now closed. Applications for the MA course beginning in September 2019 will be open from 24 September 2018 until 28 February 2019.

If you would like to register your interest and receive updates about the MA course beginning in September 2019, please complete this form here

https://psta.us9.list-manage.com/subscribe?u=318450ca42a631910e91a9689&id=51819e2180

Further information about applying can be found here.

Validation

Our MA in Visual Islamic and Traditional Arts is validated by the University of Wales Trinity Saint David.

Read less

Follow in the footsteps of acclaimed children’s artists. Show your work to publishers at book fairs and exhibitions and get dedicated support from a team of internationally-recognised artists, who’ll help you to develop your own personal visual vocabulary and make connections with the children’s publishing industry.

Overview

This taught studio course, the first of its kind in the UK, will give you the dedicated support and knowledge you need to develop your practice in the art of children’s book illustration.

Within the broad guidelines of each module, you’ll propose and develop a project, with guidance from internationally recognised illustrators, writers and publishers of children's books. You’ll share and discuss your work with other students in group critiques, and attend lectures and seminars that will inform your studio practice.

Illustration at Anglia Ruskin is built on a tradition that goes back to the founding of the Cambridge School of Art in 1858. Our MA students work in dedicated illustration studios right next door to the Ruskin Gallery, with access to a fully equipped printmaking studio.

By studying with us, you’ll follow in the footsteps of alumni such as designer and war artist Edward Bawden, acclaimed graphic satirist Ronald Searle, and Roger Law and Peter Fluck, founders of the TV phenomenon Spitting Image.

Teaching times: currently either Mondays and Thursdays (9am-3pm) or Tuesdays and Fridays (9am-3pm). There are also lectures and presentations on Wednesdays from 3-5pm (full-time); Wednesdays 9am-5pm in semesters 1 and 2 (part-time)

Careers

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Many of our past students now enjoy careers as freelance authors and illustrators for children. Among our published graduates are Paula Metcalf, Marta Altés, Nadia Shireen, Birgitta Sif, Rebecca Patterson and Jo Empson.

You may decide to take your work to a deeper level with a research degree, like our PhD Children’s Book Illustration.

Modules

Core modules:
Observation and Experiment
The Sequential Image
The Diploma Project
The Diploma Review
Master's Project: Art and Design

Assessment

In your first three studio modules, you’ll show your progress through project work, worth 80% of your module grade, and an essay relating to the contextual study lectures, which is worth 20%.

Your Diploma Review thesis will be assessed 100% on your 6,000-8,000 word essay, while the Master’s Stage Project will be assessed 90% on your project work and 10% on your written report.

What you'll study

Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.

Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.

We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.

Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.

We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.

Field trips

At our annual London graduation exhibition you’ll show your work to leading publishing companies and literary agencies. We also organise a stand at Bologna Children's Book Fair each year, where you’ll have more opportunities to secure a publishing deal with industry reps. As a direct result, our past students have signed contracts with publishers including Macmillan, Random House, Nosy Crow, Sarbacane (Fr), Donizelli (It), Child's Play, Walker Books, HarperCollins (NY), Doubleday (NY), Penguin (NY), Faber & Faber and Hodder. Advances against royalties have ranged from €2,000 with an independent publisher, to $50,000 for a three-book deal.

Work experience

Our partnership with Walker Books and its American counterpart Candlewick Press will give you the chance to go on a work experience visit to their London offices. They also sponsor our annual Sebastian Walker Award for Most Promising Student.

Specialist facilities

You’ll work in dedicated illustration studios right next door to our Ruskin Gallery, with access to a fully-equipped printmaking studio.

Read less

“Why do I do this and you do that?”

MA Fine Art is an opportunity to look at the familiar with a fresh, perhaps oblique perspective in order to explore how “detour” permits “access”(Jullien 2004) to more subtle yet more complex interpretations. What constitutes a meaningful and useful research methodology in one culture may be considered unknown, unnecessary or redundant in another. These differences are at the very fabric of the Fine Art course; establishing deliberate cross-cultural dialogues with students from International and UK backgrounds and providing a vehicle for highlighting differences in working practices and methodologies.

Recognising the individual and their aspirations, and celebrating ideas and risk-taking, our approach and experience of encouraging inter-disciplinary and collaborative activity lies with the provision of a meaningful journey for our students beyond the obvious.

They meet the fresh, often unpredictable and certainly challenging possibilities that are offered as they test, develop, progress, interrogate, ‘make’ and confidently reflect on their practice.

Our guiding principle is to offer distinctive and exciting opportunities for students to engage in their respective subject discipline in order to redefine their particular individual approach to their practice and position it within their chosen external creative economic and cultural environment.

Crucial to the course is that each student demonstrates a passion for their practice within their chosen medium and subject discipline.

Student Work

See our online student gallery for examples of our student's work.

Read less

The MA Children’s Book Illustration course is aimed at both professional practitioners wishing to pursue a sustained period of time developing new ideas or recent graduates wishing to focus their studies and refine ideas at an advanced level. The course will also consider students from non-traditional illustration backgrounds, such as fine artists, graphic and Internet designers and animators, providing they can offer clearly articulated and informed reasons for wishing to study Children's Book Illustration at an advanced level.

The emphasis of the course is on the practice of illustration for children’s picture books and story books. At postgraduate level you will be encouraged to pursue a unique and personal line of enquiry within their chosen area of children’s book illustration and design.

LEARNING ENVIRONMENT AND ASSESSMENT

Through the collective community, students have access to a wide range of staff expertise and extensive workshops and studio resources.

The course is supported by extensive computer, studio and workshop facilities located within the department and the University as a whole. There is also a programme of guest lecturers, company and consultancy visits as well as exhibitions and extra workshops.

Both the practical and theoretical elements will be assessed both during and at the end of each module. The final form of the assessment strategy and criteria is the result of collaboration between student and staff.

FURTHER INFORMATION

The MA in Children’s Book Illustration is aimed at practicing professional illustrators, artists and designers wishing to develop new ideas and techniques aimed at the children’s market, and at recent graduates who wish to focus and refine their ideas at a more advanced level

Understandably, Children’s Book Illustration is primarily a visual course; however authorial control over content is also hugely important in the children’s book field so the ability to write creatively and to fuse written and visual content is an important component in the practice of children’s book illustration. You will have the opportunity to collaborate with postgraduate students on the MA Writing for Children course.

At the end of the course you will have a body of work produced to a professional and publishable standard. This will culminate in a final project and public exhibition, and hopefully, although not exclusively, in professional publication.

Read less