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Masters Degrees in Dance Performance

We have 27 Masters Degrees in Dance Performance

Masters degree in Dance Performance equip postgraduates with the advanced techniques to scrutinise and curate advanced, technical artistic performances in dance.

Taught and research MA degrees as well as practice-based MFA programmes are available in this field. Entry requirements normally include an undergraduate degree in a relevant subject such as Choreography or Performance Studies.

Why study a Masters in Dance Performance?

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The MA Performance Dance has grown from a longstanding tradition of postgraduate study in dance at Chichester. Read more
The MA Performance Dance has grown from a longstanding tradition of postgraduate study in dance at Chichester. Offering dance graduates as well as dance artists, at different stages of their artistic lives, the chance to undertake a Masters Degree or Post Graduate Diploma in the UK’s leading Practice as Research department.[ae1] The programme enables students to develop their dance practice as a performer working intensively with a wide variety of established and up and coming international choreographers and performing with the University’s touring performance company: mapdance.

Course content
The MA performers route is led by mapdance company Artistic Directors, Yael Flexer and Detta Howe.
Working intensively with international guest choreographers, students develop their technical and performance skills and deepen understanding of the creative process through experiencing varied choreographic methodologies and artistic approaches.
mapdance operates as a professional company with daily technique classes and rehearsals. From mid-February to May, the company tours nationally and internationally whilst also offering educational workshops.

The 2016/17 Repertory includes new commissions and from Shobana Jeyasingh, Lea Anderson, Hagit Yakira and Cai Tomos.
The Techniques for Performance module accompanying the repertory module (and compulsory for performers route) focuses on excellence in contemporary dance performance involving daily technical training in various dance techniques including release and contemporary techniques, contact improvisation, pilates and Ballet work. This module normally runs autumn and spring semesters.

The MA Performance Dance operates in the context of a professional performance programme and a series of presentations by visiting artists and researchers.

Guest lecturers on the MA have included practitioners and curators all working at the edges of dance research.
There are also opportunities to engage in cutting-edge research with interactive technologies or to market yourself professionally as an artist using DVD and website technologies.
Audition Dates 2017:
28h February, 28th March and 23rd May.
Fees and Finance
Auditions for the post-graduate mapdance programme are currently available.
To apply for 2017-2018, please contact Admissions
To find out more about MA Performance Dance visit mapdance

Home tuition fees 2017
MA Performance Dance - Full Time including dissertation £10,440
Alumni Discount 10% for students applying within five years of completion of an undergraduate course at Chichester: £9396
Overseas fees 2016 are £14,450
Find out more in the application pack here, application form and reference form.

Where this can take you
This course is suitable for you if you are a recent graduate or a dance artist who wishes to extend their technical and performance skills (and have completed a recognised BA degree).

It will offer you …
o an opportunity to work with international established and up and coming choreographers reflect on your professional practice and prior training
o intensive technical training through a variety of contemporary techniques, Pilates, contact improvisation and Ballet
o an opportunity to tour the repertoire across the UK and internationally
o an opportunity to develop your teaching skills within the context of a touring company
o time to deepen your understanding of your professional skills through practice, research and scholarship
o professional Development
o deepening your ability to articulate what you do in written and spoken form
o a stepping-stone toward PhD study

You will develop skills in…
o performance
o technique
o teaching in the context of a touring company
o choreographic methodology and critical thinking
o working independently (via dissertation projects)
o research and the articulation of that research in writing

It will give you…
o tools and skills to support you in the transition to professional practice
o extensive experience of working with established choreographers alongside touring and networking that can aid you in gaining work as a performer or in establishing your work as an independent artist
o a qualification that can aid in obtaining work within educational and HE institutions
o preparation for further study i.e. PhD or professionally-related qualifications
Work placements

There are opportunities to engage with cutting edge research into interactive technologies and to market yourself professionally as an artist using DVD and website technologies.

People you'll meet
Now in its 11 year mapdance is directed by co-artistic directors Yael Flexer and Detta Howe.

This year the company is commissioning choreographers:
o Shobana Jeyasingh
o Lea Anderson
o Hagit Yakira
o Cai Tomos

Indicative modules
The MA in performance includes three core modules: Repertory, Techniques for Performance and Reflective Practice.
The postgraduate diploma includes two core modules: Repertory and Techniques for Performance and an optional module.
Repertory Module:
The repertory module: mapdance encompasses intensive creation periods with international guest choreographer. Students develop their technical and performance skills and deepen understanding of the creative process through experiencing varied choreographic methodologies and artistic approaches. Operating as a professional company with daily technique classes and rehearsals, the creation periods begin in Sept through to February. From mid-February to May, the company tours nationally and internationally whilst also offering educational workshops.

Techniques for Performance Module:
The Techniques for Performance module accompanying the repertory module (and compulsory for performers route) focuses on excellence in contemporary dance performance involving daily technical training in various dance techniques including release and contemporary techniques, contact improvisation, Pilates and Ballet work. This module normally runs autumn and spring semesters.

Teaching and Assessment
Assessment on the MA performers route is based on four core modules, Repertory (60 credits), Techniques for Performance (30 credits) Reflective Practice (30 credits) and Dissertation (60 credits).
Assessment on the postgraduate diploma performers route is based on two core modules, Repertory (60 credits), Techniques for Performance (30 credits) and one optional module.

Assessment Techniques for Performance is continuous, that is process based.
Similarly the Repertory module is continuously assessed however the assessment is comprised by marks given by guest choreographers during the creation process and marks given by both Artistic Directors in rehearsal and on tour assessing both process and performance.

Applications & Course Pre-requisites
Application to the course is made by completing the online application form and completing the additional requirements.
You will also be invited to attend an audition and an interview.

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This exceptional course is designed to enhance your professional skills in a range of artistic, academic, educational and community contexts. Read more
This exceptional course is designed to enhance your professional skills in a range of artistic, academic, educational and community contexts.
It offers you the opportunity for professional level repertory performance practice, as well as creative and choreographic practice in an industry-focused academic environment, supporting your development as a professionally equipped, independent and self-sufficient dance practitioner and scholar.

Polish your practical, theoretical and professional skills in performance and/or choreographic practice using excellent studio, theatre and library facilities as well as our on-campus professional performance work as you enhance your future employability prospects.

Intermediate qualifications available:

• Postgraduate certificate – 60 credits at Masters level
• Postgraduate diploma – 120 credits at Masters level

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/dance-performance-and-choreography#entry

Course detail

• Study with a dynamic and experienced team of tutors with internationally significant experience as academics, practice-led researchers and dance artists
• Explore a range of career opportunities including: independent/freelance dance artist; independent or collaborative choreographer; educator in HE, FE, school or wider community and professional environments; consultant or researcher; or in screen-based performance as a performer in film/video industry, commercial sector or in independent film production
• Develop your professional network through our existing relationships with key organisations such as; Arts Council England, regional and national dance agencies, Youth Dance England, dance development organisations, performance venues, professional dance companies, independent artists, community arts organisations, colleges and schools
• Gain high-level practical, theoretical and professional skills in performance and/or choreographic practice to enhance or sustain your opportunities for employment
• Benefit from a degree that aims to equip you with professional-level skills, abilities and knowledge in dance, as well as an advanced level of self-sufficiency and scholarship, enabling you to access wider employment options or continue to MPhil and PhD research degrees.

Modules

• Dance Research Project/Dissertation
• Researching Dance
• Inter-professional Working Project
• Choreographic Research
• Repertory and Performance
• Somatic Practice
• Dance for Inclusion and Diversity
• Dancing Mind: Dance Psychology
• Choreographic Practices

Assessment

Assessment drives the curriculum, and responds to course aims and learning outcomes by creating opportunities for you to demonstrate skills, knowledge and abilities through a diverse range of practical, creative and critically-informed contexts.

Assessment of practice mirrors professional working environments and expectations as far as possible, and tests skills and abilities as a means of enhancing and preparing for the demands of future employment.

This strategy places a premium on testing independent critical thinking as a catalyst for developing reflective and articulate artists, and independent and confident researchers.

Careers

The course will develop you as a professionally equipped and skilled dance practitioner and scholar, who is realistically able to pursue a range of career options in dance, and in wider creative and cultural industries. It focuses on developing your reflective, enterprising and independent management skills as an underpinning for future self-sufficiency and career longevity.

The course has a professional focus and you will be expected to demonstrate equivalent and relevant professional skills and attitudes throughout. You will utilise these skills to enable you to design and manage academic and creative projects, and be responsible for critical assessment of the outcomes against intended goals.

These learning opportunities reflect professional working contexts and expectations, and demand ambitious and sustained scrutiny on your part as preparation for future roles in project management and delivery.

Gain enhanced employability through experience of real-life dance environments, such as professional performance and touring in the University Dance Company

Explore exciting creative opportunities for interaction with other disciplines: dance and the screen, dance and new media/emerging digital technologies, dance and leadership, and dance and entrepreneurship.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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A double achievement. the rigorous challenges of a real life dance company and the demands of an MA. Become the best dancer you can be and develop the advanced skills you need to work in today's professional arts environment. Read more
A double achievement: the rigorous challenges of a real life dance company and the demands of an MA. Become the best dancer you can be and develop the advanced skills you need to work in today's professional arts environment. Trinity Laban's Transitions was the world's first graduate dance company and it has since acquired an outstanding reputation for technical excellence and originality; it offers you a bridge to the professional world while you study for a highly respected Masters. Your critical reflections and dissertation are embedded within the programme so that you achieve your MA within 13 months.

Please note: the MA Dance Performance is embedded within the Transitions Dance Company experience. You will need to be accepted into the company as a pre-requisite to applying for this programme.

Visit the website: http://www.trinitylaban.ac.uk/study/dance/postgraduate-programmes/ma-dance-performance-transitions-dance-company

Programme Information

Transitions Dance Company has gained an international reputation for the technical excellence of its dancers and the originality of the work it performs. This programme will give you the opportunity to work with outstanding international choreographers, culminating in an international tour. In the past, choreographers have included Rui Horta, Liz Aggis, Della Davidson, Yolande Snaith, Lea Anderson, Mark Murphy, Jamie Watton, Jasmin Vardimon and Jan De Schynkel.

As a member of Transitions Dance Company, you will work within a professional company environment, taking daily advanced level classes in both contemporary dance and classical ballet. These will be supported by classes in fitness and somatic techniques. You will work with professional performers and dance educators, rehearse repertory pieces, and actively engage with professional choreographers in the creation of new works. The company tours nationally and internationally, giving you a professional performance experience in a diverse and challenging repertory.

Programme Content

This challenging experience will help you grow into a performer who will contribute effectively and creatively to the profession, not only as a practitioner but as an articulate advocate for performance and performance practice. By advancing your skills, you'll have the opportunity to formulate a deeper understanding of the technical and artistic complexities inherent in performance. You'll be encouraged to critically reflect on your development in the studio and in wider theoretical contexts.

The taught element comprises the following modules:

M-502 Research Methods
M-521 Advanced Technical Practice
M-522 The Performer in the Creative Process
M-523 Dance Performance
M-505 Project

The Project (M505), which you undertake following your time with Transitions, may take the form of a lecture-demonstration, a written dissertation, or a practice-based project with supporting documentation.

See the Programme Specification on our website for further details.

Progression Routes

Transitions is constantly evolving to reflect changes in the dance scene, ensuring alumni are quickly employed. Recent MAP graduates have performed with Lost Dog, Michael Clark Company, Ballet Boyz, Fabulous Beast Dance Theatre amongst others, as well as making and performing in their own work.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/dance-applications

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The MA Dance Masters by Research contributes to a longstanding tradition of postgraduate study in dance at Chichester. Offering dance graduates as well as dance artists, at different stages of their artistic lives, the chance to undertake a Masters Degree in the UK’s leading Practice as Research department. Read more
The MA Dance Masters by Research contributes to a longstanding tradition of postgraduate study in dance at Chichester. Offering dance graduates as well as dance artists, at different stages of their artistic lives, the chance to undertake a Masters Degree in the UK’s leading Practice as Research department. The programme enables students to develop their own research interests and, supported by tutors design a programme of dance research that addresses specific areas of interest.

Course content
The MA Dance Masters by Research enables students to develop their own research interests and, supported by tutors design a programme of dance research that addresses specific areas of interest, as an example, projects might explore areas such as; Dance and Postmodernism, Community Dance Practice, Dance in Education, Popular Dance, Site-Specific Dance Practices, Dance and technology, Dance Film, Dance and Interdisciplinary Arts Practices, Dance History, Dance and Politics.
Guest lecturers on the MA include scholars, practitioners and curators all working in innovative areas of dance research.

Our facilities
Our dance facilities include four superb dance studios, a fully-equipped 250-seat theatre and a 110-seat studio theatre. In addition, there is a newly refurbished large gymnasium space together with two new sprung-floor spaces in the new academic building. Our students will use the facilities within our dance technical team to enhance their understanding of scenography, sound and cameras, and the editing suites to support their choreography and creative practice situated in the Learning and Information Zone of the library.
Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.

At the Bishop Otter campus there is an integrated approach to the provision of learning resources and support. We offer a substantial collection of books, journals and other materials to help you further your research. A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas. We use an electronic learning environment with an expanding portfolio of online library resources from anywhere at any time.
The Learning Resource is the hub of the learning environment. It has two upper floors of library resources, one for silent study and one for quiet study, both of which have recently been refurbished. On the ground floor, you’ll find the Support and Information Zone, Media Centre, Otter Gallery, Costa Coffee and a variety of IT resources.

The Bishop Otter LRC also offers:
o 130 open access PC workstations
o 45 Apple iMacs
o Ample printing facilities
o Netbooks available on loan
o Professional editing suites
o Media loans counter
o Wi-Fi and plug points throughout

Where this can take you

This course is suitable for you if you are a dance / arts professional, teacher, recent graduate or a dance artist who wishes to extend their research skills.

It will offer you …
o an opportunity to work with nationally and internationally established dance scholars and practitioners
o time to deepen your understanding of your professional skills through practice, research and scholarship
o Professional Development
o deepening your ability to articulate what you do in written and spoken form
o a stepping-stone toward PhD study
You will develop skills in…
o critical thinking
o working independently (via dissertation projects)
o research and the articulation of that research in writing
It will give you…
o preparation for further study i.e. PhD or professionally-related qualifications
o a qualification that can aid in obtaining work within educational and HE institutions
Indicative modules

Core modules:
Independent Research Project module:
Your research skills will be facilitated through the formulation and realisation of a self-directed research project in broadly based dance practices, which underpin the MA programme. You will be expected to contextualise your work in the light of contemporary developments in dance research.

Dissertation module:
The Dissertation emphasises independent research where you select an area of investigation with the advice of tutors. This may arise from earlier modules studied on the degree. The research may focus on performance practice, professional practice (i.e. teaching and community dance practices) applied critical, historical or epistemological issues.

Optional modules
In addition to the two core modules, students are required to select two optional modules, these normally include options such as; Artist as Producer, Pedagogical Skills, Body in Site, Dance Writing and Criticism, Performing Politics.
Assessment for this programme employs various methods chosen as the most appropriate for demonstrating achievement of the learning outcomes for each module. All modules are assessed by means of programme work in the form of essays, practical choreography presentations, ,reports, presentations, learning journals, portfolios, online tasks and group working.

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The MA Choreography and Professional Practices programme invites students to examine innovative and experimental approaches to choreographic practice, research and scholarship. Read more
The MA Choreography and Professional Practices programme invites students to examine innovative and experimental approaches to choreographic practice, research and scholarship. It provides you with time and space to explore choreographic dance practices and methods of research, experimentation and innovation i.e. improvisation methods / techniques, somatic approaches, developing new movement vocabularies, collaboration and devising to develop your own artistic voice.

The MA Choreography and Professional Practices draws on expertise from a number of professionals within the dance industry and is delivered in close relationship with a national dance agency, South East Dance based close by, in Brighton.

The degree incorporates opportunities for engaging in Continuing Professional Development opportunities such as workshops, career planning, master classes and residencies alongside the development of your own choreographic skills.

The MA offers an introduction to research methods in the arts and to strategies for documenting live performance practice and promoting your work to wider audiences.

It provides opportunities to pursue live performance practices as a choreographer and to consider how your work is situated in relation to the wider field of professional contemporary dance practice.

It allows for you to develop your own artistic voice and to explore single discipline or interdisciplinary practice-based arts research projects involving choreography, performance, fine art, music, installation, and so forth – led by you and your interest in performance making.

The MA is designed to cater both for students who wish to develop their dance-making skills in order to further their careers as reflective practitioners, and as a foundation programme for those hoping to pursue practical and/or theoretical research at M.Phil or Ph.D level.

For the award of the MA you need to attain 180 credits at Level 7 including the Dissertation module.

The MA Dissertation project can involve practical performance and or written work determined by your needs as a performance researcher and maker.

Course fees for 2017

1 Year full time including dissertation £8460.00.

There is an Alumni Discount of 10% for students applying within five years of completion of an undergraduate course at Chichester.

Our facilities
At Chichester, we teach in small groups and pride ourselves on the quality of the learning environment we have created for our students. The Dance courses are delivered on our Bishop Otter Campus where the Learning Resource Centre (LRC) is the hub of your learning environment. It has two upper floors of library resources with dedicated areas for silent work or group study, while on the ground floor you will find the Support and Information Zone, Media Centre, Otter Gallery, Costa Coffee and a variety of IT resources. There are over 130 open access PC workstations, 45 Apple IMacs and ample printing and media facilities. A state-of-the-art wireless network offers fast internet as well as access to all our online resources. You will also have a dedicated subject librarian who will be available to help you access all the library resources you need for your course, both on the shelves and online.
Our Dance facilities include four superb dance studios, a fully equipped 250-seat theatre and a 110-seat studio theatre.

Where this can take you
The MA in Choreography and Professional Practices will equip you for a range of careers in choreography, performing arts, dance development, arts administration, performance, teaching or dance research.
It will also prepare you for further study i.e. PhD or professionally-related qualifications.

Work placements
The programme has an industry-facing identity facilitated through the relationship with South East Dance, the region’s dance development agency, and you will be able to draw on the skills and expertise arising from this partnership.

The programme includes opportunities for presenting your work at choreographic platform sharings, participating in artist networking opportunities, developing your marketing, fundraising and ‘pitching’ / presentation skills.

Guest lecturers will introduce you to issues affecting dance employment, and your learning is supported by individual tutorials and group meetings to discuss your progress.

Indicative modules
Choreographic Practices
Artist as Producer
Dissertation (practical and written components)
Optional Modules
Choose one from
New Media and Performance Practices
The Body in Site distance learning module over the summer period
Technique for Performance
Writing and Performance
Performing Politics
N.B. This list is indicative not all optional modules will be available in any one academic session.

Teaching and Assessment
The Dance department is a leading provider of excellence in dance education and draws on the expertise of the teaching team. The team is made up of international professional dancers, choreographers, researchers, writers and directors. Each member of the team is renowned for his or her theoretical and practical expertise. You’ll work with, and learn from, a wealth of professional specialist tutors whose backgrounds stem from highly respected performance companies.
As an MA student you will have access to the lively arts research culture at the University including: regular full programmes of research presentations given by staff, web-based learning, research students and visiting artists/researchers, performances by visiting artists/companies, theatre trips to performance events, arts research training events and national arts conferences.

Learning is assessed using various methods chosen as the most appropriate for demonstrating achievement of the learning outcomes for each module. All modules are assessed by means of programme work in the form of practical choreography presentations, essays, reports, presentations, learning journals, portfolios, online tasks and group working.

Students are expected to carry out an independent research project on a topic relevant to the field of choreography. For this module students are supported through seminar sessions and tutorials during the two semesters so that they can develop research skills which are essential for lifelong learning, career flexibility; and for professional practice as well as for personal and professional development. In addition, students have the option to become involved in a number of collaborative projects through which they can, as part of the degree, develop project management, time management and interpersonal team work skills.

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This pioneering MA offers interdisciplinary perspectives on international performance, and aims to understand performance in relation to the culture to which it contributes- http://www.gold.ac.uk/pg/ma-performance-culture/. Read more
This pioneering MA offers interdisciplinary perspectives on international performance, and aims to understand performance in relation to the culture to which it contributes- http://www.gold.ac.uk/pg/ma-performance-culture/

The Masters takes in diverse forms of theatre, including multicultural and street theatre, and such practices as:

performance art
dance
ritual
site-specific performance
a wide range of hybrid forms
It leads you to explore performance as sociocultural process by using analytical principles from sociology, the sociology of culture, cultural theory, anthropology, history, philosophy, politics and theatre and performance.

We have numerous links, locally and internationally, with a wide variety of theatres, companies and performers, all of which enhance your research possibilities.

Contact the department

If you have specific questions about the degree, contact the Department of Theatre and Performance Secretary.

There are three compulsory core modules which focus on a range of issues concerning performance as a sociocultural practice. They involve:

conceptual and theoretical material, their interweave and their relationship to performance
historiographical methodologies and textual issues
analysis of live performances
cultural difference, ethnicity and cross-culturalism
questions to do with corporeality, alternative spaces and performance in terms of social inclusivity
A choice of options or independent study constitutes the fourth component, and a dissertation on your individual research completes your programme of study.

Core modules

The three core modules consist of:

Cultural Theory, Performance, Interdisciplinary Perspectives:
This module is an introduction to the whole programme and focuses on the interdisciplinary use of a range of theories from sociology, anthropology, theatre and other areas to understand live performance. As part of this module you are expected to see as many performances as possible.

Historicising Theatre:
This module is concerned with exploring the problems and possibilities of theatre history, and the relationship between theatre, text and cultural context.

Corporeality, Embodiment, Alternative Spaces:
This module includes work on rituals, shamanism, dance, hybrid forms, site-specific, multi-ethnic performance and theatres of exclusion.

Assessment

Each compulsory module and the option module carry equal weight, each representing 15% of the overall mark. The dissertation is worth 40%.

Skills

You will develop writing and oral skills at a high academic level, demonstrating the ability to think and work in an interdisciplinary manner using a range of methodologies. your ability to work collaboratively and to facilitate and participate in group discussions will be enhanced.

You will also develop skills in identifying the socio-cultural, historical and political issues and pressures specific to varied types of performance.

Careers

This programme provides a strong grounding in the principles of research and of learning through independent research. It is particularly suitable if you wish to pursue further academic work in creative, performative fields.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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Whether you are an established choreographer intent on refining and hot-housing your practice, a dance artist looking to retrain or a recent graduate from a performance-related subject, this course will give you the opportunity to find new and innovative ways to produce exciting choreography. Read more
Whether you are an established choreographer intent on refining and hot-housing your practice, a dance artist looking to retrain or a recent graduate from a performance-related subject, this course will give you the opportunity to find new and innovative ways to produce exciting choreography.

A range of modules will allow you to explore your practice and create a bespoke programme of study that allows you to interrogate your artistic interests and make several new pieces of choreography. You will engage with the latest academic research and insights and learn how to apply this to real-world situations, developing the skills to respond to a brief, curate inventive work for festivals and events, and to collaborate on or initiate interdisciplinary and experimental projects.

You will explore traditional and alternative settings for dance and performance, from the studio and theatre to galleries and museums, and you will have the opportunity to work with groups in the community developing new choreographic methods that may require participatory, immersive or specialised collaborative approaches.

You will share ideas and experiences with fellow students from a range of backgrounds, collaborating, critiquing and engaging with each other's choreographic identity.

Visit the website https://courses.leedsbeckett.ac.uk/MCHOR/

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

Your career opportunities will be varied and personal to your ambitions as a choreographer. You could go on to further develop your specialism and find your identity as a professional choreographer, work as an independent artist leading your own work or responding to commissions, or you could become the artistic director of a company. Your course will also prepare you to lead on community projects or take up roles such as festival programmer or festival producer. You could also work as a dance critic or movement director.

Careers advice:
The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

You will be taught by a small, dedicated dance team of industry professionals who perform, create and write alongside teaching. They are engaged with leading choreographers, dance companies and festivals nationally and internationally, and their insights will feed into your learning. Professional curators, producers, choreographers and dramaturgs will be invited to share their experiences and inspire your learning.

You will have access to our dance studios at Headingley Campus and black box spaces at City Campus, as well as studios at Northern Ballet and Yorkshire Dance. All of these spaces are of a professional standard and will allow you to explore working in a range of settings and atmospheres. We will also encourage you to explore alternative spaces such as galleries, museums and the outdoors as venues for your work.

Beth Cassani

Senior Lecturer

"Watching choreographers push their ideas and challenge their practice as postgraduate students is fascinating and exciting. I feel privileged to be directly involved in fostering choreographic talent and supporting the critical development of the artists who will shape the choreography of the future."

An independent choreographer, Beth is a specialist in contemporary practices and in mentoring emerging artists. Beth has created commissioned work for Scottish Dance Theatre and Company Chameleon. She has taught company class for DV8, Phoenix Dance Theatre and Swedish Dance Theatre amongst others. Her awards include a National Critics’ Choice award, a Herald Angels award and the Peter Darrell Choreographic Award.

Facilities

-Beckett dance studios
Our Leeds Beckett performance spaces include dance studios at Headingley Campus and black box spaces at City Campus.

-Yorkshire dance studios
You will also work in the dance studios at Yorkshire Dance, based in the centre of Leeds.

-Northern Ballet studios
As a choreography student, you will work alongside two professional dance companies and benefit from the facilities at Northern Ballet and Phoenix Dance Theatre's centre for dance.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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Why study at Roehampton. An impressive, national and global reputation which attracts students and dance artists from all over the world. Read more

Why study at Roehampton

  • An impressive, national and global reputation which attracts students and dance artists from all over the world.
  • A unique programme offered by a consortium of four internationally-renowned universities.
  • Study with scholars who are leading experts in their field.
  • Scholarships available.
  • Roehampton is rated No. 1 for dance research in the UK (Research Excellence Framework 2014).

Course summary

Choreomundus is an Erasmus Mundus programme that investigates dance and other movement systems (ritual practices, martial arts, games and physical theatre) as intangible cultural heritage. To apply, please visit the website.

It is offered by a consortium of four universities (in Norway, France, Hungary and the UK) recognised for their leadership in the development of innovative curricula for the analysis of dance. The Choreomundus programme will help you make sense of intangible heritage within the post-colonial culturally diverse world of the 21st century. The programme will help you develop an appreciation of dance that is comparative, cross-cultural, applied and embodied. 

The universities that participate in this programme are Norwegian University of Science and Technology, Trondheim (NTNU) as the coordinating institution Plaise Pascal University (UBP), Clermont-Ferrand, France, Scientific University of Szeged, Hungary (SZTE), University of Roehampton, London, UK (URL), in connection with their groundbreaking Masters in ethnochoreology/dance anthropology, led respectively by Professors Egil Bakka, Georgiana Wierre-Gore, László Felföldi, and Andrée Grau. 

The Department is home to the internationally-recognised Centre for Dance Research, which foregrounds the research of dance as cultural and artistic expression beyond, and including, theatre performance. Through seminars, forums and conferences involving staff and international invited guests, the centre supports a compelling research culture.

We also have excellent links with dance companies and creative organisations. In easy reach of London’s vibrant dance scene, the campus has superb studios and a state-of-the-art theatre for dance students.

Content

In the first semester all students start in Norway for an induction and an intensive course. For the rest of the first academic year, they are divided between NTNU Trondheim and UBP Clermont-Ferrand, and then spend their third semester in Hungary, and the fourth and final semester at the University of Roehampton. Students who successfully complete the programme will be awarded a joint Masters degree from all four universities.

Modules

  • Performance of Heritage
  • People Moving, People Dancing
  • Classicism and Power

Career options

This course prepares graduates for employment in the cultural, heritage and tourist industries including festival and museums, as well as in educational contexts dealing with cultural transmission at local, regional and national levels.

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This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture- http://www.gold.ac.uk/pg/ma-performance-making/. Read more
This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture- http://www.gold.ac.uk/pg/ma-performance-making/

In over 3 decades there has been a creative surge in hybrid live performance worldwide. This has been the work of solo artists, ensembles, auteurs and performer-directors across creative fields, who have redefined boundaries and stretched the artistic and social imagination into new spaces, both literally and figuratively.

Within the vibrant environment of Goldsmiths, and with all the stimulus that London offers culturally, practising or emerging practitioners develop compositional, critical, technical and management skills and strategies for forging independent and self-motivated careers. Our graduates work as practitioners, teachers and cultural leaders worldwide.

On the programme you will conceive, research, construct and deliver your ideas and articulate what motivates these. Teaching is rigorous and interdisciplinary. You study with distinguished international artists as well as scholars within a praxis ethos where theory informs creativity and vice versa. The emphasis throughout is on encouraging collaboration across disciplines and cultures, and on contextualising practice within its social, political and architectural environment.

Physical training, scenographic/environmental exploration and hands-on introduction to technologies (lighting, video and sound) support composition and artistic experimentation. You identify your own practice within the historical and contemporary field, and write critically and creatively. You archive your practice digitally, and on graduation will have developed a portfolio of projects. You are guided on professional development by the Live Art Development Agency (LADA) and the Institute for Cultural and Creative Entrepreneurship (ICCE) at Goldsmiths.

The programme enjoys a wide international professional network of organisations, commissions, venues and festivals of benefit to students. You study both at Goldsmiths and ArtsAdmin. Click here for a full list of artists associated with the programme as permanent and guest tutors.

"The MA in Performance Making at Goldsmiths attracts artists from all over the world seeking to develop their skills, creativity, pragmatics and independence. Taught by distinguished professionals, it encourages original, collaborative research into new forms, new imperatives and new contexts for live performance. As such it makes an invaluable contribution to the culture of performance."

Lois Keidan, Director: Live Art Development Agency, London

Contact the department

If you have specific questions about the degree, contact the Department of Theatre and Performance Office.

Modules & Structure

This is a praxis programme on which you gain 180 CATS (credits).

Practical Study- 30 credits
Performance Making A and B- 60 credits
MA in Performance Making Dissertation- 60 credits
Contextual Theory- 30 credits

Skills

You will become conversant, confident and skilled in a range of methodological practices as well as compositional strategies for independent theatrical, dance theatre and live art creation.

Your critical and analytical skills in interpreting artistic practice will be tested in a range of verbal, written and oral ways. Your study of your own body as a creative instrument will be complemented by learning the principles of scenography and film narrative.

You will research intellectually and produce theoretically informed writing. You will learn to contextualise your own practice and interests in the contemporary field of performance both in the UK and internationally, and to articulate such practice.

Overall you will learn how to research, construct and deliver your ideas performatively and how to advocate your own projects to producers, venues, funders and other agencies.

Careers

Graduates work in a wide variety of professional contexts globally as commissioned performance makers, directors, project leaders, programmers, teachers and academic researchers.

The programme has launched international production companies and collaborations whilst the many organisations employing them include:

Dreamthinkspeak
Station House Opera
Marie Gabrielle Rotie Productions
The Clod Ensemble
Corridor
Lift
The Royal Court Theatre
The Gate Theatre
The Globe Theatre
Goossun Art-Illery
Northern Stage
The Royal National Theatre
The Beijing Academy
BAC
Bernie Grant Arts Centre
Artsadmin
Shunt
Hackney Empire
Greenwich Dance Agency
The Convenor’s Company
Athletes of the Heart

And a range of international commissions and festivals including Edinburgh Festival and Brighton Fringe.

What some of our alumni are doing now

http://www.taniaelkhoury.com
http://www.niabarge.com
http://www.liveartgardeninitiative.org.uk/mariallanderas.html
http://www.2divide.weebly.com
http://www.palimpsest.weebly.com
hekayet.com/chirin.htm
http://www.zoukak.org

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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This Performance Practices MA will allow you to investigate both the creative and critical contexts of performance, taught by our internationally recognised staff who are practising artists and scholars. Read more
This Performance Practices MA will allow you to investigate both the creative and critical contexts of performance, taught by our internationally recognised staff who are practising artists and scholars.

The course aims to foster creative and performance skills, theoretical knowledge and research skills appropriate to contemporary performance practices, and is designed for those wishing to develop themselves as independent artists, practitioner researchers, scholarly researchers and reflective practitioners. It is also suitable for professional artists and educators who wish to reinvigorate their practices and deepen their engagement in performance-making.

You will study topics including the body in performance; audiences; spaces; narrative; memory; digital technologies and collaboration; and these are addressed from an interdisciplinary perspective. You may also gain real life experience through a range of opportunities offered by the industry through our links with local and national organisations.

You will learn through a range of classroom and studio based activities, with assessments including written assignments, group and individual presentations, viva voces and practice based work. Teaching and learning will take place in studios and performance spaces, including the Performance Arts Centre for Excellence (PACE) Building, housing state-of-the-art, dedicated and flexible teaching spaces as well as a social area. Studio space, edit suites, mini dv/sd card cameras and other technical items can be booked. You will have access to an extensive stock of specialist books, videos, electronic resources and facilities housed in the Kimberlin Library.

The programme offers some flexibility in module choice, so that you may broaden existing skills and/or develop new skills that complement your programme specific studies. You may also choose to study a module from another similar programme or to undertake placements, further preparing you for employment in a range of contexts.

The programme is delivered by an energetic research active team with international profiles in their field. DMU is also nationally-recognised as a Centre for Excellence in Performance Arts for teaching and learning.

The programme will develop your knowledge in the field, as well as in communication, research, presentation and performance.
On completion of the programme you will be equipped to pursue a range of careers in the field of performance practices and the creative industries, as well as further academic study.

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Applications are invited for a fully-funded part-time two-year MRes studentship at St Mary’s University, Twickenham, London, to begin on 30th August 2017 [completed proposal due 31st July 2017]. Read more
Applications are invited for a fully-funded part-time two-year MRes studentship at St Mary’s University, Twickenham, London, to begin on 30th August 2017 [completed proposal due 31st July 2017]. The successful candidate will work under the supervision of Senior Lecturers to complete a MRes in the area of expert performance in dance, whilst also providing strength and conditioning (S&C) coaching support to the students of The Royal Ballet School, Covent Garden. Subject to ratification of contract.

A topic to investigate will be agreed through collaboration between the student, supervisor and Royal Ballet School Healthcare Manager. The studentship will provide part-time MRes student fees of £5,500 and a bursary of £11,000 p.a. Please note that the initial stipend payment will be paid upon successful registration in August 2017.

The successful applicant will split their time between the Royal Ballet School in central London and St Mary’s University in Twickenham. As a member of the S&C team working with the international students of The Royal Ballet School you will contribute towards the planning, delivery and evaluation of a programme of world-class S&C support. We are looking for a coach with experience of supporting young athletes in a high-performance setting and who understands how academic research can be used to inform training decisions in an S&C context.

Data collection will be alongside delivery of Strength and Conditioning (S&C) services to The Royal Ballet School’s students. Delivery will be a minimum of 18 hours per week, for 47 weeks per year.

Applicants should possess:
- an undergraduate degree (minimum upper second class) in sport science (or a similar subject)
- Scored a minimum of an upper second class in an undergraduate degree research project
- Hold professional accreditation with the UKSCA (inc. first aid qualified) or have the ability to achieve within 6 months
- Have at least 3 years S&C coaching experience
- Excellent teamwork and communication skills
- Knowledge of research methods and designing projects with a high-level of scientific rigor

The closing date for applications is 5th July 2017
Interviews will be held on the 17th or 18th July 2017

For more information or to apply (please send CV and covering letter) please contact: Matt Springham ()

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A Master's by Research (MA) allows you to undertake a one year (full-time) research degree. It contains little or no formal taught component. Read more
A Master's by Research (MA) allows you to undertake a one year (full-time) research degree. It contains little or no formal taught component. This type of study gives you the chance to explore a research topic over a shorter time than a more in-depth doctoral programme.

Research Master's students choose a specific project to work on and have a greater degree of independence in their work than is the case with a taught Master's course.

You'll be expected to work to an approved programme of work which you will develop in conjunction with your supervisor within the first few months of starting your studies. Whilst undertaking the research project you will also have the opportunity to develop your research skills by taking part in training courses and events.

Your main supervisor will normally head a supervisory team which will comprising up to three members. The research supervisor will advise and support you on your project.

At the end of the project you'll write up your findings in the form of a short thesis of around 25,000 words, which will then be examined.

On successful completion, you will be awarded your degree and if you have enjoyed this taste of research you may then decide to apply for the full research doctoral degree (PhD).

Our research specialisms:

Fundamental to our work, Drama research focuses on practical explorations and developing innovative ways of teaching and training. Our academic staff and postgraduate researchers conduct research around areas of:

• actor training

• psycho-physicality

• ensemble

• creativity and improvisation.

Other areas of interest include performance magic, theatre and learning disability, new writing forms and contemporary political theatre.

Our excellent facilities include three fully equipped performance studios together with workshops, costume stores, digital media suites and changing rooms.

You are advised to take time to investigate the University's website to find out more details about the research we conduct. Please visit the Research section of the website to take a look at the information there.

To find out about the staff in this subject area please visit the subject area page, or alternatively, to look at profiles of any of our academic staff, you can visit our academic staff profile page.

You will need to complete a research proposal outlining your areas of interest and when this is submitted along with your research degree application form we will look for the academics within the University who have the expertise and knowledge to supervise you and guide you through your research degree.

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This MA programme offers an interdisciplinary and multicultural perspective in both contemporary performance practice and research. Read more
This MA programme offers an interdisciplinary and multicultural perspective in both contemporary performance practice and research. The programme is unique, guiding students to conceive research, devise and deliver their creative ideas alongside cutting-edge theories and practice. It will be of particular interest to practitioners, curators and researchers interested in performance in its widest cultural sense and brings together the arts with science and ritual studies.

This MA will help you to develop a mature and critical understanding of a variety of creative forms and their relevant historical and cultural contexts. You will get the opportunity to create new forms and contexts for performance, theatre and dance that respond to emerging social, political and ecological settings. You will learn to write project and funding proposals and document and archive your practice; developing a portfolio of projects to use for professional interactions with art organisations and institutions at national and international level.

The MA is taught by specialist scholars and international practitioners. Supporting students at all levels is of utmost importance at Liverpool Hope and you will be mentored and receive personal development and supervision during throughout your study from distinguished subjects.

Through a praxis ethos where research informs practice and vice versa, students are encouraged to develop their skills, creativity, analytical skills and independence. Overall, the curriculum engages with a wide range of performance strategies including performance art, dance, ritual, site-specific performance, multicultural and/or hybrid forms of theatre.

The emphasis of the programme is on practice-based enquiry and interdisciplinary research. Students are exposed to innovative, integrative and intercultural perspectives on anthropology, politics, cultural theory, religious and ritual studies, but also on the social and human sciences, post-human theories and ecology. ‌

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The M.A Choreography by Independent Research degree offers Higher Education study to professionals who may not wish to engage with a taught programme of… Read more
The M.A Choreography by Independent Research degree offers Higher Education study to professionals who may not wish to engage with a taught programme of study but seek to validate their independent choreographic research through accreditation of prior standing and through the completion of a Reflective practice module (this can be taught flexible through evening and or weekend sessions) and a Dissertation project.

The programme will be of interest to established and mid-career artists both regionally, nationally and internationally for whom flexibility of study is of key importance.

For further information please contact Vicky Hunter:

The fees for 2016 are: £8805.00



A portfolio needs to be presented along with your application form and references. This should consist of the following (as an indication):

Your prior experience (prior standing) as a dance maker will be assessed through the submission of a portfolio and a written essay. The portfolio will be in the form of an extended curriculum vitae with supplementary materials (i.e video evidences, reviews, images, web site and or digital archive materials) that evidence the following:

1.The Portfolio will include:

Three years of professional choreographic experience

Evidence of choreographic productions/presentations

Evidence of funding/commissions from recognizable industry bodies (i.e. ACE, Welcome, Leverhulme, Nesta etc.)

Evidence of engagement with Continuing Professional Development opportunities

Evidence of professional reviews/endorsements of your work

Link to website and or online examples of dance works

2. The Written essay will include:

A written draft proposal for a possible choreographic research project of at least 1,500 words and should include Harvard Referencing and a full bibliography.



Our facilities
At Chichester, we teach in small groups and pride ourselves on the quality of the learning environment we have created for our students. The Dance courses are delivered on our Bishop Otter Campus where the Learning Resource Centre (LRC) is the hub of your learning environment. It has two upper floors of library resources with dedicated areas for silent work or group study, while on the ground floor you will find the Support and Information Zone, Media Centre, Otter Gallery, Costa Coffee and a variety of IT resources. There are over 130 open access PC workstations, 45 Apple IMacs and ample printing and media facilities. A state-of-the-art wireless network offers fast internet as well as access to all our online resources. You will also have a dedicated subject librarian who will be available to help you access all the library resources you need for your course, both on the shelves and online.

Our Dance facilities include four superb dance studios, a fully equipped 250-seat theatre and a 110-seat studio theatre.

Where this can take you
The MA in Choreography and Professional Practices will equip you for a range of careers in choreography, performing arts, dance development, arts administration, performance, teaching or dance research.

It will also prepare you for further study i.e. PhD or professionally-related qualifications.

Indicative modules
Choreographic Practices
Artist as Producer
Dissertation (practical and written components)
Optional Modules
Choose one from
New Media and Performance Practices
The Body in Site distance learning module over the summer period
Technique for Performance
Writing and Performance
Performing Politics
Teaching assessment
Through the assessment and accreditation of professional experience assessed through portfolio presentation and the completion of a Reflective Practice (30 credits) and a Dissertation module (60 credits), the programme addresses the needs of mature learners and professional dance artists who seek to extend and develop their choreographic practice and professional learning through Masters study.

Assessment of prior standing will be achieved through the presentation of portfolio material and through a formal lecture-demonstration presentation (this can be live on BOC campus or via a video or web link). Dissertation supervision will draw on existing staff research expertise and can be delivered through a combination of face-to face tutorials, Skype, and email correspondence.

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The MA Performing Arts. Creative Practice and Leadership develops your capacity to create and lead projects in the performing arts. Read more
The MA Performing Arts: Creative Practice and Leadership develops your capacity to create and lead projects in the performing arts.

From Shakespeare to hip hop theatre and dance, you are encouraged to engage with and reconceptualise classical, avant-garde, contemporary and global practices into distinct and innovative practical work.

You will enhance your understanding of the exciting and varied approaches to work in this key sector of the creative industries, while also considering the specific challenges that face emerging leaders in this field.

Reflecting upon your own artistic viewpoint you will explore the role of the arts in today’s complex societies and the implications from your practise.

You will be encouraged to develop as an agent of innovation in professional and/or community contexts, fostering your capacity to both lead performing arts projects and to work collaboratively.

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/performing-arts-creative-practice-and-leadership#entry

Course detail

• Study with the University’s team of performing arts professionals, visiting artists and facilities that include a professionally theatre.
• Engage with lecturers who draw on their research into, and experience of, creative practices to facilitate your reflections upon the role of performing arts today to refine your own artistic vision.
• Develop as an agent of innovation in professional and/or community contexts, fostering your capacity to both lead performing arts projects and to work collaboratively.
• Explore a unique approach that places the emphasis on practice as the focus for critical reflection and development.
• Benefit from our links with professional networks locally, nationally and internationally as you work towards your final project where you present the culmination of your studies in the manner that best represents your approach to performing arts.
• Benefit from the expertise of performing arts professionals
• Gain from opportunities to present your choreographic or theatre based explorations in our professionally equipped theatres
• Explore practices at the boundaries of theatre making and choreography
• Learn how to engage people in your work and to access new opportunities
• Develop your skills in leadership, networking, project management and collaboration

Modules

• Researching Performance
• Performing Arts Research Project
• Performing Artists and Communities
• Project Planning and Leadership for Performing Artists
• Inter-professional Working Project
• Choreographic Research or Contemporary Theatre Making
• Somatic Practices or The Dancing Mind: Dance Psychology or
• Performance for Inclusion and Diversity

Assessment

Assessment of practice mirrors professional working environments and expectations as far as possible, and tests skills and abilities as a means of enhancing and preparing you for the demands of future employment.

Assessments are designed to help you acquire professionally equivalent skills and abilities, while also promoting and testing your independent critical thinking to develop you as a reflective and articulate artist and researcher as well as an independent and confident future leader.Methods of assessment typify expectations of postgraduate study in advanced performance and include: public and in-studio performances, presentations, oral examinations, literature reviews, essays, and portfolio.

This range and diversity of testing offers opportunities for you, and for the staff team, to explore your relative strengths and weaknesses, and to respond positively to individual challenges through a supportive and personalised learning environment.

Careers

You will be equipped to develop and promote projects and to apply for opportunities in the performing arts suited to your particular skills and abilities. Depending upon your choice of electives these may include:

• Performer: independent/freelance performer Interdisciplinary Performance Practitioner: collaborative and interdisciplinary performance work, self-generated performance-based practice

• Choreographer: independent dance maker/artist, choreographer to specific brief and/or group/project, collaborative artist in interdisciplinary projects

• Director/Theatre maker: independent theatre director and theatre maker

• Educator: lecturer/teacher/leader in a range of formal HE, FE and schools context, in addition to freelance work in wider community and professional environments

• Independent Portfolio Worker in the Creative Industries: consultant and researcher

Previous graduates from the University of Bedfordshire courses currenl work as directors of their own companies, entertaininers, workshop leaders and lecturers.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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