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Creative Arts & Design×

University of Manchester, Full Time Masters Degrees in Creative Arts & Design

We have 19 University of Manchester, Full Time Masters Degrees in Creative Arts & Design

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The MA in Film Studies at the University of Manchester is a flexible programme of study, providing students with opportunities to study areas of film theory, history and culture, as well as aspects of applied practice. Read more
The MA in Film Studies at the University of Manchester is a flexible programme of study, providing students with opportunities to study areas of film theory, history and culture, as well as aspects of applied practice. It caters for students wishing to enhance their artistic and professional careers as well as those seeking to prepare for doctoral study. The course provides opportunities for students who are relatively new to the subject area to establish a foundation in the discipline as well as those who wish to pursue further study. It prepares students for doctoral study and/or employment in film, screen media and creative industries, as well as those who wish to employ their knowledge of screen media and practice in educational, social and community settings.

The course thus builds on extensive links between the University of Manchester and professional contexts and communities in Manchester and the North West. It encourages the research and practice of film in academic and creative contexts, in particular with engagement in non-traditional and/or community sites, combining artistic and academic exploration with a focus on social responsibility, critique and transformation.

Teaching and learning

The MA Film Studies programme offers a solid foundation in theoretical and critical film studies, built on staff expertise and specialisms from form and theory to historical and cultural approaches to national cinemas to the politics of identity, gender and sexuality, and film music as well as practice, for students who may wish to pursue the discipline at postgraduate level for personal or professional development. It also offers opportunities for research and practice in aspects of and approaches to applied Film Studies, for students who may be interested in pursuing more practice-based and socially engaged research, for example, using film production and audio-visual methodologies for research, knowledge exchange and community engagement. This involves acquiring practical skills in addition to theoretical knowledge, such as documentary film-making, sound design, film curation and programming, that could be applied to education, community and activist contexts, as well as work placement opportunities.

Following a mandatory first semester of two core modules, students are free to construct their MA programme from a diverse range of options, including established study options within School of Arts, Languages and Cultures, a directed reading or practice option (enabling you to pursue a specific area of research with the careful supervision of specialist staff), and a work placement option. Study options vary from year to year depending on staff availability.

Students are taught in seminars, small group tutorials, workshops and surgeries, offering opportunities for lively and engaged discussions. One-to-one supervision is offered on all dissertations. Assessment is primarily by written assignment, also there will also be opportunities for those interested in practice as research.

Coursework and assessment

Written coursework in each taught 30 credit taught module is constituted by a 6,000 word essay, or its equivalent, constituted by a combination of various kinds of written work, including essays, log books, evaluation reports, project critiques and practice analysis. The dissertation is constituted by a 15,000 word project on a topic chosen in consultation with the dissertation supervisor.

Career opportunities

This Masters degree teaches and develops a range of transferable skills, and thus enables students to keep open a wide range of career options. Previous MA students have continued to take up PhD study with us, and many of these have gone on to academic and teaching careers in further and higher education institutions. Others have gone on to work for the BBC, in independent television production companies, festivals, film education and other areas of the film and screen media industry.

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The only course of its kind offered by a Russell Group University, our MA in Screenwriting is an intensive one-year training programme designed to professionalise writers and present a genuine gateway into the film and television industries. Read more
The only course of its kind offered by a Russell Group University, our MA in Screenwriting is an intensive one-year training programme designed to professionalise writers and present a genuine gateway into the film and television industries. Over the course of the year, students will work with leading industry practitioners to develop their screenwriting, pitching and story-breaking skills. By the end of the programme, each student will have developed a full length feature film screenplay, a pilot TV episode and two short films. Like all courses at the Centre for New Writing, this programme is taught by practitioners and as such it is vocationally-oriented and industry-focused. Students will have access to individual career guidance and training in how to navigate entry-level work in both the television and film industries.

The course includes regular speakers from the industry which last year included Beth Pattinson BBC Films ( Brooklyn, We Need to Talk About Kevin, Philomena ), Chris Chibnall (writer and creator of Broadchurch) and Pete Czernin, producer of In Bruges and Best Exotic Marigold Hotel (1 and 2).

The course runs across two twelve week long semesters, during which students will attend weekly writing workshops in which they will study the very best of contemporary screenwriting, including shows such as Breaking Bad, True Detective, The Killing, Broadchurch, This is England, Rev, Transparency and The Sopranos. They will also cover British and American examples of charismatic film screenwriting from Goodfellas to The King's Speech via Alien.

In the second semester there will be a London industry day based at BAFTA with talks from agents, producers, and writers as well as a meeting with the BFI.

Students will study story design, visual story-telling and character arcs in both long-running television series and feature films. They will develop the tools to be able to analyse and critique screenwriting craft, and learn how to disseminate their own work. There will be weekly film screenings, and students will have access to an excellent lending library of films to watch at home. Through the duration of the course students will develop a broad and eclectic knowledge of cinema and television.

We intend to keep learning as specific to individual study as possible and study groups will be intentionally small in scale. The course capacity is limited to twelve students each year and you will be taught through a mixture of screenings, lectures and group discussion. Our `writers' room' ethos ensures an environment that encourages collaboration, sharing and creative risk-taking.

Importantly, each summer, we offer students a two week `hands-on' industry placement at a renowned film or TV production company either in London or the North West. Current partners include Film4 ( Room. Ex_Machina, The Lobster) , Wildgaze (Brooklyn) , Number 9 Films (Carol) , Left Bank (The Crown), Warp (This is England) , Red Productions ( Happy Valley, Scott and Bailey ), and Hammer Films ( The Woman in Black , Let Me In ). These placements are an excellent opportunity for students to make useful contacts, and to develop a practical and direct understanding of the professional context within which screenwriters ply their trade.

Coursework and assessment

To complete the MA, students are required to take 180 credits in total. They will take two semesters of courses consisting of workshops/tutorials and seminars. There are 60 credits in the first semester and 30 in the second with 90 for the dissertation.

-All writing workshops meet for three hours per week.
-Workshops will help students add to their portfolio by including adaptations, scenes, draft scripts, script reports, and genre presentations.
-Each workshop is assessed by a portfolio which will include pitches, treatments, scenes, draft scripts, script reports and notes on how to progress a draft.
-Seminars also meet for three hours per week.
-Students will also be offered two individual half- to one-hour tutorials per semester in order to discuss the progress of their writing.

Over the summer students complete a 'dissertation' which consists of a final revised version of a full-length screenplay. This is worth 60 credits.

Career opportunities

This programme is designed to train its graduates to work in the UK film and television industries. Some will work as professional screenwriters, others may take up other, related, positions.

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Why you should choose this course. -You're looking for a course offering an-depth study of cutting-edge compositional techniques, methodologies and associated aesthetics. Read more
Why you should choose this course:
-You're looking for a course offering an-depth study of cutting-edge compositional techniques, methodologies and associated aesthetics
-You want to learn in state-of-the-art facilities, including our £2.5 million electroacoustic studio complex
-You want to pursue a career as a composer working with technology and audio-media, or a PhD in electroacoustic composition

Course description

This course provides an in-depth knowledge of cutting-edge compositional techniques, methodologies and associated aesthetics in creative work that intersects with technology and other artistic or scientific forms. It serves as excellent preparation for a career as a composer working with technology and audio-media, and it provides all the training necessary for embarking on and envisioning novel strands for a PhD in electroacoustic composition, including those informed by other scientific and arts form.

All teaching, research and compositional work is carried out in the NOVARS Research Centre for Electroacoustic Composition, Performance and Sound Art with its state-of-the-art £2.5 million electroacoustic studios. Opportunities for the performance of new works are offered using the 55-loudspeaker sound diffusion system of MANTIS (Manchester Theatre in Sound) and through events such as the Locativeaudio Festival (locativeaudio.org) and Sines and Squares Festival for Analogue Electronics and Modular Synthesis (sines-squares.org). Acousmatic, mixed, live electronic and multimedia works are all possible, with composers able to incorporate the spatialisation of sound and interactive new game-audio media into the presentation of their work.

In addition to the final portfolio, all electroacoustic music and interactive media composition students take the compulsory course unit Composition Project and the further compulsory taught course unit, Fixed Media and Interactive Music . Optional course units normally include Aesthetics and Analysis of Organised Sound, Interactive Tools and Engines, Contemporary Music Studies, Advanced Orchestration, and Historical or Contemporary Performance. There are also choices outside the MusM Composition (subject to course director approval), such as Computer Vision, Mobile Systems, Mobile Communications, Ethno/Musicology in Action: Fieldwork and Ethnography , and Work Placement (Institute of Cultural Practices).

Aims

This programme aims to:
-Build on undergraduate studies, developing skills in electroacoustic composition to Master's level.
-Increase knowledge and a systematic understanding of electroacoustic music.
-Foster the particular creative talents of each individual student.
-Provide all the training necessary for embarking on a PhD in electroacoustic composition.
-Prepare students for a career as a composer and in the wider music industry where critical judgement and developed powers of communication are needed.

Special features

The NOVARS studio complex supports a broad range of activities in the fields of electroacoustic composition and new media. The studios incorporate the newest generation of Apple computers, Genelec, PMC and ATC monitoring (up to 37-channel studios) and state-of-the art licensed software (including Pro Tools HD, Max MSP, GRM Tools, Waves, Ircam's Audiosculpt and Reaper and, for Interactive Media work, Oculus Rift, Unreal Engine 4, Unity Pro and open-source Blender3D). Location and performance work is also supported by a new 64-channel diffusion system.

Postgraduate students at the NOVARS Research Centre play an active role in the planning, organisation and execution of performance events such as the Sines & Squares Festival and MANTIS Festival (over 20 editions since 2004), and projects such as LocativeAudio and our regular Matinée presentations. Relevant training, including rigging and de-rigging the MANTIS system, health and safety, sound diffusion workshops, organisation of Calls for Works when needed, etc., is an important part of the course.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced compositional training has been directly relevant include recording studios, entrepreneurships, the creative industries, music publishing, music journalism and performance. Careers outside of music have included computer programming, theatre, accountancy, law, social work and human resources.

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This flexible pathway provides a solid masters-level foundation in musicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. Read more
This flexible pathway provides a solid masters-level foundation in musicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. The programme of study consists of four taught course units (each 30 credits) plus a dissertation or critical edition (60 credits). The combination of core and optional course units allows each student to plot a path that best matches his or her special interests and aspirations. Together, the taught units encompass a wide range of topics and approaches - from musicology as cultural history, through musicology and the body, source studies and performance practice, to postcolonial theory and postmodernism. Seminars allow for close collaboration between lecturers and students, with ample opportunity for students to present their own work and receive individual feedback. Discussion and debate forms an important part of most course units.

Aims

This programme aims to:
-Build on undergraduate studies of music and society and the cultural study of music, introducing students to a wide range of advanced methodologies, theories, discourses and practices.
-Enable students to refine and develop their individual skills, talents and interests.
-Prepare students for a career, either inside or outside music, where critical judgement and developed powers of communication are needed.
-Foster the skills in critical thinking, argumentation, and effective written and oral communication necessary for further postgraduate study.
-Enable students to gain an expert and detailed knowledge of a specialist topic, and to formulate ideas that can later be pursued within further research programmes.

Teaching and learning

Most taught course units are delivered via weekly seminars and/or tutorials. Full-time students take two 30-credit course units per semester; part-time students take one. The dissertation or critical edition is supported by one-to-one supervision and is submitted at the beginning of September. (Part-time students may submit in either September or December following their second year of study.)

Seminars feature a range of presentation formats and activities, including presentations by course tutors, student presentations, discussion and debate based on prepared reading or coursework tasks, and workshop-style activities. Members of the academic staff are also available for individual consultations during designated office hours.

Alongside their taught units, students have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School of the School of Arts, Languages and Cultures. All postgraduate students are expected to undertake their own programme of self-directed learning and skills acquisition. This may also involve wider reading, language work, computer training and attendance at research seminars in other parts of the university.

Coursework and assessment

There are no formal examinations. Taught course units are assessed by coursework essays or other tasks, normally submitted at the end of each semester (January and May). The precise nature of the assessment varies according to what is appropriate to the course unit in question. In most cases, a choice of questions or topics is offered. All taught units must be satisfactorily completed. The dissertation or critical edition (12,000-15,000 words or equivalent) is based on independent research into a topic agreed in consultation with the supervisor. A Research Outline needs to be presented and approved (usually in February) before students proceed with their dissertation. All coursework is double-marked internally and moderated by the External Examiner. Recitals are heard by at least two internal examiners.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources. One of our graduates writes of how the skills she honed at Manchester helped prepare her for her first job as an Editorial Assistant at Oxford University Press: `I use my written/essay skills in text editing (prefaces, composer notes, biographies etc.) and in preparing sales copy; analytical skills are continually employed during the editing process; the discipline of editing and proofing your own work is as important in my job as it was in my studies; the research skills that I developed during my time at Manchester have been useful in source research and in checking the factual accuracy of texts; and general skills such as planning and time management have been helpful preparation for the world of work.'

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This flexible pathway provides a solid masters-level foundation in ethnomusicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. Read more
This flexible pathway provides a solid masters-level foundation in ethnomusicology. With a strong focus on theory, methodology and current debates in the discipline, together with appropriate research techniques and presentational styles, it offers excellent preparation for doctoral study and also for applied work. The programme of study consists of four taught course units (each 30 credits) plus a dissertation (60 credits). The combination of core and optional course units allows each student to plot a path that best matches his or her special interests and aspirations. Together, the taught units encompass a wide range of topics and approaches - from gender and ethnicity, music and conflict, music revivals and performance culture, to postcolonial theory and the politics of ethnography. Seminars allow for close collaboration between lecturers and students, with ample opportunity for students to present their own work and receive individual feedback. Discussion and debate forms an important part of most course units.

All students on the MusM Music programme take Advanced Music Studies: Skills and Methodologies as their core unit. Students on the Ethnomusicology pathway also take Studying World Music Cultures: Themes and Debates and, usually, Ethno/Musicology in Action: Fieldwork and Ethnography . Other optional course units normally include Case Studies in Musicology: Texts and Histories ; and Historical or Contemporary Performance (subject to audition). A maximum of 30 credits may be chosen from another MA programme in the arts or social sciences (subject to availability and approval by the course tutor): possible options include Gender, Sexuality and the Body ; Filming History: Making Documentary Films for Research; and Documentary and Sensory Media . Students may also undertake a Work Placement with a local arts organisation or institution (by prior arrangement and subject to availability).

Aims

This programme aims to:
-Build on undergraduate studies of music and society and the cultural study of music, introducing students to a wide range of advanced methodologies, theories, discourses and practices.
-Enable students to refine and develop their individual skills, talents and interests.
-Prepare students for a career, either inside or outside music, where critical judgement and developed powers of communication are needed.
-Foster the skills in critical thinking, argumentation, and effective written and oral communication necessary for further postgraduate study.
-Enable students to gain an expert and detailed knowledge of a specialist topic, and to formulate ideas that can later be pursued within further research programmes.

Teaching and learning

Most taught course units are delivered via weekly seminars and/or tutorials. Full-time students take two 30-credit course units per semester; part-time students take one. The dissertation is supported by one-to-one supervision and is submitted at the beginning of September. (Part-time students may submit in either September or December following their second year of study.)

Seminars feature a range of presentation formats and activities, including presentations by course tutors, student presentations, discussion and debate based on prepared reading or coursework tasks, and workshop-style activities. Members of the academic staff are also available for individual consultations during designated office hours.

Alongside their taught units, students have access to a range of non-assessed seminars, workshops and training sessions offered by the Graduate School of the School of Arts, Languages and Cultures. All postgraduate students are expected to undertake their own programme of self-directed learning and skills acquisition. This may also involve wider reading, language work, computer training and attendance at research seminars in other parts of the university.

Coursework and assessment

There are no formal examinations. Taught course units are assessed by coursework essays or other tasks, normally submitted at the end of each semester (January and May). The precise nature of the assessment varies according to what is appropriate to the course unit in question. In most cases, a choice of questions or topics is offered. All taught units must be satisfactorily completed. The dissertation (12,000-15,000 words) is based on independent research into a topic agreed in consultation with the supervisor. A Research Outline needs to be presented and approved (usually in February) before students proceed with their dissertation. All coursework is double-marked internally and moderated by the External Examiner. Recitals are heard by at least two internal examiners.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Some continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources.

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The MA in Modern and Contemporary Literature prepares students to undertake research the post-1900 literature and its contexts, and is also popular with those wish to broaden and deepen their critical engagement with the period. Read more
The MA in Modern and Contemporary Literature prepares students to undertake research the post-1900 literature and its contexts, and is also popular with those wish to broaden and deepen their critical engagement with the period. It draws on a critical mass of members of academic staff and institutional resources at The University of Manchester in twentieth and twenty-first century literature, culture and theory. The modules have been designed to introduce you to cutting-edge approaches to modern and contemporary writing. You will study four units, including at least one of a small group of possible core courses. (You can also take two or all three of these courses if you wish.)

There are also further optional courses to choose from including the modules Contemporary Fiction, and Postcolonial Literatures, Genres, and Theories. After your modules are complete you will undertake a dissertation, supervised by a member of academic staff.

Teaching and learning

Modern and Contemporary Literature students take 4 modules, including at least 1 of the 3 possible core courses:
-Key Issues in Twentieth-Century Cultural Theory and Literary Criticism
-Modernism and its Margins
-Reading the Contemporary

Finally, students will write a 15,000-word dissertation, worth 60 credits, supervised by an academic member of staff.

Coursework and assessment

Students are required to take 180 credits of units as listed below.

The list of units on offer will be updated annually. Students may also choose up to 30 credits worth of units from another MA programme in place of one of their optional units, subject to the approval of the Programme Director.

Students will also attend seminars on such topics as how to study at MA level, how to research and write a Master's thesis, and career options.

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The International Fashion Marketing masters course is an exciting and innovative course which aims to equip the global fashion marketing managers of the future with skills in strategic marketing, retail marketing and multi-channel marketing. Read more
The International Fashion Marketing masters course is an exciting and innovative course which aims to equip the global fashion marketing managers of the future with skills in strategic marketing, retail marketing and multi-channel marketing. This course is suitable for students from a marketing related academic background and equips graduates with the necessary marketing management skills vital for a career in the fast-paced world of international fashion. This programme is designed as a specialist MSc marketing course that will develop and strengthen core marketing skills into specialist areas including; strategic marketing skills and digital marketing skills.

The course will teach you how to be adaptive and to have the managerial and specific know-how to effectively market attractive brands in an increasingly competitive global online environment. You will become competent in strategic marketing problem-solving and multi-channel marketing, and develop your self-learning and time-management skills.

The course is a one-year full-time MSc, delivered on-campus at the School of Materials.

Career opportunities

The employment prospects following graduation from the School are excellent; our graduates have been employed as buyers, marketers and PR in great positions at Burberry, Gucci, Abercombie and Fitch, Marks and Spencers and Prada.

We have extensive contacts in the fashion industry; these include Arcadia, ASOS, Next and Marks and Spencer, Burberry and Gucci.

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Why you should choose this course. -You would like to attend workshops by our leading novelists and poets. -You want to engage with and learn from practising writers, editors and agents. Read more
Why you should choose this course:
-You would like to attend workshops by our leading novelists and poets
-You want to engage with and learn from practising writers, editors and agents
-You are interested in internships with arts institutions in the surrounding region

The MA in Creative Writing offers aspiring fiction writers and poets a one-year apprenticeship (or two years part-time) during which time they will study literary technique through reading and discussing the work of other contemporary writers in seminars, and will have the opportunity to develop their own work via regular workshops and individual tutorials.

Writers may choose to work on writing a novel and/or short stories and/or poems.

All students will have the opportunity to attend weekly workshops and masterclasses taught by Professor Jeanette Winterson.

Please note that both the full and part-time options are taught between 9am to 5pm. We do not offer evening classes.

Coursework and assessment

Students take 60 credits worth of courses in semester one and 60 credits worth of courses in semester two. To complete the MA, students are required to take 180 credits in total;
-All poetry and fiction writing workshops meet for two hours per week, and are worth 30 credits. Students will also be offered three individual half-hour tutorials per semester in order to discuss the progress of their writing. Each workshop is assessed by a portfolio of poetry or fiction.
-Seminars also meet for two hours per week and are also worth 30 credits. They will usually be assessed by one 6,000 word essay or the equivalent.
-Over the summer students complete a 15,000 word 'dissertation' which consists of a group of poems, a selection or short stories, or an extract from a novel. This is worth 60 credits.

Course unit details

In semester one, students may choose to take two workshops - one in fiction writing and one in poetry -- or they may take one workshop and one seminar - typical seminars will be 'The Art of Short Fiction' and 'Poetics'.

In semester two students wishing to focus on poetry writing will take a poetry workshop and a seminar on Contemporary Poetry; students wishing to focus on fiction writing will take a fiction writing workshop and a seminar in Contemporary Fiction.

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Why you should choose this course. -You want to explore emerging critical approaches and shifts in museum practice and theory. -You would like to undertake a work placement in a museum, gallery or related cultural organisation in or around Manchester. Read more
Why you should choose this course:
-You want to explore emerging critical approaches and shifts in museum practice and theory
-You would like to undertake a work placement in a museum, gallery or related cultural organisation in or around Manchester
-You are interested in the rich museum and cultural scene of Manchester and the opportunities for case studies, fieldwork and networking on offer

Art Gallery and Museum Studies (AGMS) has been taught at The University of Manchester for more than 40 years. It is one of the longest established MA degree courses in museum studies in the country, and our alumni have reached senior positions in museums and galleries throughout the UK and overseas.

Today, the AGMS course is continually being reviewed and developed in response to new research, emerging critical approaches and shifts in museum practice. Manchester's traditional focus on the art gallery remains, but is now balanced by course units which address history, theory and practice in a range of institutions.

Throughout the degree, you will examine diverse issues related to museum theory and practice, visit numerous museums, galleries and cultural organisations, and have many opportunities to discuss ideas and issues with professionals and academics in the field. The AGMS course combines both guided and independent study, and includes seminars, guest lectures and site visits.

Teaching and learning

Most teaching takes place in small interactive seminar groups, involving, as appropriate, directed-reading, fieldwork in museums and galleries, staff and student presentations, discussion, debate, problem-solving and group-work.

Most courses run one day/week over 12 weeks and there are variations in the number of class hours per teaching day depending on the course/week (i.e. 2-5 hours). As a general rule, a 30 credit course includes 300 learning hours, which can be roughly divided as follows: a third in classes or class-related work; a third in independent study; and a third in preparation of assignments.

Students undertake also a collections management group project (as part of the 'Managing Collections and Exhibitions' and an exhibition group project (as part of the 'Professional Practice Project' course) in collaboration with a museum, gallery or related cultural organisation in Manchester or the North West of England.

Course unit details

The AGMS MA is a modular degree with core and optional elements totalling to 180 credits. Core and options courses combine to make 120 credits with the remaining 60 credits allocated to the dissertation.

Semester one
Full-time students take two core course units: 'Introduction to Museum Studies' and 'Managing Collections and Exhibitions' (each 30 credits). Part-time students take 'Introduction to Museum Studies' in Year 1 and 'Managing Collections and Exhibitions' in Year 2. These core units are designed to introduce you to key issues and ideas in museum practice, and also to different approaches to the study and analysis of museums. All elements in Semester One are compulsory. Unit details are below.

Semester two
Semester two option courses build on the knowledge and understanding you have gained in semester one, and enable you to develop expertise in a particular disciplinary area of curating (e.g. art or archaeology) or sphere of museum practice (e.g. museum learning or exhibition development). Full-time students take 60 credits of option course units (option courses are offered as 15 or 30 credits). Part-time students take 30 credits of option course units each year. Unit details are below. Please note that not all option courses may be available every year. Students may choose to take one option course in a related subject area, e.g. Archaeology, History, or Social Anthropology.

Dissertation (Semester 2 and summer)
On successful completion of the coursework, you proceed to write a dissertation (60 credits) on a topic of your choice, agreed in conjunction with your dissertation supervisor. Dissertations, like articles (depending on the journal), may be strongly based on original primary source research, they might aim to re-interpret an already well-trawled area of the subject, or they might take up an approach somewhere between these two extremes. In all cases, however, the authors will have chosen and elaborated a body of relevant material which they bring to bear on a clearly defined issue. Dissertation planning and supervision takes place in Semester 2 (February - end of June) and you continue with your independent writing in July and August. You can either undertake a standard dissertation or a practice-based dissertation:
-Standard : 12-15,000 words
-Practice-based A : Exhibition. An exhibition, show or plan thereof. Outcome - exhibition and/or plan plus 8-10,000 words reflection
-Practice-based B : Policy. Student to develop a piece of museum policy. Outcome - policy or report plus max 8-10,000 words reflection.
-Practice-based C : Digital/Online (building on skills developed in Digital Curating). Outcome - digital media application plus max 8-10,000 words reflection.

Career opportunities

How will the AGMS support my career goals?
The AGMS is an important entry-level qualification for anyone seeking to pursue a career in museums or galleries. It is also a valuable resource for continuing professional development for mid-career professionals. In addition, the MA provides a thorough training in the skills needed to do further postgraduate research. These skills in research design and planning are transferable to jobs in the museum sector, as well as being a vital first step to PhD research.

What are the career destinations of AGMS graduates?
Of course, job destinations vary according to the interests, ambitions and skills of each individual, but most of our students are successful in obtaining professional posts in collections, exhibitions, education, interpretation, or some aspect of museum/arts management soon after completing the MA.

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-You're looking for a master's with a strong focus on practical music making. -You want the flexibility to develop your own compositional and research interests and develop your personal voice. Read more
-You're looking for a master's with a strong focus on practical music making
-You want the flexibility to develop your own compositional and research interests and develop your personal voice
-You want to gain professional skills through collaborating, rehearsing and networking with professional musicians

This course offers intensive training for composers and provides excellent preparation for doctoral work or a career in the professional world. With a strong focus on practical music making and supported by an outstanding programme of workshops and performances by professional musicians, it offers an invaluable opportunity for composers to hone their skills and develop their personal voice.

What makes us distinctive?
-Links to ensembles as an integral part of the course.
-Interaction with the music profession, including the BBC Philharmonic and Manchester Camerata.
-Opportunities to develop professional skills, for example through collaborating, rehearsing and networking with professional musicians; learning to arrange/orchestrate; undertaking outreach opportunities; and collaborating in the creation of performances.
-Flexibility to develop your own compositional and research interests.
-Close ties with electroacoustic composers in NOVARS, and the flexibility to combine electroacoustic course units with those for instrumental and vocal composition.
-Integration into the active research culture of the University of Manchester, through research seminars, performance workshops and concerts.

In addition to the submission of a final Portfolio of Compositions , all instrumental and vocal composition students take the core course unit Composition Project and the further compulsory taught course unit, Compositional Etudes. Optional course units normally include Contemporary Music Studies , Advanced Orchestration , Fixed Media and Interactive Music , Aesthetics and Analysis of Organised Sound , Historical or Contemporary Performance (subject to audition).

Aims

This programme aims to:
-Enable students to develop compositional techniques and professional skills appropriate to their creative needs.
-Enable students to work with both student and professional performers toward the performance of recently composed prices.
-Develop awareness of aesthetic, analytical and technical issues relating to contemporary Western art music.
-Encourage students to discuss with clarity and conviction issues relating to contemporary music.
-Enable students to compose several works worthy of public performance.
-Equip students with skills appropriate to the development of further postgraduate study on MPhil and PhD programmes.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Many of them are continuing to achieve success as composers, in some cases receiving professional performances from soloists, ensembles and orchestras all over the world.

Others continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources.

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The International Fashion Retailing masters course is an exciting and innovative course which aims to equip the global fashion-retail managers of the future with skills in e-business, technology and international business strategy. Read more
The International Fashion Retailing masters course is an exciting and innovative course which aims to equip the global fashion-retail managers of the future with skills in e-business, technology and international business strategy. With two pathways to choose from - Fashion Consumer and Business Process Improvement - this course is suitable for students from most academic backgrounds and equips graduates with the necessary management skills vital for a career in the fast-paced world of international fashion retailing.
Managerial know-how: The course will teach you how to be adaptive and to have the managerial and specific know-how to innovate and create attractive products for an increasingly competitive global environment. You will become competent in strategic problem-solving and supply-chain management, and develop your self-learning and time-management skills.

The Course: The complete MSc course is made up of taught course units and a research dissertation project. The taught course units, assessed by a combination of coursework and examination, cover a wide range of industry-relevant subject areas:
Common units
-International Fashion Retailing
-Fabric Structures
-Research Methods

Fashion Consumer units
-Strategic Marketing
-Fashion Consumer Behaviour
-Contemporary Retailing

Business Process Improvement units
-Innovation Methods
-External Environment
-Retail Marketing

Multichannel Marketing units
-E-Fashion Retailing
-Multi-channel Marketing
-Contemporary Retailing

Your dissertation is a chance to apply what you have learned to a focused five-month research project. Your choice of topic will be determined in consultation with your personal tutor and will develop further skills that can be applied to the real world.

Coursework and assessment

The first two semesters are spent following a programme of lectures and tutorials, which are continually assessed through written assignments. You take examinations in January and May and following a satisfactory assessment you commence a research project culminating in the submission of a dissertation in mid-September.

Career opportunities

The employment prospects for graduates from this programme are excellent. Recent graduates have been employed by IBM, Marks and Spencer, Oasis, Mercedes Benz, Next, Charnos, National Westminster Bank, Shell, Milliken and Harrods.

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The Master of Enterprise (MEnt) Textiles and Fashion degree, offered in partnership with the Manchester Science and Enterprise Centre (MSEC), is a unique and exciting programme which provides a portal to guide you into the textile and fashion enterprise culture. Read more
The Master of Enterprise (MEnt) Textiles and Fashion degree, offered in partnership with the Manchester Science and Enterprise Centre (MSEC), is a unique and exciting programme which provides a portal to guide you into the textile and fashion enterprise culture. Graduates of the programme have gone on to launch their own businesses or work for small and large global companies.

The programme will provide you with the latest technological know-how in your chosen area, building on your existing knowledge, and teach you the specific enterprise skills necessary for the successful launch and growth of a small company. The programme will also develop your understanding of the role of innovation and knowledge transfer in enterprise.

Prior to joining the programme, you will normally have developed an enterprise idea - in some case you will have developed a product or service, as part of your final undergraduate degree, which you would like to turn into a business - but this is not compulsory.
The programme is made up of two core taught units (delivered by MSEC), Enterprise project, two elective taught units (delivered by the School of Materials) and a dissertation. The elective programme units run in parallel with the Enterprise project and provide and enhance the essential background to enable you to develop your idea, product or service.

You will be assessed by a combination of continuous assessment and examination.

Transferable skills are embedded in the units - presentation skills, report writing, project planning tools, ICT and web-based skills, negotiation, forecasting and pricing skills.

Facilities

To underpin the research and teaching activities, we have established state-of-the-art laboratories, which allow comprehensive characterisation and development of materials. These facilities range from synthetic/textile fibre chemistry to materials processing and materials testing.

To complement our teaching resources, there is a comprehensive range of electrochemical, electronoptical imaging and surface and bulk analytical facilities and techniques.

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The Ceramics and Glasses research degrees are part of a progressive research area within the school; we have close links with industry and research councils and we work collaboratively with them on many areas of research within the subject. Read more
The Ceramics and Glasses research degrees are part of a progressive research area within the school; we have close links with industry and research councils and we work collaboratively with them on many areas of research within the subject.

Industrial application

Our research is concerned with the processing, characterisation and applications of structural and functional ceramic materials. Structural ceramics are used in engineering applications due to a combination of high strength, chemical / thermal resistance and extreme hardness. In contrast, functional ceramics exhibit unique electrical, magnetic and optical properties, which lead to applications in a diverse range of electronic components - filters in mobile telecommunications, exhaust gas sensors and pyroelectric thermal imaging cameras.

We are engaged in research to understand the structure-property relationships in a wide range of ceramic materials and to develop materials / components with enhanced properties. Materials are developed by conventional powder processing methods and by novel processing procedures.

Research projects

Active projects in this area involve a wide range of processing techniques for functional and structural materials - these techniques are employed in industries as diverse as power generation, mobile telecommunications, aerospace and medical implants. To understand the microstructure-property relationships for the ceramics, we make extensive use of specialist characterisation facilities available in the school and in partner institutions nationally and internationally.

Industrial links

Through our close relationship with industry, we ensure that the research we carry out is relevant and focused on the requirements of new technology. We currently collaborate on research with, amongst others, Rolls-Royce, British Nuclear Fuel, Xaar Printing Technology, Powerwave, Morgan Electroceramics, and BAE Systems. We are also supported by EPSRC, the European Commission, and British Energy.

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The Ceramics and Glasses research degrees are part of a progressive research area within the school; we have close links with industry and research councils and we work collaboratively with them on many areas of research within the subject. Read more
The Ceramics and Glasses research degrees are part of a progressive research area within the school; we have close links with industry and research councils and we work collaboratively with them on many areas of research within the subject.

Industrial application

Our research is concerned with the processing, characterisation and applications of structural and functional ceramic materials. Structural ceramics are used in engineering applications due to a combination of high strength, chemical / thermal resistance and extreme hardness. In contrast, functional ceramics exhibit unique electrical, magnetic and optical properties, which lead to applications in a diverse range of electronic components - filters in mobile telecommunications, exhaust gas sensors and pyroelectric thermal imaging cameras.

We are engaged in research to understand the structure-property relationships in a wide range of ceramic materials and to develop materials / components with enhanced properties. Materials are developed by conventional powder processing methods and by novel processing procedures.

Research projects

Active projects in this area involve a wide range of processing techniques for functional and structural materials - these techniques are employed in industries as diverse as power generation, mobile telecommunications, aerospace and medical implants. To understand the microstructure-property relationships for the ceramics, we make extensive use of specialist characterisation facilities available in the school and in partner institutions nationally and internationally.

Industrial links

Through our close relationship with industry, we ensure that the research we carry out is relevant and focused on the requirements of new technology. We currently collaborate on research with, amongst others, Rolls-Royce, British Nuclear Fuel, Xaar Printing Technology, Powerwave, Morgan Electroceramics, and BAE Systems. We are also supported by EPSRC, the European Commission, and British Energy.

Facilities

To underpin the research and teaching activities, we have established state-of-the-art laboratories, which allow comprehensive characterisation and development of materials. These facilities range from synthetic/textile fibre chemistry to materials processing and materials testing.

To complement our teaching resources, there is a comprehensive range of electrochemical, electronoptical imaging and surface and bulk analytical facilities and techniques.

Read less
Textiles is an industry where innovations in process as well as product are required to effectively integrate all aspects of design, technology, retail and management. Read more
Textiles is an industry where innovations in process as well as product are required to effectively integrate all aspects of design, technology, retail and management. To address this, the Textile Design, Fashion and Management research group is multi-disciplinary and covers areas as diverse as applied management, textile design, colour, trend forecasting, retail management, fashion merchandising, supply chain management, CAD, digital design, consumer behaviour, internet shopping, retail marketing, product development, enterprise and innovation.

Industry links

We have strong links with industry and work with many major retailers, manufacturers and well-known designers.

Research interests

Our current research interests cover a wide spectrum, and include:
-Design communication
-Design education
-Design management
-Digital design
-Emotional aspects of design and consumer behaviour
-Fashion design
-Fashion retailing
-Global operations management
-International supply chain management
-Textile design

Facilities

Facilities in the School are excellent, and include dedicated design and retailing studios and CAD facilities. Software includes Scotweave, AVA, Lectra (PrimaVision, Kaledo Style and Modaris), Adobe Photoshop and Illustrator.

Research projects

Some of the exciting research projects our students have completed, or are completing, include:
-Investigating the relationship between consumer adoption and new product development of wearables
-Development of the Chinese textile sector as an UK/EU trading partner post Multi Fibre Agreement, January 2005
-Strategic Agile Merchandising: a new market opportunity for European textile producers

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