"O this learning, what a thing it is!"
The Taming of the Shrew (1.2.130)
If you have a passion for the works of William Shakespeare, this MA gives you the space to study the full range of Shakespeare’s works more closely and comprehensively than you could as an undergraduate – approaching Shakespeare as a maker of theatre on page and stage. The course focuses closely on the works themselves, looking at what they say about our world today, as well as what they reveal about Shakespeare’s. We've designed the course so that you'll discover the critical, historical and theoretical issues in his plays and poetry as you encounter them, rather than providing you with prescribed routes to take.
The MA is designed to provide you with both breadth of coverage and depth of focus, and the course is ideal whether you wish to pursue research at PhD level or simply wish to develop your knowledge of Shakespeare and your critical skills. You will be taught by the people creating and animating current critical debates on manuscript, print and performance.
Join a department that's joint 2nd in the UK for outstanding and world-leading research environments. You'll benefit from our incredible research: over two thirds of our research was judged ‘world leading and internationally excellent’ in REF 2014. All staff in the department are highly regarded scholars, writers and critics who are engaged in research, writing ground-breaking books, talking to or writing in the national media, and providing expert advice to organisations including the Royal Shakespeare Company, the Department for Education and other national and international bodies.
Designed to be flexible, this course can be studied full-time for one year or part-time over two years.
The Works - Plays and Poetry
This module spans Shakespeare’s entire career as a playwright and poet, analysing in detail his nineteen major plays – including histories, comedies, tragedies, romances and problem plays – and the Sonnets. The theatrical, historical and theoretical issues raised by the works will be addressed as they emerge out of individual response and class discussion.
King Lear and The Tempest - Critical Debate and Creative Response
This course aims to engage you in a sustained, intensive study of Shakespeare’s supreme tragic masterpiece, the controversies it has provoked, and the diverse ways in which it has been adapted and transformed by poets, dramatists, novelists, and by film and theatre directors, since Shakespeare’s time. You will begin with detailed discussion of the play itself before turning to critical debate and then exploring the creative impact of King Lear on later poetry, drama and fiction. The second term is devoted to studying the creative response to King Lear in the theatre and the cinema, tracking its performance history on stage and screen through in-depth analysis of landmark productions and film adaptations.
Methods and Materials of Research
This module is designed to introduce you to a number of key topics related to the methods of postgraduate research, and to some of the resources and materials that will be useful to your studies.
This will be a piece of original written work, of between 12,000 and 15,000 words. The topic of the dissertation will be agreed between you and whichever member of staff is allotted as supervisor and is normally required to be submitted by the beginning of September in the year of the completion of the programme.
This course comprises of 120 units:
You will attend seminars and be expected to read texts, conduct achival research on the internet or in libraries, and attend performances.
You will be assessed through essays and your final Dissertation.
Our postgraduates have gone into academic roles at the Universities of Edinburgh, Sussex and Leeds, Shakespeare’s Globe Theatre and the National University of Ireland.
We will prepare you for careers in other areas too, such as teaching, librarianship, marketing, and theatre administration.
Visit the Shakespeare - MA page on the Royal Holloway, University of London website for more details!