Led by Professor Jo Stockham, the Print programme is a two-year specialist MA course. Renamed from Printmaking in 2015, this change signals that the study of the expanded field of Print is equal to the making of prints as a series of medium specific choices. We explore the mediated image approached through a range of intellectual approaches provided by a diverse team of tutors, all practicing artists.
Access to world-class technical facilities in all print media means that we are able to both explore and expand the field of Print addressing the constant interplay between thinking and making, the image and technology. Students from a wide variety of backgrounds choose to study with us because of their interest in questions, which include, the nature of the copy, diagramming, appropriation, materiality of the image, the politics of print and print as a collaborative practice.
Artists’ books and web based work as forms of distribution and explorations of narrative structures are a growing aspect of the course. We are benefiting from the renewed interest in the circulation, reception and creation of multiple images due to the ubiquity of digital images and computing.
We are embedded in a network of international print publishers, archives and galleries. A publishing project and exhibiting work are an integral part of the course. The potential for collaboration and residency situations where making work is a form of exchange is core to many students and we help them prepare for making applications to such opportunities.
The aim of the programme is to enable students to work across a broad platform of media appropriate to their self defined ambitions and interests. By equipping graduates with experience of exhibiting, collaboration, editioning, lecturing, curating and a thorough critical engagement with a self defined body of work we aim to develop artists who understand the expressive nuances of different materials and forms of distribution in the expanded field of print. Evidence suggests they will be able to sustain themselves on graduation as exhibiting artists often engaged in related fields such as, teaching, publishing, curating and research.
An active research culture of staff, visiting artists, MPhil and PhD students is a core part of the programme and is shared through lectures, seminars, publications, presentations and exhibitions.
Alumni include, Andrea Buettner, Adam Dant, Mabe Bethonico, William Latham, Haris Epaminonda, Daniel Gustav Cramer, Christiane Baumgartner and Katsutoshi Yuasa.
The programme offers:
a critical context to understand the field of Print through making, exhibiting, discussion and writing
individual desk space
access purpose-built workshops, offering internationally renowned printmaking facilities and instruction in relief and intaglio, screen printing, stone and plate lithography and large-format digital printing
access to college wide workshop facilities including metalwork casting, photography, ceramics and 3D printing.
opportunities for teaching placements, workshop placements, exhibitions, overseas travel and international exchanges
an annual collaborative publishing project
introductions to archives and collections, (eg V&A, Tate and British Museum) and editioning workshops (Paupers Press, The Thames Barrier Print Studio, Curwen)
a well-established publications programme which most recently published a print by Mark Titchner. Sales from these publications contribute to the Print Appeal Fund to support current students
continued support for alumni through Alumni RCA and programme specific events
Print - MA
page on the Royal College of Art website for more details!
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Recipient: Royal College of Art
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