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Course content

These programmes of study are designed for students who have a passion to pursue a conservation or heritage based research project defined by themselves, but with the support of an academic environment and supervisors.

As a research student, you will have access to support and training designed to develop the practical and critical skills necessary for investigation and study at doctoral level. Direction will be available from a supervisory team and you will have the opportunity to benefit from the School’s research expertise in a broad range of conservation and cultural heritage areas.

Strong links exist with the Colleges of Science and Arts, and an interdisciplinary research culture can facilitate collaboration with colleagues across a wide range of topics.

Current doctoral research topics include:
-How can architectural paint research and analysis enhance the conservation-restoration and historiography of cultural built heritage in the UK?
-Regarding mediocrity: conservation, interpretation and presentation of the Doddington Hall tapestries.
-Biodeterioration of limestone: role of microbial biofilms and possible intervention strategies (in collaboration with Dr Ronald Dixon, School of Life Sciences).
-Nineteenth-Century Amateur Art in Places of Christian Worship.
-Tennyson and the Archive.
-David Brewster and the Development of the Kaleidoscope.
-The Life and Work of William Logsdail.

Research Areas, Projects & Topics

Research areas covered within the School include:
-Archaeological conservation
-Architectural paint research
-Collections Management
-Conservation of a broad range of objects and material types
-Cultural heritage and climate change
-Material culture
-Paint and pigment analysis
-Preventive conservation

Previous areas of PhD study include:
-The Materials, Construction and Conservation of Eighteenth-Century Women’s Shoes.
-A Practical and Historical Examination of Jacob Christian Schaffer (1718-1790) and his Search for Non-rag Paper.
-An Analysis of the Success and Cultural Significance of Parian Ware Sculpture in Victorian England.
-'Curatorship and Conservation: A Theoretical Enquiry into the Scope of Each Realm, their Interaction and the Consequences for the Perception of Works of Art'.
-The History, Development and Conservation of Wrought Iron in Lincolnshire; the Significance of Minor Architectural Details.

How You Study

Study at MPhil/PhD level takes the form of supervised individual research. You are expected to work on one topic of your choice for the duration of the study period. On a regular basis, you are expected to produce appropriate written work, submit it to your supervisors, then meet with your supervisors to receive feedback on your submission and agree the next stage of work.

Due to the nature of postgraduate research programmes, the vast majority of your time will be spent in independent study and research. You will have meetings with your academic supervisor, however the regularity of these will vary depending on your own individual requirements, subject area, staff availability and the stage of your programme.

How You Are Assessed

The assessment at PhD level takes the form of an approximately 80,000 word thesis.

A PhD is awarded based on the quality of your thesis and your ability in an oral examination (viva voce) to present and successfully defend your chosen research topic to a group of academics. You are also expected to demonstrate how your research findings have contributed to knowledge or developed existing theory or understanding.

Visit the MPhil Conservation of Cultural Heritage page on the University of Lincoln website for more details!




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Recipient: University of Lincoln

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