Study with experts at the cutting-edge of technical, creative and theoretical knowledge in this rapidly evolving area of study. The course focuses upon the relationship between technology and creative practice, training musical students to use software tools and enabling students with a solid music technology background to investigate creative opportunities.
Initial intensive training in the knowledge and methods of the field at the start of the course is followed by opportunities for increasingly independent research and exploration.
We take a broad and inclusive view of the sonic arts; embracing anything from sound installations to free-improvised performances, computer programming through to fine art practice, art in which sound is the medium through to that in which sound plays a supporting role.
Music at Sheffield attracts world-leading academics and musicians working in a wide range of specialist fields. This is reflected in the diversity of the MA programmes we offer, both on campus and by distance learning. Our courses are taught by experts and backed by world-class research. In the 2014 Research Excellence Framework (REF) 84 per cent of our work was rated internationally excellent or world-leading.
We are influential in composition, ethnomusicology, musicology, performance, music technology, music management and psychology of music. Our MA programmes allow students to take advantage of the department’s distinctive interdisciplinary research environment and to be part of a strong postgraduate community by taking modules from other specialist areas. Our three research centres, Music, Mind, Machine; Sheffield Performer and Audience Research Centre, and Music and Wellbeing provide a hub for research collaborations in music psychology and audience research.
Performance is an important part of our work. You will have the chance to participate in orchestras, music theatre, contemporary music, folk and world traditions. We have strong links with the community, giving you the chance to volunteer with local arts organisations.
Our graduates are employed by universities, colleges, concert agencies and music promoters. Many work in education; others are performers in various genres, in the UK and abroad. Some work in recording studios.
We have a postgraduate research suite and several studios for advanced compositional work, software development, sound recording, laboratory and field experimentation, transcription, music notation and other research applications. You will have access to scores, books, periodicals, recordings and online resources.
Through a series of graduate study days you will be able to use the tools for digital recording, video and film. We also have excellent practice facilities and collections of historical and world music instruments.
Our team of professional musicians bring performance expertise to the department – including clarinettist Sarah Watts, pianist Inja Davidovic, jazz guitarist Ronan McCullagh and North Indian tabla and santoor performer John Ball.
University and faculty funding is available each year. The closing date for applications is mid-January. The department has a number of studentships available for our strongest candidates. The closing date for these is the end of April. You can also apply for a small grant to support your postgraduate research project.
Adrian Moore and Adam Stansbie are both highly experienced and internationally recognised composers whose work is widely performed, published and prized.
The course is informed by new technologies and methods of working. There are seminars, laboratory-based demonstrations and individual tutorials.
Assessment takes a variety of forms such as problem-based assignments and the completion of a creative portfolio.
Visit the MA Sonic Arts page on the University of Sheffield website for more details!