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MA History and Philosophy of Art (Canterbury and Paris)


University of Kent School of Arts

Full time September MA Full-time: 1 year

About the course

This MA provides a structured introduction to the postgraduate study of the history and philosophy of art.

This programme allows you to spend your first term at our Canterbury campus with full access to its excellent facilities. For the spring term you relocate to our Paris centre to study in a historic corner of Montparnasse. This programme can also be studied in Paris only.

Particular focuses include contemporary art, photography, Renaissance art, medieval art, 18th-century British painting, 19th-century French painting, modernism, aesthetics and the philosophy of art and film. You may elect to take a Philosophy of Art & Aesthetics pathway, which draws on the expertise of our Aesthetics Research Group.

The programme is intended for graduates in art history, philosophy and cognate subjects,

Read more about this course


Entry Requirements

An upper second-class honours degree or better, usually in a relevant humanities subject. In certain circumstances, the School will consider candidates who have not followed a conventional education path or who may have relevant experience in the industry. These cases are assessed individually by the Director of Graduate Studies.


Course Content



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Student Profile(s)

Michael Healey

I graduated with confidence, believing that I had the necessary skills and experience to work in the fiercely competitive art world. Indeed, having befriended the artist Humphrey Ocean, I undertook an internship with him, archiving his work – a hugely enjoyable and invaluable experience, which I am continuing with.

As a result of writing on average two essays per module, and reading the work of other art theorists and critics, the degree also improved my writing style considerably. Indeed, in a positive review of Krikey! Kentemporary Prints (an exhibition I curated as part of my degree) which appeared in the scholarly print journal Print Quarterly, Paul Coldwell singled out the catalogue essay I wrote for particular praise. The ‘Print Collecting & Curating’ module, for which I curated the aforementioned exhibition, has had the most profound effect on me, both in terms of personal development and employability. As regards the latter, as well as archiving for Humphrey Ocean, I was put in touch with an art dealer, on whose behalf I have been selling artworks, from 19th century political prints to modern and contemporary paintings. In so doing, I have sold to museums, galleries, societies and universities.

My biggest success so far has been turning a £600 investment into over £11,000 profit. I
am in the process of devising an exhibition proposal – based on a University essay I wrote – and am in discussion with a major London institution to host it.



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