The MA Film with Practice is a taught programme suitable for graduates in film, practitioners who want to advance their practice in an intellectually stimulating environment and non-film graduates with a passion for film practice demonstrated though amateur filmmaking.
The programme is taught by award-winning filmmakers, internationally recognised film scholars and includes masterclasses from film industry professionals.
The Film Department at the University of Kent is known for its excellence in research and teaching. Arts at Kent (including Film) was ranked 1st in the UK for research power in the 2014 Research Excellence Framework (REF). One of the largest European centres for the study of film, it has an established reputation going back 35 years. Approaching film as a dynamic part of our cultural experience, we encourage thinking about film as it emerges at the intersections of art, document and entertainment. Through theory and practice, individual research, student-led seminars and visiting speakers, we promote an environment in which postgraduate students are able to engage with the continuing vibrancy of cinema.
Studying film as a postgraduate at the University of Kent will give you the opportunity to experience our rich resources of academic expertise, library facilities and a campus-based film culture. We currently offer expertise in North American, European and Latin American cinemas. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives, as well as with digital media and practice by research.
In 2014, the University opened a new 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.
This programme includes two dedicated film practice modules and a dissertation by Film Practice that includes the making of a fiction film. You also choose two modules from the existing Film MA to create a practice-theory mix that accommodates your own interests.
The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.
FI819 - Digital Film Practice: Key Skills (30 credits) FI820 - Independent Project Development (30 credits) FI812 - Advanced Film Theory (30 credits) FI813 - Film History (30 credits) FI815 - Film and Modernity (30 credits) FI811 - Conceptualising Film (30 credits) FI899 - Dissertation by Film Practice (60 credits)
Assessment at MA level is 100% course work: that means you will be assessed through essays, treatments, project proposals, seminar participation and a dissertation by film practice.
The programme aims to:
- Develop the understanding and skills possessed by students entering the programme to a notably higher level of sophistication and achievement (appropriate to an M-level award) than would be expected at degree level, such that all leave the programme with a substantial analytic, critical and practice-based understanding of Film.
- Develop the ability of students to think independently, argue with clarity and force, initiate and complete creative work and to discern areas of research and practice-led research within the field.
- Provoke reflection on practical, critical and theoretical approaches to Film and its context.
- Nurture intellectual and creative skills through written work (essays, dissertations, treatments, scripts), creative practice (DV films) as well as in the context of interpersonal interaction (seminars, research papers, supervision, filmmaking processes).
- Develop existing and new areas of teaching informed by and in response to developments in film practice, research and scholarship.
- Provide an excellent quality of higher education
- Attract outstanding students irrespective of race, background, gender, and physical disability, from both within the UK and from overseas.
- Support national and regional economic success by producing graduates in possession of key knowledge and skills, with the capacity to learn.
- Provide opportunities for the development of personal, communication and research skills and other key skills appropriate for both graduate employment in industry or further study.
- Provide learning opportunities that are enjoyable experiences and involve realistic workloads, based within a combined research and practice-led framework
- Offer appropriate support for students from a diverse range of backgrounds
- Provide high quality teaching in a supportive environment with appropriately qualified and trained staff?
Research in both theory and practice is currently centred in five broad areas:
- national cinemas – form and history: North American, European, Latin American - the moving image in a digital context - documentary film - film aesthetics - avant-garde and experimental cinema.
Centre for the Interdisciplinary Study of Film and the Moving Image The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.
Arts graduates have gone on to work in a range of professions, from museum positions and teaching roles to film journalists and theatre technicians. Our graduates have found work at Universal Pictures, the London Film Festival and other arts, culture and heritage-related organisations, as well as in film production, as editorial assistants and as web designers.