This Feature Filmmaking course will give you an industry-focused education in the business and practice of modern, low budget feature film production.
Modern filmmaking is collaborative and we’ve tailored the course for aspiring writers, directors and producers. Throughout the process we’ll help you to develop your skills for a career working on feature length documentaries or fiction. We teach you how modern filmmakers make feature length projects, while offering you practical experience of trying to make them yourself.
We teach you how modern filmmakers make feature length projects, while offering you practical experience of trying to make them yourself.
You should graduate with:
• A range of professional contacts • A showreel • A fully developed feature film project • The knowledge to get ahead in the film business.
This is an industry facing course; you’ll build and develop your creative and associated business skills. We believe filmmakers need a clear understanding of business and financial issues to achieve their full creative potential.
This course consists of five modules:
Development introduces and explores practical and creative approaches to low budget feature production. It gives an overview of the issues and challenges, and develops key skills. Each student will refine their project during this module by learning and applying various strategies and techniques of feature film production.
The Finance module focuses on the historical development of business systems, procedures and models that influence the contemporary global film business. This module will also include contemporary analysis of the film funding policies and structures of European nations as well as distribution strategies and mechanisms.
In Pre-Production, students have the ability to further develop/rework/alter their main project in the light of the insights into low budget cinema techniques and how the international film business operates. Industry standard software such as Final Draft and Movie Magic will be taught during this module.
Audience will give students thorough grounding in the theory and practice of contemporary marketing as applied to film. The module will introduce traditional marketing theories and strategies regarding communications, consumer behaviour, direct and customer relations marketing.
In Production, students will turn greenlit projects into a feature length production, building on the insights they have learnt over the course. The projects will normally need to be completed to an ‘off-line’ standard. It is expected that most productions will involve a maximum 18 days for principal photography. The projects will then go into a period of editing of 10–12 weeks to arrive at a version of the film that is suitable for screening to distributors and agencies to seek further completion funding.
You’ll be taught through a combination of intensive workshops and seminars. You’ll build on the your previous filmmaking experience and current professional practice.
You’ll be assessed in a variety of ways, including scriptwriting, production folders, audience building strategies and a feature film project. You’ll need to demonstrate, through coursework, a detailed understanding of how micro budget features are made. You’ll also submit a portfolio of project work that shows a creative mastery which matches your grasp of the film business. Your final mark for the feature component of the assessment will depend on the creativity of your work, your commitment to the project and demonstrated ability in your role.
This experience may lead some producers and directors into work on other films, TV drama or drama documentaries. Other students may wish to pursue academic work as lecturers or practitioners.
Another potential career route open to graduates will be to use their subsequent project as part of a PhD. Other careers can involve working with arts organisations.