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This pathway offers a historically wide-ranging, theoretically rigorous, and generically diverse grounding in twentieth-century literary culture. It examines modernism alongside non- and post-modernist writing, and situates all three in relation to politics, philosophy, and other artistic media of the twentieth century.

The pathway has a global outlook, asking how modernism may look from Cape Town, Dublin, or Kingstown, Jamaica, as well as from London, Paris or New York. It stresses the diversity of modern experience, and of literature striving to express the nature of ‘modernity’ itself.

The compulsory module, ‘Modernism and After’, tracks the central debates that run through modern writing and criticism. What is ‘modern’ and what comes after it? What counts as ‘art’? How have relations

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