MA Curatorial Practise focuses on curating as a contemporary practice, bringing together history, theory and practice. We ask what is it that makes the role of the curator distinct, and how do we understand the essentials of curating, when it has become such a buzzword.
The course embraces contemporary curating in historic and collection-based settings as well as contemporary venues, digital, ‘pop-up’ and site specific contexts. It is delivered by experts in the field and working curators.
COURSE STRUCTURE AND CONTENT
The course covers a wide range of curatorial approaches, from management of historical collections to creative curating of cutting edge contemporary art, craft and design. Our students come from a wide variety of backgrounds; we challenge you to develop your interests, while understanding what you share with others across our discipline. Engagement and understanding audiences are central to curatorial practice.
Engagement and understanding audiences are central to curatorial practice. You’ll develop experience in ways of sharing and presenting ideas throughout the course.
If you're studying the course full-time you will study two modules per trimester, alternatively part-time students will study one per trimester.
Research Methodologies will introduce the generic research methodologies and the ways subject specific material, analysis and evaluation techniques can be a vehicle for personal study.
In The Role of the Curator we consider the politics of curating, real-world issues and discuss the changing role of the curator.
Collections and Collecting considers the nature of collecting and the influence of collecting on curatorial practice.
Reaching Audiences allows you to present or study a live project to a real audience.
The Master's Project is an assessment that can include a dissertation, the study of historical or archival case studies, curating an exhibition or project in a venue, or forms of digital production.
You’ll be taught in seminars, complemented with field visits to key venues facilitated by lead curators. We adopt a practice-led approach; while some sessions are delivered by our academics, others are delivered by our collaborators and relate to particular case studies or collections.
You’ll frequently link your study to internships, volunteering and project work.
Project based work can be developed and assessed as part of the course. Real life projects can be pursued in response to assessment assignments, especially in relation to the final 'Master's Project' double module.
• Curatorial work in museums and galleries • Galleries/Arts administration • Self-employed freelance curatorial work and consultancy • Publishing and media work • Education, gallery and museum learning and teaching • General project management outside the visual arts and museums • Critical writing • Academic study and teaching