This course has been designed to offer a genuinely creative methodology and understanding of current and future potential for film experimentation in artists' moving image. This places the programme at the forefront of postgraduate studies exploring moving image in its most creative form. The course offers a range of input from staff in filmmaking, and will enable you to develop a major body of practical work created within the context of a critical understanding of contemporary experimental film theory.
You will have access to our moving image resources and specialised filmmaking equipment, augmented by excellent technical and academic support. To complete a specific project brief, other materials will also be provided, enabling you to meet the learning outcomes of the course and/or project. However, if you choose to develop your own film options requiring additional resources, then you will have to meet any further costs associated with that. View a full list of our current moving image resources.
Key features -The course provides an exploration of the relationship between film, moving image, sound and critical frameworks. This is supported by the excellent moving image resources at the Knights Park campus, including a moving-image studio, post-production facilities and high-end film equipment. One-to-one tutorials, seminars, exhibitions and discussion all feature in the programme. -Taught by filmmakers, creative practitioners, curators and writers, including many off-site visits and visits by professional artists, filmmakers and curators. This includes the opportunity to participate in a public screening programme at BFI Southbank, and a seminar forum at FID Marseille International Film Festival. -Every year, the course nominates a graduate to participate in the European workshop on artists' moving image at the Schermo dell'Arte film festival in Florence, where they receive professional mentoring.
What will you study?
The curriculum offers three distinct areas of critical and practical inquiry options, supported by a specialised seminar/lectures series: artists' moving image; independent film; and the materiality of film.
You will undertake self-initiated research supported by taught modules and an experienced group of research-active staff, and will explore the critical and historical frameworks within which experimental film work can be understood and conceptualised.
Presentation and exhibition/screening/documentation, tutorials and seminar/discussion.
Please note that this is an indicative list of modules and is not intended as a definitive list. Those listed here may also be a mixture of core and optional modules.
Core modules -Project 1 -Theory – Seminar -Experimental Filmmaking Practices -Experimentation in Moving Image -Masters Project (Exhibition and Research Publication)
Each applicant is expected to provide a showreel or portfolio and statement, developing their reasons for applying to the programme. They are subsequently invited to visit the campus for an informal meeting, or can provide and answer any supplementary questions relative to their application. Please note that there is no formal interview for this course. Participants should normally hold a BA(Hons) degree (or its equivalent) in a related or appropriate subject. Each application is considered on its own merits and therefore previous experience and qualifications may be taken into account.
Recipient: Kingston University
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