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Documentary filmmaking is constantly evolving and with the rise of internet and social media, there are countless places for filmmakers to publish their work. Read more
Documentary filmmaking is constantly evolving and with the rise of internet and social media, there are countless places for filmmakers to publish their work. This course will help you find an audience for your idea and support you in turning your vision into a bold and innovative film.

At the Northern Film School you will have the opportunity to explore and communicate a subject you are passionate about. We support all types of filmmaking from campaigning and issue-led films to observational and character pieces and experimental films to wildlife documentaries. You will develop and pitch your ideas and successful ones will be made into Masters Projects and given real production budgets.

Workshops will train you in the craft and technical aspects of filmmaking: producing and directing, camera, sound, and editing. Using our industry-standard facilities you will produce films of integrity and importance.

Visit the website http://courses.leedsbeckett.ac.uk/documentary_filmmaking_ma

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

This course will prepare you for the collaborative environment of documentary filmmaking. You will gain the experience and knowledge you need to interpret your ideas and give them exposure to new audiences. Your technical and creative skills will allow you to make films you care about, helping you to make your voice heard and paving the way for your future as a filmmaker.

Careers advice:
The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

As the first and only film school in the UK to receive JAMES accreditation, our Northern Film School (http://www.northernfilmschool.co.uk/) is the ideal environment to explore your ideas and creativity. Our industry-standard facilities and experienced staff will give you the support you need to make your passion a visual reality.

You will be joining a strong and successful group of graduates, many of whom have won Oscars and BAFTAs for their work. The prestige of the Northern Film School will set you up to achieve your ambitions and our reputation will provide you with the foundation to becoming a successful documentary filmmaker. We have contacts with the BBC, ITV and Channel Four and strong connections to Sheffield International Documentary Festival where you will have the opportunity to showcase your work.

Martin John Harris

Senior Lecturer

"The world of documentary is vast and it can often be difficult to decide the route you want to take as a filmmaker. What is most important is that you have an idea - with this starting point we can help you make the right type of documentary."

Martin is an award-winning film editor and documentary collaborator. He was a film editor at the BBC for seven years before working as a freelance editor on dramas and documentaries for major broadcasters. His work includes the BBC series 'Bombay Railway', winner of a Royal Television Society (RTS) award for Best Documentary in 2008, and feature length documentary 'Bloodshot: The Dreams and Nightmares of East Timor' which won the RTS award for Best Documentary in 2013.

Facilities

- Electric Press
Based at the Electric Press, our Northern Film School has dedicated facilities and equipment for you to use. These include studios, camera and grip equipment, lighting equipment, edit suites for post-production and a 75-seat HD viewing theatre.

- Film Studios
There are two production studios within our Electric Press building. The studios are of a significant size, giving you the opportunity to explore film set design and prop building.

- Sound recording & editing equipment
We have an extensive range of professional sound equipment from the likes of Sennheiser, Sound Devices and Tascam. All edit stations are equipped with ProTools software and AVID editing software.

There is a sound recording studio in Electric Press and access to larger facilities elsewhere in our University.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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A unique course, the only one of its kind in the UK, designed to fast track you into the industry. Quick Facts. 2 Year Course. Full-time. Read more
A unique course, the only one of its kind in the UK, designed to fast track you into the industry.

Quick Facts:

2 Year Course
Full-time
Course runs Jan-Dec each year
Next intake: January 2017
NFTS Scholarships available for UK Students

Visit the website https://nfts.co.uk/our-courses/masters/directing-producing-science-natural-history

APPLICATION DEADLINE: 13 OCT 2016

COURSE OVERVIEW

New technology and a greater variety of formats are challenging the traditional boundaries of Science and Natural History Programming and driving greater audience demand. British production companies are at the forefront of leading innovation in formats and high-end content, with growing opportunities to work with North American and international broadcasters.

This course will give you:

- The skills to direct science and natural history productions.
- The know-how to produce entire shows.
- A practical working knowledge of current science and natural history television production methods.
- The ability to generate science and natural history programme ideas and formats.
- Knowledge of how the business works and current trends, including co-productions etc.
- The confidence and know-how to pitch those ideas to commissioning editors.
- Brilliant industry contacts and relevant skills for building a sustainable career as a Producer/Director.
- Access to NFTS's Masterclasses lead by major creative figures from film, television and games.

The National Film and Television School’s Science and Natural History Masters* focuses on developing Producers and Directors. Therefore, as part of the course students will be exposed to the development and production challenges of specialist factual genres, such as Landmark and Blue Chip (interchangeable terms for high budget, high production value programming mainly used in a pure wildlife context), mini landmarks, Children’s, People and Nature, Live, Expedition films, Magazine formats, Obs-doc etc. In addition there will be a focus on promoting cross-genre ideas to foster creativity.

Editorial policy and standards, together with codes of practice relating to science and the filming of animals, and Health and Safety will be fully explored.

Students will gain practical experience in both the research and development of programming of this type whilst also developing a body of work that showcases their practical film making skills and innovation within the genre.

* Subject to Validation

CURRICULUM

Below is an indicative list of the topics covered on the course:

- Audiences, and the genres of science and natural history films: differences and overlaps
- Editorial and production values in science and natural history programmes
- The documentary tradition
- Principles of storytelling and film narrative
- Finding stories: research
- Story Development
- Treatments and Proposal Writing / Pitching and packaging the concept
- The film process, from script to screen
- Writing techniques
- Wildlife Behaviour
- Finding and working with Talent and Presenters
- Guidelines for Filming Animals
- Editorial Policy and Standards
- Digital Content and Social Media Extensions
- Formatting
- Short form storytelling
- Directing the camera to capture a ‘scene’
- Working with graphics and VFX
- Pitch Reel / Sizzle Reels
- Outside Broadcasts
- Production and Post Production Workflow (logging, DITs etc)
- Health and Safety
- The History of Science and Wildlife Filmmaking
- The Business: how programmes are financed. International co-production
- International Markets and Programming
- Marketplace trends
- Managing a career

In addition, students will be exposed to specialist science and natural history filming techniques, such as: thermal, Slow Motion, underwater, Macro & Micro filming, drones, timelapse, rigs etc.

There is a strong emphasis on professional practice. This means that student projects will be expected to measure up to scientific scrutiny, as well as exhibition and broadcast standards.

The structure of the course follows the chronological steps of a Science or Natural History Television production. Injected into this timeline will be specifically tailored modules taught by top television professionals, with experience of different subgenres or appropriate specialist techniques, eg cinematography or VFX. Students also get the chance to pitch their Science and Natural History programme ideas to broadcasters like the BBC, National Geographic and Discovery.

NFTS students are engaged in more productions as part of the curriculum than any of our competitors. Unlike other schools, all production costs are met by the School and productions are given cash production budgets.

PLACEMENT

Each student will complete a minimum of 10 days work experience.

NFTS BENEFITS

Science & Natural History course participants will have full access to the NFTS’ optional creative stimulus strands, including: Cinema Club, Screen Arts and NFTS Masterclasses - these strands see major creative figures from film, television and games screening their work and discussing with students in the campus cinema. Recent speakers include David Fincher (Director, Seven, Gone Girl), Graham Linehan (The IT Crowd, Father Ted), Abi Morgan (Suffragette, The Hour), Christopher Nolan (Interstellar, The Dark Knight) and Hamish Hamilton (Director, Super Bowl XLVIII).

ENTRY REQUIREMENTS

If you are lively and imaginative, then this is the course for you! Applicants must be able to demonstrate their passion, commitment and talent for developing a career in Television.

Typically applicants will have a proven interest in science and natural history, which, typically, may involve a background in Physics, Chemistry, combined Natural Sciences, Zoology, Biology, Psychology, Mathematics etc.

APPLY WITH

- A short proposal for a science or natural history television programme – no more than one A4 typed page
- Optional: A DVD containing samples of your work specifying your exact role in each. This work need not be in the science and natural history area, as some applicants may not have a film or other programme-making background.

HOW TO APPLY

You can apply directly to us at the NFTS by clicking on the link below:

APPLY FOR DIRECTING & PRODUCING SCIENCE & NATURAL HISTORY COURSE - https://nfts.co.uk/user/login?destination=node/9%3Fnid%3D2023

You can apply online, or download a word document of the application form to submit via email
When selecting your course, please ensure that you have read the entry requirements and details of the supporting materials that should accompany your application.

TIMING YOUR APPLICATION

We are happy to receive applications 24/7 and 365 days a year up until the deadline. That said, there is no particular advantage to submitting your application very early. The important thing is that your application shows us your latest work and tell us about your most recent filmmaking experiences.

Read less
Bristol is the global capital of natural history programme making and the natural place to study for an MA in Wildlife Filmmaking. Read more
Bristol is the global capital of natural history programme making and the natural place to study for an MA in Wildlife Filmmaking. On this highly popular Masters course you will learn how to develop and pitch ideas, tell great stories and make intelligent and surprising programmes to captivate and engage audiences.

Our partnership with the BBC Natural History Unit (NHU) means that, alongside your studies, you will have incredible opportunities to network with professional wildlife film makers, attend talks, film festivals and other events around the city.

Our MA students graduate with the skills, experience and knowledge needed for entry level jobs in all areas of production from online to broadcast. Graduates now work for the BBC, Icon Films, Discovery, Tigress and other top production companies in the UK and overseas.

Course detail

On this Masters course you will learn all you need to know via technical workshops, seminars, masterclasses and through experience and opportunities making films and digital content for clients. We also help you develop skills in research, script writing, directing, producing, production management and the pitching and commissioning of ideas.

One of the unique aspects of this course is that you will be matched with an industry mentor who, alongside your tutor, will guide you through the production of your final project. All students complete their Masters by writing, directing and producing a final project/film. These films are premiered each year and seen by an audience of invited film and television professionals from the BBC and independent sector.

Structure

The full master's course comprises 180 credits divided into three 60 credits stages: Postgraduate Certificate, Postgraduate Diploma, and Master's. Students work incrementally through the three stages and must pass all modules at each stage in order to progress to the next.

Modules

• Creating the Story
• Mastering the Business
• Preparing for Production
• Future Documentary
• Professional production

Format

The main teaching will take place in seminars and in workshops focused around the University's creative media centre at its Bower Ashton campus (see Study Facilities). You will also benefit from BBC visits, real-life filming experiences and allied conferences and external events.

All our teaching is informed by the latest industry developments, with valuable industry insight thinking on business developments from professional practitioners.

Assessment

Modules are assessed by a range of submissions including portfolios of work together with films and production work. The first two semesters drive your skills and learning towards your final natural history production which must be of professional standard with appropriate documentation and matching industry standard deliverables.

Careers / Further study

Students have worked on BBC series, produced films for the Festival of Nature, The Wildfowl and Wetlands Trust at Slimbridge, the RSPB and the Zoological Society of London - some of the UK's top wildlife and conservation organisations.

We also have an ongoing partnership with Wildscreen, the award-winning wildlife conservation charity and Encounters, the Bristol-based international short film festival. Students have been highly commended in the British Wildlife Photography Awards HD film category and were nominated in the Wildscreen Panda Awards. Graduates have also secured internships and employment with the BBC and other organisations such as Discovery, Icon Films, RDF and Tigress Productions.

How to apply

Information on applications can be found at the following link: http://www1.uwe.ac.uk/study/applyingtouwebristol/postgraduateapplications.aspx

Funding

- New Postgraduate Master's loans for 2016/17 academic year –

The government are introducing a master’s loan scheme, whereby master’s students under 60 can access a loan of up to £10,000 as a contribution towards the cost of their study. This is part of the government’s long-term commitment to enhance support for postgraduate study.

Scholarships and other sources of funding are also available.

More information can be found here: http://www1.uwe.ac.uk/students/feesandfunding/fundingandscholarships/postgraduatefunding.aspx

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On this course you will learn the research, scriptwriting and production skills that you will need to produce polished, professional wildlife documentaries. Read more
On this course you will learn the research, scriptwriting and production skills that you will need to produce polished, professional wildlife documentaries.

Key benefits:

• Work towards a fulfilling career in an exciting field with the potential for travel
• Learn from respected filmmakers via a series of masterclasses
• Develop the creative and technical skills you will need to produce striking and informative wildlife documentaries – this is a Skillset-accredited course.

Visit the website: http://www.salford.ac.uk/pgt-courses/wildlife-documentary-production

Suitable for

Graduates who have a passion for using video documentary techniques to communicate scientific knowledge about wildlife and the environment. The programme will provide students with a unique interdisciplinary interaction between sciences and creative arts.

Programme details

During your time with us, you will learn specialist wildlife-production techniques, including long-lens and time-lapse photography and close-up sound recording. There is a strong emphasis on professional practice, and your projects will be expected to measure up to scientific scrutiny, as well as exhibition and broadcast standards.

Format

As well as lectures and seminars, you will attend masterclasses given by expert practitioners with links to the television industry. Plus you will take field trips to a range of animal habitats, where you will work on individual and group projects.

The course will employ a range of teaching and learning strategies in order to meet learning outcomes. These will include:

• Lectures
• Seminars
• Camera, sound and editing skills practice and assessment
• Analysis of case studies
• Student-led independent research
• Student-led project work and field trips.

This strategy will be integrated with an assessment strategy based on outcomes, students' reflective self-assessments and learning plans. Assessment methods will include production exercises and portfolios, projects, critical essays and a dissertation project.

Module titles

• Wildlife Biology, Ecology and Behaviour
• Media Theory and Practice
• Wildlife Research Skills
• Wildlife Research Skills
• Advanced Production Practices
• Major Project: Practice Research Project
or
• Major Project: Dissertation

Assessment

Each module within the course uses and combines a number of different assessment criteria. The following styles are used within the course modules:

• Reports
• Presentations
• Essay
• Practical project
• Research Portfolio

Career potential

The course is ideal for those wishing to pursue careers in all aspects of wildlife documentary production, including directing, producing, script-writing, photography, sound recording and editing. A number of graduates are now working within the TV industry both in the UK and abroad, including several independent companies and ITV, all within wildlife documentary.

The majority of past students have found jobs in the television industry. Examples include:

• Ex-students are working for the BBC Natural History Unit as researchers and assistant producers.
• Ex-students are working for ITV, producing short films from their wildlife images catalogue
• A student is working as an assistant cameraman for a leading wildlife independent company
• One student is working as a producer for Portuguese TV
• Other graduates have jobs as field assistants (currently working in the arctic on a major wildlife film), runners and film librarians
• A student is making web-based programmes for Cornwall TV
• All are connected with wildlife and nature film-making

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

Read less
You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. Read more

MRes programmes

You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. The MRes aims to provide a firm foundation in the methods and methodologies of social anthropology and the human sciences, to serve as a basis for knowledgeable and skilled research in Social Anthropology. You are taught in dedicated postgraduate classes throughout.

MRes in Social Anthropology

• A general introduction to Social Anthropology at postgraduate level.
• Combines opportunities for theoretical development and specialist interests, with training in research methodologies.
• Conversion options within the degree structure if you are entering Social Anthropology as a new subject.
• Preparation for the possibilities of doctoral research, and more specifically, for fieldwork-based anthropological projects.
• Introduces cross-disciplinary connections and differences

Features

* Social Anthropology was established in 1979, and is now a constituent department in the University’s School of Philosophical, Anthropological & Film Studies with a staff of 14.
* Teaching at all levels is informed by the research interests and accomplishments of lecturing staff.

Postgraduate community

Many students are from abroad and are undertaking a varied range of taught courses and research programmes. Those returning from, or preparing to go into, the field form an active community with a wide range of diverse geographical and substantive interests.

You will participate in annual workshops organised by the Department, jointly with the Anthropology departments of the universities of Aberdeen, Edinburgh and Glasgow under the Scottish Training in Anthropological Research (STAR) programme. These workshops provide opportunities for informal presentations of research proposals, discussions relevant to your fieldwork preparations (e.g. ethics, data collection, writing field notes). The exploration of creative ways of learning is held in a relaxed yet focused environment, together with members of staff and PhD students from each of the universities. The training workshops last for
four days and take place in a beautiful countryside location. They act as complementary elements of the postgraduate training programme, and are organised in consultation with postgraduate students themselves, according to their perceived needs and wishes. In addition, there are shorter workshops which take place throughout the year and are designed to develop theoretical perspectives in anthropological research.

Facilities

The Department of Social Anthropology occupies an extensive suite of offices on North Street and in St Salvator’s Quad. It is well situated in the centre of town and at the geographical heart of the University. The Centre for Amerindian Studies has its own set of rooms within the Department, including a reading room that holds a library for Latin American and Amerindian studies. Within Social Anthropology there is also a museum collection of ethnographic objects, and a common room that includes a general anthropological class library, providing a space that is shared by both staff and postgraduates. The Departmental libraries, along with the main library, which holds a fine anthropology collection, include materials from all ethnographic regions of the world.

Weekly research seminars are organised by both the Department and sometimes by the Centres, and include speakers from outside St Andrews and abroad, thus enriching the intellectual environment. Social anthropologists from other UK departments, and beyond, visit and contribute to our series of seminars, and to workshops and conferences arranged by staff members and by research students. We endeavour to create a warm and friendly atmosphere and this also contributes towards maintaining a high quality of teaching and intellectual exchange.

Teaching methods

Taught postgraduate programmes in Social Anthropology are small class format modules, in which formal lectures are combined with seminar style teaching and student-led group work. Every taught postgraduate student is assigned an individual supervisor from among the anthropology staff, who works with them closely to develop a topic and direction for the end of degree dissertation.

International conferences

An important element in fostering the Department’s reputation has been a series of international conferences, each of which has considered an important contemporary theoretical issue within the discipline. These have dealt with, for example, the Anthropology of Violence; Power and Knowledge; Localising Strategies; the Concept of the Market; the Problem of Context; Kingship; the Anthropology of Love and Anger; Ways of Knowing; an Epistemology of Anthropology. The Ladislav Holy Memorial Trust plays an important supportive role for many of these conferences. From time to time distinguished scholars are appointed to the St Andrews Visiting Professorship in Social Anthropology, and each year members of the international academic community join the Department to follow postdoctoral work and other research endeavours. Such visiting scholars greatly enhance the thriving research environment.

Careers

Social Anthropology graduates have characteristics many employers seek and a Social Anthropology degree provides openings to a wide range of careers.
• Private organisations: can use the skills of social anthropologists doing research for urban planning, working with health organisations, doing market research for advertising companies, training employees who will be working in international divisions, or working within human resource departments.

• Government agencies: can employ social anthropologists as policy researchers, research analysts, evaluators, managers, planners and policy makers.

• International organisations: can employ anthropologists in projects in various countries around the world as researchers and cultural brokers.

• Non-profit agencies: can employ social anthropologists as advocates, administrators, evaluators and researchers.

• Graduate employers: 70% of graduate jobs are for students from any discipline. Social anthropologists successfully move into teaching, law, finance, HR, marketing, PR etc.

Well known St Andrews Social Anthropology graduates:
• Saba Douglas-Hamilton – wildlife conservationist & BBC presenter
• Nicolas Argenti – anthropologist
• Alexander Schulenburg – historian, independent scholar and activist for the British overseas territory of St Helena
• Nicholas Barker – journalist: winner of The Independent Young Journalist of the Year.

Read less
You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. Read more

MRes programmes

You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. The MRes aims to provide a firm foundation in the methods and methodologies of social anthropology and the human sciences, to serve as a basis for knowledgeable and skilled research in Social Anthropology. You are taught in dedicated postgraduate classes throughout.

MRes in Social Anthropology with Pacific Studies

• Designed for students who have a special interest in the Pacific and Melanesia, either:
– to do fieldwork for an anthropology PhD in the region.
– or to work there in some other capacity – e.g. in an NGO, in development projects, in multinational corporations with interests in the region.
• You study modules devoted to the history, languages, cultures and varieties of social organisation of Melanesia and the Pacific and their significance for the contemporary lives of its many peoples

Features

* Social Anthropology was established in 1979, and is now a constituent department in the University’s School of Philosophical, Anthropological & Film Studies with a staff of 14.
* Teaching at all levels is informed by the research interests and accomplishments of lecturing staff.

Postgraduate community

Many students are from abroad and are undertaking a varied range of taught courses and research programmes. Those returning from, or preparing to go into, the field form an active community with a wide range of diverse geographical and substantive interests.

You will participate in annual workshops organised by the Department, jointly with the Anthropology departments of the universities of Aberdeen, Edinburgh and Glasgow under the Scottish Training in Anthropological Research (STAR) programme. These workshops provide opportunities for informal presentations of research proposals, discussions relevant to your fieldwork preparations (e.g. ethics, data collection, writing field notes). The exploration of creative ways of learning is held in a relaxed yet focused environment, together with members of staff and PhD students from each of the universities. The training workshops last for
four days and take place in a beautiful countryside location. They act as complementary elements of the postgraduate training programme, and are organised in consultation with postgraduate students themselves, according to their perceived needs and wishes. In addition, there are shorter workshops which take place throughout the year and are designed to develop theoretical perspectives in anthropological research.

Facilities

The Department of Social Anthropology occupies an extensive suite of offices on North Street and in St Salvator’s Quad. It is well situated in the centre of town and at the geographical heart of the University. The Centre for Amerindian Studies has its own set of rooms within the Department, including a reading room that holds a library for Latin American and Amerindian studies. Within Social Anthropology there is also a museum collection of ethnographic objects, and a common room that includes a general anthropological class library, providing a space that is shared by both staff and postgraduates. The Departmental libraries, along with the main library, which holds a fine anthropology collection, include materials from all ethnographic regions of the world.

Weekly research seminars are organised by both the Department and sometimes by the Centres, and include speakers from outside St Andrews and abroad, thus enriching the intellectual environment. Social anthropologists from other UK departments, and beyond, visit and contribute to our series of seminars, and to workshops and conferences arranged by staff members and by research students. We endeavour to create a warm and friendly atmosphere and this also contributes towards maintaining a high quality of teaching and intellectual exchange.

Teaching methods

Taught postgraduate programmes in Social Anthropology are small class format modules, in which formal lectures are combined with seminar style teaching and student-led group work. Every taught postgraduate student is assigned an individual supervisor from among the anthropology staff, who works with them closely to develop a topic and direction for the end of degree dissertation.

International conferences

An important element in fostering the Department’s reputation has been a series of international conferences, each of which has considered an important contemporary theoretical issue within the discipline. These have dealt with, for example, the Anthropology of Violence; Power and Knowledge; Localising Strategies; the Concept of the Market; the Problem of Context; Kingship; the Anthropology of Love and Anger; Ways of Knowing; an Epistemology of Anthropology. The Ladislav Holy Memorial Trust plays an important supportive role for many of these conferences. From time to time distinguished scholars are appointed to the St Andrews Visiting Professorship in Social Anthropology, and each year members of the international academic community join the Department to follow postdoctoral work and other research endeavours. Such visiting scholars greatly enhance the thriving research environment.

Careers

Social Anthropology graduates have characteristics many employers seek and a Social Anthropology degree provides openings to a wide range of careers.
• Private organisations: can use the skills of social anthropologists doing research for urban planning, working with health organisations, doing market research for advertising companies, training employees who will be working in international divisions, or working within human resource departments.

• Government agencies: can employ social anthropologists as policy researchers, research analysts, evaluators, managers, planners and policy makers.

• International organisations: can employ anthropologists in projects in various countries around the world as researchers and cultural brokers.

• Non-profit agencies: can employ social anthropologists as advocates, administrators, evaluators and researchers.

• Graduate employers: 70% of graduate jobs are for students from any discipline. Social anthropologists successfully move into teaching, law, finance, HR, marketing, PR etc.

Well known St Andrews Social Anthropology graduates:
• Saba Douglas-Hamilton – wildlife conservationist & BBC presenter
• Nicolas Argenti – anthropologist
• Alexander Schulenburg – historian, independent scholar and activist for the British overseas territory of St Helena
• Nicholas Barker – journalist: winner of The Independent Young Journalist of the Year.

Read less
120 credits’ worth of modules, taken over eight months exactly the same as the MRes, and a written examination, plus a further twelve months preparing a 40,000-word thesis. Read more

MPhil programmes

120 credits’ worth of modules, taken over eight months exactly the same as the MRes, and a written examination, plus a further twelve months preparing a 40,000-word thesis.
If you have an advanced background in Social Anthropology you may be permitted to enrol directly into the second year of the MPhil and receive the degree solely from the 40,000-word thesis.

Features

* Social Anthropology was established in 1979, and is now a constituent department in the University’s School of Philosophical, Anthropological & Film Studies with a staff of 14.
* Teaching at all levels is informed by the research interests and accomplishments of lecturing staff.

Postgraduate community

Many students are from abroad and are undertaking a varied range of taught courses and research programmes. Those returning from, or preparing to go into, the field form an active community with a wide range of diverse geographical and substantive interests.

You will participate in annual workshops organised by the Department, jointly with the Anthropology departments of the universities of Aberdeen, Edinburgh and Glasgow under the Scottish Training in Anthropological Research (STAR) programme. These workshops provide opportunities for informal presentations of research proposals, discussions relevant to your fieldwork preparations (e.g. ethics, data collection, writing field notes). The exploration of creative ways of learning is held in a relaxed yet focused environment, together with members of staff and PhD students from each of the universities. The training workshops last for
four days and take place in a beautiful countryside location. They act as complementary elements of the postgraduate training programme, and are organised in consultation with postgraduate students themselves, according to their perceived needs and wishes. In addition, there are shorter workshops which take place throughout the year and are designed to develop theoretical perspectives in anthropological research.

Facilities

The Department of Social Anthropology occupies an extensive suite of offices on North Street and in St Salvator’s Quad. It is well situated in the centre of town and at the geographical heart of the University. The Centre for Amerindian Studies has its own set of rooms within the Department, including a reading room that holds a library for Latin American and Amerindian studies. Within Social Anthropology there is also a museum collection of ethnographic objects, and a common room that includes a general anthropological class library, providing a space that is shared by both staff and postgraduates. The Departmental libraries, along with the main library, which holds a fine anthropology collection, include materials from all ethnographic regions of the world.

Weekly research seminars are organised by both the Department and sometimes by the Centres, and include speakers from outside St Andrews and abroad, thus enriching the intellectual environment. Social anthropologists from other UK departments, and beyond, visit and contribute to our series of seminars, and to workshops and conferences arranged by staff members and by research students. We endeavour to create a warm and friendly atmosphere and this also contributes towards maintaining a high quality of teaching and intellectual exchange.

Teaching methods

Taught postgraduate programmes in Social Anthropology are small class format modules, in which formal lectures are combined with seminar style teaching and student-led group work. Every taught postgraduate student is assigned an individual supervisor from among the anthropology staff, who works with them closely to develop a topic and direction for the end of degree dissertation.

International conferences

An important element in fostering the Department’s reputation has been a series of international conferences, each of which has considered an important contemporary theoretical issue within the discipline. These have dealt with, for example, the Anthropology of Violence; Power and Knowledge; Localising Strategies; the Concept of the Market; the Problem of Context; Kingship; the Anthropology of Love and Anger; Ways of Knowing; an Epistemology of Anthropology. The Ladislav Holy Memorial Trust plays an important supportive role for many of these conferences. From time to time distinguished scholars are appointed to the St Andrews Visiting Professorship in Social Anthropology, and each year members of the international academic community join the Department to follow postdoctoral work and other research endeavours. Such visiting scholars greatly enhance the thriving research environment.

Careers

Social Anthropology graduates have characteristics many employers seek and a Social Anthropology degree provides openings to a wide range of careers.
• Private organisations: can use the skills of social anthropologists doing research for urban planning, working with health organisations, doing market research for advertising companies, training employees who will be working in international divisions, or working within human resource departments.

• Government agencies: can employ social anthropologists as policy researchers, research analysts, evaluators, managers, planners and policy makers.

• International organisations: can employ anthropologists in projects in various countries around the world as researchers and cultural brokers.

• Non-profit agencies: can employ social anthropologists as advocates, administrators, evaluators and researchers.

• Graduate employers: 70% of graduate jobs are for students from any discipline. Social anthropologists successfully move into teaching, law, finance, HR, marketing, PR etc.

Well known St Andrews Social Anthropology graduates:
• Saba Douglas-Hamilton – wildlife conservationist & BBC presenter
• Nicolas Argenti – anthropologist
• Alexander Schulenburg – historian, independent scholar and activist for the British overseas territory of St Helena
• Nicholas Barker – journalist: winner of The Independent Young Journalist of the Year.

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This interdisciplinary Master’s programme provides an opportunity for you to deconstruct the American experience at an advanced level. Read more
This interdisciplinary Master’s programme provides an opportunity for you to deconstruct the American experience at an advanced level.

It interrogates, challenges and moves beyond the Exceptionalist rhetoric and nation-states ideology of traditional American Studies to consider the USA, and its neighbours, in an insightful, challenging and relevant way.

You develop specialist knowledge and research skills in a range of disciplines by navigating complex historical, cultural, geo-political and environmental issues. A sophisticated awareness of the reach (and the limitations) of US hegemony, as well as issues of cultural collision, media penetration, region and identity, give our graduates an intellectual grounding well-suited to many careers, in addition to a solid foundation for graduate work at MPhil or PhD level.

About the Centre for American Studies

American Studies at Kent dates back to 1973 and, over the last few decades, has developed a strong research culture; this matches the commitment of the University to interdisciplinary study as well as the mandate of American Studies to explore the American experience in ground-breaking ways.

Our team of scholars maintains close links with a number of North and South American research institutions and archives, and the University’s Templeman Library houses impressive collections on slavery, Native American culture, and photography/visual materials.

We treat the American experience in a critical and reflective manner, and offer an extremely good base for postgraduate study. While able to supervise a wide range of American topics, the Centre currently operates three specialist research clusters of particular interest to candidates:

- The American West
- The Study of US Environmental Issues
- The Study of Race, Ethnicity and Borders.

Course structure

You take a compulsory 30 credit module ‘Transnational American Studies: Research and Approaches’. This is a year-long module designed to introduce key modes of analysis in transnational and interdisciplinary study as well as consider different methodologies, themes and intellectual debates. Assessment includes an extended essay, seminar presentation and a critical review of an academic research paper.

You also select 90 credits from a range of optional modules, spread across at least two disciplines. Optional modules vary year to year and below is a selection of recent modules on offer:

- American Cold War Propaganda

- Geiger Counter at Ground Zero: Explorations of Nuclear America

- From Wounded Knee to the Little Bighorn Casino: The Vietnam War in American History

- American Narrative in the Age of Postmodernism

- American Modernism

- Boundary Busting and Border Crossing

- Myth, Image, Fashion and Propaganda in the Cuban Revolutionary Era

- History and Memory

- American Foreign Policy

The remaining 60 credits are made up with a Dissertation. Written over the summer term, this 12,000 word extended study allows students to work on their own research project based on primary research. You have the opportunity to present your ideas as part of workshop sessions on researching American Studies in the core course and receive supervision from an academic specialist.

Modules

The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation. Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

Assessment

Assessment for this course includes an extended essay, seminar presentation and a critical review of an academic research paper.

Programme aims

This programme aims to:

- provide you with a thorough grounding in the techniques and approaches necessary for advanced research in American Studies.

- promote interdisciplinarity as a conceptual mode of theory and analysis (encourage you to ‘operate across disciplines, learning how to integrate a variety of approaches in formulating and solving problems, and using diverse materials and information sources.’

- encourage critical reflection and engagement with public debates relating to aspects of American society.

- consolidate the strengths of our long-running undergraduate programmes whilst interrogating, challenging, and moving outside the exceptionalist rhetoric and nation-state ideology of conventional American Studies (develop a ‘synthesising impulse…which can work across, as well as interrogate traditional discipline boundaries in innovative ways’.

- promote a curriculum supported by scholarship, staff development and a research culture that provides breadth and depth of intellectual inquiry and debate.

- assist you to develop cognitive and transferable skills relevant to their vocational and personal development.

Research areas

Staff interests broadly fit within the parameters of American literature, American history, American film and American politics, although we actively welcome interdisciplinary projects that investigate several areas of study. Current strengths in American Studies at Kent are: Native American literature and culture; African-American history; slavery and the Atlantic world; the American West; US environmental issues; US visual culture; Disney and recreation; American realist fiction; modern American poetry; US immigration politics; American science fiction; Hollywood; US foreign policy.

The American West
Kent is the only UK institution to operate a research cluster on the American West, with five members of the Centre specialising in trans-Mississippi studies. The research cluster engages in pioneering work on Native American literature, Western films and video games, female frontiering and several other elements of the Western experience.

The Study of US Environmental Issues
US environmental history is a relatively new field of study, but of increasing importance. Our two environmental specialists work on wildlife management, animal studies, nuclear protest and concepts of ecological doomsday.

The Study of Race, Ethnicity and Borders
The Centre has a long history of studying race and ethnicity. Currently, six members of the team cover a range of topics that include African-American political, cultural and social history, Native American literature, Latin American relations and immigration writing and politics.

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Dunedin is a UNESCO City of Literature, supports an International Science Festival, and is the wildlife capital of New Zealand, with colonies of seals, albatross and penguins in the city's boundaries. Read more
Dunedin is a UNESCO City of Literature, supports an International Science Festival, and is the wildlife capital of New Zealand, with colonies of seals, albatross and penguins in the city's boundaries. It is perhaps no accident, therefore, that it has also become a hub for natural history filmmaking. The outstanding natural environment and dynamic cultural environment provide an excellent setting for the University of Otago’s Centre for Science Communication, the home of story-telling and science. Three Science Communication endorsements are available in the MSciComm: Creative Non-Fiction Writing in Science, Science and Natural History Filmmaking, and Science in Society. Students in each endorsement produce a thesis comprising a creative component (e.g. film, book, exhibition etc.) and original research.

Structure of the Programme

-Every programme of study shall be as prescribed for one of the options listed above.
-A candidate may be exempted from some or all of the prescribed papers on the basis of previous study.
-A candidate shall, before commencing the investigation to be described in the thesis, secure the approval of the Director of the Centre for Science Communication for the topic, the supervisor(s), and the proposed course of the investigation.
-A candidate may not present a thesis or other material which has previously been accepted for another degree.
-For the thesis, the research should be of a kind that a diligent and competent student should complete within one year of full-time study.

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Do you want to take the art skills you learnt at university to the next level? Looking to improve your career as a graphic designer? Advance and diversify your creative practice with our transformational, forward-thinking programme! We will give you all the practical, technical, theoretical and applied knowledge to develop flexible skills needed within the dynamic and shifting world of art media. Read more
Do you want to take the art skills you learnt at university to the next level? Looking to improve your career as a graphic designer? Advance and diversify your creative practice with our transformational, forward-thinking programme! We will give you all the practical, technical, theoretical and applied knowledge to develop flexible skills needed within the dynamic and shifting world of art media. No matter where your expertise lies, we will help you expand your horizons through our trans-media focus to show you how to enhance your work further.

Our interdisciplinary ethos draws from six key creative fields, allowing you to either specialise in one area or work on projects across multiple media. Our staff contain a diverse mix of seasoned media practitioners and those actively involved in research at a national or international stage, using their knowledge and experience to help provide a wider context for your work. You'll be a highly developed, fully flexible artist with an understanding of all major fields, giving you the confidence to take your skills to a higher professional level.

Course outline

Our working environment works to cultivate practical and theoretical expertise to help your versatility in creative media. We encourage innovative, lateral approaches to creative practice though a structured timetable of theoretical lectures, practical workshops, student led seminars, visiting speakers, action based and experiential research, self-directed and tutorial based learning.

Cultural and visual discourse is taught at all levels, displaying the important synthesis between theory and creative practice. You'll fully engage in these processes to develop self-awareness and embed skills to advance your professional progression and life-long learning.

Graduate destinations

You'll have the skills and knowledge of a range of visual media disciplines, including Film & Television Production, Graphic Design, Illustration, Photography, Digital Art & Games Design and Wildlife & Adventure Media. This will expand your employability potential and give you vital knowledge to work across mediums.

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You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. Read more

MRes programmes

You can enter these programmes either with an undergraduate degree in Social Anthropology, or with no previous anthropological experience but the desire to convert your academic focus into anthropology. The MRes aims to provide a firm foundation in the methods and methodologies of social anthropology and the human sciences, to serve as a basis for knowledgeable and skilled research in Social Anthropology. You are taught in dedicated postgraduate classes throughout.

MRes in Social Anthropology and Amerindian Studies

• Acquire an understanding of the highly complex social, political and cultural experiences of the historic populations of South America.
• Equips you for a wide range of extension, development and support activities in relation to Amerindian and South American peasant and urban communities, with NGOs, and with the national societies in which you participate (as well as providing opportunities for relevant language learning).
• We prepare you:
– for a range of related activities in different parts of the world.
– to participate in national and regional debates.
– to participate in the delivery of academic and extension talks and courses in different countries of the Hispanic world.

Postgraduate community

Many students are from abroad and are undertaking a varied range of taught courses and research programmes. Those returning from, or preparing to go into, the field form an active community with a wide range of diverse geographical and substantive interests.

You will participate in annual workshops organised by the Department, jointly with the Anthropology departments of the universities of Aberdeen, Edinburgh and Glasgow under the Scottish Training in Anthropological Research (STAR) programme. These workshops provide opportunities for informal presentations of research proposals, discussions relevant to your fieldwork preparations (e.g. ethics, data collection, writing field notes). The exploration of creative ways of learning is held in a relaxed yet focused environment, together with members of staff and PhD students from each of the universities. The training workshops last for
four days and take place in a beautiful countryside location. They act as complementary elements of the postgraduate training programme, and are organised in consultation with postgraduate students themselves, according to their perceived needs and wishes. In addition, there are shorter workshops which take place throughout the year and are designed to develop theoretical perspectives in anthropological research.

Facilities

The Department of Social Anthropology occupies an extensive suite of offices on North Street and in St Salvator’s Quad. It is well situated in the centre of town and at the geographical heart of the University. The Centre for Amerindian Studies has its own set of rooms within the Department, including a reading room that holds a library for Latin American and Amerindian studies. Within Social Anthropology there is also a museum collection of ethnographic objects, and a common room that includes a general anthropological class library, providing a space that is shared by both staff and postgraduates. The Departmental libraries, along with the main library, which holds a fine anthropology collection, include materials from all ethnographic regions of the world.

Weekly research seminars are organised by both the Department and sometimes by the Centres, and include speakers from outside St Andrews and abroad, thus enriching the intellectual environment. Social anthropologists from other UK departments, and beyond, visit and contribute to our series of seminars, and to workshops and conferences arranged by staff members and by research students. We endeavour to create a warm and friendly atmosphere and this also contributes towards maintaining a high quality of teaching and intellectual exchange.

Teaching methods

Taught postgraduate programmes in Social Anthropology are small class format modules, in which formal lectures are combined with seminar style teaching and student-led group work. Every taught postgraduate student is assigned an individual supervisor from among the anthropology staff, who works with them closely to develop a topic and direction for the end of degree dissertation.

International conferences

An important element in fostering the Department’s reputation has been a series of international conferences, each of which has considered an important contemporary theoretical issue within the discipline. These have dealt with, for example, the Anthropology of Violence; Power and Knowledge; Localising Strategies; the Concept of the Market; the Problem of Context; Kingship; the Anthropology of Love and Anger; Ways of Knowing; an Epistemology of Anthropology. The Ladislav Holy Memorial Trust plays an important supportive role for many of these conferences. From time to time distinguished scholars are appointed to the St Andrews Visiting Professorship in Social Anthropology, and each year members of the international academic community join the Department to follow postdoctoral work and other research endeavours. Such visiting scholars greatly enhance the thriving research environment.

Careers

Social Anthropology graduates have characteristics many employers seek and a Social Anthropology degree provides openings to a wide range of careers.
• Private organisations: can use the skills of social anthropologists doing research for urban planning, working with health organisations, doing market research for advertising companies, training employees who will be working in international divisions, or working within human resource departments.

• Government agencies: can employ social anthropologists as policy researchers, research analysts, evaluators, managers, planners and policy makers.

• International organisations: can employ anthropologists in projects in various countries around the world as researchers and cultural brokers.

• Non-profit agencies: can employ social anthropologists as advocates, administrators, evaluators and researchers.

• Graduate employers: 70% of graduate jobs are for students from any discipline. Social anthropologists successfully move into teaching, law, finance, HR, marketing, PR etc.

Well known St Andrews Social Anthropology graduates:
• Saba Douglas-Hamilton – wildlife conservationist & BBC presenter
• Nicolas Argenti – anthropologist
• Alexander Schulenburg – historian, independent scholar and activist for the British overseas territory of St Helena
• Nicholas Barker – journalist: winner of The Independent Young Journalist of the Year.

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