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-You're looking for a master's with a strong focus on practical music making. -You want the flexibility to develop your own compositional and research interests and develop your personal voice. Read more
-You're looking for a master's with a strong focus on practical music making
-You want the flexibility to develop your own compositional and research interests and develop your personal voice
-You want to gain professional skills through collaborating, rehearsing and networking with professional musicians

This course offers intensive training for composers and provides excellent preparation for doctoral work or a career in the professional world. With a strong focus on practical music making and supported by an outstanding programme of workshops and performances by professional musicians, it offers an invaluable opportunity for composers to hone their skills and develop their personal voice.

What makes us distinctive?
-Links to ensembles as an integral part of the course.
-Interaction with the music profession, including the BBC Philharmonic and Manchester Camerata.
-Opportunities to develop professional skills, for example through collaborating, rehearsing and networking with professional musicians; learning to arrange/orchestrate; undertaking outreach opportunities; and collaborating in the creation of performances.
-Flexibility to develop your own compositional and research interests.
-Close ties with electroacoustic composers in NOVARS, and the flexibility to combine electroacoustic course units with those for instrumental and vocal composition.
-Integration into the active research culture of the University of Manchester, through research seminars, performance workshops and concerts.

In addition to the submission of a final Portfolio of Compositions , all instrumental and vocal composition students take the core course unit Composition Project and the further compulsory taught course unit, Compositional Etudes. Optional course units normally include Contemporary Music Studies , Advanced Orchestration , Fixed Media and Interactive Music , Aesthetics and Analysis of Organised Sound , Historical or Contemporary Performance (subject to audition).

Aims

This programme aims to:
-Enable students to develop compositional techniques and professional skills appropriate to their creative needs.
-Enable students to work with both student and professional performers toward the performance of recently composed prices.
-Develop awareness of aesthetic, analytical and technical issues relating to contemporary Western art music.
-Encourage students to discuss with clarity and conviction issues relating to contemporary music.
-Enable students to compose several works worthy of public performance.
-Equip students with skills appropriate to the development of further postgraduate study on MPhil and PhD programmes.

Career opportunities

Graduates of this programme have pursued successful careers in musical and non-musical fields. Many of them are continuing to achieve success as composers, in some cases receiving professional performances from soloists, ensembles and orchestras all over the world.

Others continue to further study via a PhD before securing an academic position. Some go on to teach in schools or further education, both in the UK and overseas. Other areas of work for which advanced musical training has been directly relevant include arts management and the culture industries, music publishing, music journalism, librarianship, music therapy and performance. Careers outside of music have included accountancy, law, social work and human resources.

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The Wales International Academy of Voice (WIAV) is established to address a perceived change in vocal and musical standards in current-day performance, particularly in opera. Read more
The Wales International Academy of Voice (WIAV) is established to address a perceived change in vocal and musical standards in current-day performance, particularly in opera. WIAV concentrates heavily on issues of vocal technique and style in operatic repertoire from the baroque onwards, as well as in art song repertoire.

Course Overview

The course is based on individual, bespoke tuition provided by a team of distinguished coaches, including Dennis O’Neill, the Academy Director, Nuccia Focile, Jane Samuel, and a number of visiting consultants, such as Dame Kiri te Kanawa (WIAV’s honorary president), Ryland Davies, Anne Murray, Richard Bonynge, Joseph Rouleau, and so on. There are also master classes, group teaching classes and participation in public events and professional placement.

Key Features

The programme provides the highest possible level of tuition for singers, either already in the profession or about to enter it. WIAV targets those students who have normally completed a postgraduate course (or equivalent) at a conservatoire. The programme is inherently vocational, essentially practical and designed to enhance already established abilities.

Assessment

Part 1
-80% Recital
-20% Academic Interview (Vivas)
-One Portfolio Module

Part 2
-70% Recital
-20% Process portfolio
-10% Action Plan

Career Opportunities

Graduates from the programme will have significantly enhanced employment prospects. This is demonstrated by the destinations of graduates from pre-cursor progress and WIAV alumni.

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An innovative Masters Degree programme specialising in vocal and choral music, led by the distinguished Royal Wedding composer Professor Paul Mealor intended for composers, musicologists, performers and other interested parties in choral music. Read more
An innovative Masters Degree programme specialising in vocal and choral music, led by the distinguished Royal Wedding composer Professor Paul Mealor intended for composers, musicologists, performers and other interested parties in choral music.

COURSES
Semester 1
Compulsory
Music Research Skills

Optional
Renaisssance Counterpoint
Vocalstration

Semester 2
Music Research Seminar Series

Optional
Words and Music
Contemporary European Opera
Electroacoustic Composition: the Voice and the Machine

Semester 3
Extended Project Module

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This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. Read more
This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. It can be undertaken as a full 180-credit MA, or as a Postgraduate Diploma or Certificate.

Students will develop theoretical and practical understanding of instrumental teaching, research skills and strategies for reflective practice: skills enhancing employability and capability.

The course is led by Dr Elizabeth Haddon LRSM. Her work on instrumental pedagogy has been published in leading peer-reviewed journals and she has presented at international music education conferences.

In addition to her work at the University of York as Research Fellow and piano teacher she also has considerable experience in private studio instrumental teaching.

Course structure

Students will participate in seminars and in practical sessions in which they will have the opportunity to teach others and to receive feedback on their teaching skills.

They will have regular meetings with the programme leader to discuss their progress and to plan and prepare work for assessment, which will include both written and practical work, with a final submission consisting of either an extended essay or a portfolio of lessons plus commentaries.

Students will have opportunities to engage in the many ensemble and performance activities on offer in this vibrant music department.

Employment outcomes

The academic qualification and experience gained through this programme will enhance employability in a competitive field. The programme develops skills vital for engaging in successful private studio or institutional teaching contexts.

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This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. Read more
This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. It can be undertaken as a full 180-credit MA, or as a Postgraduate Diploma or Certificate.

Students will develop theoretical and practical understanding of instrumental teaching, research skills and strategies for reflective practice: skills enhancing employability and capability.

The course is led by Dr Elizabeth Haddon LRSM. Her work on instrumental pedagogy has been published in leading peer-reviewed journals and she has presented at international music education conferences.

In addition to her work at the University of York as Research Fellow and piano teacher she also has considerable experience in private studio instrumental teaching.

Course structure

Students will participate in seminars and in practical sessions in which they will have the opportunity to teach others and to receive feedback on their teaching skills.

They will have regular meetings with the programme leader to discuss their progress and to plan and prepare work for assessment, which will include both written and practical work, with a final submission consisting of either an extended essay or a portfolio of lessons plus commentaries.

Students will have opportunities to engage in the many ensemble and performance activities on offer in this vibrant music department.

Employment outcomes

The academic qualification and experience gained through this programme will enhance employability in a competitive field. The programme develops skills vital for engaging in successful private studio or institutional teaching contexts.

Read less
This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. Read more
This new taught programme will develop pedagogical skills in a context in which students can draw upon and deepen their existing practical experience as instrumental/vocal teachers. It can be undertaken as a full 180-credit MA, or as a Postgraduate Diploma or Certificate.

Students will develop theoretical and practical understanding of instrumental teaching, research skills and strategies for reflective practice: skills enhancing employability and capability.

The course is led by Dr Elizabeth Haddon LRSM. Her work on instrumental pedagogy has been published in leading peer-reviewed journals and she has presented at international music education conferences.

In addition to her work at the University of York as Research Fellow and piano teacher she also has considerable experience in private studio instrumental teaching.

Course structure

Students will participate in seminars and in practical sessions in which they will have the opportunity to teach others and to receive feedback on their teaching skills.

They will have regular meetings with the programme leader to discuss their progress and to plan and prepare work for assessment, which will include both written and practical work, with a final submission consisting of either an extended essay or a portfolio of lessons plus commentaries.

Students will have opportunities to engage in the many ensemble and performance activities on offer in this vibrant music department.

Employment outcomes

The academic qualification and experience gained through this programme will enhance employability in a competitive field. The programme develops skills vital for engaging in successful private studio or institutional teaching contexts.

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Our Postgraduate Advanced Diploma is suitable for advanced postgraduates who have already completed a Masters degree or PG Diploma and who wish to take their already strong skills to the highest possible level. Read more
Our Postgraduate Advanced Diploma is suitable for advanced postgraduates who have already completed a Masters degree or PG Diploma and who wish to take their already strong skills to the highest possible level.

Key benefits

The Advanced Diploma provides access to Trinity Laban's unique Collaboration Lab (CoLab), an exceptional learning space in which you will be encouraged to take creative risks and explore the boundaries of your art form in collaboration with staff and students from across Trinity Laban, leading artists from across the artistic spectrum and many of our professional partner organisations

Visit the website: http://www.trinitylaban.ac.uk/study/music/postgraduate-advanced-diploma

Programme content

The Professional Studies module will be at the core of your learning experience. You will work with your instrumental, vocal or composition teacher and Head of Department to create a personalised route through the module, combining individual and small group tuition with major performance opportunities in both chamber and large ensemble contexts.

All students benefit from intensive individualised tuition in their Principal Study discipline. Each instrumental and vocal student receives one hour of one to one tuition each week enhanced by regular small group lessons/classes.

Individual Principal Study Enhancement lessons on a related, complementary or doubling instrument. Vocal students typically dedicate their Principal Study enhancement time to vocal coaching. Composition students receive a balanced combination of individual and small group lessons, and are encouraged to dedicate their Principal Study enhancement lessons to instrumental or vocal training, or pursuit of a complementary discipline such as music technology or conducting.

Career progression

You will develop a Professional Portfolio. Personalised career tutorials and our professional mentor scheme will enable you to develop as a versatile and rounded musician, well equipped for the challenges of the music profession.

PERFORMANCE AND PRACTICE FACILITIES

- 100-seat Peacock Room
- 100-seat Theatre Studio, with sprung dance floor
- Elegant Stuart & Mackerras Rooms for chamber music
- 80+ practice rooms
- Dedicated suites for Brass, Composition, Early Music, Harp Jazz and Percussion

THE FACULTY OF MUSIC

Located within the beautiful Wren-designed King Charles Court at the Old Royal Naval College, Trinity Laban richly deserves its international reputation as one of the premier institutions in the United Kingdom for the study of music.

The Faculty of Music is celebrated for its fine facilities, which include state-of-the-art practice rooms equipped with superb pianos, the outstanding Jerwood Library of the Performing Arts and the magnificent concert halls in nearby Blackheath.

We have long been acknowledged for fostering and promoting a caring and supportive environment in which our students can flourish and we are particularly proud of the high profile of our professorial staff, who work as acclaimed soloists or belong to top London orchestras and opera companies.

The beautiful site set alongside the River Thames and Greenwich Park, the highly distinguished and talented professorial staff and our innovative and comprehensive course provision make Trinity Laban's Faculty of Music the natural choice for all who seek the best in professional music performance training.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/music-applications

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The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting). Read more
The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting).

The graduate music program is small, and students receive personal attention from faculty, as well as quality performance opportunities.

Our opera program boasts a professional affiliation with the Tri-Cities Opera (TCO). Opera students are members of the TCO Resident Artist Training Program, where they gain professional experience while completing their studies. Our graduates have gone on to perform in major opera houses around the world.

Graduate Degrees Offered

*MM with track in Opera (associated with the Tri-Cities Opera Company)
* MM with emphasis in one of the following:
- Composition
- Conducting
- History and Literature
- Instrumental performance
- Vocal performance

All applicants must submit the following:

- Online graduate degree application and application fee
- Transcripts from each college/university you have attended
- Two letters of recommendation
- Personal statement (2-3 pages) describing your reasons for pursuing graduate study, your career aspirations, your special interests within your field, and any unusual features of your background that might need explanation or be of interest to your program's admissions committee.
- Resume or Curriculum Vitae detailing educational and professional experience
- The GRE is only required for applicants pursuing Music History and Literature emphasis.
- A live audition/interview is also required. For international applicants, the department will consider online audition/interviews via SKYPE or similar technology (contact the graduate director for details).

And, for international applicants:
- International Student Financial Statement form
- Official bank statement/proof of support
- Official TOEFL, IELTS, or PTE Academic scores

Depending on your desired track or emphasis, you must also submit the following:
- Composition applicants:
*Minimum of two manuscripts and/or recordings of compositions, preferably for differing performing genres. Electronic scores prepared with Finale or Sibelius preferred; hard copies accepted
*Recorded sample of compositions (if possible); live performance recordings preferred

- Conducting applicants:
*Preliminary screening DVD of rehearsal and/or performance conducting an instrumental or vocal ensemble (10-30 minutes)
*A (recent) recording sample, highlighting either:
*the candidate's major instrument
*voice; including a minimum of two composition(s) in contrasting styles

- History and Literature applicants:
*Minimum one writing sample (a research paper in music); two (or more) desirable

- Instrumental Performance applicants:
*Preliminary screening CD or DVD, including a minimum of two compositions in contrasting styles

- Opera and Vocal Performance applicants:
*Preliminary screening CD or DVD, including a minimum of four compositions in contrasting styles (one each in English, French, German and Italian)
*Opera/oratorio and song literature should be included

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This postgraduate year of study offers you a focus on developing your practical skills in a specialist area of instrumental or vocal solo performance, orchestral performance or musical theatre. Read more
This postgraduate year of study offers you a focus on developing your practical skills in a specialist area of instrumental or vocal solo performance, orchestral performance or musical theatre.

For more information please contact Ben Hall ()


Course content
As a vocational training in instrumental or vocal performance skills, in orchestral performance skills, or in skills relevant to a development of musical theatre performance, the Advanced Performance programme is intended as a preparation for employment or further advanced training at postgraduate level.

This one year programme can be taken as either a non credit bearing Advanced Performance Course, or as a Postgraduate Certificate in Performance. All students focus their study on a specialist area of instrumental, vocal, orchestral, or musical theatre work. In particular the programme offers orchestral players an opportunity to engage in a course of study offering significant levels of orchestral rehearsal and performance experience.

Students following the Postgraduate Certificate in Performance will additionally take modules in Performance Portfolio and Lecture Recital.

The cost of the course for 2017 is £3100.00

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This is a unique professional course that has been designed specifically for overseas students. MA Acting (International) offers the full spectrum of acting skills, including voice, movement and singing and approaches to rehearsal and public performances. Read more
This is a unique professional course that has been designed specifically for overseas students. MA Acting (International) offers the full spectrum of acting skills, including voice, movement and singing and approaches to rehearsal and public performances. The course focuses on advanced practical acting skills and also takes in the study of Shakespeare and other classical traditions.

Example structure

We offer dynamic and unique course for actors, directors, technical theatre specialists and students of theatre practice. Training at East 15 draws upon 50 years of tradition combined with a keen sense of the world of stage and screen today.

First Term
The first term includes the module Acting Technique based on the Stanislavsky approach, which addresses the key physical and vocal skills for acting, enabling students who are coming from a variety of training traditions to identify and achieve the required level of preparation for the subsequent modules.

It also allows tutors to make a diagnostic assessment of your skills and potential, and identify and implement any additional work in these core areas.

The module on Shakespeare enables you to develop your understanding of the meaning and mechanics of Shakespeare’s text. It introduces you to specific vocal techniques for the performance of Renaissance text and allow you to consider how a range of archaic and contemporary performance settings influence the actor’s and director’s approaches to Shakespeare in performance.

In addition, you study a range of analytical and experimental approaches to script that are useful to the actor and there are opportunities to develop your clarity, accuracy, and expressiveness in speaking Renaissance text. The Shakespeare module normally includes a two-week workshop at Shakespeare’s Globe, where you have an opportunity to perform on the Globe stage.

Second Term
The second term includes the Character and Scene Study module which extends the work begun in Acting Technique. It uses a Realist approach to acting as its base, allowing you to pursue longer and more challenging acting explorations. Scene work is undertaken on scripts by, for example, Ibsen, Strindberg, and Realist texts from the last 50 years. The module extends and applies Realist acting techniques, and includes a study of theories and assumptions underlying Realism.

A module on Contemporary UK Texts introduces you to key contemporary texts from the UK theatre, and to scripts from the twentieth-century that continue to have a place in and to influence contemporary UK theatre. It allows you to extend your vocal, physical, and analytical skills in the creation of roles that reflect a current cultural context and offers an opportunity to create and perform a complete role in the context of a fully staged play.

Third Term
You work on a written dissertation or a practical project. The year usually culminates in a full length production in a London venue.

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Successful entry on to this Guildford School of Acting (GSA) programme means you will be part of a carefully selected and committed ensemble of performers-in-training, equipped with the necessary self-discipline and motivation to master new skills and refine existing capabilities. Read more
Successful entry on to this Guildford School of Acting (GSA) programme means you will be part of a carefully selected and committed ensemble of performers-in-training, equipped with the necessary self-discipline and motivation to master new skills and refine existing capabilities.

GSA is one of the UK’s leading accredited drama schools, providing dedicated conservatoire training within a purpose built environment on the University of Surrey campus.

PROGRAMME OVERVIEW

We place a very strong emphasis on the practical acquisition of technical skills together with a dedicated focus on professional development, and provide opportunities to combine these skills into musical theatre rehearsal projects and public performances,.

The programme is intensive and specifically designed to equip participants in the ‘triple-threat’ disciplines of acting, singing, dancing.

Seminars in contextual and theoretical studies are taken together with masterclasses led by industry professionals in audition technique and repertoire.

These skills are integrated through project work which includes a devised project, a final public production led by a production team of industry professionals, and a West End Showcase.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Research and Rehearsal
-Dance Techniques
-Singing and Audition Technique
-Voice and Acting
-Professional Development
-Physical Performance
-Vocal Performance
-Public Performance Project
-Advanced Practice

EDUCATIONAL AIMS OF THE PROGRAMME

-To deepen experiential knowledge, ability and critical understanding of the integrated practice of musical theatre
-To develop a comprehensive theoretical and experiential understanding of the techniques and methodologies inherent in the practice of musical theatre
-To enable an advanced knowledge of context, style, genre and idiom in the practice of musical theatre
-To provide an ensemble training context for the development of professional skills based on practical and theoretical understanding and reflective practice
-To enable the student to demonstrate originality in the application of knowledge, together with a practical knowledge of how to research and create independent practice

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Knowledge and understanding
-An advanced understanding of the physical and vocal techniques required to maintain an expressive body and the optimum functionality of the voice
-A critical understanding of key theoretical and methodological developments in the practice of musical theatre
-A sophisticated understanding of the application of technique to differing theatrical forms, styles, genres and historical contexts
-A comprehensive understanding of current industry practice

Intellectual / cognitive skills
-Recognise, interpret and contextualise approaches to genre, idiom, style and historical context
-Recognise and respond appropriately to the demands of different musical theatre styles
-Ability to evaluate, critique and develop methodologies of practice
-Critically analyse and reflect on their own and others’ practice

Professional practical skills
-Identify and develop a personally effective and methodological approach to rehearsal
-Select and apply vocal and physical techniques appropriate to different genres, styles and periods of musical theatre
-Demonstrate creative, original and imaginative work in performance
-Contribute effective and appropriate advanced practices and concepts to an ensemble process
-Demonstrate evidence of extensive practical research and effective preparation for entry into the current performance industry

Key / transferable skills
-Be disciplined and consistent in a professional context
-Conduct themselves constructively, positively and sensitively towards others
-Able to both lead and collaborate as part of a team, on practical and research projects
-Communicate effectively and at an advanced level in both verbal and written form.
-Seek out, critique and employ information appropriately
-Recognise and develop commercial and artistic career opportunities

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

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This Guildford School of Acting (GSA) programme emphasises practical actor training, delivered via a series of project workshops and rehearsals supported by extensive classes in relevant technical skills. Read more
This Guildford School of Acting (GSA) programme emphasises practical actor training, delivered via a series of project workshops and rehearsals supported by extensive classes in relevant technical skills.

GSA is one of the UK’s leading accredited drama schools, providing dedicated conservatoire training within a purpose built environment on the University of Surrey campus.

PROGRAMME OVERVIEW

The MA Acting programme is specifically designed for those seeking a career in the performing arts, and who already have an undergraduate degree or have a minimum of five years’ professional experience.

This intensive programme offers practical training which focusses on the acquisition of technical skills in acting, voice and movement.

These support a range of rehearsal projects, screen acting projects and public performances. Students also take professional development workshops and classes in audition technique.

Cohorts are kept small to ensure that students receive the maximum amount of personal attention and contact.

Performance opportunities include a devised project, a final public production led by a production team of industry professionals, and a West End Showcase.

PROGRAMME STRUCTURE

This programme is studied full-time over one academic year. It consists of eight taught modules and a compulsory Advanced Practice module. The following modules are indicative, reflecting the information available at the time of publication. Please note that not all modules described are compulsory and may be subject to teaching availability and/or student demand.
-Industry Practice 1
-The Integrated Body 1
-Acting
-Contextual Practice 1
-Industry Practice 2
-The Integrated Body 2
-Contextual Practice 2
-Public Production
-Advanced Practice

EDUCATIONAL AIMS OF THE PROGRAMME

-To deepen experiential knowledge and critical understanding of the practice of acting
-To develop a comprehensive understanding of the techniques and methodologies that constitute a personally evolved rehearsal process
-To develop an integrated technical approach to the practice of acting in rehearsal and performance
-To provide an ensemble training context for the development of professional acting skills based on practical and theoretical understanding and reflective practice

PROGRAMME LEARNING OUTCOMES

The programme provides opportunities for students to develop and demonstrate knowledge and understanding, skills, qualities and other attributes in the following areas:

Knowledge and understanding
-An experiential and theoretical knowledge of key practical acting methodologies
-An advanced understanding, which will inform ongoing skill attainment, of the physical and vocal techniques required to maintain an expressive body and the optimum functionality of the voice
-A critical understanding of key theoretical and methodological developments in the practice of acting
-An advanced understanding, which will inform ongoing skill attainment, of the application of technique to differing theatrical forms, styles, genres and historical contexts
-A comprehensive understanding of current industry practice

Intellectual / cognitive skills
-Recognise, interpret and contextualise approaches to performance texts
-Identify and develop an individual methodological approach to rehearsal
-Select vocal and physical techniques appropriate to voice, person and situation
-Recognise and respond appropriately to the demands of different performance media
-Critically analyse and reflect on their own and others’ practice

Professional practical skills
-Successfully apply integrated vocal and psycho-physical techniques to the practice of acting in differing media
-Sustain and develop an effective and creative individual rehearsal process
-Demonstrate creative and imaginative work in performance
-Contribute effective and appropriate practices and concepts to an ensemble process
-Demonstrate evidence of practical research and effective preparation for entry into the current performance industry

Key / transferable skills
-Be disciplined and consistent in a professional context
-Conduct themselves constructively, positively, and sensitively towards others
-Able to lead and collaborate as part of the team on practical and research projects
-Communicate effectively and at an advanced level in both verbal and written form
-Seek out, critique, and employ information appropriately
-Recognise and develop commercial and artistic career opportunities

GLOBAL OPPORTUNITIES

We often give our students the opportunity to acquire international experience during their degrees by taking advantage of our exchange agreements with overseas universities.

In addition to the hugely enjoyable and satisfying experience, time spent abroad adds a distinctive element to your CV.

TESTIMONIALS

"I am really pleased that I came to GSA as it has given me the ideal grounding to work across the industry with not only a high level of quality to my work but also a distinguished level of professionalism that never goes unnoticed. I put these things down to the excellent training that I received at GSA." - Marina Waters, MA Acting 2010-2011

"The MA Acting course has been an intensely rigorous journey which has endlessly flexed my creative muscles, heightened my self-awareness and deepened my understanding of what it means to nurture an individual's body, spirit and mind through an ensemble, while remaining true to one's self." - Rebecca Yeo, MA Acting 2011-2012

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Repetiteurship is offered as an MMus or a Postgraduate Diploma programme. - Training opportunities with professional companies. - Training in, and opportunities to accompany, vocal performances and rehearsals, such as those involving the RWCMD College Chorus, Chamber Choir, opera and opera scenes productions. Read more
Repetiteurship is offered as an MMus or a Postgraduate Diploma programme.

Key Features

- Training opportunities with professional companies
- Training in, and opportunities to accompany, vocal performances and rehearsals, such as those involving the RWCMD College Chorus, Chamber Choir, opera and opera scenes productions
- Advanced performance classes, usually in the company of students from a range of related disciplines
- Specialist principal study tuition, including training in score reading, continuo work and the accompaniment of recitatives
- Attendance at vocal language classes and vocal coaching sessions

Key Features of all Postgraduate Programmes

- Advanced principal study tuition from professional musicians
- Training in career development, self-promotion, event management and sustainable technique
- International masterclass series
- Fully integrated performance programme by international artists
- Performance Practice training supported by seminars, tutorials and symposia
- Training in performance analysis and presentation (MMus only)
- Advanced research and specialist performance analysis training (MMus only)
- Established work placement schemes
- Optional training in advanced teaching skills and arts management
- Opportunities to study abroad at a partner conservatoire

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This course allows students to specialise in Solo Performance with further training in up to three complimentary areas. The programme is divided into two parts. Read more
This course allows students to specialise in Solo Performance with further training in up to three complimentary areas.

The programme is divided into two parts: two semesters of taught study (Part I, 120 credits) and a substantial recital prepared over the summer (Part II, 60 credits).

Part 1 is centred on the Principal Subject module (WMM4044, 40 credits) in Solo Performance. It lays the foundations of a Part 2 project, which will result in a major recital. WMP4052 Preparing for the Part 2 project (10 credits) acts as a bridge between Parts 1 and 2.

An additional 40 credits will be gained through submissions in other performance-related fields through either one Major Open Submission (WXM4046, 40 credits) or two Minor Open Submissions (WMP4047 and WMP4048, 20 credits each). These area available in the following subject areas:

Historical Performance Practice
Historical Musicology
Techniques of Vocal/Instrumental Teaching
Performing with Live Electronics.
The core module in musicology will make students acquainted with up-to-date research and creative techniques and methodologies.

Students will receive 42 hours of vocal/instrumental tuition. In other subject areas, teaching is provided through a combination of individual tuition and seminar session in small groups. Within each of the chosen subject areas, students can identify their own projects, for which they will receive expert supervision.

Course Structure
Part 1 (Diploma):

Performance study assessed by short recital with related supporting modules chosen from: performance practice; techniques of teaching; ensemble studies; conducting; editorial or historical studies.

(Total of 120 credits)

Part 2 (MA):

Normally consists of a substantial public recital or recital and related dissertation.

(60 credits)

Compulsory modules:

Principal Subject Module: Solo Performance (40 credits)
Compulsory Core Module: Current Musicology (30 credits)
Preparing for the Part Two Project (10 credits)
Optional modules:

Open Submissions (40 or 20 credits) must be chosen from the following study areas:

Performance Practice (20 credits only);
Historical Musicology;
Techniques and Practice of Instrumental or Vocal Teaching (20 credits only);
Supporting Studies (20 credits only);
ELCOS Language Skills (20 credits, international students only).

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This is a unique professional course that has been designed specifically for overseas students. MFA Acting (International) offers the full spectrum of acting skills, including voice, movement and singing and approaches to rehearsal and public performances. Read more
This is a unique professional course that has been designed specifically for overseas students. MFA Acting (International) offers the full spectrum of acting skills, including voice, movement and singing and approaches to rehearsal and public performances. The course focuses on advanced practical acting skills and also takes in the study of Shakespeare and other classical traditions.

Example structure

We offer dynamic and unique course for actors, directors, technical theatre specialists and students of theatre practice. Training at East 15 draws upon 50 years of tradition combined with a keen sense of the world of stage and screen today.

First Term
The first term includes the module Acting Technique based on the Stanislavsky approach, which addresses the key physical and vocal skills for acting, enabling students who are coming from a variety of training traditions to identify and achieve the required level of preparation for the subsequent modules.

It also allows tutors to make a diagnostic assessment of your skills and potential, and identify and implement any additional work in these core areas.

The module on Shakespeare enables you to develop your understanding of the meaning and mechanics of Shakespeare’s text. It introduces you to specific vocal techniques for the performance of Renaissance text and allow you to consider how a range of archaic and contemporary performance settings influence the actor’s and director’s approaches to Shakespeare in performance.

In addition, you study a range of analytical and experimental approaches to script that are useful to the actor and there are opportunities to develop your clarity, accuracy, and expressiveness in speaking Renaissance text. The Shakespeare module normally includes a two-week workshop at Shakespeare’s Globe, where you have an opportunity to perform on the Globe stage.

Second Term
The second term includes the Character and Scene Study module which extends the work begun in Acting Technique. It uses a Realist approach to acting as its base, allowing you to pursue longer and more challenging acting explorations. Scene work is undertaken on scripts by, for example, Ibsen, Strindberg, and Realist texts from the last 50 years. The module extends and applies Realist acting techniques, and includes a study of theories and assumptions underlying Realism.

A module on Contemporary UK Texts introduces you to key contemporary texts from the UK theatre, and to scripts from the twentieth-century that continue to have a place in and to influence contemporary UK theatre. It allows you to extend your vocal, physical, and analytical skills in the creation of roles that reflect a current cultural context and offers an opportunity to create and perform a complete role in the context of a fully staged play.

Third Term
You work on a written dissertation or a practical project. The year usually culminates in a full length production in a London venue.

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