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New Certificate course, in association with all3media. TV Drama has entered an unprecedented era of international acclaim and success. Read more
New Certificate course, in association with all3media.

TV Drama has entered an unprecedented era of international acclaim and success. US drama series like The Wire, Mad Men, Game of Thrones and Breaking Bad have challenged and enthused audiences across the world with TV drama that is original, complex and non-formulaic. Recent TV drama series from Denmark and Sweden have created an appetite for ground breaking thrillers such as The Killing and The Bridge as well as the political drama Borgen. There is a new appetite among UK drama commissioners and independent producers to develop work along such original lines.

COURSE OVERVIEW

‘TV Drama – Creating The Bible’ is an eight week course, requiring at least three days attendance at the NFTS in Beaconsfield each week, that will equip writers and producers with the knowledge and skills required to create a high-end ten-part drama series.

Led by Peter Ansorge, ex-Head of Drama at Channel 4, where his BAFTA and Emmy award-winning commissions included A Very British Coup, Traffik and The Politician’s Wife, participants will write and complete a full bible and pilot episode for a drama series that has the potential of running over more than one season.

The course does not follow any received academic view about screenwriting but will create the actual conditions of working on an original drama project over a period of time among professionals with a proven track record. Among the guests Peter Ansorge has brought to previous writing courses at the school are writers David Hare and Howard Brenton, producers Jane Featherstone (Kudos), Simon Heath (World Productions) and impresario Michael Grade who has been Controller of BBC1, and Chief Executive at both ITV and at Channel 4.

For ‘Creating The Bible’ guest speakers will include Heads of Development at all3media-owned drama companies such as Company Pictures (Shameless, Wolf Hall), Neal Street Productions (Call The Midwife, The Hollow Crown) and Bentley Productions (Midsommer Murders.)

There will be two days set aside each week for writing your bible and pilot episode. Also, there are homework assignments each evening which will be reviewed on screen the following morning where we will work on improving your script and bible. The working atmosphere will be that of a professional writers’ room.

Guest speakers will review the projects each week and provide professional advice and input.

All3media group comprise eighteen leading production companies, independent creators of UK TV and multi-platform programming from around the world. At the end of the course, participants will pitch their completed bible and pilot episode to Heads of Development from all3media drama companies, providing participants with a unique contact with and support from the industry.

CURRICULUM

The modules for writing the pilot episode and bible will address and attempt to answer the question: what makes great TV writing?

There will be in-depth discussion of TV Drama, past and present, including the work of Dennis Potter, Paula Milne, Alan Bleasdale, Mathew Weiner, David Simon and Vince Gilligan..

Included in the modules will be:
-The importance of metaphor
-The development of character
-The sense of place
-The importance of surprise
-The opening scene
-The sense of an ending
-Steal, don’t copy
-The rewrite: if it ain’t broke, don’t fix it

As the final module, you will pitch your project to an all3media drama team.

The course is open to new and established writers and drama producers. There is no requirement to have had a drama produced or broadcast.

All3 media are offering a scholarship to a candidate from a diverse background.

Successful candidates will have access to NFTS’s Screen Arts and Cinema Club.

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The MA Film & TV is a flexible, student driven course designed to fit in with learners’ professional and personal commitments. Delivered online by guiding practice, the curriculum is adaptable to student needs and accommodates current media industry developments. Read more

Overview

The MA Film & TV is a flexible, student driven course designed to fit in with learners’ professional and personal commitments. Delivered online by guiding practice, the curriculum is adaptable to student needs and accommodates current media industry developments.

Why choose this course?

Students negotiate their own learning from the first module onwards, defining aims and approaches that are relevant and feasible within their individual context. They review and adapt these plans along with their emerging expertise to develop projects that can be applied to their local context. Student negotiated modules accommodate rapid technology-driven, creative and increasingly globalised business changes with ease.

Emerging filmmakers who enter the course with a clear sense of direction can make their project funding applications and development plans more coherent and their career plans more feasible. More established participants can enhance their digital and management skills to future proof their interactions with emerging technologies and institutions. All participants can grow their management and leadership skills by reflecting on the implementation of their plans within their specific environment.

The course is led by award-winning film and TV producer Carl Schoenfeld. Carl has over two decades’ producing experience in the film & TV industries, laying the groundwork for fresh approaches across filmmaking procedures and talent development initiatives. His ventures with the BBC, Channel4/Film4 and BFI, among others, have embraced emerging technology, explored new workflows and kick-started the international careers of the talent involved.

What will I learn?

Students apply to the course specifying their unique combination of ambitions and accomplishments. Their statement serves as a foundation for the My Learning Trajectory Assignment, detailing attainable course goals (aligned with employers’ agendas, where applicable, or industry research), outlining the strategies the student adopts to achieve them. The module My Film & TV Knowledge Base enables students to deepen their understanding of, and widen their range of practical, conceptual and theoretical investigations at postgraduate level. Following these introductory modules, students embark on their very own learning journey structured through four negotiated modules towards their personal stated - and regularly reviewed – attainment goals.

How will this course be taught?

Students will receive individual mentoring by both a postgraduate mentor and an experienced professional, who is usually working in the film or TV industries in a leading capacity. Students can also participate in regular web conferences together with peers led by a module leader, as well as optional face-to-face events coinciding with key industry networking opportunities such as international conferences and film festivals.

The course is designed for global delivery in a world where cameras and edit computers including smartphones are widely available - but expertise in using these devices in an effective way is hard to come by. Accordingly, we expect students with a professional background and ambitions to have access to their own equipment relevant to their chosen specialism, and would be able to complete practical course work submissions (which students negotiate themselves) using a recent smartphone. The course adopts a ‘Bring Your Own Device’ ethos, and students are being guided to plan practical work that they can complete relying on accessible equipment only.

How will I be assessed?

The journey starts with formative assessment of student blogs detailing the films, programmes and people that influence their plans and build towards both oral and written presentations of their plans, working towards the production of creative work and relevant business structures. As assessment on this course is highly integrative, these assignments look forward to later, student negotiated modules, and engage learners in evaluating and supporting the feasibility of their plans (whilst the evaluative parts of later assignments ask students to reflect on these earlier plans and the journey in between). Moreover, establishing a constant cycle of observing, theorising, planning and film TV programme making encourages students to experience the connections and synergy between all these stages and to develop habits that enable lifelong learning.

Screenwriters may use some of the earlier and smaller negotiated modules to lay out their story in an industry style ‘treatment’ or ‘step outline’, analyse ‘successful’ screenplays in their genre or made by intended collaborators, research future industry collaborators in depth before writing a full-length feature screenplay for their Major Project.

Directors can relate their aims, past work and approaches to industry practice, pursue a work placement if they are early in their career, or investigate and experiment with different ways to develop a visual strategy for a project, rewrite screenplays, look at performance and directing styles, or research successful case studies and potential collaborators.

Producers may evaluate a variety of past, ground breaking or potential future projects, research potential markets, audiences and finance sources including standard industry investors and crowd funding to build a detailed business case e.g. for their Major Project. Students focusing on technical grades may choose work placements (which they in the first instance identify, approach and negotiate as part of earlier negotiated course work), support practical work with in depth research including history and context, or experiment with new workflows.

Entry requirements

Those with relevant experience are encouraged to apply for admission with advanced standing through Accreditation of Prior Learning or Prior Experiential Learning, where appropriate. Students entering with advanced standing will be advised of the procedure for claiming accreditation of prior experience or learning, and of the regulations governing the amount of credit that can be claimed (see below). Advice will also be given on the extent of the match between their experience/learning and the relevant course outcomes.

Applicants have to meet their own equipment needs on this course. This includes a recent computer (laptop, desktop or versatile tablet, less than 5 years old, including software relevant to their specialism) and a broadband connection, as well as access to filmmaking equipment (e.g. camera, sound recording, postproduction facilities and other relevant resources) that may be required to produce practical course work to the technical standard that they specify in the early modules.

Each application will be required to include a ‘statement of intent’ (500 words for applicants meeting all admission criteria, 1500 words for applicants using APL/APEL), and applicants may be required to provide other supporting material, e.g. full marks/results records, or examples of their practical, professional or academic work. Eligible applicants will be interviewed by videoconferencing (e.g. Skype).

Overseas students may apply directly to the University. Students for whom English is not their first language should meet the appropriate English language standards. This course requires IELTS 6.5 or above. If you don’t have the required level of English then view our range of Pre-Sessional English courses.

How to apply

To find out more about how to apply, click on the Apply For This Course button above. Many of our courses offer a part-time study option. Note that the part-time mode of study is not applicable to international students, unless you hold a relevant visa – please check with the international office.

Please note: we have a range of taught postgraduate awards to suit your needs, from Postgraduate Certificate or Postgraduate Diploma to a full Master's Degree (MA, MBA, MSc, LLM). In most cases you can decide to exit at Postgraduate Certificate or Diploma level, without carrying onto the full Master's qualification.

Further information

If you click on the Order a Prospectus button above, we will send you a printed Postgraduate Prospectus; alternatively you can download a pdf prospectus.

To find out more information about Postgraduate Study at Coventry University, including finance and funding and the benefits of further study, see our Postgraduate Study pages.

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During the MA in Screenwriting for Television and Film (in Retreat) you will cover writing for feature film and television as well as new developments such as web drama. Read more

During the MA in Screenwriting for Television and Film (in Retreat) you will cover writing for feature film and television as well as new developments such as web drama. You will develop a range of ideas, then go on to write film and television outlines, and several drafts of a feature film screenplay, a TV single drama, or a TV series or serial bible and sample episodes.

Commencing in September, you will be taught through a mixture of intensive writing retreats and distance learning techniques, including Skype and our dedicated online learning environment, Moodle. The course includes four week-long residential retreats throughout one year (full time), with some taking place in Central London and others at our beautiful Egham Campus, near Windsor. This structure immerses you in a creative atmosphere conducive to concentrated learning and group interaction, with Development Lab as a core module, where you will present your work in progress to the group for criticism and feedback, and experiment with co-writing.

Between retreats the course is run via distance-learning with a website, chat room and e-tutorials. This makes it possible for those living outside the UK, and those with busy working lives, such as freelancers and those in full-time employment, to take time out to attend. The course attracts a wide variety of students including those wishing to make a career change from other sectors through to established actors, comedy writers, editors, producers, novelists and many others.

You will also meet and work with industry and independent producers, directors, agents, writers and actors to provide a production context.

  • You'll come to us for four week-long retreats, over the course of a (full-time) year. Between retreats, you'll learn from home via a website, chatroom and tutorials.
  • You'll learn as part of our creative campus, in a department with combined expertise in both Media theory and Media practice, rated in the top 10 Media Arts departments for research quality (REF, 2014)
  • You'll get to bounce your ideas off other people – core to the course is a 'writers' room' space, where students present their works-in-progress to each other for criticism and feedback. You'll also get to experiment with co-writing.
  • You'll learn from course director Ivan Levene, a screenwriter and script editor with over 15 years of experience in the industry. The teaching team includes Adam Ganz (whose dramas include Pillow Talk and Murder Without Motive), Jonathan Powell (former Controller of BBC One and Head of BBC Drama), Gillian Gordon (award-winning producer with 30 years experience) and John Roberts (BAFTA award winning director of Paulie).
  • You'll meet and work with industry and independent producers, directors, agents, writers and actors. Recent speakers include experts from the BBC, Bad Robot Productions, Bankside Films, Casarotto Ramsay and United Agents as well as as well as directors such as Daniel Wolfe (Catch Me Daddy) and Sarah Gavron (Suffragette).

Course structure

  • Story and Theme
  • Development Lab
  • Contexts - Current British Film and Television Practice

Teaching & assessment

Assessment is carried out by a variety of methods including script outlines and scenes, a completed feature film screenplay and/or TV series episode and ‘bible’, and marketing and pitch documents.

Your future career

You'll be set for a career in television and feature film screenwriting and script development. Graduates with work in film and TV include:

  • Janice Hallett's feature screenplay Retreat, starring Cillian Murphy (2011).
  • Olivia Wakeford wrote for the feature film Baseline (2009).
  • Kay Stonham was commissioned by the BBC, and two of our younger writers are working on a C5 youth drama series. 
  • Adam Rolston's musical, A Sentimental Journey, on Doris Day's life performed at a variety of UK and US venues.
  • Daniel Wolfe directed and co-wrote Catch Me Daddy, released to critical acclaim in 2015.
  • Sir Lenny Henry wrote and starred in the autobiographical drama, Danny and the Human Zoo, for BBC 1.

Other students from our department have gone on to work in independent television and film production, for broadcasters like the BBC and ITV, and for distributors, exhibitors, talent agencies and entertainment lawyers.



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The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series. Read more

The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series.

The MISP is a full-time intensive course, with a maximum enrollment of 42 students. The diploma, issued by Università Cattolica, is recognized as a first level Master’s degree by the Italian Government.

Learning objectives

The MISP will allow students to acquire the required knowledge to work in the entertainment industry, both as writers and/or professionals working in production or distribution companies, TV networks, talent agencies or as production assistants.

Students will receive a comprehensive and high level training which effectively combines the academic expertise of university professors with the professional know-how of high-ranking professionals with international profiles.

Career opportunities & professional recognition

Graduates from the MISP are exposed to a wide range of career opportunities. Graduates have both the theoretical knowledge and the methodological tools suited to pursue professional and managerial careers as:

● Screenwriters or creative producers of television series and feature films;

● Authors of TV entertainment programs and documentaries, copywriters, creators of video games and web series, writers of comic books and novels and fiction editors in publishing companies;

● Story editors and script consultants;

● Supervisors of evaluation, acquisition and programming of TV shows;

● Professionals working in different areas of the television and film industry (physical production, distribution, acquisition, product placement, etc.)

Guest Lecturers

Here is a list of some Professors and Guest Lecturers:

● Eleonora Andreatta - Director TV series and TV dramas for Rai Fiction

● Luca Bernabei, CEO Lux vide, Rome

● Armando Fumagalli, Director of the Master, professor of Semiotics and History of Cinema, UCSC; script consultant for Lux vide

● Robin Lyons - Animation Writer and Producer – Calon (UK)

● Luca Manzi - Writer for novel, theatre and television, and co-founder of the Master Program

● Cristiana Nobili - Director, Original Live Action Production, Disney Europe, Middle East and Africa (London)

● Paolo Sigismondi, professor of Global Entertainment, Annenberg School of Communication, University of Southern California, Los Angeles

● John Truby - Screenwriter and script doctor for Disney, Universal, Sony Pictures, Fox, HBO, BBC

Curriculum

● Screenwriting theory (8 ECTS/ CFU)

● Script analysis and project evaluation (8 ECTS/ CFU)

● Writing techniques for audiovisual products (12 ECTS/ CFU)

- Screenwriting practice: treatments, scenes and dialogues, scripts, pitches.

- The writing of genres and adaptation.

- Writing for different formats: comic books, novels, documentaries, entertainment TV shows, advertising, the web, mobile media, and transmedia projects.

- Screenwriting and production of animation projects.

● The audiovisual industry (4 ECTS/ CFU)

- Industries and audiences.

- TV acquisition and programming and film distribution

- The physical production: pre-production, shooting, post-production, contracts and budgeting.

● Communication ethics (4 ECTS/ CFU)

Final project

Three months before the end of theoretical classes, the students will have to choose between one of the following careers: screenwriting or production. The students, who choose the screenwriting career, will have to write and deliver a final project from which the writing abilities developed during the program should emerge. Typically,the final project takes the form of a script for a feature film, which can either be an original idea or an adaptation.

The final project can be written in English, Italian, French or Spanish. The students, who choose the production career, will have the opportunity to undertake an internship within an established production or distribution company, a TV network, an advertising agency or on a film set.

Industry related

The MISP aims at providing its stu- dents with the adequate knowledge, wide-ranging skills and contacts to meet the requests of an increasingly global and varied audiovisual industry.

Alumni achievements

In previous years, alumni from MISP (which, until 2015, was taught in Italian: Master in Scrittura e produzione per la fiction e il cinema) have been working as writers and producers for top rating TV series and highly successful feature films, or as writers of best selling novels, published in many countries; many of them have been working in high-ranking audiovisual companies such as Cattleya, Disney, Endemol, Focus Features, Freman- tle, Lux Vide, Mediaset, RAI, SKY, among others. They work not only in Italy, but also in London, Los Angeles, Madrid, New York, Paris, etc.

Career opportunities

Graduates from the MISP are exposed to a wide range of career opportunities. Graduates have both the theoretical knowledge and the methodological tools suited to pursue professional and managerial careers as:

  1. Screenwriters or creative producers of television series and feature films;
  2. Authors of TV entertainment programs and documentaries, copywriters, creators of video games and web series, writers of comic books and novels and fiction editors in publishing companies;
  3. Story editors and script consultants;
  4. Supervisors of evaluation, acquisition and programming of TV shows;
  5. Professionals working in different areas of the television and film industry (physical production, distribution, acquisition, product placement, etc.)

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €4500



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Module outline.  . Compositional Techniques. Styles and Genres. You will focus on the acquisition of specialist compositional and orchestrational techniques, structures and processes across a broad range of historical and contemporary styles and genres. . Read more

Module outline:

 

Compositional Techniques: Styles and Genres

You will focus on the acquisition of specialist compositional and orchestrational techniques, structures and processes across a broad range of historical and contemporary styles and genres. 

 

Programming, Production and Studio Technologies

You will explore sampling and the programming of convincing hybrid orchestral ‘mock ups’. We also explore advanced productional, mixing and mastering techniques and investigate the complex technologies that allow the contemporary studio to operate.

 

Composing for the Moving Image: Film, TV and Games

This is a training module concerned with the practice of composing commercially viable music for the Film, TV and Games industries

 

Collaborative Project

You will work collaboratively with postgraduate directors, screenwriters, editors, animators and producers in the department and have the opportunity to contribute to both professional and postgraduate film projects.  

 

Research and the Industry

This module prepares you for the critical and analytical aspects of study at Master’s level, and lay the groundwork for further potential study at Doctoral level within the department.

 

Independent Study: Specialist Project or Research Project

In this independent, project driven module, you will pursue your own enthusiasms and developing specialisms. This will usually take the form of a portfolio of work, a short film or a substantial written research project.

OUR FACILITIES

MA Composition for Film, TV & Games will be delivered in the new £30m Engineering and Digital Technology Park being constructed at the Bognor Regis campus.

Students will use industry standard equipment in CAD labs, edit suites, professional recording studios and a dedicated green screen stage.

Our commercial sound stage is one of three in the UK and will be used industry professionals including the London Metropolitian Orchestra. 

INDICATIVE MODULES

  • Compositional Techniques: Styles and Genres
  • Programming, Production and Studio Technologies
  • Composing for the Moving Image: Film, TV and Games
  • Collaborative Project
  • Research and the Industry
  • Independent Study: Specialist Project OR Research Project


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This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens. Read more

This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens.

The course has regular visiting lectures from leading figures in the UK's television industry, including the department's own VIsiting Professors James Quinn (Commissioner for Sky Arts) and renowned producer, director and writer Tony Garnett. In the past, we've had visiting lecturers including Alex Graham (Executive Producer of Who Do You Think You Are), James Quinn (Documentary Commissioning Editor, Sky) and Karen Mullins (Project Manager for London Olympics, Rugby World Cup).

You'll study a major BBC drama series from conception through to scripting and production, such as the series Casualty, with time to visit the production base in Cardiff. You'll study with scholars with experience of TV industries around the world, and hear from guest lecturers from London's TV industry.

  • Take control of your own short TV or radio programme, creating something at the expected UK professional standard of such productions.
  • Make use of our exclusive 24-7 media labs and post-production rooms, complemented by our impressive range of professional location filming equipment, TV and sound studio facilities, supported by our committed and approachable technical team.
  • Becomefully conversant with the nature of television as a medium: scheduling, genres, formats – and the more up-close narrative techniques of TV series arcs and character development.
  • Learn how TV shows are traded around the world, how broadcasting is put together and regulated, and how the industry changes from place to place. Giving you practical skills and insight into media scheduling and budgeting. 

Course structure

Core modules

Structures of Broadcasting

In this module you will develop an understanding of public service and commercial models of broadcasting. You will look at the organisation of broadcasting, considering the differing markets for TV programmes, and commission and production regimes around the world. You will examine the nature of global flows in programming, the market system that enables them, and the major broadcasting organisations. You will also explore the structure of the global programme sales and co-production markets.

Television as a Cultural Industry

In this module you will develop an understanding of the interrelation between the organisational forms of broadcasting and the programmes that they produce. You will look at the structuration of broadcasting texts and what makes them distinctive, and examine the major genres of TV production through international examples. You will also consider the nature of innovation in programme making.

Production Study

In this module you will develop an understanding of the key challenges of producing a long running, high-volume, British television drama series. You will look at the role such series play in the television landscape, and examine the organisation, management, funding, budgeting and scheduling of drama productions. You will explore audience profiles and see how these fit within the economic and cultural priorities of television. You will also have the opportunity to meet writers and directors from an ongoing drama series, and learn to use production software packages such as Final Draft Scripting, Movie Magic Budgeting and Movie Magic Scheduling.

Production Practice Dissertation

You will produce a short video or radio piece to UK industry-standards. You will will create work which communicates with its intended audience, and manage all aspects of the production process, including self-direction and the direction of others. On completion, you will refect on your production, using knowledge gained in other areas of the course to analyse its success.

Teaching & assessment

Assessment is carried out by a variety of methods including:

  • seminar presentations
  • written essays
  • research portfolios
  • project work
  • self-assessment documents

Your future careers

Televsion continues to be one of the most dominant global media forms, continuing to attract huge audiences and leading creative talent around the world.

You'll leave our course understanding television in different cultures and contexts and you'll be in a perfect place to find employment in those countries where the TV industry is rapidly growing - backing up your portfolio with knowledge of how programmes are marketed and sold, and how important they are to the creative industries.

We're based near London, so you'll have privileged insight into the UK television industry. You'll have the chance to get familiar with London production businesses – we have regular guest lecturers from production and management. Students from our department have gone on to work in independent television and film production, for broadcasters like the BBC and ITV in the UK as well as international media agencies such as CCTV and Hunan, and for distributors, exhibitors, talent agencies and entertainment lawyers.



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IN BRIEF. Make use of our industry standard TV production facilities at our campus based in the media hub that is MediaCityUK. Take your post-production skills to a professional standard. Read more

IN BRIEF:

  • Make use of our industry standard TV production facilities at our campus based in the media hub that is MediaCityUK
  • Take your post-production skills to a professional standard
  • Implement your knowledge through live briefs and opportunities for industry placements
  • Creative-Skillset accredited
  • Based at MediaCityUK
  • Work/industrial placement opportunity
  • International students can apply

COURSE SUMMARY

This course will equip you with a solid grounding in the specialist skills and advanced theory that apply to post-production practice.

During your time with us, you will tackle self-directed and team-orientated industry briefs. This will give you a practical understanding of the creative processes, production workflow and industry techniques looked for by employers.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

This course is your route to careers across media. Roles could involve audio and video editing, special-effects work and audio dubbing. Past students have taken work placements with 360 Media, Granada, Sumners Post Production, Films @ 59, Flix Facilities and the BBC Natural History unit.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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The MMus Music will introduce you to the fundamental principles of either research in popular music or composition for film, TV and media. Read more
The MMus Music will introduce you to the fundamental principles of either research in popular music or composition for film, TV and media. It provides unique and creative approaches to musicology and composition, valuing intellectual curiosity, musical diversity and creativity.
The course will help strengthen your ability to utilise independent learning whilst developing original and creative responses to problems and current complex issues. You will have the opportunity to develop in-depth knowledge of your chosen pathway in musical study and practice.

Special Features

• Loans for tuition fees are available from the Students Award Agency for Scotland (SAAS) for eligible Scotland domiciled and EU students, and loans for living costs for eligible Scottish students.
• Pathway options of MMus Music (Popular Musicology) or MMus Music (Composition for Film, TV and Media)
• You will gain the key skills and expertise to enable you to make an effective contribution to the creative industries

Modules

[[PgCert ]]
Postgraduate Certificate in Music (Popular Musicology)
Core modules are:
Contemporary Musicology: Issues and Analysis
Popular Music: Gender and Sexuality or Music: Politics and Protest

Postgraduate Certificate in Music (Composition for Film, TV and Media)
Core modules are:
Composition techniques for Film, TV and Media
Arranging, Orchestration and Film Scoring

PgDip

Postgraduate Diploma in Music (Popular Musicology)
Core modules are:
Research in Context: External engagement
Contemporary music journalism

You will also choose one of the following option modules:
Highland Voices: Music and Song or Film, TV and Media Musicology

Postgraduate Diploma in Music (Composition for Film, TV and Media)
Core module is:
Composition in Context: External Engagement
You will also choose two of the following option modules:
Music Business for Film Composers
Film, TV and Media Musicology
Contemporary Post Production Studio Design

MMus

To achieve the award of MMus Music (Popular Musicology) you must complete a dissertation.
For the MMus (Composition for Film, TV and Media) you will complete a major project.

Access routes

BA (Hons) Popular Music
BA (Hons) Music Business
BSc (Hons) Audio Engineering
BA (Hons) Applied Music

Locations

This course is available at Perth College UHI, Crieff Road, Perth, PH1 2NX

Funding

From 2017, eligible Scotland domiciled students studying full time can access loans up to 10,000 from the Student Awards Agency for Scotland (SAAS).This comprises a tuition fee loan up to £5,500 and a non-income assessed living cost loan of £4,500. EU students studying full time can apply for a tuition fee loan up to £5500.

Part-time students undertaking any taught postgraduate course over two years up to Masters level who meet the residency eligibility can apply for a for a tuition fee loan up to £2,750 per year.

See Scholarships tab below for full details

Top reasons to study at UHI

Do something different: our reputation is built on our innovative approach to learning and our distinctive research and curriculum which often reflects the unique environment and culture of our region and closely links to vocational skills required by a range of sectors.
Choice of campuses – we have campuses across the Highlands and Islands of Scotland. Each campus is different from rich cultural life of the islands; the spectacular coasts and mountains; to the bright lights of our city locations.
Small class sizes mean that you have a more personal experience of university and receive all the support you need from our expert staff
The affordable option - if you already live in the Highlands and Islands of Scotland you don't have to leave home and incur huge debts to go to university; we're right here on your doorstep

How to apply

If you want to apply for this postgraduate programme click on the ‘visit website’ button below which will take you to the relevant course page on our website, from there select the Apply tab to complete our online application.
If you still have any questions please get in touch with our information line by email using the links beow or call on 0845 272 3600.

International Students

If you would like to study in a country of outstanding natural beauty, friendly communities, and cities buzzing with social life and activities, the Highlands and Islands of Scotland should be your first choice. We have campuses across the region each one with its own special characteristics from the rich cultural life of the islands to the bright city lights of Perth and Inverness. Some courses are available in one location only, for others you will have a choice; we also have courses that can be studied online from your own home country. .http://www.uhi.ac.uk/en/studying-at-uhi/international

English Language Requirements

Our programmes are taught and examined in English. To make the most of your studies, you must be able to communicate fluently and accurately in spoken and written English and provide certified proof of your competence before starting your course. Please note that English language tests need to have been taken no more than two years prior to the start date of the course. The standard English Language criteria to study at the University of the Highlands and Islands are detailed on our English language requirements page http://www.uhi.ac.uk/en/studying-at-uhi/international/how-to-apply-to-uhi/english-language-requirements

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Who is it for?. This course is suitable for students with a first degree, looking to become well-rounded broadcast journalists. You will have a keen interest in TV and radio news and current affairs plus sport, lifestyle and national and international politics. Read more

Who is it for?

This course is suitable for students with a first degree, looking to become well-rounded broadcast journalists. You will have a keen interest in TV and radio news and current affairs plus sport, lifestyle and national and international politics. Though this course is NOT about presenting on screen or on air, you must be prepared to present your material on camera or mic, and write and direct material for others to perform. The MA in Broadcast Journalism is essentially about visual and audio communication of topical information, and requires a desire to communicate through essential team working. City provides an alumni network second to none in the UK broadcast industry; and provides possibly the best employment opportunities of any postgraduate broadcasting course in the UK.

Professor Sir Paul Curran, President says this about Journalism at City:

"Journalism at City began as a postgraduate department in 1976 and has developed some of the most respected MA Journalism courses in the country. Alumni include the BBC¹s Sophie Raworth and BBC Head of News James Harding, Sky News' Dermot Murnaghan, Editor of The Sun Tony Gallagher, Justine Picardie, Editor-in-chief of Harper's Bazaar UK, Channel 4's Ramita Navai and Al Jazeera's Barbara Sheera. Recent graduates are reporters, producers, editors and web content providers, across platforms ranging from the Financial Times and the BBC to Buzzfeed and Vice TV."

Objectives

The MA in Broadcast Journalism produces award winning young journalists and has a superb reputation. You will learn learn comprehensive TV and radio skills. The course benefits from a large cohort of between 50 and 60 students with great networking and peer support. Teaching groups of 15 ensure personal contact with Professor Lis Howell; TV reporter Colette Cooney; Dr Abdullahi Tasiu; and key staff like radio practitioner Sandy Warr.

New from autumn 2016 Broadcast Journalism aims to offer 45 minutes long TV news programmes on news-days produced by students gaining practical training. Newswriting, television and radio journalism are taught in groups of fifteen and larger groups through lectures, workshops and broadcast simulation.

Accreditation

This degree is accredited by the Broadcast Journalism Training Council (BJTC)

Placements

Work placements are an integral part of the Broadcast Journalism MA. MA Broadcasters arrange their own placements - with help from academics if necessary. You must have 15 days of work experience whilst on the course. This usual happens during the the Christmas break. The size of the City cohorts past and present means unique networking opportunities with present students and 4,000 alumni.

Organisations who have hosted City students in the past include:

  • ABC
  • Al-Jazeera
  • BBC
  • BBC local radio stations across the UK
  • Blakeway Productions
  • Blink
  • CTVC
  • Flame
  • Hardcash Productions
  • ITN
  • ITN Sport (Olympics)
  • NorthOne
  • October Films
  • OR Media
  • Plum Films
  • politics.com
  • Reuters
  • Sky
  • Talkback.

Academic facilities

In 2014 we completed a £12m development project for our Journalism facilities. These facilities were developed in consultation with experts from the BBC and ITN and were praised by the BJTC. They include:

  • A television studio: enabling simultaneous multi-media simulated broadcast and a major expansion in the number of news and current affairs programmes produced
  • Four radio studios: enabling an increase in output and the potential to explore a permanent radio station
  • Two radio broadcast newsrooms: high-tech facilities that enable you to learn how to produce a radio programme
  • Two digital newsrooms: impressive modern facilities that enable you to learn the skills required to produce newspapers, magazines and websites
  • Two TV editing and production newsrooms: state-of-the-art facilities that enable you to learn about TV production.

Teaching and learning

Some courses are taught in lecture theatres, but most are small-group workshops that allow you to develop your journalistic skills and knowledge with the support of our expert academics.

Activities include lectures, practical work in groups and individually, personal tutorials, and independent learning

This pathway is taught by professors, senior lecturers and lecturers, with industry practitioners as visiting lecturers, and a number of key industry visiting speakers.

Assessment

All MA Journalism courses at City are practical, hands-on courses designed for aspiring journalists. As a result, much of your coursework will be journalistic assignments that you produce to deadline, as you would in a real news organisation.

Assessments vary from module to module but include coursework, practical work both in groups and individually, a Final Project, a written timed test, and essays.

Modules

All of our Broadcast Journalism MA students must undertake core modules in Ethics, Rules and Standards and a Final Project. As a Broadcast Journalism student you will take a module in Newsgathering for TV and Radio; a module in Newsdays and longer form film-making; and a module in Data Journalism. Teaching hours are between Monday to Friday during working hours, and occasionally outside those times.

Career prospects

According to the Destinations of Leavers from Higher Education Survey (DLHE), 96.8% of previous graduates from this course were in employment six months after completing the course earn an average salary of £23,000.

Previous graduates go on to work as journalists, producers, or Head of Media & Communications.

Alumni include famous names such as:

  • Sophie Raworth (BBC)
  • Dermot Murnaghan (Sky News)
  • Barbara Serra (Al Jazeera)
  • Jo Whiley (BBC Radio).

Recent graduates of the MA Broadcasting include:

  • Ramita Navai, Emmy Award-winning documentary maker
  • Chris Mason (BBC Political Reporter)
  • Isobel Webster (Sky News)
  • Darren McGaffrey (Sky News)
  • Minnie Stephenson (ITN)
  • Cordelia Lynch (Sky News Washington).


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Who is it for?. This course is suitable for students with a first degree looking to become good all-round television journalists capable of working in newsrooms, on multi-media and in documentaries and current affairs. Read more

Who is it for?

This course is suitable for students with a first degree looking to become good all-round television journalists capable of working in newsrooms, on multi-media and in documentaries and current affairs. Applicants should have an interest in video and TV films and have a broad general knowledge including lifestyle, sport and politics. While this course is NOT about TV presenting, it’s important that you aren’t afraid to be in front of the camera and even more important that you are keen to write and provide material for others to present. Vitally, you should want to communicate using moving pictures and be excited by the wonderful world of television!

Objectives

The MA in Television Journalism has unparalleled contact with the TV industry and each Wednesday in term one and two, students work in the TV journalism industry. The course is designed for a cohort of between 30 and 40 students subdivided into teaching groups of around 15 with personal contact with Professor Lis Howell, and Sally Webb,  film-maker on award winning programmes like Tonight with Trevor McDonald and documentary series including Panorama. Students make half hour documentaries in teams of three in term three and these films have won awards like Guardian Young Journalists of the Year; The BJTC documentary award; and been re-worked for broadcast on BBC 2’s ‘Newsnight’. The course is grounded in news production but also branches out with a Question Time programme which has included guests such as Jeremy Corbyn; Stephanie Flanders; Jon Snow and Yasmin Alibi Brown plus may more.

Accreditation

This degree is accredited by the Broadcast Journalism Training Council (BJTC)

Placements

MA TV have tailored placement each Wednesday. There is no doubt that the size of the City cohort means unique networking opportunities with present students and 4,000 alumni.

Organisations that have taken our students for placements include:

  • ABC
  • Al-Jazeera
  • BBC
  • Blakeway Productions
  • Blink
  • CTVC
  • Flame
  • Hardcash Productions
  • ITN
  • ITN Sport (Olympics)
  • NorthOne
  • October Films
  • OR Media
  • Plum Films
  • politics.com
  • Reuters
  • Sky
  • Talkback

Academic facilities

In 2014 we completed a £12m development projects for our Journalism facilities. These facilities were developed in consultation with experts from the BBC and ITN, and were praised by the BJTC. Our facilities include:

  • a television studio: enabling simultaneous multi-media simulated broadcast and a major expansion in the number of news and current affairs programmes produced
  • four radio studios: enabling an increase in output and the potential to explore a permanent radio station
  • two radio broadcast newsrooms: high-tech facilities that enable you to learn how to produce a radio programme
  • two digital newsrooms: impressive modern facilities that enable you to learn the skills required to produce newspapers, magazines and websites
  • two TV editing and production newsrooms: state-of-the-art facilities that enable you to learn about TV production

Teaching and learning

All MA Journalism courses at City are practical, hands-on courses designed for people that want to become journalists. As a result, much of your coursework will be journalistic assignments that you produce to deadline, as you would in a real news organisation.

Some courses are taught in lecture theatres but most are small-group workshops that allow you to develop your journalistic skills and knowledge with the support of our expert academics.

Teaching hours are between Mondays to Fridays during working hours, and occasionally outside those times.

Assessment

Assessments vary from module to module but include coursework, practical work both in groups and individually, a Final Project, a written timed test, and essays.

Activities include lectures, practical work in groups and individually, personal tutorials, and independent learning

This pathway is taught by professors, senior lecturers and lecturers, with industry practitioners as Visiting Lecturers, and a number of key industry visiting speakers.

Modules

All of our Television Journalism MA students must undertake underpinning core modules in Ethics, Rules and Standards and a Final Project. As a Television Journalism student you will have specialist core and elective modules that complement these projects.

Core modules

  • Journalism Ethics (30 credits)
  • Final Project (30 credits)
  • Newsgathering for TV and Radio (30 credits)
  • Newsdays and Studio Production (30 credits)
  • Introduction to Data
  • UK Media Law (15 credits)
  • Political Headlines (15 credits)

Elective modules

  • Journalism Innovation (15 credits)
  • Social & Digital Journalism (15 credits)

Career prospects

Our postgraduate television journalism course has 100% employment rate according to graduates responding to the 15/16 DLHE survey.

Alumni include BBC’s Sophie Raworth and famous names such as :

  • Dermot Murnaghan (Sky News)
  • Barbara Serra (Al Jazeera)
  • Jo Whiley (BBC Radio)

Recent graduates of the MA Broadcasting include:

  • Ramita Navai, Emmy Award-winning documentary maker
  • Chris Mason (BBC Political Reporter)
  • Isobel Webster (Sky News)
  • Darren McGaffrey (Sky News)
  • Minnie Stephenson (ITN)
  • Cordelia Lynch (Sky News Washington)


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IN BRIEF. Learn cutting-edge production techniques using the latest technologies on our MediaCityUK campus. Combine elective modules to suit your specialism. Read more

IN BRIEF:

  • Learn cutting-edge production techniques using the latest technologies on our MediaCityUK campus
  • Combine elective modules to suit your specialism
  • Collaborate with the broadcast industry through live-industry briefs and media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

This course will equip you with innovative creative skills in the exciting field of TV Drama Production.

During your time with us, you will learn specialist production crafts and gain a detailed knowledge of the fiction form.

You will receive informed, professional guidance throughout the course. To unlock your full creative potential, you will also collaborate with other students on production projects and team-up to form production teams.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

Past students have gone on to senior producing and commissioning jobs within television, while others now work as researchers, directors, producers, camera operators, editors and sound designers. The course has strong links with leading media organisations, including ITV, Channel 4, the BBC and the independent production sector.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry. Read more
-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry
-This postgraduate degree provides a practical and intensive study of filmmaking in an environment that encourages experimentation, professional development and cutting edge ideas. Students work with up to date professional equipment and facilities and, as part of their Masters Degree, produce, direct or write a major film project with an individually tailored marketing and distribution strategy
-The University of Hertfordshire film programmes and post-graduate school regularly host industry professionals who lecture and conduct workshops, seminars and tutorials. We work closely with the industry to enable students to connect directly with their future employers and mentors
-The combination of creative, technical, practical and management skills make this course unique and our graduates highly successful, as employees or as independent filmmakers

Why choose this course?

The MA Film and Television production programme offers an opportunity for students to initiate, develop and realise original film and television work in directing, producing and screenwriting. Students enhance their creative practice in film and television to professional levels, with the aim of pursuing a successful career in the industry. The programme commences with a series of taught modules, intended to augment the student's critical judgment and technical capability, before embarking on a major project, in the form of a substantial screenplay or digital film.

The project offers a setting in which the student can increase confidence in creative decision making, whilst expanding awareness of the requirements of film style and technology, finance, marketplace and audience. Students broaden their knowledge and experience to gain a better understanding of film and television production and its professional and commercial practices. They undertake a programme of screenings, master classes and seminars, to extend their knowledge of film and television histories, genres, aesthetics and narrative processes and to develop a range of research and communication skills. Students are encouraged to develop the aesthetic and conceptual awareness required to analyse and critically situate their work within current theoretical, cultural and commercial contexts, whether as a director, producer or scriptwriter.

The modules focus on script development, working with actors, camerawork, lighting, sound recording, post production techniques, funding, distribution and other relevant areas. You will benefit from the expertise and creative ideas of students working in specialised areas elsewhere in the School (eg Visual FX, Special FX, Animation or Music) whose input can enhance the professionalism of your major projects.

Careers

You will also have the opportunity to exhibit your work at the University and there are good opportunities to develop your teaching experience by mentoring undergraduate students in your subject area. When you successfully complete your MA, you will have made a very substantial addition to your CV and have a clear understanding of the next steps in the development of your career.

Teaching methods

You are taught in an intensive mix of lectures, seminars, workshops, tutorials, masterclasses and industry guest sessions. Tutorial support is offered in small groups and one-to-one, with further support available online and by email.

All students on the PG Media programme engage in an interdisciplinary project as a part of their MA study, giving them an opportunity to work with students from other disciplines in an experimental and creative way.

Structure

Core Modules
-Creative Economies
-Discourse/Reflection: Professional Project Development
-Major Study: Film and Television Production
-Practice 1: Script Development
-Practice 2: Camera, Sound and Editing
-Research and Enquiry

Optional
-Creative Economies (Online)
-Research and Enquiry (Online)

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This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment. Read more
This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment.

The programme is informed by industry professionals and our academic team who are actively engaged in research, professional practice, film making and publishing. You will have the chance to develop the professional skills required by senior managers and professionals in the media and to cover the ethics, laws and regulatory frameworks that govern and affect the industry.

You will have the opportunity to develop your practical production skills in our Media Broadcast Centre. You will have the chance to tailor your learning to your interests and career aspirations by choosing to focus on the creative production of programmes in fiction, documentary or experimental forms across a wide range of media platforms.

How You Study

This course is designed to provide an educational context through practical workshops in production techniques, lectures and seminars, through which you will have the opportunity to develop an advanced level of creative, conceptual, technical, critical, organisational and research skills, all of which can be appropriate to employment in the media industries. Independent working engages with production projects, research and the completion of academic assignments.

Weekly contact hours on this programme may vary depending on the individual module options chosen and the stage of study.

Postgraduate level study involves a significant proportion of independent study, exploring the material covered in lectures and seminars. As a general guide, for every hour in class students are expected to spend two - three hours in independent study.

For more detailed information please contact the programme leader.

How You Are Assessed

Assessment is conducted using a range of strategies which include media productions, programme pitches, presentations, case studies and essays.

The University of Lincoln's policy on assessment feedback aims to ensure that academics will return in-course assessments to you promptly – usually within 15 working days after the submission date.

International students may require evidence of a media portfolio posted online.

Modules

-Final Project (MA Media, Film and Television Production)
-Human and Inhuman in the 21st Century (Option)
-Media Ecologies 1
-Media Ethics, Law and Regulation
-Media, Film and Television Production 1
-Media, Film and Television Production 2 & Final Project Pitch
-The Art and Craft of Film and Television

Special Features

Research
Media academics conduct internationally recognised research in a variety of topics, including Spielberg studies, film and medievalism, exploitation studies, and film and gender.

Industry Links
Many academic staff are current media practitioners who are engaged with professional bodies, such as the Royal Television Society, the British Society of Cinematographers and the British Association of Film, Television and Screen Studies, ensuring that course content is informed by the latest industry developments. BAFTA-winning television dramatist Neil McKay and documentary-maker Nick Gray are visiting professors in the School.

Visiting Speakers
Students on this course have the opportunity to hear from visiting guest speakers from many parts of the Film and TV industries. See here for details: http://www.lincoln.ac.uk/home/fm/abouttheschool/visitingspeakers/

Facilities
Students are based in our award-winning Media and Broadcast Production Centre, a specialist production environment with television and radio studios, video and audio editing suites, digital imaging, design and multimedia suites, a sound dubbing theatre, writers’ room, green screen room, colour finishing facility and photography studio.

Career and Personal Development

This programme aims to provide students with the opportunity to develop the high-level technical skills and knowledge required to establish careers in the media, film and television industries in roles including programme making, post-production and project management. Some students may choose to pursue careers in teaching or undertake a research degree at doctoral level.

The University Careers and Employability Team offer qualified advisors who can work with you to provide tailored, individual support and careers advice during your time at the University. As a member of our alumni we also offer one-to-one support in the first year after completing your course, including access to events, vacancy information and website resources; with access to online vacancies and virtual and website resources for the following two years.

This service can include one-to-one coaching, CV advice and interview preparation to help you maximise your future opportunities.
The service works closely with local, national and international employers, acting as a gateway to the business world.

Read less
IN BRIEF. Study cutting-edge production techniques using the latest technologies at MediaCityUK. Learn from lecturers with extensive, first-hand experience of the media industry. Read more

IN BRIEF:

  • Study cutting-edge production techniques using the latest technologies at MediaCityUK
  • Learn from lecturers with extensive, first-hand experience of the media industry
  • Gain first had experience of the broadcast industry through live-industry briefs and media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

On this course, you will learn how to research and produce original television documentaries.

During your time with us, you will receive expert instruction and guidance on the concepts, techniques and processes key to the documentary form. And you will produce your own documentaries, collaborating with your fellow students in production teams.

With opportunities to engage closely with industry, the course develops the skills and techniques required to work in the media, while encouraging independent creative content production.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking. They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

In previous years, a large number of graduates from this course have moved into broadcasting jobs as camera operators, editors, sound assistants, researchers and assistant producers. Former students are currently employed at the BBC, ITV, Channel 4 and independent companies across the UK.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


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IN BRIEF. Connect and engage with children’s media producers, including BBC Children’s Television and the Children’s Media Conference. Read more

IN BRIEF:

  • Connect and engage with children’s media producers, including BBC Children’s Television and the Children’s Media Conference
  • Learn to use high specification production equipment at our campus in the heart of the thriving media hub that is MediaCityUK
  • Engage in industry collaborations through live media projects
  • Based at MediaCityUK
  • International students can apply

COURSE SUMMARY

This course will equip you with creative-content and production skills in the exciting field of children’s programming.

You will develop an in-depth understanding of what it is that children and young people want to watch, why they watch certain programmes, films and moving images, and how they view them. You will also learn how to apply your knowledge to the production of creative content for this age group.

Throughout your time with us, you will be encouraged to develop your own creative ideas to a professional standard. Being based in the heart of MediaCityUK, and next door to BBC Children’s, this course will provide you with many opportunities to learn alongside, and engage with, experienced industry  producers and practitioners in children’s content production.

At the end of the course, you will have gained a thorough, practice-based knowledge of the media industry, with particular emphasis on children’s creative content production.

TEACHING

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice and to encourage ownership of your learning through self-directed projects.

ASSESSMENT

Methods of assessment depend on the module and elective pathway you are taking.

They include:

  • Creative projects portfolios and productions
  • Live briefs
  • Critical reflections
  • Presentations
  • Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

CAREER PROSPECTS

Links with the BBC and other well-known and respected production companies could lead to work experience that will significantly enhance your CV. The course combines practical and theoretical elements that will appeal to a broad range of employers.

LINKS WITH INDUSTRY

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

  • CBBC
  • Framestore
  • BBC Writersroom
  • BBC Natural History Unit
  • Nine Lives Media production company
  • Sumners Post Production Facility House
  • BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
  • Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

  • Sir David Attenborough
  • Joe Godwin (Director of BBC Childrens)
  • Steve Hewlett (Media commentator / Guardian Columnist)
  • Tony Palmer (Documentary filmmaker)
  • Jackie Priddle (Aardman Animation Producer)
  • BBC Stepping Out and Audience Research Team


Read less

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