Become a qualified dramatherapist with this unique programme at Roehampton. It offers a practical and clinical approach, underpinned by Ritual Theatre theory, for working with others to impact healing and a positive change through drama.
The MA Dramatherapy programme at Roehampton offers unique training within the Ritual Theatre process of dramatherapy. Drawing heavily on the theatrical observations of Peter Brook and the experiments of Jerzy Grotowski, as well as anthropological notions of “rites of passage” and the importance of “myth”, the programmes offers a clearly structured developmental process for the clinical application of dramatherapy at various levels.
On this course, you will learn to facilitate an in-depth therapeutic process for a range of client groups, and devise therapeutic performances and workshops. You will also undertake an original piece of research into dramatherapy practice. The course is approved by the Health and Care Professions Council (HCPC) and leads to a nationally-recognised professional qualification.
The programme consists of three stages, which offers a clearly structured developmental process for the clinical application of dramatherapy. In Stage One, you will be introduced to basic theatre skills and use these creatively to work with established stories and characters. This progresses into an exploration of the personal identifications that we have with stories and myths, and an understanding of the deep foundations within many cultural traditions of using ritual, drama and performance for the enhancement of health. In Stage Two, the focus moves on to employing drama and theatre processes as vehicles for exploring our own inter-personal and internal ‘dramas’.
Stage Three is where you will conduct your own piece of practical investigation or research into the literature and theory-base of dramatherapy practice. The Dramatherapy programme will provide you with a broad range of skills enabling you to pursue your own research interests across a wide spectrum of dramatherapy practice and theory.
You will study a range of topics including how to crafting therapeutic drama stories, understanding the individual and group process, Ritual Theatre, working with myths, paratheatrical explorations and the art of structure when working in dramatherapy.
Our research areas include individual dramatherapy in schizophrenia; perception and evaluation of therapeutic outcomes from therapist and client perspectives; the role of race, culture and gender; dramatherapy and “mentalisation” with borderline personality disorder and complex trauma; therapeutic scenarios and resistance; creativity and destructiveness; the dramatherapist; and the multidisciplinary team.
Alongside the experiential focus of the training, the programme also aims to develop the necessary understanding and reflective capacity required to practice as a professional dramatherapist. This is achieved through workshops, lecture series and clinical application seminars, as well as through assessed clinical placements.
Here are examples of the modules:
Dramatherapists are employed across the spectrum of health and social care, education and forensic services. Dramatherapists may also operate in private therapy, training and consultancy practice.
The MA Acting is an intensive one-year, advanced level conservatoire acting course. In keeping with Central’s tradition of innovation in actor training, it offers two specialist strands taught over an extended 42 weeks, with up to 35 hours per week of classes, rehearsals, seminars and tutorials. Successful applicants will be offered a place on one of the two strands.
The Classical strand follows the development of the theatrical art from its earliest ritual roots to the birth of naturalism:
> Greek Tragedy, Chorus and the Neutral Mask
> Clowning and Commedia dell’arte
> Shakespeare and the English Renaissance
> Stanislavski, the Method and ‘Realist’ Theatre.
The Classical strand draws on the hugely influential theories and techniques of the great French acting teacher Michel Saint-Denis, training the expressive body, voice and imagination. Working with some of the greatest dramatic texts ever written, students are asked to consider what they mean now, and how their 21st century reinterpretation and re-imagining still holds a ‘mirror up to nature’. Students are encouraged to understand the demands of both art and craft, as participants in, and practitioners of, the western theatrical tradition, through a course structure that examines, in chronological order, four key periods of innovation and transition.
All staff are well connected to industry. In the past few years, students have participated in a research symposium and worked on the stage
of Shakespeare’s Globe, performed at the Brighton Festival, made a film with Sir Donald Sinden at the Garrick Club, taken part in workshops with Hannah Miller (Head of Casting, Royal Shakespeare Company) and attended public lectures by Judi Dench, Vanessa
Redgrave, Michael Boyd and Declan Donnellan. Students from Canada and the USA have participated in the Conference of Drama Schools
Showcase in New York and LA, and all students participate in Central’s MA Acting showcase.
Through a combination of practical and written assessments, including a Sustained Independent Project and research presentation.
This Masters programme engages with a wide variety of histories and practices attached to the study of theatre. It is designed to enable you to become proficient in the techniques of historical, sociological and theoretical analysis of the theatrical process, past and present. A key strength of this programme is its flexibility, which enables you to create a portfolio of courses based on your individual needs and interests. You will be taught by leading academics as well as external professional practitioners.
The programme is mostly comprised of optional courses, enabling you to create your own Masters programme. It also allows you to work in an interdisciplinary capacity, selecting courses from across the College of Arts, according to personal interests. The programme convenor will work with you to ensure a sensible portfolio of courses is constructed, according to your personal aims and objectives.
Core teaching is delivered in two semesters, followed by an independent desk- or practice-based project. The Independent Research Project provides an opportunity for you to identify an area of interest and to create a research project that allows in-depth critical exploration of this.
You will undertake five optional courses which you will select from a pool of courses. Optional courses are updated each year, but may include:
By the end of this programme you will have developed knowledge of a range of issues pertinent to the study of theatre, including historical, contemporary, theoretical and practical. This programme will allow you to develop a wide range of subject knowledge combined with confidence in utilising different research methodologies.
This programme examines the nature and function of the theatrical event and theatre culture from a range of critical, historical and practical perspectives. It prepares you for a wide range of careers closely connected to theatre provision and production.
The programme's critical components also provide a good foundation for those wishing to progress to doctoral study.
In its two decades-long history, the ALBA MBA has always been a groundbreaking innovator, helping early to mid-career professionals take off their career to upper-level management or create their own ventures. At ALBA MBA the major question that drives are thoughts and actions is how can business leaders create financial and social value in an ever-increasingly paradoxical global environment. Balancing analysis with creativity is the answer and we are dedicated to helping you develop these two lifelong skills that employers want, societies appreciate and that you will definitely enjoy having. Entrepreneurial creativity, enabled by technical competency and leadership skills, is at the core of the ALBA MBA.
Are you ready to join more than 2,000 ambitious individuals who have so far trusted the ALBA MBA to fast-track their career? Are you ready to join a powerful ALBA alumni network (more than 60% hold senior positions) in more than 1,000 companies in 51 countries? Are you r eady to experience an accredited (AMBA) and awarded curriculum (AMBA MBA Innovation Award 2015) combined with immersive field experiences (consulting projects, mini projects, creativity assignments, international exchange programs) to boost your career. Stay ahead of the game with The ALBA MBA.
Key features of the program
The ALBA MBA is Designed for professionals with at least 3 years of solid work experience:
Unparalleled management curriculum and pedagogy
Sharpen your business acumen in core functional areas such as marketing, operations, finance, accounting, strategy. In our MBA classes, you do not memorize theories; you use theory to get in the shoes of a real firm manager and ask yourself "What would I do if I were in this position?".
Highly-Accessible World-Renowned Faculty
You will be taught by resident and visiting faculty dedicated to business relevant research and teaching excellence. We boast Professors with top publications (such as Journal of Finance, Management Science, Academy of Management Review, Journal of Marketing), Academy of Management award winners, academic journal editors, and entrepreneurs. But what ALBA MBA alumni appreciate the most is our Professors' accessibility, extroversion and open-door mindset.
Being accredited by AMBA (the Association of MBAs, the highest standard earned only by the top 3% of MBAs globally) and the prestigious U.S. based New England Association of Schools and Colleges (NEASC), the ALBA MBA has international credibility and status and enables access to networking opportunities to graduates of other accredited MBAs.
Unique, Awarded, Immersive Modules
A unique feature of the ALBA MBA is the inclusion of 5 multi-term courses (Entrepreneurship; Field Consulting Project, Management Acts: A Theatrical Integration; Leadership Development; Creativity and Innovation) which will help you nurture both analytical and creativity skills that employers and new business ventures require.
Intriguing Learning methods
Professors use (short) lectures, role-plays, engaging case-based learning, strategic business simulations, games, real-life projects with companies, coaching, guest-speakers from the industry and their own research to provide relevant and challenging learning environments. You will enrich your vitae with the most state-of-the-art business software and tools (e.g., SAP ERP software; Qualtrics, Marketing Engineering for Excel/Enginius; @Risk; Precision Trees).
Our Vision for our graduates
This unique international laboratory programme brings diverse individuals into collaborative research, acknowledging the challenges of creating original, performer-driven theatre in today's complex, globalised culture.
In over 3 decades there has been a creative surge in hybrid live performance worldwide. This has been the work of solo artists, ensembles, auteurs and performer-directors across creative fields, who have redefined boundaries and stretched the artistic and social imagination into new spaces, both literally and figuratively.
Within the vibrant environment of Goldsmiths, and with all the stimulus that London offers culturally, practising or emerging practitioners develop compositional, critical, technical and management skills and strategies for forging independent and self-motivated careers. Our graduates work as practitioners, teachers and cultural leaders worldwide.
On the programme you will conceive, research, construct and deliver your ideas and articulate what motivates these. Teaching is rigorous and interdisciplinary. You study with distinguished international artists as well as scholars within a praxis ethos where theory informs creativity and vice versa. The emphasis throughout is on encouraging collaboration across disciplines and cultures, and on contextualising practice within its social, political and architectural environment.
Physical training, scenographic/environmental exploration and hands-on introduction to technologies (lighting, video and sound) support composition and artistic experimentation. You identify your own practice within the historical and contemporary field, and write critically and creatively. You archive your practice digitally, and on graduation will have developed a portfolio of projects. You are guided on professional development by the Live Art Development Agency (LADA) and the Institute for Cultural and Creative Entrepreneurship (ICCE) at Goldsmiths.
The programme enjoys a wide international professional network of organisations, commissions, venues and festivals of benefit to students. You study both at Goldsmiths and ArtsAdmin. Click here for a full list of artists associated with the programme as permanent and guest tutors.
This is a praxis programme on which you gain 180 CATS (credits).
You will become conversant, confident and skilled in a range of methodological practices as well as compositional strategies for independent theatrical, dance theatre and live art creation.
Your critical and analytical skills in interpreting artistic practice will be tested in a range of verbal, written and oral ways. Your study of your own body as a creative instrument will be complemented by learning the principles of scenography and film narrative.
You will research intellectually and produce theoretically informed writing. You will learn to contextualise your own practice and interests in the contemporary field of performance both in the UK and internationally, and to articulate such practice.
Overall you will learn how to research, construct and deliver your ideas performatively and how to advocate your own projects to producers, venues, funders and other agencies.
Graduates work in a wide variety of professional contexts globally as commissioned performance makers, directors, project leaders, programmers, teachers and academic researchers.