This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create.
Our aim is to prepare students to be collaborative, responsive, imaginative, politically engaged and culturally aware artist practitioners. The course is aimed at newly-emerging practitioners with a background in theatre, education, activism or social change, as well as at more established practitioners who want to reflect, refresh and develop their skills. We actively encourage the sharing of skills and expertise among our multi-national group of students. We prioritise applicants with some experience in the arts, education, activism or social care, and it is rare that we take applicants directly from their first degree.
Together we explore the ways in which theatre and performance is created by diverse groups of people in a variety of community, social and educational settings: in schools or on the streets, in children’s homes and elderly care, in conflict zones, conferences, crèches and youth clubs, pupil referral units and prisons, women’s refuges and refugee centres, hospitals and hostels – anywhere groups of people meet and interact.
Applied theatre is an umbrella term for a range of exciting worldwide performance forms concerned with personal and social change.
The term embraces: theatre of the oppressed, community theatre, theatre-in-education, drama in education, theatre for development, prison theatre, intercultural arts, intergenerational arts, theatre in museums, archives and heritage sites, story-telling, reminiscence theatre, conflict resolution. The work often moves across art forms. This is not a definitive list, as it is a field that is dynamic and changing.
The MA considers case studies from the UK and from across the globe. Central to this investigation are: questions of identity; representation; discrimination; health; equality; human rights; opportunity; access; social inclusion/exclusion; participation; ethics; evaluation and documentation; aesthetics and the role of the artist.
The course is structured so that practice and theory constantly respond to one another, through practical classes and seminars. All students undertake a placement in a recognised host organisation where you'll work with experienced practitioners, and learn from the inside how participatory arts organisations function.
We have active partnerships with many companies, and the majority of the tutors, including the convenor, are active artists, with a variety of arts practices in performance, community and social settings.
In the autumn term we look at the roots of Applied Theatre in Education, in Social and Political Change, and in Community. Classes include work with Geese Theatre on their use of mask in Prisons, Drama and Theatre in Education techniques with Gail Babb of Talawa Theatre, intergenerational arts practices with Convenor Sue Mayo, and the use of Drama to explore Domestic Violence, with Tender. Throughout this term students are also engaged in skills-sharing sessions in order to pool their knowledge and expertise.
In the Spring Term Tutor Raj Bhari, from Talk for Change, leads a module on creative approaches to Community Cohesion, Conflict Resolution, and the artist as activist. We have a short festival of art forms, with classes in song, puppetry and dance- and a residency shared with students of the MA in performance making, working across modules with artists of distinction from within the Goldsmith’s staff and beyond.
Throughout the practical sessions we work with students to develop their facilitation, devising,- project planning and management skills with attention to issues such as group dynamics; power and leadership; inclusion; accessibility; equality; conflict; intercultural practice; safe space and the ethics of touch.
In the summer term students design and lead a weekend of workshops for a public audience.
Histories, Theories and Contexts seminars
This contextual strand enables us consider the thinking behind our embodied knowledge. Through a series of seminars, we consider: the development of applied methods from political theatre; radical and celebratory arts; drama and theatre-in-education; community theatre; prison theatre; therapeutic creative practices and the legacy of Augusto Boal. We study the growing body of writing on applied theatre and its practitioners, and theatre theory. We consider local and international case studies; we read, discuss, watch videos and experience live performances.
Complementary Contextual lectures
Students also choose a lecture based Option module from one of the other exciting MA programmes. Previous modules have included, African Theatre, Performance Praxis, Radical Performance, and The Reflecxtive Practitioner. Our students can also take a specialist applied module led by Danny Braverman, on Disability Theatre, examining the scope and radical nature of disability theatre.
The Convenor, Sue Mayo, supports students to locate and develop a placement in a recognised host organisation. On the placement students further the skills they have practiced on the programme, whilst dealing with the challenges of a professional context. Placement hosts include London Bubble, Magic Me, Resonate. Greenwich & Lewisham Young People's Theatre, Talawa Theatre, Pan-arts, Crisis, Ovalhouse, Green Shoes Arts, The Young Vic, MIND, CEN8, Lewisham Youth Theatre and Spare Tyre.
As part of our commitment to student’s employability, we offer up to five workshops covering various areas directly relevant to workplaces where drama may be applied; for example: planning and managing projects, child protection and working with vulnerable adults, ethics, evaluation, setting up a theatre company or working as an independent artist.
The MA Applied Theatre has five points of assessment:
These assessments count towards 80% of the final mark.
The remaining 20% is derived from assessment of the two shared complementary/contextual modules, which include Disability Theatre, Performance Praxis, African Theatre, Musical Theatre and Cultural Theory.
Study your specialist subject in detail and take the opportunity to contribute to the world's knowledge in that area. Enhance your critical thinking, communication and problem-solving abilities and learn to create and assess new ideas.
Working alongside some of New Zealand’s leading academic staff, you'll complete a research thesis of up to 40,000 words and emerge as an expert in your subject with highly developed research skills.
Victoria's MA is offered in more than 40 subjects. Most programmes are by thesis only but some include coursework and require a shorter thesis, and others you can complete doing mainly coursework and a research project.
A Master of Arts will give your career prospects a boost and open doors to new opportunities. Be a leader in a humanities or social science field and help make New Zealand a better place.
If you are doing an MA by thesis you'll normally need to complete it within 12 months, or two years if you're studying part time.
If you are doing your MA by coursework and thesis you'll normally be able to complete your degree within 12 months, but you can take up to one year and six months. Part-time students can take up to four years to complete this MA.
If you are studying full time you can expect a workload of a minimum of 30 hours a week for much of the year. If you can't commit this many hours you should enrol as a part-time student.
A practical, community-focused programme, this MA allows you to explore how theatre can be made in a range of settings. Studying at Hull, you'll have the opportunity to make theatre for a variety of audiences, including in community, applied, and public venues, as well as receiving training in setting up and running theatre companies. The relationship between the theory and practice of theatre making is at the heart of the programme, allowing you to develop as a thinking theatre artist.
Drama at Hull has a strong reputation and a unique history as one of the UK’s first specialist drama departments. Our broad range of staff expertise has enabled us to design a programme that is challenging, varied, and at the forefront of research in the field of theatre making in local and community contexts. We have a reputation for international theatre research with connections to world theatres.
Our excellent dedicated facilities, including the recently listed Gulbenkian Centre and the Middleton Hall, make Hull a clear choice for students wishing to study with unrivalled access to theatre and rehearsal space. The investment will see some of the best facilities of their kind in the UK at the University of Hull, including a concert hall, surround-sound cinema, an ambisonic sound studio and industry-standard recording and rehearsing facilities. The refurbishment will include a new entrance and café with a 400-plus seater concert hall forming the centre-piece of the development. The versatile space is ideal for classical and popular music concerts. With adaptable acoustics, it will also be used for music, theatre and cinema screenings.
Hull has a long tradition of both established arts venues and grassroots and community arts practice. Theatre Making students have opportunities to present their work at annual arts events including Assemblefest, Freedom Festival, and Vista, and to bring work to venues including Hull’s alternative performance space, Fruit. Students also benefit from links with Hull Truck Theatre, the Stephen Joseph Theatre in Scarborough and with nationally renowned companies including Opera North, New Diorama Theatre and Out of Joint. From 2017, the National Student Drama Festival will be based in Hull, a further opportunity for students to present work at one of the country’s most significant student theatre events.
The MA Theatre Making is designed to connect the theory and practice of theatre and performance, to facilitate collaboration, and to explore and interrogate the interdisciplinary connections between different modes of theatre making.
The programme focuses on the relationship between theatre and performance, place, space and community.
Modules are core for all students and arranged across three strands:
The flexible programme allows students to study for a PG Certificate, PG Diploma, or MA.
* All modules are subject to availability.
The MA Theatre Making is intended to prepare students equally well for further study or for a career in the theatre industry.
Hands-on experience in making theatre in local and regional settings gives students a chance to demonstrate advanced skills and practical experience when seeking employment. Students also have the opportunity to establish their own theatre companies, either during the programme or on graduation.
The programme integrates practice and theory, developing graduates who are ready to engage with either the world of professional theatre making, social and applied theatre, or further postgraduate study.
If you’re passionate about using theatre to help stimulate processes of change in the lives of individuals and communities then this is the course for you.
You’ll gain the skills to become an applied theatre practitioner. Through practice and theory you will explore applied theatre in all of its forms including community theatre, theatre-in-education, theatre and health, prison theatre, theatre for development and the arts therapies.
You’ll gain a broad understanding of some of the wider issues faced by applied theatre practitioners including ethics, boundaries, evaluation, policy and funding and have the opportunity to apply your learning in a placement context.
Core modules will look at practice-based workshop techniques and the development of facilitation skills; concepts and theories underpinning applied theatre and interventionist practice; and research training. You will also choose from optional modules that will allow you to pursue your personal interests.
Our purpose-built landmark building [email protected] houses two professional-standard and publicly licensed theatres that regularly host work by both students and visiting theatre companies – one of which is a technically advanced research facility.
Find out more about [email protected].
Our School includes rehearsal rooms, two black-box studios, costume construction and wardrobe stores, a design studio and scenic workshop, video editing and sound recording suits as well as computer aided design.
Our links with external organisations are among our biggest strengths, giving you the chance to take performance to different environments outside of the university context. We’re always developing new relationships with partners in different contexts to offer you more opportunities to participate.
Opera North, West Yorkshire Playhouse, the National Media Museum, Leeds City Council, Red Ladder Theatre Company, Limehouse Productions, Phoenix Dance Theatre, the National Coal Mining Museum for England, HMP New Hall, Blah Blah Blah Theatre Company, the BBC and HMP Wetherby are all among our partners.
Core modules allow you to develop the skills to facilitate workshops with different groups of people in a variety of contexts, along with an understanding of the historical and philosophical underpinnings of applied theatre practice, the key ideas within this practice and some of the complex issues that can arise.
As you progress through the course you will have the opportunity to apply your practical and theoretical learning within an applied theatre context through a placement. This may be with an established applied theatre organisation or in a setting where applied theatre is practiced such as a hospital, school or young offenders’ institute.
Alongside these modules you will develop research skills through a core module alongside students on other programmes within the school. You’ll explore a range of research methods and consider the roles and responsibilities of the researcher, ethics, data gathering and analysis. You are also able to choose an optional module to further pursue your own personal areas of interest.
In the latter part of the programme you will work closely with your supervisor to undertake a research project on a topic of your choice, allowing you to demonstrate the knowledge and skills you’ve gained. This could be a conventional written dissertation or a piece of practice-led research with a written commentary.
If you choose to study part-time, you will study over a longer period and take fewer modules in each year.
We use a range of teaching and learning methods including practical workshops, group learning, lectures, seminars, tutorials and fieldwork. Independent learning is central to this programme, allowing you to integrate your learning and develop your understanding and skills.
You’ll be assessed using a range of methods including practical assessments, written work, presentations and reflective logs. This diversity allows you to begin to integrate theory and practice, develop a range of skills and become a reflective practitioner.
Applied theatre is a wide field, which is constantly developing in response to social and economic changes.
This programme will equip you with a range of skills within the area of applied theatre. You’ll have an understanding of applied theatre and its use as an intervention as well as advanced skills in communication, collaboration, presentation, analysis and research. You’ll be able to set up, lead and facilitate workshops as an applied theatre practitioner with diverse groups of people in a variety of health, social and community contexts.
You may decide to apply your learning in the context of arts administration or arts policy work. You may wish to further your understanding by undertaking specialist professional training in areas like the arts therapies (dramatherapy, dance movement psychotherapy, music therapy or art psychotherapy), play therapy, teaching; or pursue your research interests at PhD level.
We encourage you to prepare for your career from day one. That’s one of the reasons Leeds graduates are so sought after by employers.
The Careers Centre and staff in your faculty provide a range of help and advice to help you plan your career and make well-informed decisions along the way, even after you graduate. Find out more at the Careers website.
The MA in Arts Management, Policy and Practice enables students to develop their knowledge and understanding of the history, theory and practice of arts management; to gain an insight into the range of professional opportunities in the creative and cultural sector; and to acquire direct experience of the many areas of arts management. The programme has a strong practical, hands-on element. At the same time it offers a solid theoretical grounding, exploring cultural policy in its historical context and encouraging critical engagement with the philosophical, political, social and economic imperatives informing contemporary practice. Above all, we aim to produce pioneers rather than bureaucrats.
Lecturers from the Centre for Arts Management teach the MA with considerable input from arts professionals including staff from the Martin Harris Centre, Contact Theatre, the Royal Exchange, Whitworth Art Gallery and many other local cultural organisations. We also work closely with our sister programme, the highly regarded MA in Art Gallery and Museum Studies.
The programme is designed to serve as an entry-level qualification for recent graduates as well as offering professional development for mid-career practitioners. It offers flexibility and opportunities for specialisation, while ensuring a thorough grounding in essential principles and methodology. It provides a solid foundation for careers in different areas of the arts and creative industries, and caters for arts practitioners as well as aspiring managers.
The siting of the programme close to a range of leading arts venues offers a unique opportunity for students to engage with the practical considerations of arts management. The Martin Harris Centre is a hub of cutting edge research and interdisciplinary investigation: in addition to the Cosmo Rodewald Concert Hall and John Thaw Theatre, it is home to the Tipp Centre (Theatre in Prisons and Probation), the Centre for Screen Studies, Centre for Applied Theatre Research, Manchester Theatre in Sound (MANTIS), Manchester Centre for Music in Culture (MC2), and the NOVARS Research Centre for Electroacoustic Composition, Performance and Sound-Art. Other cultural organisations based at the university - Manchester Academy, Contact Theatre, Manchester Museum and the Whitworth Art Gallery - are only a few minutes' walk away.
The programme also benefits from the exceptionally rich grouping of arts-based institutions and agencies in Manchester and the North West - an area celebrated for containing more theatres than any other region outside London and now hosting the BBC at the new Media City at Salford Quays. Liverpool (European Capital of Culture 2008), Leeds and Sheffield are all within easy reach. A wide range of regional arts venues and organisations contribute to the programme by providing guest lecturers, site visits and work placements.
The programme is based within the School or Arts, Languages and Cultures. The core of the School's interest is the field of human cultures, beliefs and institutions. Its work embraces the material, visual, creative and performative dimensions of culture, and as such fosters a rich interdisciplinary culture led by world-renowned scholars with a diversity of expertise, from analysts to creative artists, from historians of ideas to cultural theorists. We work particularly closely with staff from the highly-rated departments of Music and Drama.
All students take two core modules (Arts Management: Principles and Practice, and Cultural Policy) and write a dissertation (15,000 words, or for a practice-based dissertation 8,000-10,000 words plus project documentation). The remaining credits (two or three additional modules) are taken from a range of options including:
All modules include a programme of guest lectures and/or practical seminars by experienced professionals based in cultural institutions in and around Manchester. The programme also features visits to a selection of key sites and venues in the North West.
Practical support and advice for current students and applicants is available from the Disability Advisory and Support Service. Email: [email protected]
This programme prepares graduates for a diverse range of career opportunities as managers, administrators, policy-makers or practitioners in various branches of the arts and cultural and creative industries. Opportunities exist in the public, private, and voluntary sectors; in theatres, opera houses, concert halls, arts centres, museums and galleries, and the media; with orchestras, theatre companies, dance companies, etc.; or with the Arts Council, British Council, Local Authority, Tourist Board and various funding bodies. Discrete posts include: programming manager; marketing director; education director; development or outreach officer; tour organiser; promoter, agent or artist's manager; website, database or IT manager; producer; consultant or market researcher; fundraiser; community artist; freelance workshop leader. Graduates may also find work in related areas such as teaching, social and educational work. Some students go on to pursue further study and research at doctoral level.
This programme is designed to be extremely flexible, reflecting the diversity of approaches to making artwork. It can be studied full-time or part-time.
Students are expected to develop two parallel projects: a work-in-progress piece informed by an extensive critical agenda and a major performance event. These projects are underpinned by extensive (written) critical study and the development of a ‘professional (business) portfolio’ that helps define the nature and purpose of the creative projects in an external context.
A key feature of the programme is the ‘Theatre Collective’ strand: we welcome block-applications from groups of artists, who are keen to develop their creative identity as part of a shared collective. Individuals are, of course, welcome, either as solo performers or as individuals looking to share practice in new contexts.
Students will be entering into one of the most vibrant and connected environments and communities for making contemporary theatre and performance. The Department of Theatre at Chichester has an established reputation for working with a wide range of established performance artists who recognise the opportunities of creative research and development within an applied university context.
Much of the work developed by students Department is presented in our ShowRoom Theatre, a key venue in the national touring network, with a reputation for programming innovative and radical work, but we also have firm links with venues and festivals in Brighton, London, Bristol and Edinburgh.
During the last two years we have considerable refurbishments to both our Chichester and Bognor Regis campuses.
These renovations include a purpose-built Assembly Theatre, used by Theatre students for rehearsals and performance.
We also have a number of soundproofed practice rooms for rehearsals and lessons, as well as lecture and seminar rooms. Our Chapel is also a fantastic venue for performances and rehearsals, and is the centre piece of the campus.
There are also several dance studios, a fully-equipped 250-seat theatre, and a 110-seat studio theatre.
Our new award-winning Learning Resource Centre is at the heart of the campus, and we offer a substantial collection of books, journals and other materials to help you further your research.
A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas.
Also situated in our LRC is Costa Coffee and nearly 100 open-access work stations.
An equipment loans centre offers laptops, tablets and other electronic devices for short and long term loans.
You will be encouraged to think about your own future within theatre along with the help of our academic lecturers, many of who are professional artists with links to hundreds of theatres across the UK.
Your own new work will be stimulated by a continuous programme of professional performances from a wide range of international artists, many of whom support the work of the department through teaching and mentoring.
Every year we offer students the chance to work with the technical, marketing, or outreach departments of our local theatres in art centres and other venues, theatre companies, independent producers, schools/colleges and various other related contexts. These programmes are designed to help get your foot on the ladder on graduating within an established organisation or professional context.
Students are also encouraged to work further afield – across the UK, Europe, or the USA – with the Department’s Cultural Exchange programme. Intensive weekend residencies and summer schools will be arranged in accordance students’ needs: the programme is designed to work around the calendars of working artists.
This programme constitutes 180 Credits and is broken into five compulsory modules:
Production and Developmental Project serve as the year-long core creative projects, supported by external and professional reflection through Professional Portfolio.
These projects are delivered in a rigorous, yet highly flexible, context, with regular masterclasses by professional practitioners, supported by tutorials and seminars with tutors and mentors.
Our programme is run by a team of highly dedicated academics and artists, who also teach on the highly successful BA Theatre Programme and on the Performing Arts MPhil/PhD programme.
We work very closely with a wide range of established artists and performance collectives – both members of Faculty and Associate Artists – who recognise the unique contribution Chichester makes to supporting new theatre work.
The MA Creative Enterprise allows you to combine your passion for the arts with studies in law, management and entrepreneurship. On the theatre pathway, you’ll explore theatre practice and its critical contexts, learn about the importance of programming and curating in the contemporary theatre landscape, and deepen your understanding of industry trends and practices.
This MA programme is a collaboration, taught by three world-renowned schools at the University of Reading – the School of Arts and Communication Design, Henley Business School and the School of Law. You will be based in the department of Film, Theatre and Television, situated at the heart of the University’s Whiteknights campus.
The theatre pathway is ideal if you are hoping to develop a career in arts journalism, theatre management and administration, entrepreneurial projects in theatre and the creative industries, or arts teaching and research. Our students are encouraged to make the most of our excellent connections to the creative industries right from the start of the course.
You will join a vibrant, supportive department, based in the world-class Minghella Studios. Our teaching is informed by expertise in a range of contemporary-theatre themes, and our community of academic staff has a longstanding commitment to scholarly excellence and research through practice.
While studying on the theatre pathway, you will also benefit from working alongside students on other Creative Enterprise pathways (such as Film and Art), opening up even more opportunities for you to build connections, and to enrich your understanding of the creative industries.
Modules on the MA Creative Enterprise (Theatre Pathway) may include:
Please note that all modules are subject to change.
The MA Creative Enterprise is designed to improve the skills and employability of people passionate about the arts. Graduates of the programme will be in a strong position to pursue start-up opportunities on their own, take managerial roles in the creative sector, or embark on further scholarly research into the arts and creative industries.
This programme builds on London's position as one of the most important musical centres in the world, with a diverse range of concert halls, theatres, cultural institutions and arts events that reflect its cosmopolitan and multicultural society.
Although professional management practice is a major element of the programme, the 'creative arts event' is the starting point for all teaching.
A music pathway has been added to the MA in Arts Administration and Cultural Policy, which is run by the Institute for Creative and Cultural Entrepreneurship at Goldsmiths.
The MA introduces the key issues that concern the management of culture and in particular those within the performing arts.
Through both analysis of contemporary and recent practice, and practical work in a range of areas, you will develop a critical approach to the discipline.
The pathway provides an overview of the following areas:
The aim of taught modules, projects and placements is to introduce you to new models of practice. These will be investigated and evaluated as a way of developing an understanding of management principles. Through this process, you will also be equipped with the necessary practical skills to enhance your potential as arts administrators.
Music Pathway: the assessment for the specialist music component will be as given in the individual module descriptions.
Please note that due to staff research commitments not all of these modules may be available every year.
This pathway allows you to pursue your interests in music, acting as a supplementary course to the main body of the Arts Administration programme.
Graduates typically go on to careers in the following areas:
Many students from this programme now have careers in major arts organisations worldwide or have progressed to MPhil/PhD degrees.
Find out more about employability at Goldsmiths.
This programme offers you the chance to engage with the key issues in the formulation of arts and cultural policy and the administration of the arts, in particular those relating to the performing arts.
This MA from the Institute for Creative and Cultural Entrepreneurship will enable you to develop an awareness of and a critical approach to the discipline, by studying arts policy and practice in Europe, audience development, fundraising, arts education, cultural tourism, regeneration through arts, arts diversity and social inclusion, copyright and the role of the arts in relations and diplomacy as well as national and cultural identity.
There are modules in:
Practitioners from many companies, venues and national organisations teach on the programme, providing a direct link with the profession. See our our partners in learning.
Through individual research and placement with an arts company or management organisation you will develop essential practical skills to enhance your potential and your employability as an arts administrator.
The programme also offers you one module in a complementary area. These at present are:
From the :
From the Department of Theatre and Performance:
From the Department of Design:
It's also possible to follow a Music Pathway in this programme, which allows you to broaden your musical knowledge and skills through largely theory and/or history-based modules.
The programme enables you to develop the following skills:
Graduates typically go on to careers in the following areas:
Find out more about employability at Goldsmiths.