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Masters Degrees (Television Production)

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This course aims to provide you with a range of creative, practical and critical skills to apply within and beyond the television industry. Read more
This course aims to provide you with a range of creative, practical and critical skills to apply within and beyond the television industry. You will learn about the developing media landscape and emerging trends and practices. Practical sessions are designed to develop your skills and the techniques necessary to generate, develop and produce TV production ideas.

Why Study Television Production with us?

Television Production is taught at Warrington Campus, which lies between the creative and cultural hubs of Manchester and Liverpool and in close proximity to MediaCityUK.

Our Television Production students have twice won the prestigious Production Award at the BBC’s annual Developing Talent Conference, in addition to other accolades such as Royal Television Society Student Television Awards.

You will be encouraged and supported to make industry connections and undertake work experience. There will also be opportunities to work on ‘live’ briefs and showcase work at the annual Department of Media event.

What will I learn?

The course blends theoretical and practical learning, enabling students to develop a critical understanding of the conventions, techniques and current practices in television production and use this knowledge to produce projects.

Modules aim to develop thinking multi-skilled practitioners; you will engage with the whole production process, from writing 'treatments' to editing, and from production management to editorial decision-making.

How will I be taught?

You will have 24-hour access to professional resources, including digital cameras, edit facilities, a TV studio and the Tower Gallery, which includes a multimedia suite and voice-over booth.

You will learn via a mixture of lectures, seminars, tutorials and workshops, as well as guest lectures from industry professionals.
Approximate contact hours for a full-time student will be up to nine hours per week. The expected individual learning activity for a full-time student will be approximately 32 hours per week.

How will I be assessed?

Assessment is through group and individual practical work and written coursework. For the Television Project, you will pursue your particular interests through either a dissertation or research by practice.

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Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd. Read more
Develop as a producer/director of factual programmes and extend your creative skills and technical knowledge. With talks by industry professionals, and access to a broad range of equipment, you’ll create a portfolio of work that will help you stand out from the crowd.

Overview

No matter what experience you have of filmmaking, our course will develop your knowledge of factual UK TV and digital media content production, and your creative skills, to an advanced level. Along the way, you’ll make seven films of different lengths and write a dissertation on a media subject that excites and interests you.

Focusing on two key roles, the director and the producer (which in current factual programming are merged into one), you’ll explore the dynamics of this ever-changing industry, and what it takes to succeed. You’ll learn to become a visual storyteller, a communicator, a collaborator, a motivator and a problem solver. You’ll also develop skills in scheduling, production managing, budgeting and marketing programmes. Although the emphasis is on factual programming, there is scope and flexibility to develop more creative films.

With specialist technical workshops on camera operation, sound, lighting and editing, you’ll develop professional skills in screen-based production. This will be supported by tutorials, diary work, and independent research, giving you a strong critical and contextual grounding for your practical work.

You’ll be encouraged to collaborate with other students on this course and others, becoming a flexible media professional who can produce and deliver high-quality video content for many different clients.

All our teaching staff have backgrounds in the film and television industries, and they're supported by industry specialists and visiting lecturers.

Teaching times:
Trimester 1: Wednesdays & Thursdays, 10am - 1pm (full time); Wednesdays, 10am - 1pm (part time).
Trimester 2: Wednesdays 10am – 4pm, Thursdays 10am – 1pm (full time); Wednesdays 10am – 4pm (part time).
Trimester 3: Tuesdays 10am – 12pm for 4 weeks & then tutorials by arrangement (full time).
Trimester 4: Thursdays 10am – 1pm (part time)
Trimester 5 & 6: Tuesdays 10am – 12pm for 4 weeks & then tutorials by arrangement (part time)

Careers

Our course will prepare you for a career in TV or in the broader media, and help you to decide which areas of the industry attract you the most. Although the emphasis is on directing and producing, you might choose to move into cinematography, production management or even television programme sales once you graduate. You might also develop a particular interest in observational documentary, natural history films or science programming, and decide to follow a career in these fields.

Here at Cambridge School of Art, you’ll gain specialist skills that will be useful for traditional, experimental and creative documentary making, or films for education, training, public relations, current affairs, marketing and campaigning. Our course will prepare you to forge a portfolio or freelance career, and give you the ability to make high-quality content for broadcast, web, film festivals or cinema.

Core modules

Process and Practice as Research
Visual Storytelling
Understanding the Audience
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

You’ll demonstrate your learning, and ensure you’re developing the knowledge and skills to complete the course, through:
• Producing and directing films of different lengths and styles
• Working in a team on a TV Studio production
• Written production analyses and reflective commentaries
• Essays
• Filming schedules & budgets
• Film pitches
• Final Masters Project: this film is your “calling card” for the industry

Your assignments are usually submitted at the end of each term. You’ll also be assessed informally and given feedback during the term to help you achieve to the highest level. Feedback could be on a film, a presentation or group participation; it will be given by your tutor and your fellow students.

Events

Our Wired events are specialist lectures and workshops run by industry professionals, where you’ll learn about up-to-date practices and get invaluable advice. Our past speakers have included Sean Bobbitt (cinematographer: 12 Years a Slave, The Place Beyond the Pines, Hunger), Peter Strickland and Nic Knowland (director and cinematographer: Berberian Sound Studio), Cilla Ware (freelance drama director of Silk, Spooks, Primeval), Kathy Lee (film editor: Abuelas, A Letter to Dad), and Larry Sider (sound designer, The Piano Tuner of Earthquakes, Mirrormask).

Our Creative Front Futures events, run by Creative Front Cambridgeshire, will give you a broader taste of the creative industries, and let you find out more about the world of film and television production as well as explore other career options.

You’ll also get first-hand experience of the industry at informal work placements throughout the course and benefit from our close links with Cambridge Arts Picturehouse, where we hold regular student and industry events.

Specialist facilities

When shooting your projects you’ll benefit from our fully-equipped TV studio with full lighting rig; professional-standard gallery; mixer; autocue; multi-purpose scenic backdrops suitable for current affairs, magazine programmes and dramas; a large four-waller film stage with overhead lighting, tracks, dollies and green screens and sets for flats; a full range of HD and SD location cameras (including Steadicam); location lighting; and sound-recording equipment.

For your post-production work you’ll get access to over 30 Final Cut editing suites, Pro Tools and the Adobe Creative Suite master collection. You’ll be trained on all our equipment by a team of experienced technical staff, who also maintain and manage the facilities.

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Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom. -Unique 12 month course,. -Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom. Read more
Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom.

-Unique 12 month course,
-Run in partnership with Sky, the largest pay-tv broadcaster in the United Kingdom
-Prepares you to work in a multicamera studio environment
-Work as a Vision Mixer, or a Camera/ Lighting or Sound specialist.
-Includes a six-week internship with Sky and some of the modules are taught at Sky Studios.
-Sky also guarantees to employ at least one graduate of the course each year.
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Course fees charged at UK rate.

COURSE OVERVIEW

This course commences in January each year. This intensely practical and pioneering course aims to prepare students for a successful future in multi-camera studio entertainment production. Students are taught by NFTS staff and visiting Industry Professionals and have hands-on experience of a variety of studio roles as well as in their specialisation.

Students will apply for, and be accepted onto the course in one of three craft specialisations:

I. Cameras and Lighting
Practise the core skills of TV studio camera operators, positioning the camera, framing and focus. Learn to use broadcast cameras in a multi-camera studio, repositioning and changing shot as the director demands while the vision mixer cuts and mixes the show. Learn to develop shots, moving with artists or in sympathy with music to create dynamic and exciting television. Begin to light simple interviews and more complex multi-camera lighting techniques. You’ll need a passion for pictures, quick reactions, clear and proactive thinking with excellent co-ordination and a good sense of musical rhythm.

II. Vision Mixing
Train on sophisticated broadcast vision mixing consoles, build and realise complex live visual effects to the director’s brief. Using these high-end production tools, Vision Mixing is like editing - but in real time! Cut, mix and wipe between cameras, pre-edited clips and other video sources live. Learn how to mix a variety of genres from situation comedy to fast paced entertainment and music shows adding digital effects and captioning in real time. You’ll need to be logical, quick thinking, calm under pressure and have an excellent feel for timing and rhythm, both dramatic and musical.

III. Sound (in a broadcast studio environment)
Sound carries the story, sets the mood and the tempo. It provides the enabling structure against which TV pictures can shine. Good sound is essential to a TV programme. Learn how to choose and place microphones for the best results for a variety of shows including live music. Train to use ‘Fisher booms’ - in great demand for sitcoms and soaps - to pick up drama dialogue. Mix studio sound in real time using sophisticated broadcast desks. Enhance the show with spot effects, music cues and audio processing to create atmosphere and energy. Learn how to manage TV comms including studio talkback systems allowing key production team members to communicate and collaborate effectively. You’ll need to be a quick, logical thinker, have a ‘good ear’ and a passion for high quality sound.

These are the core disciplines of multi camera studio operations and people trained at a high level in these craft areas are hotly in demand.

CURRICULUM

Students will be exposed to the creative challenge of working across a range of entertainment programming, including: Situation Comedy, Magazine Shows, Talent Shows, Panel Shows, Game Shows etc.

The award focuses on developing students’ specific capabilities, in the following areas:
-The language of entertainment television so that they can work effectively within production teams
-A high level technical understanding of their chosen specialist area
-A critical awareness of the production workflow and the impact of multiplatform on production

Modules include:
-The Grammar of Television Entertainment
-Media Technology
-Music and Magazine Programming
-Chat Shows and Panel Shows
-Comedy

The six week internship at Sky is constituted of two distinct elements. Firstly the student will shadow a Sky Production Services member of staff working in their specialisation (Vision Mixer, Sound, Camera/Lighting). This will cement the students understanding of the wide range of professional practices and competencies associated with each role. Secondly, students will undertake a range of simulated exercises (designed by the NFTS with Sky involvement) to hone their craft and understanding on the Sky equipment.

At the end of the course, students will be well placed to work professionally in their chosen job role within broadcast production. They will also have a thorough understanding of the television production process encompassing everything from the creative to the technical and the business aspects.

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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This is an intensive and specialised course that will equip you for the challenges of entering a film and television industry that is undergoing unprecedented and rapid change. Read more
This is an intensive and specialised course that will equip you for the challenges of entering a film and television industry that is undergoing unprecedented and rapid change. You'll have the opportunity to develop specialised skills in screen and television work, such as directing, screenwriting, cinematography, editing and other creative skills.

You'll gain practical experience and detailed knowledge of the equipment and facilities typically used in film and television. By the end of your course you will have produced innovative work that you'll complete to the highest professional standards.

Graduates of this course have gone on to roles in British and European film industries, in British television, and in Chinese commercials, film and TV production.

Course content

This is an intensive course that will equip you for the challenges of entering the film and television industry. You'll learn theory and get practical experience in many different areas: from script writing to camera operation and from lighting to directing and much more.

As you progress through the course you'll get the chance to specialise in areas that you find appealing.

Most of our students study full-time for one year, but you can also study this course part-time over two years.

You'll study a total of 180 credits. 90 of these will be through taught modules in the first two terms. You'll then go on to study a further 90 credits as part of an extended research project in the third term.

Term 1
1. Digital Cinematography (10 credits)
2. Digital Production and Postproduction Workflows (20 credits)
3. Languages of Film and Television (10 credits)

Term 2
1. Script Development (20 credits)
2. Directing for Film and Television (10 credits)
3. Group Projects (20 credits)

The final term is dedicated to the design and development of individual piece of work and accompanying report. This module accounts for half of all credits in the course, reflecting that it's the most important and also the most challenging part of the course.

Careers

A large number of graduates from this course have made striking progress in their careers since completing their course. There’s a wide variety of possible career paths open to you after completing this MA, both across industry and academia.

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MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment. Read more
MA Film & Television at Falmouth University reflects and interrogates the highly fluid nature of the contemporary screen media environment.

Our MA is distinguished from traditional courses in that it specifically addresses the diversity and crossover of today's film and television culture with the aim of producing adaptive thinkers and highly creative practitioners. Our academic focus engages and interrogates film and television's status in the 21st century, which is often defined in terms of the digital age and digital culture.

On the course you will be required to examine, interpret and contest the notion of digital culture historically, socially, politically and artistically through both your research and creative practice. You will interrogate the increasingly blurred boundaries between film and television, art and technology, production and consumption, with the outcome being a fracturing of traditional categorisations. We reflect an era in which screenwriters Aaron Sorkin (Newsroom, The West Wing) and Lena Dunham (Girls, Tiny Furniture) experiment with dialogue and narrative, while conceptual artists Sam Taylor-Wood (Nowhere Boy, Love You More) and Steve McQueen (12 Years a Slave, Shame) have shifted from the art gallery to the cinema. Directors such as Ben Wheatley (A Field in England, Sightseers) and companies such as Curzon and Film4 are making use of multi-platform release schedules, and brands including HBO, Amazon and Netflix are shaping the very nature of not only what, but how, we watch. MA Film & Television understands this fundamentally shifting zeitgeist.

In examining industrial structure and visual form you will theorise the shifting dynamics of an age where anyone with a phone and a laptop has the ability to record, edit and disseminate visual projects. Such 'democratisation' has arguably made both creative uniqueness and clear industry pathways less discernable, but has provided a new and fruitful framework for those who have the ideas, talent, dedication and adaptability to embrace such immense transitional potential. However, despite these multitudinous transformations attributed to digital culture, the ethos of our MA contends that fundamental skills remain the basis of both sound academic work and creative practice. Rather than being fearful of what is to come, or nostalgic for the past, this course gives you the confidence to look at film and television critically, and acquire cutting edge creative skills in order to produce intelligent, innovative and inspirational visual work.

Our philosophy is one of flexibility, so you'll shape the curriculum around your own interests, whether in theory, creative practice, or a combination of the two. Drawn from the fundamentals of history, theory and criticism, our theoretical strand develops tomorrow's cineastes, cultural commentators, journalists and academics. This also underpins our approach to practice. The most successful film and television makers are students of their chosen medium, highly knowledgeable of historical legacy and social-political context. You'll not only learn how to develop, write, produce, shoot, record, direct and edit well, but why, philosophically and creatively, your ideas are worth being made.

Visit the website https://www.falmouth.ac.uk/film-television-ma

How the course is taught

Our passion is reflected both in the teaching and research track record of our academics, our industry connections and visiting speakers, and the quality of our film and television professionals. Crossing disciplinary areas such as cultural studies, sociology, journalism, English, philosophy and, of course, film and television studies, our MA offers academically-minded students comprehensive supervision and guidance for moving onto PhD research.

Industry and academic links

We have a strong visiting lecturer programme with recent guests including critics Dr Mark Kermode, Professor Linda Ruth Williams and Dr Will Brooker. Our practice tutors are active writers, producers, directors, editors, sound designers and cinematographers who create substantive work across all screen media. We have a wide range of contacts and industry specialists who contribute to the course, including Tony Grisoni (writer of Southcliffe, Red Riding, and How I Live Now), Mary Burke (producer of For Those in Peril, Berberian Sound Studio and The Midnight Beast), and James Henry (writer for Campus and Green Wing).

Falmouth University also recently hosted the Channel 4 Talent Day and we are active in developing work placements and internships for our students. We have sent many of students to Warp Films and TwoFour since 2009, and regularly update our webpages with work experience opportunities and jobs. Our graduates have proceeded to further study and jobs across the film and television industry, for HBO, Sky, ITV, Disney and have worked on major feature films, most recently including About Time (Richard Curtis, 2013) The World's End (Edgar Wright, 2013), The Double (Richard Ayoade, 2014) and Disney's forthcoming Cinderella (Kenneth Branagh, 2015). Falmouth University's MA in Film & Television is for students who to place themselves at the cutting edge of screen culture.

Course outline

The course is divided into three semesters of 15 weeks. Each semester offers the fundamentals vital to every academic and practitioner, and elective choices so you can shape your own learning.

What you'll do

- Study block 1
Foundation
The first semester consists of three core units, offering a diverse entry point to all aspects of the study of film and television, and the interrelationship of theory and practice:

Theorising Contemporary Film & Television Culture (Theory)

In this module you will explore the theoretical conceptualisations of film and television in the context of contemporary academic thought and popular discourse around the concept of digital culture. We will start from a point of questioning the multi-layered and contested effects of digital culture on film and television as discrete forms. You will consider the interrelationship and fusion between media in terms of production, distribution and exhibition examining the advent of new forms of representation and interaction. But we will also look at how traditional notion of film and television are being preserved and even being popular as a reaction to the effects of the digital. The module will also assess and interrogate the economic and technological developments of a more integrated and interactive media environment in terms of the cross-pollination of form and content, and socio-cultural effects on contemporary audiences.

Film & Television Industry Case Study (Theory/Practice)

In this module you will explore the industrial parameters of contemporary film and television based around the experience and expertise of current professionals. The module will utilise the School of Film & Television's many industry links to bring in guest speakers from the BBC, Channel 4, Sky, TwoFour Broadcast, Warp Films, Sheffield Doc Fest, Cornwall Film Festival, Doc Heads, BFI, Pinewood Studios, Dogbite and EngineHouse VFX. You will then have an opportunity to question these professionals about their respective sectors as a basis for a case study. Alternatively, you can investigate the sector/practitioner of your own choosing, with tutor support. The module will also contain workshops on the fundamentals of creative industry research and methodology. The module is designed so that you learn both the challenges and values of networking, and researching specific job roles and industry backgrounds in order to effectively plot your own career trajectory.

Creative Practices (Practice)

This module will engage you in the production workflow, focusing on how creative, professional and technical roles shape a final film or television project. Your weekly seminars and workshops will guide you through pre-production, production and post-production processes, enabling you to devise, develop and produce a short filmed project as part of a small crew of four to six students. You will, therefore, develop your technical skills and production practices in order to devise and deploy modes of creative practice which may include, but are not limited to, research and development, screenwriting, production management, producing, directing, cinematography, lighting, editing and the recording and design of sound.

- Study block 2
Specialisms
The second semester gives you the opportunity to specialise, choosing from a ranging of theory, practice or combination modules. Assessment of combination modules is either through an academic essay or a practice project. Potential optional modules include:

- Cultural Studies to Digital Sociology (Theory/Practice)
- Screen Futures (Theory/Practice)
- Globalisation in Film & Television (Theory/Practice)
- Factual Film & Television (Theory/Practice)
- Screenwriting for Film & Television (Theory/Practice)
- Work Placement (Theory/Practice)

- Study block 3
Expertise
Depending on your chosen specialism, in the third semester you'll produce either:

- Dissertation (Theory)
- Film & Production Portfolio (Theory/Practice)
- Conceptual Project (Theory/Practice)

Facilities

The purpose-built film school facilities include:

- 116-seat cinema, with Christie M Series HD projection (as used in Vue cinemas) and 7.2 surround sound

- Equipment store with a range of Blackmagic, Red, Panasonic, JVC, GoPro, Canon DSLR and C100 cameras and lenses, jibs, tracks and dollies

- Digital production suites equipped with Final Draft (screenwriting), Movie Magic (production management) and a range of edit software, including Adobe Creative Cloud/Suite, Final Cut and AVID

- Avid Unity MediaNetwork Edit server

- Recording and sound edit studios equipped with Pro Tools audio editing and Foley traps

- 14x8m TV studio with three studio cameras, full gallery facility, Chromatte grey screen, blue/green screen and full lighting rig

- Centroid 3D (Pinewood-networked) Motion Capture studio/research lab

- Virtual Studio using the latest technology

- 23,500-title TV and film library

Experience you'll get

- Highly flexible, student-focused curriculum

- Mentoring with industry professionals

- Opportunities for placement and work experience

- Creative environment for collaboration

- Using industry-standard software

- A vibrant visiting speaker programme

- Student experience-centred ethos

Assessment

- Continuous assessment with no formal examinations
- Core theory based on written assignments
- Core practice assessed on visual project and accompanying portfolios
- Elective modules all with theory/practice options
- Dissertation and/or major project in final semester

Careers

- Research, teaching or postgraduate study in art/humanities subject areas

- All technical/creative roles linked with direction, production, cinematography, editing, sound, lighting; writing for the screen; film and television criticism; research for film and TV

- Film and TV marketing, distribution and sales – digital and social media content/distribution

- Film festival and arts curatorship – media-based project management

Find out how to apply here - https://www.falmouth.ac.uk/apply

Visiting Us

We hold open days throughout the year so you can meet current students and staff, view our campuses and facilities, and find out more about studying at Falmouth.

Find out more - https://www.falmouth.ac.uk/open-days

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Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur. Read more
Graduates of the Production Management Diploma go on to create successful and award winning work. Recent credits include Guy Ritchie's King Arthur: Legend of the Sword, Bridget Jones's Baby, Christopher Nolan's Dunkirk and The Night Manager. If you would like to follow in their footsteps and get your own credits on top productions, apply today!

‘I wish this course had been around when I started as a Production Manager, as I would have made a lot less mistakes!’ Sue Vertue, Producer Sherlock

-Two scholarships from Sargent-Disc available.
-Delivered in partnership with BBC.
-Intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS.
-Industry work experience placements.
-Course developed to meet Industry demand.
-Plenty of hands-on practice – in both locations and in studios.
-Unlike other schools, all production costs are met by the School.
-Places still available for the course starting September 2017

COURSE OVERVIEW

This course commences in September each year. So what does it take to be a Production Manager? An individual who can multi-task, be dynamic, communicate well and stay calm under pressure. Someone who is creative with budgets but keeps a sharp eye on the bottom line; someone who knows enough about Health and Safety to protect the cast and crew but not detract from getting the right shot; someone who knows about the best locations at the best price - and who knows production from start to finish!

This course combines intensive training with practical experience on fiction films, TV Entertainment shows, documentary and animation films at the NFTS and industry work experience placements.

CAREER PROGRESSION

Most production managers are freelance, moving from contract to contract, and may find themselves working anywhere in the UK, or even abroad. As a production manager, you could also work for independent production companies on feature films, documentaries, or TV shows, become a Line Producer or progress to Head of Production.

New NFTS graduates are sought-after and typically find employment soon after completing their courses. NFTS alumni are some of the most successful people working in UK film and television today, and many of our students make contacts while at the NFTS which continue in the professional world.

Sargent-Disc generously provide scholarships to support the training of talented individuals in the field of Production Management for Film & TV: http://www.sargent-disc.com/sargent-disc-uk/news-insights/news/nfts-scholarship-update.aspx

CURRICULUM

Covering the key skills required by Production Managers in today’s rapidly-changing environment, this course alternates workshops with practical experience on a range of NFTS productions including TV entertainment shows (live and multi-camera studio shoots), dramas, animation and documentary films.

The course has been developed to meet industry demand and NFTS students are engaged in more productions as part of the curriculum than any of our competitors. Unlike other schools, all production costs are met by the School and productions are given cash production budgets.

The course covers these key skills recognised by the Industry:
-Extensive instruction and practice on scheduling & budgeting
-Health & Safety training including Production Safety Passport qualification
-Production Management for location and studio shoots
-First Aid for Film & TV Production
-Cash flow management and cost reporting
-Location Management
-Shooting abroad
-Research
-Contracts, copyright and legal
-Child licensing
-Post Production routes & delivery for film & television

This course includes opportunities for work experience throughout the year. Previous students have enjoyed placements at Film4, Eon, Carnival Films, Endemol, Kudos, Dragonfly and Revolution Films. Television productions include Big Brother, Come Dine With Me, The BBC Proms, Babylon, 24-Live Another Day and Downton Abbey and feature films such as the Bond films: SkyFall and Spectre, Assassin’s Creed, and Star Wars: The Force Awakens.

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The state-of-the-art facilities at our David Puttnam Media Centre make Sunderland a compelling choice for media production. This course is for people who want a Masters with a focus on practical skills in media production. Read more
The state-of-the-art facilities at our David Puttnam Media Centre make Sunderland a compelling choice for media production.

Course overview

This course is for people who want a Masters with a focus on practical skills in media production. For a stronger emphasis on theory, please see MA Media and Cultural Studies.

If you want to improve your knowledge, build your resume and be involved in high-quality media content, with technical skills that are in demand across the TV and Film industries, then this Masters will give you an edge over people with an honours degree. You will cover areas of 360 commissioning, workflow, moving camera, advanced editing techniques and production management.

If your first degree is not directly related to media production, we may ask you to undertake a short course that covers essential skills and knowledge, before you join the main Masters course. This ensures that everyone on the course can fully participate in group projects.

‌‌‌‌Media Production (Film and Television) MA has been awarded the Creative Skillset Tick, the industry kitemark of quality, following a rigorous assessment process by experts working in the Creative Industries. The Creative Skillset Tick is awarded to practice-based courses which best prepare students for a career in the industry.‌

‌Sunderland’s Media Department has been recognised for producing some world-leading and internationally excellent research. The University hosts the Centre for Research in Media and Cultural Studies (CRMCS). Our research expertise includes multi-platform production, music and moving image collaborations, independent production, and television aesthetics.

‌‌‌‌Students on this course are elgible to apply for a BAFTA scholarship. Find out more on the BAFTA website.

Sunderland is an accredited training provider for AVID software, which is the industry-leading editing system. We are also part of Avid’s worldwide network of Learning Partners, and as an MA student you will have an option to take an AVID certification that boosts your employability. ‌

For more information on the part time version of this course, please view this web-page: http://www.sunderland.ac.uk/courses/artsdesignandmedia/postgraduate/media-production-television-video-part-time/

Course content

The content of the course is shaped by your personal interests with guidance and inspiration from Sunderland's supportive tutors. Modules on this course include:
Media Production 1 (60 Credits)
-Media Craft Skills – these include elements of scriptwriting, editing, camera and lighting and sound techniques
-Deconstruction and reconstruction of advertisements and music videos

Media Production 2 (60 Credits)
-Production Management
-Video for New Media
-Mini Practical Project

Media Production 3 (60 Credits)
-Major Media Project

Teaching and assessment

Compared to an undergraduate course, you will find that this Masters requires a higher level of independent working. The course aims to stretch your creativity and maximise your sense of personal fulfilment.

You will work on group production projects which will be supported by workshops, studio sessions, tutorials and seminars, as well as master classes led by industry professionals.

Facilities & location

Our David Puttnam Media Centre is a centre for excellence in training students, with continual investment in industry-standard equipment.

TV studios
We have two TV studios complete with green rooms and control rooms. Equipment includes multiple Steadicam rigs plus dolly, track and mini crane. We also have over 40 full HD tapeless field camera systems, comprising Blackmagic, Sony EX1 and EX3, with associated location DIT kits, lighting, field monitors and audio mixers.

Digital editing
There are 70 workstations Edit systems, including Avid Media Composer, Protools, Adobe Master Collection, four Colour Grading rooms running DaVinci Resolve. There is also a digital audio postproduction area running the Avid S6 desk with four voiceover booths.

Radio studios
We have five radio studios including a transmission suite for Spark FM, our student-run community radio station. It broadcasts 24 hours a day, 365 days a year, with a target audience of 15-24 year olds.

Other media facilities
There is a 203-seat cinema with full HD projection, 7.1 surround sound facility. We have a live Sky feed and off-air recording facility, including DVD and Blu-ray recording, plus extensive footage archive/library.

University Library Services
We’ve got a wide range of books, journals and e-books on relevant topics, with many more available through the inter-library loan service. Useful resources for your studies include:
-Archival Sound Recordings with over 12,000 hours of recordings
-British Universities Film and Video Council (BUFVC), which provides resources for the production, study and use of film and related media in higher education and research

Employment & careers

Postgraduates are highly employable and, on average, earn more than individuals whose highest qualification is an undergraduate degree. On completing this course, you will be equipped for roles in production, media management, marketing, legal and media business.

A Masters degree will also enhance career opportunities within Higher Education and prepare you for further postgraduate studies.

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This 15 month course - the only one of its kind in the UK - has been developed in response to film and television industry demands for suitably trained production sound professionals. Read more
This 15 month course - the only one of its kind in the UK - has been developed in response to film and television industry demands for suitably trained production sound professionals. The course is delivered in partnership with the BBC.

-Unique course in UK.
-Location and studio sound recording on real productions.
-Music recording in studio.
-Multi-camera television studio production.
-Fisher Boom training.
-Introduction to post production techniques.
-Unlike other schools, all production costs are met by the School.

COURSE OVERVIEW

This course commences in September each year. The Production Sound for Film and Television Diploma in partnership with the BBC offers an unrivalled opportunity to learn the practical skills required for a career in this field, and covers:
-Location sound recording techniques for drama and documentary
-Sound production for multi-camera television
-Music recording in the studio and on location

Now well-established, the Production Sound Diploma course enjoys an excellent reputation within the Industry and each year’s students rapidly find work on completing the course. Graduates have been employed as sound assistants and boom operators on recent television productions including Ashes to Ashes, Midsomer Murders, Lewis, New Tricks, Holby City, Cranford, Jane Eyre, Gavin & Stacey, Life Begins, Judge John Deed, Downton Abbey, Fresh Meat, Spooks and Merlin.

Graduate work on feature films includes Syriana, Extraordinary Rendition, The Hills Have Eyes II, The Mutant Chronicles, Clash Of the Titans 2, Never Let Me Go, Harry Potter and the Deathly Hallows Part 2, World War Z, Sherlock Holmes : A Game of Shadows, The Iron Lady, The Best Exotic Marigold Hotel (2012).

The BBC provide an internship at the BBC for all students. Students on the course are called BBC Sound Scholars.

CURRICULUM

The course starts in September with a term of intensive workshops and exercises that prepare students to record sound on shoots with MA students in the following Spring and Summer terms. Alongside location and studio shoots for both documentary, fiction films and television productions, the programme of workshops and tuition continues throughout the course.

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry. Read more
-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry
-This postgraduate degree provides a practical and intensive study of filmmaking in an environment that encourages experimentation, professional development and cutting edge ideas. Students work with up to date professional equipment and facilities and, as part of their Masters Degree, produce, direct or write a major film project with an individually tailored marketing and distribution strategy
-The University of Hertfordshire film programmes and post-graduate school regularly host industry professionals who lecture and conduct workshops, seminars and tutorials. We work closely with the industry to enable students to connect directly with their future employers and mentors
-The combination of creative, technical, practical and management skills make this course unique and our graduates highly successful, as employees or as independent filmmakers

Why choose this course?

The MA Film and Television production programme offers an opportunity for students to initiate, develop and realise original film and television work in directing, producing and screenwriting. Students enhance their creative practice in film and television to professional levels, with the aim of pursuing a successful career in the industry. The programme commences with a series of taught modules, intended to augment the student's critical judgment and technical capability, before embarking on a major project, in the form of a substantial screenplay or digital film.

The project offers a setting in which the student can increase confidence in creative decision making, whilst expanding awareness of the requirements of film style and technology, finance, marketplace and audience. Students broaden their knowledge and experience to gain a better understanding of film and television production and its professional and commercial practices. They undertake a programme of screenings, master classes and seminars, to extend their knowledge of film and television histories, genres, aesthetics and narrative processes and to develop a range of research and communication skills. Students are encouraged to develop the aesthetic and conceptual awareness required to analyse and critically situate their work within current theoretical, cultural and commercial contexts, whether as a director, producer or scriptwriter.

The modules focus on script development, working with actors, camerawork, lighting, sound recording, post production techniques, funding, distribution and other relevant areas. You will benefit from the expertise and creative ideas of students working in specialised areas elsewhere in the School (eg Visual FX, Special FX, Animation or Music) whose input can enhance the professionalism of your major projects.

Careers

You will also have the opportunity to exhibit your work at the University and there are good opportunities to develop your teaching experience by mentoring undergraduate students in your subject area. When you successfully complete your MA, you will have made a very substantial addition to your CV and have a clear understanding of the next steps in the development of your career.

Teaching methods

You are taught in an intensive mix of lectures, seminars, workshops, tutorials, masterclasses and industry guest sessions. Tutorial support is offered in small groups and one-to-one, with further support available online and by email.

All students on the PG Media programme engage in an interdisciplinary project as a part of their MA study, giving them an opportunity to work with students from other disciplines in an experimental and creative way.

Structure

Core Modules
-Creative Economies
-Discourse/Reflection: Professional Project Development
-Major Study: Film and Television Production
-Practice 1: Script Development
-Practice 2: Camera, Sound and Editing
-Research and Enquiry

Optional
-Creative Economies (Online)
-Research and Enquiry (Online)

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This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment. Read more
This practice-led MA offers the opportunity to advance your practical and theoretical understanding of media production processes in a professional and creative environment.

The programme is informed by industry professionals and our academic team who are actively engaged in research, professional practice, film making and publishing. You will have the chance to develop the professional skills required by senior managers and professionals in the media and to cover the ethics, laws and regulatory frameworks that govern and affect the industry.

You will have the opportunity to develop your practical production skills in our Media Broadcast Centre. You will have the chance to tailor your learning to your interests and career aspirations by choosing to focus on the creative production of programmes in fiction, documentary or experimental forms across a wide range of media platforms.

How You Study

This course is designed to provide an educational context through practical workshops in production techniques, lectures and seminars, through which you will have the opportunity to develop an advanced level of creative, conceptual, technical, critical, organisational and research skills, all of which can be appropriate to employment in the media industries. Independent working engages with production projects, research and the completion of academic assignments.

Weekly contact hours on this programme may vary depending on the individual module options chosen and the stage of study.

Postgraduate level study involves a significant proportion of independent study, exploring the material covered in lectures and seminars. As a general guide, for every hour in class students are expected to spend two - three hours in independent study.

For more detailed information please contact the programme leader.

How You Are Assessed

Assessment is conducted using a range of strategies which include media productions, programme pitches, presentations, case studies and essays.

The University of Lincoln's policy on assessment feedback aims to ensure that academics will return in-course assessments to you promptly – usually within 15 working days after the submission date.

International students may require evidence of a media portfolio posted online.

Modules

-Final Project (MA Media, Film and Television Production)
-Human and Inhuman in the 21st Century (Option)
-Media Ecologies 1
-Media Ethics, Law and Regulation
-Media, Film and Television Production 1
-Media, Film and Television Production 2 & Final Project Pitch
-The Art and Craft of Film and Television

Special Features

Research
Media academics conduct internationally recognised research in a variety of topics, including Spielberg studies, film and medievalism, exploitation studies, and film and gender.

Industry Links
Many academic staff are current media practitioners who are engaged with professional bodies, such as the Royal Television Society, the British Society of Cinematographers and the British Association of Film, Television and Screen Studies, ensuring that course content is informed by the latest industry developments. BAFTA-winning television dramatist Neil McKay and documentary-maker Nick Gray are visiting professors in the School.

Visiting Speakers
Students on this course have the opportunity to hear from visiting guest speakers from many parts of the Film and TV industries. See here for details: http://www.lincoln.ac.uk/home/fm/abouttheschool/visitingspeakers/

Facilities
Students are based in our award-winning Media and Broadcast Production Centre, a specialist production environment with television and radio studios, video and audio editing suites, digital imaging, design and multimedia suites, a sound dubbing theatre, writers’ room, green screen room, colour finishing facility and photography studio.

Career and Personal Development

This programme aims to provide students with the opportunity to develop the high-level technical skills and knowledge required to establish careers in the media, film and television industries in roles including programme making, post-production and project management. Some students may choose to pursue careers in teaching or undertake a research degree at doctoral level.

The University Careers and Employability Team offer qualified advisors who can work with you to provide tailored, individual support and careers advice during your time at the University. As a member of our alumni we also offer one-to-one support in the first year after completing your course, including access to events, vacancy information and website resources; with access to online vacancies and virtual and website resources for the following two years.

This service can include one-to-one coaching, CV advice and interview preparation to help you maximise your future opportunities.
The service works closely with local, national and international employers, acting as a gateway to the business world.

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The UK has a mature and highly successful TV industry with exports of programmes and formats worth over £1.3 billion annually. Broadcasting is still an expanding industry in many parts of the world, and is a crucial driver for the creative and cultural industries more generally. Read more
The UK has a mature and highly successful TV industry with exports of programmes and formats worth over £1.3 billion annually. Broadcasting is still an expanding industry in many parts of the world, and is a crucial driver for the creative and cultural industries more generally. This course provides the wide perspectives and specific skills that are essential for success in the broadcasting industry.

This innovative course examines the different ways in which broadcasting is organised around the world. It has a particular emphasis on the production techniques of British television, approaching them through a comparative international lens. Students study a major BBC drama series in depth (currently the Saturday evening series Casualty) from conception, through to scripting and production organisation. The course includes visits to the production base in Cardiff as well as crucial skills training in the industry-standard MovieMagic budget and schedule software.

Each student takes creative control of their own television or radio production to complete the course. The Media Arts department’s extensive range of industry-standard equipment, our TV production studio, state-of-the-art Mac Labs and location store (all of which has recently benefited from a £100,000 investment), is available to all students and training is provided in using it as part of the course.

Located near London, the course provides students with a privileged insight into the production practices of the UK television industry. You will have guest lecturers from both production and management in the broadcasting industry. The wide range of past guest lecturers include:

- Alex Graham (CEO of Wall to Wall TV, executive producer of Who Do You Think You Are),
- Karen Mullins (Project Manager for Channel 4 Racing, London Olympics, Rugby World Cup)
- James Quinn (Executive Producer My Big Fat Gypsy Wedding)
- Pip Clothier (Producer of undercover documentaries including BBC’s Panorama: Cash for Questions).

What you will study:
- The nature of television as a medium: scheduling, genres, formats
- How to produce your own short television or radio programme, using industry-standard equipment
- The changing ways in which digital programming is being produced and delivered
- The ways in which formats and programming are traded globally
- The organisation and regulation of broadcasting around the world
- The differing industrial structures of TV
- The crucial skills of scheduling and budgeting, including training on the industry standard Movie Magic software.
- TV series narrative arcs and character development
- The TV production process, planning and execution, (including lectures by the producers of BBC’s Casualty

You will be taught by world-leading scholars including:
- Professor John Ellis (author of Visible Fictions, Seeing Things; independent TV producer; formerly deputy chair of PACT, the UK independent producers’ trade organisation)

- Dr George Guo (graduate of Westminster University and Communication University of China who publishes on TV drama in China)

- Dr James Bennett (author of Television as Digital Media, Television Personalities)

- Mike Dormer (producer of The Whale (2013), Blue Murder (2007-9) New Tricks (2003-5))
a team that combines an international perspective, substantial experience in the TV industry, and innovative theoretical thinking.

See the website https://www.royalholloway.ac.uk/mediaarts/coursefinder/mainternationaltelevisionindustries.aspx

Why choose this course?

- You will develop an international outlook on broadcasting, equipping you to pursue a career in the broadcasting industry, both in the UK or abroad

- You'll be taught by renowned scholars and experienced practitioners

- The MA is taught in a department devoted to TV and film production and its study

- There is an in-depth focus on the UK and its excellence in broadcast production

- You will be trained and develop advanced skills in the use of our industry-standard equipment, which includes Final Cut Studio 2 editing systems, Sony HVR-V1E cameras, Sennheiser radio microphone kits and a selection of professional quality sound recording and lighting equipment.

Department research and industry highlights

The Media Arts department at Royal Holloway has a vibrant production culture. Most staff members have substantial production experience in TV and cinema. Around 300 undergraduate and 60 postgraduate students every year are engaged in making their own productions, including MA International Television Industries students.

Staff include the feature film director John Roberts (War of the Buttons, Day of the Flowers), award-winning documentary maker Marc Isaacs (All White in Barking, The Road), former controller of BBC1 and head of BBC Drama, Jonathan Powell.

You will be taught by leading independent producers Professor John Ellis (Brazil: Beyond Citizen Kane, Cinema in China) and Mike Dormer (The Whale, New Tricks, The Bill).

On completion of the programme graduates will have:

- a thorough understanding of the world broadcasting market and its organisation
- a thorough understanding of the main issues in broadcasting culture
- a deep knowledge of the main genres and forms of broadcast programming
- a detailed understanding of the nature of British TV series drama and the production processes that are involved in realising a TV drama series
- an invaluable experience of production to a broadcast standard
- a critical self-knowledge gained from analysing the process of producing their own work

Assessment

Assessment is carried out by a variety of methods including:
- seminar presentations
- written essays
- research portfolios
- project work
- self-assessment documents

Employability & career opportunities

On graduation, you will have a range of knowledge and a portfolio of written and media work which will be invaluable in finding employment in the broadcasting industry, particularly in those territories where the business is expanding rapidly.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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This course will equip you with innovative creative skills in the exciting field of TV Drama Production. During your time with us, you will learn specialist production crafts and gain a detailed knowledge of the fiction form. Read more
This course will equip you with innovative creative skills in the exciting field of TV Drama Production. During your time with us, you will learn specialist production crafts and gain a detailed knowledge of the fiction form.

Key benefits:

• Learn cutting-edge production techniques using the latest technologies on our MediaCityUK campus
• Combine elective modules to suit your specialism
• Collaborate with the broadcast industry through live-industry briefs and media projects.

Visit the website: http://www.salford.ac.uk/pgt-courses/media-production-tv-drama-production

Suitable for

Graduates with an Honours degree or relevant experience in the broadcast or communications industries. You should want to develop your skills in specialist areas of drama production.

Programme details

You will receive informed, professional guidance throughout the course. To unlock your full creative potential, you will also collaborate with other students on production projects and team-up to form production teams.

Format

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings.

The aim is to support your learning with an effective blend of theory and creative practice, and to encourage ownership of your learning through self-directed projects.

Module titles

• Creative Development Projects
• Media Theory and Practice
• Collaborative Projects
• Advanced Production Practices
• Major Project: Practice Research Project
Or
• Major Project: Dissertation

Assessment

Methods of assessment depend on the module and elective pathway you are taking. They include:

• Creative projects portfolios and productions
• Live briefs
• Critical reflections
• Presentations
• Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

Career potential

Past students have gone on to senior producing and commissioning jobs within television, while others now work as researchers, directors, producers, camera operators, editors and sound designers. The course has strong links with leading media organisations, including ITV, Channel 4, the BBC and the independent production sector.

Links with Industry

To develop your skills and employability, there are opportunities on our Media Production courses to work on live briefs and gain valuable work experience. Previous students have worked with:

• CBBC
• Framestore
• BBC Writersroom
• BBC Natural History Unit
• Nine Lives Media production company
• Sumners Post Production Facility House
• BBC Fast Train, BBC Academy, BBC Red Nose Day and BBC Turn Up the Talent
• Sheffield Documentary Festival, Salford Media Festival, One World Media Festival

The following prominent speakers have delivered guest lectures:

• Sir David Attenborough
• Joe Godwin (Director of BBC Childrens)
• Steve Hewlett (Media commentator / Guardian Columnist)
• Tony Palmer (Documentary filmmaker)
• Jackie Priddle (Aardman Animation Producer)
• BBC Stepping Out and Audience Research Team

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

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This course will equip you with creative-content and production skills in the exciting field of children’s programming. You will develop an in-depth understanding of what it is that children and young people want to watch, why they watch certain programmes, films and moving images, and how they view them. Read more
This course will equip you with creative-content and production skills in the exciting field of children’s programming. You will develop an in-depth understanding of what it is that children and young people want to watch, why they watch certain programmes, films and moving images, and how they view them. You will also learn how to apply your knowledge to the production of creative content for this age group.

Key benefits:

• Connect and engage with children’s media producers, including BBC Children’s Television and the Children’s Media Conference
• Study at our state-of-the-art facilities in the heart of MediaCityUK
• Industry collaborations through live media projects.

Visit the website: http://www.salford.ac.uk/pgt-courses/media-production-childrens-tv-production

Suitable for

This course is ideal if you are already working in media, you are an aspiring programme maker seeking to move into children’s television / media content production, or you are looking to advance your career, re-skill or build upon the studies you completed as an undergraduate.

Programme details

Throughout your time with us, you will be encouraged to develop your own creative ideas to a professional standard. Being based in the heart of MediaCityUK, and next door to BBC Children’s, this course will provide you with many opportunities to learn alongside, and engage with, experienced industry producers and practitioners in children’s content production.

At the end of the course, you will have gained a thorough, practice-based knowledge of the media industry, with particular emphasis on children’s creative content production.

Format

The teaching of this course is comprised of seminars, workshops in storytelling and production practice, study of broadcast and editorial guidelines, independent research, collaborative project work and film screenings. The aim is to support your learning with an effective blend of theory and creative practice and to encourage ownership of your learning through self-directed projects.

Module titles

• Creative Development Projects
• Media Theory and Practice
• Collaborative Projects
• Advanced Production Practices
• Major Project: Practice Research Project
or
• Major Project: Dissertation

Assessment

Methods of assessment depend on the module and elective pathway you are taking.

They include:

• Creative projects portfolios and productions
• Live briefs
• Critical reflections
• Presentations
• Essay

Each module has its own assessment package and this is structured appropriately to reflect the module content. Practical-based modules are assessed by project and a reflective critical evaluation.

Career potential

Links with the BBC and other well-known and respected production companies could lead to work experience that will significantly enhance your CV. The course combines practical and theoretical elements that will appeal to a broad range of employers.

How to apply: http://www.salford.ac.uk/study/postgraduate/applying

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Do you want to develop a broad range of skills that will be directly applicable within the film and television industries?. Are you looking to kick-start your career in media production or scholarly research?. Read more
Do you want to develop a broad range of skills that will be directly applicable within the film and television industries?

Are you looking to kick-start your career in media production or scholarly research?

The MA in Film and Television: Research and Production places employability at the heart of the programme. Utilising a combination of theoretical approaches, critical engagement, creative practice and hands-on technical training, this MA gives you the chance to work within a dynamic and innovative department. It combines rigorous academic training in research skills and methodology with technical and vocational training in designing, researching and editing audio-visual content. It also includes a work placement of up to 12 weeks in the media industry.

Excellent communication skills, with high standards of both written and spoken English, are essential for this MA.

Please note: There are specific application deadlines for this programme. Please see 'How to apply' in course details for more information on the university website.

This interdisciplinary masters programme is designed to help you take the specialist academic knowledge from your first degree and apply it in practical ways to kick-start your career in media production or scholarly research.

Combining academic and professional training, the programme provides hands-on skills with a core understanding about how the industry works, promoting both critical and creative thought.

You will study four core modules:

Development and Production Processes for Film and Television
Documentary Filmmaking
Research Skills in Film and Television
Guided Editing/Guided Reading

The MA also includes a Placement and Training module, allowing you to gain work experience in the media industry, and you will complete the programme with either a 20-25 minute documentary film or a 15,000-word dissertation.

This programme also offers the opportunity to gain an industry-recognised qualification in Health and Safety for productions, in addition to your MA, which is a great enhancement to your CV. This is part of the Production Safety Passport Scheme approved by Creative Skillset (the skills body for the creative industries in the UK).

About the School of English, Drama and American & Canadian Studies

"Welcome to the School of English, Drama and American & Canadian Studies, in the College of Arts and Law. This is one of the largest Schools in the College, and variety is our watchword. We offer one of the most extensive ranges of undergraduate and postgraduate programmes in the country. Our research expertise is equally diverse, and we welcome students and researchers from all over the world." - Professor Andrzej Gasiorek, Head of School

We particularly encourage creative thinking, with a range of pioneering programmes including Masters opportunities in Creative Writing, Film and Television and Shakespeare and Creativity. Our creative offerings are also strengthened by the development of our Department of Film and Creative Writing – established in 2015 – which has opened up exciting new opportunities for postgraduates to benefit from synergies between the two fields.

Our well-established Departments also provide an excellent environment for postgraduate study. The Department of Drama and Theatre Arts has a highly respected national and international reputation for excellence in teaching and research. We are also one of the leading centres for the postgraduate study of English in the UK, spanning language and literature. The Department of English Language and Applied Linguistics is a world-leading centre of excellence for both teaching and research in this field.

We are also proud to be home to the world-renowned Shakespeare Institute, based in Stratford-upon-Avon. Situated within walking distance of Shakespeare’s birthplace, school and grave, and the theatres of the Royal Shakespeare Company (RSC), the Shakespeare Institute offers postgraduate students and scholars an academic experience unrivalled by any other university.

Funding and Scholarships

There are many ways to finance your postgraduate study at the University of Birmingham. To see what funding and scholarships are available, please visit: http://www.birmingham.ac.uk/postgraduate/funding

Open Days

Explore postgraduate study at Birmingham at our on-campus open days.
Register to attend at: http://www.birmingham.ac.uk/postgraduate/visit

Virtual Open Days

If you can’t make it to one of our on-campus open days, our virtual open days run regularly throughout the year. For more information, please visit: http://www.pg.bham.ac.uk

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Building on its international reputation for training in the arts and craft of film and television, The National Film and Television School proposes to introduce an MA designed for students who wish to attain the skills required to support all aspects of production technology in live and recorded environments. Read more
Building on its international reputation for training in the arts and craft of film and television, The National Film and Television School proposes to introduce an MA designed for students who wish to attain the skills required to support all aspects of production technology in live and recorded environments.

-Establish an in-depth knowledge of technologies in the industry combined with practical work experience and intensive training.
-Learn the skills to become an innovator in production and broadcast technology.
-Develop the core skills to become a broadcast engineer, production technologist or IT Director for television production.
-Opportunity to become a specialist in your chosen field.
-Access to NFTS's Masterclasses led by major creative figures from film, television and games.
-Exclusive Scholarship available for this course with BT.
-BT provides work placements in the BT TV team, to be based at the iconic BT Tower or BT Labs.
-After completing the masters, graduates will be invited to apply for a job with BT.

COURSE OVERVIEW

The course will give students a fundamental understanding of the underlying technologies and workflows in use in the industry, with the opportunity to specialise in one chosen area. It offers a rigorous curriculum that combines theoretical training in a number of production technology disciplines with industry work experience placements and intensive training, enabling students to develop their own skills and understanding to provide a strong basis for a career in a wide range of relevant areas within television production.

Across the TV and film industries emerging technologies are enabling new creative opportunities both directly through production equipment and techniques and indirectly through new distribution platforms. The need for production technologists, broadcast engineers and IT directors skilled in the latest developments is increasing, with numerous skills gaps apparent in the employment market. Moreover, some 60% of Broadcast engineers across Europe are within 10 years of retirement, according to the BBC Academy website. Specialists in a number of areas of Production Technology are in great demand from broadcasters, facilities companies, equipment manufacturers and systems integrators.

Production Technology is a very wide field covering traditional live studio and transmission support through to outside broadcasts, workflow design, media asset management and distribution systems across multiple delivery platforms – thus the potential career paths of graduates are numerous and varied.

Technology, both traditional and new, forms an essential part of the creative process and NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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