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The course provides students with an extensive grounding in contemporary critical theory and the way it can be applied in a range of European cultural contexts. Read more
The course provides students with an extensive grounding in contemporary critical theory and the way it can be applied in a range of European cultural contexts. The course offers the opportunity to specialise in specific aspects of European culture that are close to areas of staff expertise, including history, film, literature and the visual arts. You will conduct an extensive research project of your choice under close guidance in a supportive and vibrant environment.

The course provides ideal preparation for doctoral research across the humanities and social sciences. It also prepares graduates for a wide range of careers in education, the arts, politics and public policy.

What will I study?
Students take four taught modules (three compulsory, one optional), and prepare a dissertation on a topic of their choice.

Course structure
Semester 1:

LXM4002 Research Methods (30 credits, compulsory): This includes skills in academic writing, presenting, and conducting bibliographic research in different language areas.

LXM4001 Modes of Critical Theory (30 credits, compulsory): This module takes a thematic approach to critical modes of analysis and critical theories. Up to six themes are to be studied in a given academic year, including (but not limited to):

Memory
Self / Other
Aesthetics
National Identity
Conflict
Performance
Space / City
National / Cultural Boundaries
Theories of Language
Semester 2:

LXM4031 Critical Theory in Practice (30 credits, compulsory): Building on Critical Analysis 1, this module incorporates student-led case studies based on themes studied in semester 1, and requires some target-language academic writing to complement the analysis conducted.

Target Language option module (30 credits, select one from the following options):

German

LXM4007 (Non)conformity in the GDR
LXM4026 Sites of Memory in Eastern Germany
LXM4008 Writing Austria
LXM4029 German Memory Pathologies
French

LXM4010 From Decadence to Dada
LXM4011 Visions of the City in French Cinema
From 2013/14 Noirs de France: Immigration, Integration and Identity
From 2013/14 From Surrealism to Street Art: Art, Politics and Everyday Life in France
Spanish

LXM4012 Translating Spain
LXM4013 Twentieth-Century Spanish Women’s Writing
LXM2020 Watching Spain: Visual Representations of the 20th Century
Italian

LXM4016 Italian Romanticism
LXM4017 Twentieth-Century Italian Short Fiction
Summer:

LXM4018 Dissertation (60 credits, compulsory): 20,000 words on topic relevant to chosen language specialism or comparative (to be approved in Semester 1).

Assessment
Coursework includes short exercises and critical essays on Research Methods and aspects of Critical Theory; 20,000-word dissertation.

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Our MA in French and Comparative Literature involves the postgraduate study of literature beyond national and linguistic borders with a particular focus on French culture. Read more
Our MA in French and Comparative Literature involves the postgraduate study of literature beyond national and linguistic borders with a particular focus on French culture.

Comparative Literature at Kent involves the study of literature from two or more European cultures, to gain an intercultural and transnational understanding of cultural practice. The MA in French and Comparative Literature introduces you to a wide range of theoretical perspectives, enriching your appreciation of the cultures, texts and critical practices examined in the programme’s various modules. You benefit from expert teaching from members of the Department of Modern Languages (http://www.kent.ac.uk/secl/modern-languages/index.html) and the Department of Comparative Literature (http://www.kent.ac.uk/secl/complit/index.html) and thus participate in an interdisciplinary dialogue.

Kent provides an ideal location in which to study French culture; our Canterbury campus is close to mainland Europe, with Paris only a couple of hours away by Eurostar.

In the Autumn and Spring terms, you take a choice of four modules, before undertaking a 12,000 word dissertation over the summer with supervision from an expert within the department. There is also a version of this programme which allows you to spend the spring term in Paris.

This programme is ideal for modern languages graduates who wish to consolidate their knowledge in a wider context; English graduates wishing to diversify their interests; and graduates in other humanities subjects (history, philosophy, theology) who would like to apply their knowledge to literary and visual material.

Visit the website https://www.kent.ac.uk/secl/modern-languages/postgraduate/taught-french-and-comparative-literature.html

Assessment

Assessment is by one 5,000-word essay for each module and the dissertation.

Programme aims

The programme aims to:

- provide the opportunity for you to obtain a postgraduate qualification (MA) in one year, and to allow, if required, a smooth transition to doctoral studies

- allow you to study modules in both modern French studies and comparative literature

- develop your knowledge and understanding of relevant aspects of contemporary Paris and the cultural history of the city as reflected in modern French, European, English and American literatures and other artistic media

- enhance your comprehension and communication skills in both French and English

- develop your awareness of various critical and research methodologies and of the interplay between literature, art and cultural context

- provide teaching which is informed by current research and scholarship and which requires you to engage with aspects of work at the frontiers of knowledge

- provide a deepening of intercultural awareness and understanding

- provide opportunities for the further development of personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector

- provide further development of critical, analytical, problem-solving and other transferable skills.

Research areas

Staff interests broadly fit within the parameters of French literature and thought from the 18th century to the present, with research clusters organised around the following areas: the European Enlightenment and Counter-Enlightenment; Ekphrasis; Franco-Sino relations; Life Writing; Medical Humanities; Philosophy and Critical Theory; French Surrealism; Cubism; the Avant-Garde; the interface between visual arts and text.

Recent publications have focused on authors, artists and thinkers including the following: Apollinaire; Artaud; Badiou; Barthes; Blanchot; Cocteau; Crébillon fils; Deleuze; Diderot; Djebar; Flaubert; Foucault; Houellebecq; Lacan; Maupassant; Mérimée; Nimier; Proust; Sade; Yourcenar; Zola.

Centre for Language and Linguistic Studies (CLLS)
Founded in 2007, the Centre for Language and Linguistic Studies (CLLS) promotes interdisciplinary collaboration in linguistic research and teaching. Membership embraces not just the members of English Language and Linguistics but also other SECL members with an interest in the study of language, as well as researchers in philosophy, computing, psychology and anthropology, reflecting the many and varied routes by which individuals come to a love of language and an interest in the various disciplines and subdisciplines of linguistics.

Centre for Modern European Literature
Many of the most significant European writers and literary movements of the modern period have traversed national, linguistic, and disciplinary borders. Co-directed by members of Comparative Literature, French, and German, the Centre for Modern European Literature aims to promote collaborative interdisciplinary research that can do justice to these kinds of border crossing.

Ranging across English, French, German, Italian and Spanish literature, the Centre focuses in particular on the European avant-garde, European modernism and postmodernism, literary theory, the international reception of European writers, and the relations between modern European literature and the other arts, including painting, photography, film, music and architecture. The Centre’s activities include a lecture and seminar series and the regular organisation of conferences. It also works with the editors of the postgraduate journal Skepsi, and runs the MA in Modern European Literature.

Careers

A postgraduate degree in French studies is an extremely versatile qualification that can open the door to exciting career opportunities in many professions. Our graduates have gone on to work in the IT industry, academic administration, cultural management and to further postgraduate training and academic careers at UK and overseas universities.

Find out how to apply here - https://www.kent.ac.uk/courses/postgraduate/apply/

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Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Screening / Staging Europe at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017). Read more

Visit our website for more information on fees, scholarships, postgraduate loans and other funding options to study Screening / Staging Europe at Swansea University - 'Welsh University of the Year 2017' (Times and Sunday Times Good University Guide 2017).

If you have an interest or wish to develop expertise in drama and /or cinema with a European focus, the Screening / Staging Europe programme could be the degree for you. We have expertise in Bertolt Brecht’s Epic Theatre, German Expressionism and French Surrealism, as well as the key auteurs of European cinema. We offer joint supervision with American Studies, Creative Writing, English Literature or Welsh as appropriate and are particularly interested in projects which explore cultural transfer from the European Continent to Wales in particular and the British Isles more broadly. Your project in Screening / Staging Europe may focus on drama or cinema or a combination of the two.

Key Features

An MA by Research in Screening / Staging Europe gives you the chance to pursue a project based around your own passions and interests, leading to a qualification which can open the door to an academic career or boost employment prospects outside academia (typically in the private sector, the Civil Service, or education).

Features are:

- Dual supervision by experts with matching specialist knowledge of two distinct areas.

- Opportunity to acquire and apply language skills.

- Projects with a focus in the Romance languages (French, Italian, Spanish) and drama / cinema associated with them may qualify for a full-fee Maney Bursary.

All research students in Screening / Staging Europe are required to attend skills and training courses at College and Institutional level. They give presentations to other research students and staff at departmental seminars and the annual departmental postgraduate symposium in June and the College of Arts and Humanities conference in October. Advanced research students may have opportunities to teach undergraduate tutorials and seminars. You have a budget (currently £200 per year) to attend conferences outside Swansea.

MA by Research in Screening / Staging degree typically lasts from one year (full-time study) to two years (part-time study).

The MA by Research in Staging / Screening Europe is ideal for those who want:

- an MA qualification in niche areas where taught programmes are not offered;

- the experience of a research degree without committing to a PhD, while retaining the option to upgrade to MPhil or PhD.

As a student of the Screening / Staging research programme you attend a series of training courses and have regular supervisions while you are reading around your topic and / or collecting your data and materials. You will write a 5000-word introductory essay in the first term and have designed an outline and sketched a synopsis by this stage. You will agree a series of milestones and deadlines with your experienced supervisory team who will accompany you each step of the way on your research journey.

Research proposals are invited on any topic in Screening / Staging for which staff can provide supervision. It is advisable to email a member of academic staff in the appropriate area before applying.

For informal enquiries regarding the Screening / Staging programme please contact Professor Julian Preece ().



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The MArch Architecture programme is for graduates of architecture with ARB/RIBA Part 1 who wish to gain exemption from ARB/RIBA Part 2. Read more
The MArch Architecture programme is for graduates of architecture with ARB/RIBA Part 1 who wish to gain exemption from ARB/RIBA Part 2. Our aim is to prepare students for the complexities of contemporary architectural practice by providing a rich mix of rigorous academic and professional teaching.

All students choose a design unit within which to undertake their project work, each unit has a different specialism across the themes of; digital surrealism, film and animation, bio-technology, art practice and contemporary culture. The units are led by a highly experienced team of internationally recognised design tutors.

The first year of the programme starts by developing advanced skills in urban design and digital representation that can be applied to a major building project in conjunction with a professionally mentored 'Design Realisation' technical report. Additionally students are exposed to current theoretical trends that form the basis for ambitious speculations on contemporary architecture.

The second year of study takes the aspirations of the students work to a higher level of professional and academic engagement with an integrated advanced architectural design project and a specialist theoretical and, or, technological thesis developed with respect to the students own interests and passions.

The part-time mode is intended for students working in a supportive architectural practice and requires attendance two days a week over three years.

The Department is based in a new state of the art building designed by the award winning architects Heneghan Peng; it is equipped with fourteen rooftop landscapes, cutting edge digital workshops, extensive design studios, a world-class library and two gallery spaces.

Our building is located in the heart of Greenwich, the newest addition to a suite of magnificent buildings that occupy the UNESCO World Heritage site and the location of the Greenwich Prime Meridian.

The aims of the programme are:

- To prepare the student to be an architect
- To enable the student to produce the highest level of architectural design
- To support students to combine the best of practice and academia in creating a design portfolio.

Visit the website http://www2.gre.ac.uk/study/courses/pg/arc/arcdip

Architecture and Landscape

We need tools to help us create a built environment that is responsive rather than obstructive to its users and to the world around it. At Greenwich we encourage both students and staff to embrace the interconnectedness of design, construction and building management, of landscape architecture and graphic design, and to constantly look at new ways of exploring these areas.

All architecture programmes focus on the urgent necessity to change our living habits in order to design and build a sustainable urban environment.

The construction management programmes are designed to provide students with a high level of understanding of the design, function, construction and statutory requirements for buildings of all classes, and to prepare them for more advanced employment within the construction industry.

What you'll study

Full time
- Year 1:
Students are required to study the following compulsory courses.

Building Design Development (20 credits)
Design Realisation (40 credits)
Theories of Architectural Design (20 credits)
Future Representations (20 credits)
Urban Design Project (20 credits)

- Year 2:
Students are required to study the following compulsory courses.

Advanced Architectural Design 01 (Project Themes) (40 credits)
Advanced Architectural Design 02 (Major Project) (40 credits)
Architectural Thesis (40 credits)

Part time
- Year 1:
Students are required to study the following compulsory courses.

Building Design Development (20 credits)
Design Realisation (40 credits)
Urban Design Project (20 credits)

- Year 2:
Students are required to study the following compulsory courses.

Advanced Architectural Design 01 (Project Themes) (40 credits)
Theories of Architectural Design (20 credits)
Future Representations (20 credits)

- Year 3:
Students are required to study the following compulsory courses.

Advanced Architectural Design 02 (Major Project) (40 credits)
Architectural Thesis (40 credits)

Fees and finance

Your time at university should be enjoyable and rewarding, and it is important that it is not spoilt by unnecessary financial worries. We recommend that you spend time planning your finances, both before coming to university and while you are here. We can offer advice on living costs and budgeting, as well as on awards, allowances and loans.

Assessment

Students are assessed through design projects, course assessment and portfolio assessment.

Professional recognition

The programme has recognition and exemption from the Part 2 Examination in Professional Practice from both ARB (Architects Registration Board) and RIBA (Royal Institute of British Architects).

Career options

The programme prepares students for future careers as national and international architects.

Find out about the teaching and learning outcomes here - http://www2.gre.ac.uk/__data/assets/pdf_file/0008/645299/Architecture-ARB_RIBA-PArt-2-Exemption-Dip.pdf

Find out how to apply here - http://www2.gre.ac.uk/study/apply

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This MA has two strands. Modernism and Contemporary Literature. These are two areas in which the department has particular research strengths. Read more
This MA has two strands: Modernism and Contemporary Literature. These are two areas in which the department has particular research strengths. The programme has two core courses: one on Modernism, both classic modernism and late modernism, and one on the contemporary. Students take both core courses.

In Term 1, the Modernism core course is ‘Modernism, Modernity and History’, while the Contemporary core course is ‘Contemporary Literature’.

In Term 2, the Modernism strand consists of ‘Modernist Special Topics’ and the Contemporary strand consists of ‘Contemporary Special Topics’. Each of these courses in Term 2 is made up of two five-week ‘Special Topic’ units, each of which reflects a particular departmental research interest.

For 2014-15, the modernist special topics will be ‘1930s, Politics and the Avant Garde’ and ‘Postcolonial Modernism: Crises and Experiments in the African Novel’, while the contemporary special topics will be ‘The City in Contemporary Fiction;’ and ‘Contemporary Women’s Poetry and Poetics’. The special topics are likely to change from year to year.

The course will explore a range of twentieth and twenty first-century British, North American and post-colonial literature and will reflect on some of the historical, intellectual, cultural and technological changes of this era. You will have the opportunity to study with scholars who have international reputations in their fields and develop advanced skills in literary study and research.

There is also scope to work on individual authors, on various topics in literary and cultural theory, as well as a variety of literatures in English for your dissertation.

This course is ideal if you intend to progress to advanced research or simply wish to develop your knowledge of modern literature and your critical skills beyond first-degree level.

See the website https://www.royalholloway.ac.uk/english/coursefinder/mamodernismandcontemporaryliterature.aspx

Why choose this course?

- All members of staff are actively engaged in major research projects: the Department was awarded a 4* rating in the 2008 Research Assessment Exercise (RAE). This commitment to scholarly research means all our postgraduate courses are informed by the latest developments in literary studies.

- The Department has major research strengths in twentieth-century and twenty-first-century literature and in contemporary critical theory.

- The College provides all the IT facilities and training that students need in order to access the burgeoning resources for study on the Internet.

- Our excellent library resources span the full range of English studies and you will also have access to the University of London Library at Senate House as well as the British Library and the many specialist libraries located in central London.

Course content and structure

Full-time students will take 2 courses in each Terms 1 and 2; and write a dissertation in Term 3 and across the summer vacation. Part-time students normally take the 2 course units in terms 1 and 2 of their first year, 2 more in the second and also write their dissertation during the second year.

Course units:
Modernism Strand
Term 1: Modernism, Modernity and History
This unit comprises a series of seminars on such topics as Modernism and the avant-garde; modernity, mass culture and technology; race, gender and primitivism; modernism and politics. You will be introduced to various modernist movements (Futurism, Imagism, Surrealism) and to the ways in which Modernism has been conceptualized in relation to modernity.

Term 2: Modernist Special Topics
The course for 2014 contains two five-week components. The first provides an advanced introduction to the relationship between avant-garde prose and politics in the 1930s. The second will explore the re-appropriation and re-tooling of modernist aesthetic strategies by a range of contemporary African writers to address the crises of the post-colonial state and of post-colonial subjectivity. You will engage with the work of a number of post-colonial theorists and investigate a range of key texts by African writers.

Contemporary Strand
Term 1: Contemporary Literature
The course will address a range of literary works which engage with such topics as globalisation, transnationalism, and global terror as well as magic realism, postmodernism and Conceptual Writing. You will consider contemporary fiction, poetry, post-colonial writing and writing across media as part of an exploration of the contemporary.

Term 2: Contemporary Special Topics
The course for 2014 contains two five-week components on contemporary fiction and contemporary poetry respectively. The first provides an advanced introduction to the fictional writings about globalisation and mobility.

The second provides an advanced introduction to the work of selected contemporary women poets. You will read these texts in the context of current debates in innovative poetics and in relation to modernist strategies of avant-garde practice by previous women writers. You will explore how these contemporary poets have utilised, adapted and/or transformed modernist strategies of practice and to what ends.

Dissertation
You will write a dissertation of 12-15,000 words on an approved topic, during the summer term and summer vacation, with support from a tutor.

On completion of the course graduates will have:
- achieved an understanding of the intertwined issues of modernity, modernism and the contemporary as they are reflected in literary and theoretical writings in the twentieth- and twenty-first centuries

- improved their literary, analytic and research skills at an advanced level

- shown themselves able to work independently on an extended research project

- provided the platform for further postgraduate work, should they wish to undertake it.

Assessment

Assessment is carried out by essays and a dissertation.

Employability & career opportunities

The Department has an impressive record for placing graduates in academic jobs and in prominent positions outside academia. In the field of twentieth-century literature our postgraduates have recently secured positions at Queen Mary, University of London, the Universities of Wales, Nottingham, Lancaster, Newbold College and elsewhere; and have published academic books with Cambridge University Press, Palgrave, Berg and other publishers; as well as popular books on gay studies, music and other topics.

The English Department also prepares postgraduates for successful careers in a variety of other areas, such as teaching, writing and journalism, curating, administration and marketing.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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If you do not have the appropriate undergraduate preparation to embark on one of our MA courses, you may apply for our nine-month Graduate Diploma in Art History and Theory, which can constitute a qualifying year for the relevant MA course. Read more
If you do not have the appropriate undergraduate preparation to embark on one of our MA courses, you may apply for our nine-month Graduate Diploma in Art History and Theory, which can constitute a qualifying year for the relevant MA course.

Our Graduate Diploma consists of eight modules at 3rd-year undergraduate level (up to two of these can be at 2nd-year level). You must complete the appropriate coursework and examinations, and can also write a project on a topic of your choice if this is agreed with your course director.

At Essex, you have the freedom to study what most interests you. Some of the topics you may choose to explore include the history of photography; modern and contemporary art; curatorial practice and exhibition design; as well as more vernacular forms of visual culture, such as body art and activist placards.

Regardless of the topics you pursue, we are committed to research-based teaching, with a particular emphasis on bringing the approaches of art history into contact with other disciplines and discourses. In so doing, we seek to facilitate a critical engagement with artworks and forms of visual culture, both within and beyond the traditional canons of art history.

On campus, the Essex Collection of Art from Latin America (ESCALA), Europe’s largest collection of contemporary art from Latin American, will provide an invaluable resource for studying art and curatorial practice first-hand.

One of the major reasons for choosing Essex is the quality of the education you will receive. We are 6th in the UK for research excellence, with 89% of our work rated “world-leading” or “internationally excellent” (REF 2014). We also achieved an exceptional 95% student satisfaction in the 2016 National Student Survey.

Our expert staff

Essex Art History features a dynamic group of art historians who investigate the production and reception of images and built environments, across cultures and media from the early modern period to the present. Our staff are experts on topics as diverse as activist art, 19th-century medical photography, the art of Latin America, urbanism, exhibition design and body art.

We also have significant experience in curation and public engagement. Recent projects include:
-Dr Gavin Grindon curated a section of Banksy’s Dismaland show and co-curated the Disobedient Objects exhibition at the Victoria and Albert Museum, London, which was one of the most well attended shows in the museum’s history.
-Dr Matt Lodder has acted as contributor for various television shows on body art and body modification, including the Today programme, the Jeremy Vine Show, Sky News, BBC Breakfast News, ‘Coast’, and National Geographic’s ‘Taboo’.
-Dr Natasha Ruiz Gómez co-organised a major conference on Collect, Exchange, Display: Artistic Practice and the Medical Museum at the Hunterian Museum of the Royal College of Surgeons, London.

Specialist facilities

At Essex, you have the best of both worlds: on the one hand, you are part of a tight-knit, campus community with close ties to several small but excellent museums in the nearby town of Colchester; on the other hand, you can travel from campus to London in an hour, which puts the world’s best museums and galleries at your fingertips.

Our facilities enable you to gain curatorial experience and engage in object-based learning, a cornerstone of our approach when teaching the history of art and its modes of display:
-Our Essex Collection of Art from Latin America (ESCALA) is the most comprehensive Latin American art research resource in the UK and has a state-of-the-art teaching and research space. Many of our students gain work and research experience through our collection
-Our onsite gallery Art Exchange runs an on-going programme of contemporary art exhibitions, talks and workshops by curators and artists, as well as exhibitions organised by our postgraduate curatorial students
-Enjoy regular visits to London galleries, including Tate Modern, Tate Britain, the National Gallery and the Royal Academy of Arts, as well as many independent and alternative spaces
-Colchester’s iconic Firstsite gallery features an exciting programme of contemporary art exhibitions, film screenings and talks, and exhibitions organised by our students

Your future

The visual arts and culture industries have become an increasingly significant part of the national and international economy, and art history graduates leave Essex with the skills to take advantage of this growing opportunity.

Graduates from our programmes are ideally prepared for roles in the media, in advertising, in museums and galleries, in education (in schools, universities, and cultural institutions), as conservators, as auctioneers, dealers and antiques specialists, in charities, in publishing, as specialist arts lawyers, as PR agents, in fashion, or to run their own galleries.

Our recent graduates have gone on to work in a wide range of roles including:
-A member of the valuation team at Sotheby’s (New York)
-Head of Learning at firstsite (a contemporary arts centre in Colchester)
-Visual Merchandising Manager at John Lewis (Oxford Street, London)

We also offer research supervision for students who wish to continue their studies with a PhD or an MPhil. We cover the major areas of European art, architecture and visual culture from 1300 to the present, as well as the art and architecture of Latin America.

We work with our university’s Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

Example structure

Postgraduate study is the chance to take your education to the next level. The combination of compulsory and optional modules means our courses help you develop extensive knowledge in your chosen discipline, whilst providing plenty of freedom to pursue your own interests. Our research-led teaching is continually evolving to address the latest challenges and breakthroughs in the field, therefore to ensure your course is as relevant and up-to-date as possible your core module structure may be subject to change.

Graduate Diploma - Art History and Theory
-Art & Ideas III (optional)
-Curatorial Project
-Art, the Law and the Market (optional)
-Contemporary Art: 1980 to the Present (optional)
-Dissertation - Final Year Art History and Theory (optional)
-Final Year Dissertation Project (optional)
-Inventing the Future: Early Contemporary 1945-1980 (optional)
-Photography in History (optional)
-Reworking the Past (optional)
-Study Trip Abroad (Final Year) (optional)
-Study Trip Abroad (Year 2) (optional)
-Art and Power (optional)
-The Work of Art in the Age of Digital Reproduction: Film, New Media, Software and the Internet (optional)
-Visualising Bodies (optional)
-Picturing the City I (optional)
-After Impressionism: European Art From Van Gogh to Klimt (optional)
-Becoming Modern: European Art From Futurism to Surrealism (optional)
-Art in Latin America (optional)
-Art and Ideas II: More Art, More Ideas - Critique and Historiography in the History of Art (optional)
-Collect, Curate, Display (optional)
-Picturing the City II (optional)

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