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Masters Degrees (Surface Pattern Design)

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The MA Surface Pattern Design course offers a unique MA experience in Wales, with its distinctly design driven flavour, tailored to address live briefs; shaping students to pursue employment; launch themselves as freelancers or establish enterprises. Read more
The MA Surface Pattern Design course offers a unique MA experience in Wales, with its distinctly design driven flavour, tailored to address live briefs; shaping students to pursue employment; launch themselves as freelancers or establish enterprises.

The MA is practice based, fast paced and built on the long established success and ethos of our BA Honours Surface Pattern Design programme.

Course Overview

The Contemporary Dialogues portfolio offers an exciting and innovative re-thinking of Postgraduate provision that reflects the strategic thinking of Swansea College of Art. The portfolio facilitates migration between diverse thematic disciplines, exploring new ideas and conceptual approaches to allow young artists and designers to confront the issues that face society today and into the future.

The portfolio’s ethos of collaborative dialogues through material practices provides an innovative model of design, fine and applied arts education. This development allows students from all pathways to experience and share creative practices and innovative mind-sets through inter-disciplinary and trans-disciplinary dialogues. This ethos is enhanced within each programme to stimulate ‘collaborative’ practices and experimentation across a broader spectrum of specialist fields, developing graduates with the contextual awareness, creative thinking and technical skills to operate at the forefront of their discipline.

During the course of your studies you will be supported by specialist staff, leading professionals and practicing artists through lectures, seminars, workshops and tutorials. We have exceptional traditional and digital facilities, housed in spacious purpose-build workshops. Through these, we encourage creative freedom within all of our students and support you in challenging conventional thinking and established practices and facilitate new technological advances across a broad range of disciplines. We have found that through collaborative experimentation and innovative design thinking our students are able to produce work that meets the challenges and respond to the demands of the 21st century.

Facilities include:
-Firing kilns for glass and ceramics
-Printmaking, Screen Printing and Digital Textile Technologies
-Traditional and Digital Stitch
-Wood, Metal, Clay
-Cutting Etching and Engraving Technologies - Waterjet, Laser, Plotter
-3D Printing and CNC
-Chemical and Digital Darkrooms
-Specialist computer facilities with commercial standard software

Modules

Core Modules
-Collaborative Dialogues (20 credits)
-Co-Existent Perspectives (20 credits)
-The Thought Experiment (20 credits)
-Explorative Research Praxis (60 credits)
-Confirmative Praxis (60 credits)

Key Features

MA Surface Pattern Design will provide a design-focused and student-led experience with its main aims to enhance creativity, innovation, design, making skills, advance contextual understanding and employability.

The multi-disciplinary programme will appeal to recent graduates of our own undergraduate programme and graduates of similar courses; to those wishing to change careers within the creative industries or to those wishing to revisit academia and the subject area.

Students will have a designated studio space and access to the existing Surface Pattern workshops and specialist facilities.

Students will benefit from a strong practice based grounding in the key areas of traditional and digital surface pattern design before exploring the wider possibilities that the MA portfolio will offer to advance their practice.

Assessment

The main modes of assessment used on this programme are; studio projects, written assignments and seminar presentations.

Assessment at postgraduate level is reflected by your ability to reformulate and use relevant methodologies and approaches to address problematic situations that involve many interacting factors. It includes taking responsibility for planning and developing courses of action that initiate or underpin substantial change or development, as well as exercising broad autonomy and judgement. It should also reflect an understanding of the relevant theoretical and methodological perspectives and how they affect your area of study or work.

Career Opportunities

We strive to ensure a sustainable future in Surface Pattern for our graduates through a rigorous programme underpinned by skills in employability, creative enterprise and professional studies.

There are opportunities to undertake work placements and address live briefs. Most recently our students have completed briefs with M&S, Tigerprint, Hallmark and Freshwest design companies.

Students are encouraged to establish links with industry and engage in collaborative projects. There is also the option to study abroad with the Erasmus programmes currently running with Universities in Barcelona, Norway and Sweden.

The programme has an excellent track record in design competitions, awards and industry events such as Indigo (Paris) and New Designers.

Graduates from the Surface Pattern programmes have been extremely successful and continue to be recruited in a highly competitive market. Employment roles for graduates from the programme are varied and wide reaching and include:

Freelance working for textiles for fashion studio, fashion brands, designers, retail, interiors studios, on bespoke commissions for clients, producing own name products, large-scale design retail operation. Also formal employment as textiles designer, designer within design brand or retail operation, Stylist, Trend forecasting, Buyer for design related operations, Visual Merchandising. Also employment within arts organisation, museum, gallery, Curator, Self-employed designer maker supplying galleries, retail outlets, selling through high-end craft events, or own website.

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Creative Futures offers recent graduates and established practitioners a chance to continue to develop their chosen discipline and specialist practice at masters level. Read more
Creative Futures offers recent graduates and established practitioners a chance to continue to develop their chosen discipline and specialist practice at masters level. You will gain advanced creative, technical and business skills, a sophisticated understanding of the business environment and a formalised work experience placement. The aim is to enhance your appeal in the job market and/or provide you with the tools needed to set up in freelance practice or to create your own business. Students will receive tuition in business skills that are designed and delivered specifically for creative practitioners as well as access to our extensive workshops and specialist facilities.

The course is designed to provide maximum flexibility, whether it is being studied on a full or part-time basis: All modules have an extensive distance learning component, combined with intensive, full-day workshops.

Course content

Modules you will study include:
-Creativity and Enterprise
-Developing Knowledge, Creative, Technical, Digital and Business Skills
-Creative Futures: Work Experience
-Creative Futures: Masters Project

There will also be an opportunity to choose from the following option modules:
-The Marketing Context
-Personal Branding
-Design Management
-Community Arts in a Global Perspective
-Creativity and Innovation
-New Media and Society
-Culture and Identity

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Creative Futures offers recent graduates and established practitioners a chance to continue to develop their chosen discipline and specialist practice at masters level. Read more
Creative Futures offers recent graduates and established practitioners a chance to continue to develop their chosen discipline and specialist practice at masters level. You will gain advanced creative, technical and business skills, a sophisticated understanding of the business environment and a formalised work experience placement. The aim is to enhance your appeal in the job market and/or provide you with the tools needed to set up in freelance practice or to create your own business. Students will receive tuition in business skills that are designed and delivered specifically for creative practitioners as well as access to our extensive workshops and specialist facilities.

The course is designed to provide maximum flexibility, whether it is being studied on a full or part-time basis. All modules have an extensive distance learning component, combined with intensive, full day workshops.

Course content

Modules you will study include:
-Creativity and Enterprise
-Developing Knowledge, Creative, Technical, Digital and Business Skills
-Creative Futures: Work Experience
-Creative Futures: Masters Project

There will also be an opportunity to choose from the following option modules:
-The Marketing Context
-Personal Branding
-Design Management
-Community Arts in a Global Perspective
-Creativity and Innovation
-New Media and Society
-Culture and Identity

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Explore the global fashion industry in depth and learn how you can build a career in it, while perfecting your knowledge of design processes, styling, branding, promotion and more. Read more
Explore the global fashion industry in depth and learn how you can build a career in it, while perfecting your knowledge of design processes, styling, branding, promotion and more.

See the website http://www.anglia.ac.uk/study/postgraduate/fashion-design

Overview

This dynamic new course will prepare you for the world of contemporary, global fashion design, improving your professional skills, your academic understanding and your industry knowledge.

You’ll develop a comprehensive understanding of the international fashion world, and the business-led factors that influence professional practice.

Our course mixes traditional and experimental fashion design processes with theory and practical work. This will encourage you to think about important issues and future trends in the fashion industry and how you could adapt or improve upon your design, styling, marketing or promotional work. For example, you might explore relationships between your design process, marketing strategy and psychological theories. Or you might look at the connections between mathematics and pattern-cutting; or sustainable design and production processes.

We'll investigate different markets and consumers, too. Having learned more about people's wants and needs, you'll use your insight to create innovative designs, along with branding and promotional strategies.

Throughout the course you'll be working closely with other students. Together, we'll share and debate our ideas and working practices, and learn to critically analyse our work.

Your studies will take place over three trimesters in a single calendar year.

Careers

Our course will equip you with the skills, knowledge and professional understanding you need to work as a fashion designer. You’ll also be well-prepared for related roles, such as styling and promotion, brand and marketing management, PR management/press, fashion production, buying or trend forecasting.

Or you might decide to make use of all these skills by becoming a freelance fashion designer, managing your own brand.

Whatever you decide to do, you’ll benefit from our links with industry professionals, academics and freelancers, who regularly contribute to the course, as well as our careers events including Creative Front Futures and Anglia Ruskin's Big Pitch competition, created for students with an entrepreneurial spirit.

Core modules

Process and Practice as Research
Key Issues in Fashion Design
Fashion Design and Brand
Master's Dissertation Art and Design
Master's Project: Art and Design

Assessment

We'll measure your progress using a number of assessment methods that reflect the skills you'll need to demonstrate in the fashion industry. These include sketchbooks; reflective journals; technical files; brand, consumer and market research files; collaboration files; brand and promotion packages; portfolio work (visualisation and styling); 3D realisation and collection creation; presentations (audio visual and oral); written reports; your Master's dissertation; and Personal Development Planning (PDP).

Where you'll study

Cambridge School of Art has been inspiring creativity since 1858 when it was opened by John Ruskin.

Engaging with current debates surrounding contemporary practice and with the state-of-the-art facilities, Cambridge School of Art houses light, bright studios, industry-standard film and photographic facilities, and 150-year-old printing presses alongside dedicated Apple Mac suites. Our digital art gallery, the Ruskin Gallery, exhibits both traditional shows and multimedia presentations, from national and international touring exhibitions and our own students.

We are the only university in Cambridge offering art and design courses at higher education level. A tight-knit community of artists, academics and over 900 students, we collaborate across our University, the creative industries, and other sectors. Cambridge is a centre for employment in the creative industries and there are rich opportunities for collaboration with the city’s entertainment, technological, scientific, arts and heritage industries.

Our graduates have a history of winning national and international awards and an excellent employment record. They include Pink Floyd's Syd Barrett and Dave Gilmour, Spitting Image creators Peter Fluck and Roger Law, and illustrator Ronald Searle, the creator of St Trinian's.

We’re part of the Faculty of Arts, Law and Social Sciences, a hub of creative and cultural innovation whose groundbreaking research has real social impact.

Specialist facilities

You’ll work in our two fashion studios with industrial sewing and finishing machines, mannequins and surface textile facilities. We have a large stock of calico and pattern paper available for you to buy.

You’ll also have access to our life drawing and sculpture workshops, printmaking studios, photography labs, computer suites (with Photoshop and Illustrator), and film-making facilities.

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The course aims to develop confident and experimental practitioners who will push the boundaries of the subject of costume beyond its established traditional role. Read more

Introduction

The course aims to develop confident and experimental practitioners who will push the boundaries of the subject of costume beyond its established traditional role.

Content

The course aims to develop confident and experimental practitioners who will push the boundaries of the subject of costume beyond its established role. Taught largely on a one to one basis, by international practitioners, experienced teachers and senior researchers, this MA will nurture your creative ideas about costume and performance.

You will design, realise and experiment with costume based performance ideas that enable you to define your inpidual voice in relation to contemporary culture and practice, while responding visually to the relevant performance context.
Beyond the understanding of performance and the role of character creation through costume, the study of Costume Design at MA level allows you to locate your practice within the wider realms of contemporary culture and art, as well as within the relevant dramatic, social and philological contexts.

The relationship between drawing, practical realisation and performance, is central to the way design is approached: ideas are developed on paper and through movement, as well as through pattern cutting, textile printing, dyeing and surface manipulation.

Practical experimentation is achieved through access to the extensive technical facilities available within the college, expanding knowledge of the uses of CAD, tailoring, print, knit and embroidery within costume. The costume studio in John Prince's Street is well equiped to enable students to develop their ideas into realisation, and expert technical support is provided for students on a weekly basis.

Structure

Full Time 15 months level 7 180 credits

Term One:

Costume for Live Performance (40 credits)
Research Methods (20 credits)

Term Two:

Costume for Film (40 units)
Collaborative Unit (20 credits)

Term Three:

Masters Project (60 credits)

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MA Ceramic Design is recognised worldwide as one of the leading postgraduate programmes in ceramic design for small and mass manufacture. Read more
MA Ceramic Design is recognised worldwide as one of the leading postgraduate programmes in ceramic design for small and mass manufacture. Taught in Stoke-on-Trent, the home of UK ceramics for over two centuries in the Potteries, this long-established course consistently produces career-ready graduates that are in demand by leading ceramic companies both in the UK and overseas. With world-famous ceramic manufacturers quite literally on the doorstep, Stoke-on-Trent provides a unique venue for the study of ceramic design.

This course provides a design-led creative experience of ceramics within a broad subject context. Designing through intelligent making allows you to access ideas through a unique material. The deep knowledge of one material helps you to appreciate the opportunities in ceramics but also its translation into other materials and professional opportunities. Whether your personal aspirations are embedded in 2D surface and pattern, and or 3D shape, form and function.

The relationship between the course and the global ceramic industry is mutually beneficial and is primarily responsible for the unique character and international reputation of the course. The strength of this award lies in the accumulated wealth of specialist knowledge and practical skills, which are the essential tools of the ceramics designer; and in the good working practices developed over many years. In the close working relationship with industry, and in the clarity of purpose that ensures academic coherence, and the credibility of the award.

Students are encouraged to pursue new and innovative ideas, redefining established ceramic craft and ceramic design market opportunities. These ideas may now be less wedded to the immediate perceived needs of the mass manufacturing industry and for the mass market. As a consequence encouraging students to take a wider perhaps more entrepreneurial, enterprising standpoint – working as designer-producers for example, engaging with small to medium sized factories in developing aspirational products of contemporary relevance with ‘added value’ aimed potentially at new and different niche markets.

The MA Ceramic Design course has in recent years provided the creative genesis for The New English ceramic design brand and the University’s unique Flux, blue and white fine bone china collection.

This course can be studied part time. For more information on part time study, see the website: http://www.staffs.ac.uk/course/SSTK-06801.jsp?utm_source=findamasters&utm_medium=courseprofile&utm_campaign=postgraduate

Course content

Semester 1
-Tools and Techniques
-Collaborative Project

Semester 2
-Ceramic Design, Professional Pathways
-Creativity & Innovation

Semester 3
The Masters Project

Graduate destinations

Many of our Ceramic Design graduates now work as designers or senior managers and creative directors within the ceramics and related creative industries. Some have set up in business as designer-producers or as freelance design consultants. And others have become retail developers, stylists, buyers, trend forecasters, lecturers and teachers.

Other admission requirements

For you to be able to execute your own ideas whilst on the course, You would be expected to demonstrate:
-Your ability to communicate your creative design ideas visually, this is critically important. Through traditional sketching and drawing (drawing with your own hand) and through digital techniques (the use of appropriate computer softwares).
-A broad understanding and experience of ceramic moulded techniques (the use of plaster moulds, typically slipcasting) or hand making techniques would be expected.
-Alternatively you may be interested in ceramic surface, ideas for surface pattern design whether this be for graphics; textiles or ceramics.
-Evidence that you have an awareness of the global marketplace for ceramic design, and as such develop innovative ceramic ideas informed by this knowledge.

Read less
Students on this course cultivate an innovative view of surface design. They are challenged to ruthlessly explore pattern and decoration, reflecting on the social, cultural and aesthetic context for surface pattern design in the 21st century. Read more
Students on this course cultivate an innovative view of surface design. They are challenged to ruthlessly explore pattern and decoration, reflecting on the social, cultural and aesthetic context for surface pattern design in the 21st century. New relationships like that of surfaces and light are being investigated, while new materials and technologies continually challenge designers to develop fresh ideas and methods. Students get to research and experiment with lots of materials and new technology to decorate ceramics, plastics, cloth, glass, wood, metal and paper. They use our cutting edge digital equipment to develop designs for wallpaper, tableware, floor coverings, interior products, garments and jewellery. We help our students find their own creative process and to develop their own direction and style which enables them to choose a rewarding career.

LEARNING ENVIRONMENT AND ASSESSMENT

Practical work is carried out within our extensive and very well equipped studios and workshops. A programme of guest lecturers and visits to exhibitions, workshops, manufacturers, etc. further supports study.

A special feature of this course is the blend of practice and theory which underpins the student projects. As a student on a MA course in the School of Art, Design and Performance you will belong to a postgraduate design community. You will study some modules alongside students from other design disciplines. Through participation in a common programme, you will experience a strong sense of community, sharing of knowledge and access to a wide range of staff skills and resources.

Practical and theoretical elements will be assessed both during and at the end of each module. Assessment strategies for the Practice modules will usually involve portfolio assessment, presentations, summaries of reflective journals and the learning agreement. There are intermediate exit awards at appropriate stages.

FURTHER INFORMATION

Surface pattern designers work with many different products, processes and materials. They may practice within conventional design studios in traditional industries as well as in the smaller creative industries. The student will be expected to develop a personal focus of research and design or craft practice, which should lead to a package of research activities (live projects, placements, competitions, attendance at exhibitions and trade fairs, etc.) appropriate to their field of study. Throughout the course, students are encouraged to pursue a critical enquiry alongside the physical development of work. They should move toward developing concepts and understanding context.

The core belief of the MA degree is that understanding for the Design Practitioner can only be achieved through doing, making and creating. Thus a central theme of the course is that of 'Reflective Practice' where academic and theoretical issues arise out of Practice itself and where the Practice is informed by the theoretical considerations. Students will be asked to keep a reflective journal to record their thoughts, ideas and discoveries.

The MA exists in the framework of the University modular scheme. The first step for every new student is a two to three week induction block in which the student's proposed area of study is discussed, negotiated and formulated with their supervisor into a learning agreement. Following this induction and diagnostic phase, students continue to develop their physical work in Surface Pattern Practice 1. In Semester 2, they undertake Practice 2, which involves the opportunity for field study or external placement. Running parallel with, and complementary to the practice modules, are two Research for Creative Design Practice modules, one studied in semester 1 and the other in Semester 2.

The course is concluded in Semester 3 with the Postgraduate Project/Dissertation and Surface Pattern Practice 3 modules. In the Practice module, students continue their investigation into a particular personal area of study, leading to a final assessment presentation or public body of work.

Fundamental to the philosophy of the course is providing the opportunity for students to explore and realise their individual aspirations and potential, creating a framework for developing as skilled and informed professional practitioners.

Read less
MA Ceramic Design is recognised worldwide as one of the leading postgraduate programmes in ceramic design for small and mass manufacture. Read more
MA Ceramic Design is recognised worldwide as one of the leading postgraduate programmes in ceramic design for small and mass manufacture. Taught in Stoke-on-Trent, the home of UK ceramics for over two centuries in the Potteries, this long-established course consistently produces career-ready graduates that are in demand by leading ceramic companies both in the UK and overseas. With world-famous ceramic manufacturers quite literally on the doorstep, Stoke-on-Trent provides a unique venue for the study of ceramic design.

This course provides a design-led creative experience of ceramics within a broad subject context. Designing through intelligent making allows you to access ideas through a unique material. The deep knowledge of one material helps you to appreciate the opportunities in ceramics but also its translation into other materials and professional opportunities. Whether your personal aspirations are embedded in 2D surface and pattern, and or 3D shape, form and function.

The relationship between the course and the global ceramic industry is mutually beneficial and is primarily responsible for the unique character and international reputation of the course. The strength of this award lies in the accumulated wealth of specialist knowledge and practical skills, which are the essential tools of the ceramics designer; and in the good working practices developed over many years. In the close working relationship with industry, and in the clarity of purpose that ensures academic coherence, and the credibility of the award.

Students are encouraged to pursue new and innovative ideas, redefining established ceramic craft and ceramic design market opportunities. These ideas may now be less wedded to the immediate perceived needs of the mass manufacturing industry and for the mass market. As a consequence encouraging students to take a wider perhaps more entrepreneurial, enterprising standpoint – working as designer-producers for example, engaging with small to medium sized factories in developing aspirational products of contemporary relevance with ‘added value’ aimed potentially at new and different niche markets.

The MA Ceramic Design course has in recent years provided the creative genesis for The New English ceramic design brand and the University’s unique Flux, blue and white fine bone china collection.

Course content

Semester 1
-Tools and Techniques
-Collaborative Project

Semester 2
-Ceramic Design, Professional Pathways
-Creativity & Innovation

Semester 3
-The Masters Project

Many of our Ceramic Design graduates now work as designers or senior managers and creative directors within the ceramics and related creative industries. Some have set up in business as designer-producers or as freelance design consultants. And others have become retail developers, stylists, buyers, trend forecasters, lecturers and teachers.

Other admission requirements

For you to be able to execute your own ideas whilst on the course, You would be expected to demonstrate:
-Your ability to communicate your creative design ideas visually, this is critically important. Through traditional sketching and drawing (drawing with your own hand) and through digital techniques (the use of appropriate computer softwares).
-A broad understanding and experience of ceramic moulded techniques (the use of plaster moulds, typically slipcasting) or hand making techniques would be expected.
-Alternatively you may be interested in ceramic surface, ideas for surface pattern design whether this be for graphics; textiles or ceramics.
-Evidence that you have an awareness of the global marketplace for ceramic design, and as such develop innovative ceramic ideas informed by this knowledge.

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Do you have a talent for turning textiles into works of art? Then why not make the most of your skills by working towards an MA in Fashion Textiles? We can help you explore your technique through applied print design (both traditional silk screen and digital) and surface decoration through applied machine embroidery, needle felting and garment construction. Read more
Do you have a talent for turning textiles into works of art? Then why not make the most of your skills by working towards an MA in Fashion Textiles? We can help you explore your technique through applied print design (both traditional silk screen and digital) and surface decoration through applied machine embroidery, needle felting and garment construction. You can also develop your millinery skills thanks to our wide range of fabrics, materials and haberdashery.

With the outstanding facilities we have available, as well as our expert teaching staff, you'll quickly develop the knowledge and skills to produce truly beautiful patterns. We believe strongly in cross-discipline approaches, which is why we allow students from all art subjects to work together in inspiring designs and opening up to new methods. Make sure you have the skills to make a profession out of your passion by taking your love of fashion textiles to the next level.

Course outline

We actively encourage mixing different approaches, materials and techniques to create innovative fabric, such as print combined with embroidery, with opportunities to utilise laser cutting to create new fabrics and potential applique techniques. Our strong links with traditional Fine Art print techniques allow students to research and explore the graphic and textural potential of these alongside contemporary fashion and textile design.

There will be three studio modules throughout the first two terms. The first will look at researching aspects of fashion textile, experiencing the range of processes and materials available. This will lead to creation of a range of studio project proposals, equipped with a comprehensive understanding of the creative potential within the department. Finally, there will be practical MA Project Module which will culminate in an exhibition of work in an appropriate media.

The course allows great flexibility within the project proposals. These may range from full garment collections to fabric creation for clothing, printed fashion fabrics or accessories.

Graduate destinations

You'll be prepared for a range of careers in fashion and textile design, including working with pattern cutting and pattern design in all garment trades as well as film and theatre costume production. You might wish to enter garment manufacturing or textile fabric design, working in samples for mass manufacture. No matter what you decide to do, from interior surface designs to textile and fashion prints, your qualification will ensure you are ready for it.

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The MA in Fashion Textile Practices aims to cover a vastly changing environment. As a broad subject area this course allows you to explore a varied range of fashion and textile directions. Read more
The MA in Fashion Textile Practices aims to cover a vastly changing environment. As a broad subject area this course allows you to explore a varied range of fashion and textile directions. It offers continuing or recent graduates opportunities to enhance their knowledge, skills, creativity and employment prospects, through imaginative enquiry into different fashion, textile and surface platforms and processes.
Our MA in Fashion Textile Practices aims to combine advanced creative, aesthetic and technical design skills. You will normally have a degree in a related subject (Fashion Design, Textile or Surface Design, Textile Crafts), may be seeking to develop fresh approaches to your subject (creative pattern cutting, design for fashion, interiors or exterior architectural surfaces, future materials, 3D printed textiles or surfaces, advancing your weave, embroidery, knit or print skills, or textile art), or may wish to build your portfolio for fashion, textile or surface roles in industry in the future. A portfolio of work or ideas is required for subject entry.

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Take your love of ceramics to the next level through our highly engaging programme! We are perfect for both newly qualified and long-time professional ceramics artists, helping you develop new skills within your subject. Read more
Take your love of ceramics to the next level through our highly engaging programme! We are perfect for both newly qualified and long-time professional ceramics artists, helping you develop new skills within your subject. Our strong creative community works with artists from multiple specialisms to promote cross discipline approaches to art, helping to inspire your work to new places.

We will help you extend your practical techniques, material research, firing and glaze development, digital design and traditional methods of working. You'll study both the historical and contemporary context of the clay as an artefact within society and decorative material. You'll gain experience of exhibition proposals, design and execution, which will open up valuable networking opportunities that will help you gain success as an artist in ceramics!

Course outline

We focus on three studio-based practice modules which allow you to manage the practical elements of your research. Through an initial proposal, you'll set your practical MA curriculum dependant on your experience, research focus and practice based career goals. The course is taught by academic practitioners and supported by highly trained technicians in ceramics, wood and metal and digital print. Access to all three dimensional workshops is a major advantage of this programme.

You'll look at the design and production of attachments, utilising other materials or combinations of materials to create form. This can include functional wares (both hand-built or moulded), architectural ceramic, and sculpture. This is done alongside material research which looks at surface development, glaze production, body development al and firing techniques.

It is likely you will produce three or two dimensional objects with a focus on form, vessel, and surface or applied decoration. You may though wish to follow a purely material based research project, extending the subject knowledge and playing a significant role in extending the material science of this subject.

Graduate destinations

An MA in Ceramics can prepare you for a wide range of careers, including work as a ceramics maker/producer/designer, pattern maker, mould maker, sculptor or architectural designer for surface or brickwork to name just a few.

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