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Masters Degrees (Song Writing)

We have 14 Masters Degrees (Song Writing)

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Our challenging, practice-based course offers you a unique approach to the practice of writing, emphasising innovation and experimentation in your work. Read more
Our challenging, practice-based course offers you a unique approach to the practice of writing, emphasising innovation and experimentation in your work.

On our MA Creative Writing, you deepen your knowledge of literary tradition, exploring different modes and genres in order to develop your own creative and expressive written skills. You expand your use of creative writing techniques and improve your critical judgement of your own work.

Our course encourages you to develop your writing by stepping outside your comfort zone and discovering the different approaches to verbal art that are possible today. This will invigorate your own practice, whether you are writing psychogeography, plays, novels, stories or something else. You will choose from a variety of modules, covering topics such as:
-Development of a novel plan, from research and concept-development, to plotting, character, and structure
-Experimental language play of the Oulipo group across the short story, autobiography, cartoons, cookery and theatre
-Relating magic to writing and creativity, both in theory and in practice
-Psychogeography, writing about walking, place, landscape, history and the psychic environment
-Poetic practice across experimental writing in poetry from the performative to the visual

To help you hone your craft, we also host two Royal Literary Fund Fellows, professional writers on-hand to help you develop your writing on a one-to-one basis, and regularly host talks and readings by visiting writers.

Essex has nurtured a long tradition of distinguished authors whose work has shaped literature as we know it today, from past giants such as the American poets Robert Lowell and Ted Berrigan, to contemporary writers such as mythographer and novelist Dame Marina Warner, and Booker Prize winner Ben Okri.

We are ranked Top 20 in the UK (Guardian University Guide 2015, and three-quarters of our research is rated ‘world-leading’ or ‘internationally excellent’ (REF 2014).

This course is also available on a part-time basis.

Our expert staff

Our teaching staff are experienced and established writers who have a breadth of experience across literary genres, from novels, prose and plays, to poetry and song.

Our creative writing teaching team has a breadth of experience in the literatures of different cultures and different forms. Our current teaching staff include poet and short story writer Philip Terry, lyric writer and essayist Adrian May, novelist and camper Matthew de Abaitua, poet and performance-writer Holly Pester, poet, fisherman and memoirist Chris McCully, and award-winning playwrights Elizabeth Kuti and Jonathan Lichtenstein.

Our Centre for Creative Writing is part of a unique literary conservatoire that offers students the skills, support and confidence to respond artistically and critically to the study of writing with the guidance of experts.

Specialist facilities

-Write for our student magazine Albert or host a Red Radio show
-View classic films at weekly film screenings in our dedicated 120-seat film theatre
-Hear writers talk about their craft and learn from leading literature specialists at regular talks and readings
-Our on-campus Lakeside Theatre has been established as a major venue for good drama, staging both productions by professional touring companies and a wealth of new work written, produced and directed by our own staff and students
-Improve your playwriting skills at our Lakeside Theatre Writers workshops
-Our Research Laboratory allows you to collaborate with professionals, improvising and experimenting with new work which is being tried and tested

Your future

Many of our students have gone on to successfully publish their work, notable recent alumni including:
-Ida Løkås, who won a literary prize in Norway for The Beauty That Flows Past, securing a book deal
-Alexia Casale, whose novel Bone Dragon was published by Faber & Faber and subsequently featured on both the Young Adult Books of the Year 2013 list for The Financial Times, and The Independent’s Books of the year 2013: Children
-Elaine Ewert, recent graduate from our MA Wild Writing, placed second in the New Welsh Writing Awards 2015
-Patricia Borlenghi, the founder of Patrician Press, which has published works by a number of our alumni
-Petra Mcqueen, who has written for The Guardian and runs creative writing courses

We also offer supervision for PhD, MPhil and MA by Dissertation in different literatures and various approaches to literature, covering most aspects of early modern and modern writing in English, plus a number of other languages.

Our University is one of only 11 AHRC-accredited Doctoral Training Centres in the UK. This means that we offer funded PhD studentships which also provide a range of research and training opportunities.

A number of our Department of Literature, Film, and Theatre Studies graduates have gone on to undertake successful careers as writers, and others are now established as scholars, university lecturers, teachers, publishers, publishers’ editors, journalists, arts administrators, theatre artistic directors, drama advisers, and translators.

We work with our Employability and Careers Centre to help you find out about further work experience, internships, placements, and voluntary opportunities.

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Why study at Roehampton. Approved by the Health Care Professions Council (HCPC), this training leads to a nationally recognised professional qualification as a music therapist. Read more

Why study at Roehampton

  • Approved by the Health Care Professions Council (HCPC), this training leads to a nationally recognised professional qualification as a music therapist.
  • Work placements organised by the University, the majority with a music therapist on site.
  • Music therapy course staff have their own current clinical work, and are therefore embedded in current practice and clinical thinking.
  • The staff team are involved in writing and researching and have a high profile within the UK music therapy profession 
  • Work as a music therapist to benefit people with a wide range of challenges.
  • In the Research Excellence Framework 2014, the leading national assessment of quality, 100% of the research we submitted was rated “world leading” or “internationally excellent” for its impact.

Summary

Become a qualified music therapist to facilitate people’s move towards well-being through specific therapeutic aims using a primarily non-verbal relationship in music. Music Therapy as practised in Great Britain is largely based on improvisation, the music being the shared, and the spontaneous creation of client and therapist.

The Music Therapy programme offers training for competent, practising musicians to become therapists, bringing together their skills, education and other life experiences. On completion of the training, graduates are eligible to apply to the HCPC for registration, with the ability and flexibility to practice within the NHS, Social Services, education or private sector. 

Essential to music therapy is the relationship between client and therapist. At Roehampton we have chosen to base our Music Therapy training programme on the use of psychoanalytic ideas to inform our understanding of the therapy process and the ways the client works with the environment, the therapist and the music. Broader theories and ways of working are also studied in order to equip students to meet a range of clinical need. Other styles of music, including song writing, the use of technology and pre-composed music are also used as appropriate to the need of the individual. 

The course emphasises your emotional development as a practitioner, together with clinical exploration through critical enquiry. In addition to this, students must be prepared to enter mandatory individual personal therapy for one year of the training.

Music Therapists work within a wide range of clinical settings, individual and group work. They work with people of all ages; from infants and young children through to elderly adults. Music therapy can benefit people with a wide range of difficulties or challenges, including mental health problems, learning disabilities and autism, dementia and neurology, as well as people experiencing serious illness such as cancer or those who have experienced trauma. 

Content

The programme aims to encourage a critical and evaluative approach to both theory and practice in music therapy. It is designed to prepare students for work with children and adults with a range of disabilities and illnesses, and placements usually include work with children and adults with learning disabilities, autism and Asperger’s syndrome and mental health problems.

After visits to a variety of workplaces which offer music therapy, you will undertake individual and group work in two contrasting settings over six months, January to June (first placement) and September to February/March (second placement).These clinical placements will provide you with music therapy work experience alongside qualified Music Therapists. You will also participate in an experiential group, which gives you an opportunity to develop your own self-awareness and examine personal and group dynamics through verbal and musical processes. In addition, it is a requirement for you to find and fund personal individual therapy outside the course. 

Key areas of study include human development and growth and the clinical context for music therapy, clinical improvisation, observational studies, music therapy theory, clinical case work and supervision, introduction to research and your dissertation. Personal development and reflection on this is central throughout the programme.

Modules

Here are examples of the modules:

  • Music Therapy Theory and Practice 1 and 2
  • Observational Studies
  • Research Methods 
  • Research Portfolio

Career options

Music Therapists work within a wide range of clinical settings. They work with people of all ages; from infants and young children through to elderly adults. Music Therapists work within statutory services (such as the NHS, education or social services), within charities and private organisations, and in private practice. To find out more, you can join the British Association for Music Therapy.

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A rigorously demanding course, the MMus degree offers an opportunity to develop your musicianship and academic skills to a very high level in a range of subject areas. Read more
A rigorously demanding course, the MMus degree offers an opportunity to develop your musicianship and academic skills to a very high level in a range of subject areas.

The course allows students to study a broad range of topics and disciplines in music and musicology, including practical disciplines in Performance, Composition, and Conducting, and research in areas such as Music Psychology, Music Education, Music Arts and Health, Historical Musicology and Contemporary Musicology. Whether you are hoping to enhance your understanding of music for a future research or professional career, the modules offered in this course will equip you for further study and professional life.

Visit the website: https://www.canterbury.ac.uk/study-here/courses/postgraduate/master-of-music.aspx

Course detail

The programme offers you the opportunity to enhance your musical, compositional, performance, analytical, critical and research skills. In addition, you will apply these skills to your individual areas of interest in specific optional modules in written and practical disciplines. The choices of independent study modules mean that you will develop your performance, composition, conducting or research to MMus level whilst enhancing your knowledge of the wider field and contextualising your work within your chosen discipline.

The School of Music and Performing Arts is a community of more than 600 students from foundation to doctorate level, dedicated to creating and recreating music, dance and drama; all contributing to the musical and performing arts life of the University, the city of Canterbury and the wider community in the south east of England. This vibrant community offers exciting opportunities for interdisciplinary collaboration as well as more specialised subject­specific work. The degree is offered either as a one year full­time, or two year part­time course.

The taught sessions usually take place on one day of the week (usually Thursday), allowing you to continue with part-time work alongside your studies if you wish.

Suitability

The Master of Music programme aims to produce graduates who are accomplished and confident musicians and/or musicologists, who are able to work at a professional level within their specialist fields of study and who are prepared for further study at PhD level. The programme will develop your technical, conceptual and critical skills which will allow you to engage with music and musicology in a sophisticated and insightful way. The curriculum is designed to allow you to pursue specialist fields of study to an advanced level, including undertaking an extensive independent project or dissertation of your choosing, while developing a keen sense of context for those fields within the broader discipline of music.

Because the majority of teaching happens on just one day of the week (usually Thursday), the course is ideal for students who wish to continue working alongside their studies.

Content

Within the course, you'll take modules to a total of 180 credits.

You'll choose from one of the following individual study areas (60 credits each):
• Performance (solo instrumental or vocal performance)
• Conducting
• Composition/Creative Audio (e.g., acoustic composition, electroacoustic composition, popular song writing, sound art)
• Research Project in a chosen area of musicology (e.g., music psychology, music education, music and health, historical musicology, contemporary musicology)

You have four core modules to complete (4 x 20 credits):
• Research Methods
• Analysis
• Contextual Studies
• Criticism

And then you choose one each from the following pairs of optional modules (2 x 20 credits):
• Aesthetics OR Music Psychology and Health
• Performance Project OR Creative Project

Format

Your specialist field of study will be tackled primarily through independent learning, supported by either tutorials or instrumental or conducting lessons as appropriate. Students undertaking independent study in similar disciplines will meet for workshops and seminars during the year as they develop their work.

Supporting this, critical and contextual awareness will be explicitly developed through core modules, which are delivered through seminars that may be student-led. The option modules allow students to explore highly specific areas of music and musicology, through lecture- and seminar-based teaching, and to undertake projects within their own interests through seminars and workshop-based learning.

Assessment

You will be assessed through a wide range of assignments throughout the programme. These include musical performance, composition portfolios, written work, research posters, presentations and learning journals, and will be specific to the disciplines and modules that you choose to study.

The independent study modules will be assessed through a major project in each, with performance and conducting assessed through a recital, composition through a portfolio, and research project through a dissertation.

What can I do next?

Graduates of the MMus course typically go on to a range of careers which have included portfolio careers in music, performance and composition, working in a professional studio, music education and music research at PhD level.

How to apply

For information on how to apply, please follow this link: https://www.canterbury.ac.uk/study-here/how-to-apply/how-to-apply.aspx

Funding

-Masters Loans-

From 2016/17 government loans of up to £10,000 are available for postgraduate Masters study. The loans will be paid directly to students by the Student Loans Company and will be subject to both personal and course eligibility criteria.

For more information available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/funding-your-postgraduate-degree.aspx

-2017/18 Entry Financial Support-

Information on alternative funding sources is available here: https://www.canterbury.ac.uk/study-here/funding-your-degree/2017-18-entry-financial-support.aspx

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Songwriting remains one of the UK’s biggest exports, with UK music stronger than ever. Popular song is the heart of the industry; global demand for new songs is high. Read more
Songwriting remains one of the UK’s biggest exports, with UK music stronger than ever. Popular song is the heart of the industry; global demand for new songs is high. Focusing your portfolio through research prepares you to contribute to this field.

The MA is for students with a thorough grounding in their own specialism who wish to extend and develop their songwriting knowledge and skills at advanced academic level, in a creative environment.

Therefore, the course is aimed at both unpublished songwriters wishing to develop their craft to professional level, and published songwriters wishing to achieve academic accreditation while exploring their creativity and formalising their prior experience.

COURSE STRUCTURE AND CONTENT

From day one you’ll write songs, using alternative strategies designed to work alongside your current creative approaches. Applying practice-based learning at our world-heritage research centres, through a range of creative strategies and critical perspective on your songs’ relationship with audience and industry, you’ll develop and focus your output.

Lyric-writing, and a fluent command of imagery, metaphor and narrative is nurtured as chords and melody take shape around language’s meaning, and vice versa. You’ll investigate the power and potential of song forms, modes of address, perspectives, time-frames and characters.

Having stretched the range of creative options available to you within your own artistic palette, you’ll turn your hand to research; this is your entry to the post-graduate world. You’ll identify the industrial context relevant to your songs; your knowledge of your field will become intensified through primary research, secondary research and contact with guest speakers from industry.

Collaborating with songwriters from near and far will increase your creative and networking range; ahead of your Major Project contextual and collaborative research perform the vital tasks of shaping your song outputs.

MODULES

There are a range of modules which include:
Songwriting Skills: a twelve-week process during which you’ll develop a feel for sensory imagery, metaphor and a facility for narrative tension.

Song Identity and Culture: here you investigate and unravel your personal songwriting ‘DNA’. You’ll look at your own work and that of others, in the context of artistic identity and culture.

Professional Collaboration: you’ll negotiate collaboration with other students within a professional context. For example, songwriters might collaborate in the traditional manner of successful and acclaimed songwriting teams, or may work with choreographers, film makers, poets, composers, arrangers or remixers.

Research Methodologies and Context: a ‘pathfinder’ contextual study into an economic/cultural context for your future song outputs. From folk to hip-hop, indie, metal, etc., each industrial context possesses a uniquely different set of venues, publishers, labels, agents, producers and performers.

Major Project: bring all your research and preparation into focus. You are asked to present a showcase artefact representing the songs developed during your time on the course. Usually this is an album. For some it will be several projects for differing contexts, like a writer’s showcase for a publisher.

For detailed information on the course modules, please visit the course webpage: https://www.bathspa.ac.uk/courses/pg-songwriting/

TEACHING METHODS

There are regular taught sessions running across each of the three trimesters. Lectures, visiting speakers, seminars, workshops, tutorials, presentations and playback sessions work on song material and research outcomes. Students play their songs to one another in a supportive yet dynamic environment facilitating networking and analysis and developing the language of creative critique. This can be in a live capacity or via playback.

For information about resources and facilities, please visit our website: https://www.bathspa.ac.uk/courses/pg-songwriting/

ASSESSMENT METHODS

Assessments range from simple audio sketches in the early stages to full album productions in the final stages; each of which is assessed for quality and market focus. On the research modules, formal, researched and referenced papers express your intellectual and analytical development, and presentation skills bring your work to life.

CAREER OPPORTUNITIES

There is a broad range of professional outcomes from this course and our graduates now work as:

• Signed artists
• Signed writers
• Lecturers
• Researchers
• Agents
• Performers
• Teachers
• Therapists
• Publishers

The course is also an excellent grounding if you’re interested in further study; a number of our alumni have progressed onto PhD study.

Read less
Songwriting remains one of the UK’s biggest exports, with UK music stronger than ever. Popular song is the heart of the industry; global demand for new songs is high. Read more
Songwriting remains one of the UK’s biggest exports, with UK music stronger than ever. Popular song is the heart of the industry; global demand for new songs is high. Focusing your portfolio through research prepares you to contribute to this field.

The MA is for students with a thorough grounding in their own specialism who wish to extend and develop their songwriting knowledge and skills at advanced academic level, in a creative environment.

Therefore, the course is aimed at both unpublished songwriters wishing to develop their craft to professional level, and published songwriters wishing to achieve academic accreditation while exploring their creativity and formalising their prior experience.

COURSE STRUCTURE AND CONTENT

From day one you’ll write songs, using alternative strategies designed to work alongside your current creative approaches. Applying practice-based learning at our world-heritage research centres, through a range of creative strategies and critical perspective on your songs’ relationship with audience and industry, you’ll develop and focus your output.

Lyric-writing, and a fluent command of imagery, metaphor and narrative is nurtured as chords and melody take shape around language’s meaning, and vice versa. You’ll investigate the power and potential of song forms, modes of address, perspectives, time-frames and characters.

Having stretched the range of creative options available to you within your own artistic palette, you’ll turn your hand to research; this is your entry to the post-graduate world. You’ll identify the industrial context relevant to your songs; your knowledge of your field will become intensified through primary research, secondary research and contact with guest speakers from industry.

Collaborating with songwriters from near and far will increase your creative and networking range; ahead of your Major Project contextual and collaborative research perform the vital tasks of shaping your song outputs.

MODULES

There are a range of modules which include:
Songwriting Skills: a twelve-week process during which you’ll develop a feel for sensory imagery, metaphor and a facility for narrative tension.

Song Identity and Culture: here you investigate and unravel your personal songwriting ‘DNA’. You’ll look at your own work and that of others, in the context of artistic identity and culture.

Professional Collaboration: you’ll negotiate collaboration with other students within a professional context. For example, songwriters might collaborate in the traditional manner of successful and acclaimed songwriting teams, or may work with choreographers, film makers, poets, composers, arrangers or remixers.

Research Methodologies and Context: a ‘pathfinder’ contextual study into an economic/cultural context for your future song outputs. From folk to hip-hop, indie, metal, etc., each industrial context possesses a uniquely different set of venues, publishers, labels, agents, producers and performers.

Major Project: bring all your research and preparation into focus. You are asked to present a showcase artefact representing the songs developed during your time on the course. Usually this is an album. For some it will be several projects for differing contexts, like a writer’s showcase for a publisher.

For detailed information on the course modules, please visit the course webpage: https://www.bathspa.ac.uk/courses/songwriting-distance/

TEACHING METHODS

The Distance Learning option is a blended learning design which combines formal online lectures with regular personal tutorials. Week to week you study a workbook of specific tasks which are reviewed and discussed with your tutor. Peer-based teaching and learning occurs in our regular Songwriter’s Circle webinars in which students from all over the world meet to share and critique their work.

For information about resources and facilities, please visit our website: https://www.bathspa.ac.uk/courses/songwriting-distance/

ASSESSMENT METHODS

Assessments range from simple audio sketches in the early stages to full album productions in the final stages; each of which is assessed for quality and market focus. On the research modules, formal, researched and referenced post-graduate papers express your intellectual and analytical development.

CAREER OPPORTUNITIES

There is a broad range of professional outcomes from this course and our graduates now work as:

• Signed artists
• Signed writers
• Lecturers
• Researchers
• Agents
• Performers
• Teachers
• Therapists
• Publishers

The course is also an excellent grounding if you’re interested in further study; a number of our alumni have progressed onto PhD study.

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The MA Songwriting and Production course is delivered in the context of a dynamic contemporary music and cultural scene in Wales. Read more
The MA Songwriting and Production course is delivered in the context of a dynamic contemporary music and cultural scene in Wales. You will study close to a range of music venues, recording, radio, TV and film studios, as well as many music organisations, and with access to high profile, successful musicians and other industry professionals.

This innovative degree will enable you to make connections and collaborations within the world of both professional songwriting, and the wider music culture. Designed for those interested in lyrics, music and studio production, you’ll learn a range of creative techniques, as well as the history of popular song and the world of music publishing. For your final project, you will create an original portfolio of work to be showcased at the state-of-the art ATRiuM Building, situated in Cardiff – the vibrant capital city of Wales, a thriving international hub for music and the creative industries.

On completion, graduates will have the expertise and experience to work professionally within a range of different contexts. Taught by practising songwriters, producers, and published academics, the course is also delivered through a series of master classes from industry professionals.

If you choose to study on a creative postgraduate course at the University of South Wales, you will also benefit from being part of a vibrant international student community.

See the website http://courses.southwales.ac.uk/courses/1558-ma-songwriting-and-production

What you will study

Selection of Modules include:
- Songwriting 1: Skills and Strategies
- Digital Music Production
- History, Analysis, Repertoire and Theory
- Research Paradigms
- Creative and Cultural Entrepreneurship
- Research and Practice in the Creative and Cultural Industries
- Songwriting 2: Creative Co-writing
- Recording
- Performance: Practice and Presentation
- Major Project Portfolio OR Research Project (Learning Through Employment)

Research methods, business practice, publishing and promotion are embedded in all modules.

Common Modules:
The Faculty understands the importance of a strong grounding in research knowledge and skills, enterprise and innovation as part of a balanced postgraduate education.

We also recognise that each student has different requirements of their postgraduate experience.

You can choose to study one of the following three, 20 credit common modules. Each of these has a different focus, enabling you to select the module that will be most beneficial to you.

- Creative and Cultural Entrepreneurship
This module aims to develop your knowledge of the methods to identify, develop and manage enterprise and innovation in the creative sector. It will then help you apply this to your own entrepreneurial project.

- Research and Practice in the Creative and Cultural Industries
The focus of this module is on the development of research knowledge and skills, while also encouraging critical engagement with approaches to creative practice. You will also explore ideas, debates and issues in the creative and cultural industries.

- Research Paradigms
This module focuses on research paradigms and their theoretical underpinnings. It also looks at key conceptual tools drawn from a wide range of subject areas relevant to postgraduate research in the creative industries.

PLEASE NOTE: Modules are subject to change.

Learning and teaching methods

The course incorporates desktop and studio-based production processes, with key business skills such as publishing, promotion, distribution and session planning.

Emphasis is on practical activities and encouraging you to find your own voice when developing material. Teaching sessions take place in a supportive environment, where students provide feedback on each others work. Practical sessions are underpinned by skills development and an understanding of theories about best practice in songwriting and production.

The course embraces singer/performer songwriters, as well as those who do not wish to perform their own material; solo and group outputs; creative collaboration; and material produced in studio/digital environments. The degree can also be studied by distance learning; UK and international students may choose to study using their own studio base and equipment.

“In an ever-changing industry where listening formats, recording processes and budgets are constantly evolving, songwriting and production are still a good way for a musician to have a long, fulfilling and successful career. It is hugely encouraging to see the University of South Wales offering [songwriting and production] to masters degree level. Creative areas can often be solitary places, so the opportunity to learn from others and share ideas in a creative environment such as the ATRiuM should prove an invaluable experience.”
Greg Haver, Record Producer – The Manic Street Preachers

Work Experience and Employment Prospects

In addition to working professionally as a songwriter or in song production, potential careers for graduates of this course could include working as facilitators in community and arts outreach activities, as educators in formal teaching settings, and as practitioners
such as performers, producers and writers.

There are also opportunities as researchers, administrators/managers of organisations, festivals and music events, or within music journalism and publishing, A & R, radio, freelance production, music promotion, or as part of other media production teams such as advertising, event management and games.

Assessment methods

Learning activities focus on the needs of individual students and are designed to accommodate students with a range of ambitions in relation to different kinds of approaches to songwriting and song production. Emphasis is placed on practical activities and on encouraging students to find their own voice when developing their material.

Teaching sessions take place in a supportive environment, where students provide feedback on each others work. Practical sessions are underpinned by skills development and an understanding of theories about/best practices in songwriting and song production.

‘I’d like to support the MA Songwriting course. It being the only course of its kind in Wales it will be a hugely valuable addition to the ATRiuM choice of courses. The teaching staff’s experience with writing and the music industry will also be a valuable asset to the course … I often meet students who study at the Atrium and the breadth of courses, and the skills they are developing and injecting back into Welsh music should be applauded. I look forward to hearing more output from this course, and the songwriters of the future coming from it onto our airwaves.’
Bethan Elfyn, DJ BBC Radio Wales

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ICMP’s MA in Songwriting is London’s first and only songwriting-specific postgraduate Masters programme. Highly creative and personalised, it’s designed to enable students to examine, explore and focus on both their practical songwriting and songwriting education. Read more

ICMP’s MA in Songwriting is London’s first and only songwriting-specific postgraduate Masters programme. Highly creative and personalised, it’s designed to enable students to examine, explore and focus on both their practical songwriting and songwriting education.

The course is a practice-based, industry-led programme, placing your development as a songwriter in a critical and contextual setting. Working in a peer community, with teaching and support from current industry songwriting practitioners and academics, you’ll explore and refine your creative output and goals, considering artist, commercial and intellectual outcomes.

Students complete a series of modules which focus on creative exploration, technical songwriting exercises, musicology and creative voice, before undertaking a final Masters project, choosing either the creation of a new Major Repertoire work (typically a debut album) or a Dissertation in the area of songwriting.

Classes explore the art and craft of contemporary songwriting, with students writing at least one song every week. You’ll collaborate with other ICMP students and will engage in small group ‘A&R-style’ feedback and critical discussion with your professional songwriting tutors and talented peers, regularly critiquing each other’s works-in-progress across the course of the year.

The highlight of this MA programme is the final module. You can choose between Major Repertoire or Dissertation projects, which allow students to progress specific songwriting interests in a distinctly personalised manner. The Major Repertoire Project allows you to develop a large-scale piece of repertoire work, which is typically a debut album. You’ll be allocated an expert, individual supervisor/ A&R to help guide your project with regular one-to-one support. This mentor will be hand-picked to suit your project from either within the ICMP Songwriting faculty or outside in the wider UK songwriting industry.

Become part of a strong, diverse and inclusive community

Songwriting students form a small but close-knit team, and you’ll immediately become part of the strong, diverse and inclusive community around the whole ICMP Songwriting department. As a special exclusive benefit, every ICMP MA Songwriting student receives a free yearly membership to the British Academy of Songwriters, Composers & Authors (BASCA) which includes regular industry news and advice, attendance at songwriting networking events throughout the year, legal advice, insurance and more.

As an MA Songwriting student, you’ll regularly network within the music industry thanks to monthly performance opportunities at our London songwriting industry event – Songwriters’ Circle – and events hosting MA-specific guest speakers from the worlds of songwriting and academia. You’ll also get the chance to attend occasions organised by the London chapter of the Nashville Songwriters Association International (NSAI), which is run out of ICMP – a group with exclusive links to one of Nashville’s most celebrated songwriting venues: the Bluebird Cafe.

Access to facilities

MA students also undertake a large proportion of their classes on location at London’s Tileyard Studios – ICMP’s exclusive industry partner and home to the UK’s largest professional music community – with special use of the writing rooms at the complex and invitations to all their collaborative and networking events. The course’s international focus also allows for exciting exchange opportunities with songwriting partners based in Nashville and California.

As an MA student, you’ll have direct access to our amazing facilities with industry-standard hardware, software and instruments, including a 24-track recording studio, multiple Mac labs and dedicated performance spaces which can all be booked free-of-charge, outside of class hours, seven days a week. Postgraduate students also have access to studio and writing spaces at Tileyard Studios. You’ll also enjoy access to a range of UEL facilities, including the 24/7 multimedia libraries, with over 300,000 books, journals, audio-visual resources and archives, 500 electronic books and 25,000 electronic journals and databases.

As a graduate of the MA in Songwriting course, you’ll leave ICMP with the skills, knowledge, confidence and connections required to succeed in whichever direction your songwriting path takes you, whether that’s within the worlds of the music business, the songwriting industry, education, academia or beyond.

Successful completion of the programme leads to the award of Master of Songwriting by the University of East London.

Module Overview

Students take all of the following 30 Credit modules:

• Creative Process

• Songwriting Musicology

• Musical Language in Songwriting

• The Writer’s Voice

Students choose one of the following 60 Credit modules:

• Major Repertoire Project

• Dissertation

Progression

This course will prepare you for a career in the music industry, in jobs such as performing songwriter, writer/producer, standalone songwriter, songwriting tutor, music business executive, writer or academic, or you can progress on to further postgraduate study in songwriting.

Further information and application details



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At least 55 million people world wide claim Scots descent. Read more
At least 55 million people world wide claim Scots descent. This exciting and unique postgraduate course allows the culture of the Highlands and Islands to be explored wherever you are, whether you are part of the Scots diaspora keen to find out about your heritage or just want to find out more about the Highlands and Islands of Scotland.

Students will be studying folklore, customs, belief systems, music, song, literary heritage and much, much more. Come and immerse yourself in the lived experience of Highlands and islands communities!

Special Features

• Loans for tuition fees are available from the Students Award Agency for Scotland (SAAS) for eligible Scotland domiciled and EU students, and loans for living costs for eligible Scottish students.
• Unique course content not available anywhere else
• You are taught by international experts in the field, including the team at the Centre for Nordic Studies
• We use video conferencing and a virtual learning environment to deliver the course so you can study from anywhere in the world
• Small class sizes
• You can also choose unique options in palaeography, creative writing and the North Atlantic World
• You can study individual modules for personal or professional development, or work towards the PgCert, PgDip, or full Masters degree

Modules

PgCert

Core modules are:

The Gaelic Legacy
The Highlands and Islands Story
Traditional Customs and Beliefs of the Highlands and Islands

PgDip

The core module is:

Highlands and Islands Voices

You will also choose two option modules which may include:

The North Atlantic World
Early Scottish and Norse Literature
The Orkney and Shetland Tongues
Orkney and Shetland Literature
Introduction to Screenwriting
Exploring Creative Writing
Celts and Vikings in the North Atlantic
Picts: Revealing the painted past

MLitt

To achieve the award of MLitt Highlands and Islands Culture you must complete a research dissertation.

Locations

This course is available at:
Orkney College UHI, East Road, Kirkwall, KW15 1LX
Lews Castle College UHI, Stornoway, Isle of Lewis, HS2 0XR

Study Options

You will study this course through a combination of video conferenced seminars and learning via the university's virtual learning environment (VLE), with support from your tutors and student advisor.
International students requiring a Tier 4 visa to study with us must be based at Orkney College UHI during their studies. International students undertaking the course from their home country can study online and by video conference, in real-time or recordings.
All other students can choose to study at Orkney College UHI or Lews Castle College UHI in Stornoway, or from their own location studying online and by video conference in real-time or recordings.
An online induction will be offered at the start of your course.

Access routes

Students can access the programme from a range of UHI undergraduate programmes including:


BA (Hons) Culture and Heritage
BA (Hons) Scottish History
BA (Hons) Scottish History and Archaeology
BA (Hons) Scottish History and Literature
BA (Hons) Social Sciences
BA (Hons) Literature
BA (Hons) Archaeology
And externally from humanities degrees generally

Funding

From 2017, eligible Scotland domiciled students studying full time can access loans up to 10,000 from the Student Awards Agency for Scotland (SAAS).This comprises a tuition fee loan up to £5,500 and a non-income assessed living cost loan of £4,500. EU students studying full time can apply for a tuition fee loan up to £5500.

Part-time students undertaking any taught postgraduate course over two years up to Masters level who meet the residency eligibility can apply for a for a tuition fee loan up to £2,750 per year.

See Scholarships tab below for full details

Top reasons to study at UHI

Do something different: our reputation is built on our innovative approach to learning and our distinctive research and curriculum which often reflects the unique environment and culture of our region and closely links to vocational skills required by a range of sectors.
Choice of campuses – we have campuses across the Highlands and Islands of Scotland. Each campus is different from rich cultural life of the islands; the spectacular coasts and mountains; to the bright lights of our city locations.
Small class sizes mean that you have a more personal experience of university and receive all the support you need from our expert staff
The affordable option - if you already live in the Highlands and Islands of Scotland you don't have to leave home and incur huge debts to go to university; we're right here on your doorstep

How to apply

If you want to apply for this postgraduate programme click on the ‘visit website’ button below which will take you to the relevant course page on our website, from there select the Apply tab to complete our online application.
If you still have any questions please get in touch with our information line by email using the links beow or call on 0845 272 3600.

International Students

If you would like to study in a country of outstanding natural beauty, friendly communities, and cities buzzing with social life and activities, the Highlands and Islands of Scotland should be your first choice. We have campuses across the region each one with its own special characteristics from the rich cultural life of the islands to the bright city lights of Perth and Inverness. Some courses are available in one location only, for others you will have a choice; we also have courses that can be studied online from your own home country. .http://www.uhi.ac.uk/en/studying-at-uhi/international

English Language Requirements

Our programmes are taught and examined in English. To make the most of your studies, you must be able to communicate fluently and accurately in spoken and written English and provide certified proof of your competence before starting your course. Please note that English language tests need to have been taken no more than two years prior to the start date of the course. The standard English Language criteria to study at the University of the Highlands and Islands are detailed on our English language requirements page http://www.uhi.ac.uk/en/studying-at-uhi/international/how-to-apply-to-uhi/english-language-requirements

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All great songs start with a great story, and this course will build on your storytelling and songwriting techniques and performance skills. Read more

All great songs start with a great story, and this course will build on your storytelling and songwriting techniques and performance skills. It will also help you develop the strong networks needed to drive your career forward in the modern music industry.

You will study traditional creative songwriting alongside modern music production practice. You will analyse case studies across all genres to find your inspiration and create your own musical voice.

Working with experienced industry professionals, you will explore the technical and creative aspects of writing, recording and arranging, including storytelling techniques, the crafting of effective melodies and where best to place the hooks in a song, in order to develop a wide range of musical scores. You will also have the opportunity to collaborate with peers across our suite of music courses to compose and produce songs in our industry-standard studios.

This course will give you the confidence to develop your musical portfolio to enhance your career as an established artist.

Course Benefits

As a student of the School of Film, Music & Peforming Arts, you will join our vibrant community of producers, giving you access to expertise from top industry professionals. The team includes Ken Scott, who has worked with The Beatles and David Bowie, and Phil Harding, Chief Engineer for Pete Waterman Limited.

You will also have the opportunity to be inspired by studio owners, songwriters, professional musicians, arrangers and composers, such as our recent visiting artists in residence Tom Williams, Utah Saint and Chris TT.

A wealth of volunteering opportunities will be available to you, including the chance to work with University partners Festival Republic, in roles such as sound assistant, production manager and stage crew at Leeds and Latitude festivals, all of which will expand your networks and give you additional hands-on experience.

You will have the chance to participate in The Unconference, part of Live at Leeds and Leeds International Film Festival, which hosts a day of panels, workshops, presentations and networking for those working in, or aspiring to work in the music industry. The event has previously attracted speakers such as Tom Robinson, Simon Rix (Kaiser Chiefs) and James McMahon (Kerrang! Editor). 

On campus you will have access to a suite of professional music studios, including recording rooms, audio booths, instruments, portable audio recorders and fully equipped computer workstations.

Core Modules

  • Songwriting & Co-writing
  • Studio Production Skills
  • Music Industries Context
  • Negotiated Skills Development
  • Professional Songwriting
  • Music Industries Practice
  • Research Practice
  • Final Individual Project

Job prospects

The professional networks you will build throughout your course will open up a range of routes into the music industry. You will be an entrepreneurial musician, with the confidence and skills to produce your own material or write songs for others to perform. You could also pursue a career in festivals, music events or the arts, or you could write scores for film, TV and games.

  • Songwriter
  • Music Producer
  • Sound Designer
  • Composer


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This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create. Read more

This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create.

Our aim is to prepare students to be collaborative, responsive, imaginative, politically engaged and culturally aware artist practitioners. The course is aimed at newly-emerging practitioners with a background in theatre, education, activism or social change, as well as at more established practitioners who want to reflect, refresh and develop their skills. We actively encourage the sharing of skills and expertise among our multi-national group of students. We prioritise applicants with some experience in the arts, education, activism or social care, and it is rare that we take applicants directly from their first degree.

Together we explore the ways in which theatre and performance is created by diverse groups of people in a variety of community, social and educational settings: in schools or on the streets, in children’s homes and elderly care, in conflict zones, conferences, crèches and youth clubs, pupil referral units and prisons, women’s refuges and refugee centres, hospitals and hostels – anywhere groups of people meet and interact.

What is applied theatre?

Applied theatre is an umbrella term for a range of exciting worldwide performance forms concerned with personal and social change.

The term embracestheatre of the oppressed, community theatre, theatre-in-education, drama in education, theatre for development, prison theatre, intercultural arts, intergenerational arts, theatre in museums, archives and heritage sites, story-telling, reminiscence theatre, conflict resolution. The work often moves across art forms. This is not a definitive list, as it is a field that is dynamic and changing.

The MA considers case studies from the UK and from across the globe. Central to this investigation are: questions of identity; representation; discrimination; health; equality; human rights; opportunity; access; social inclusion/exclusion; participation; ethics; evaluation and documentation; aesthetics and the role of the artist.

Placement and partnerships

The course is structured so that practice and theory constantly respond to one another, through practical classes and seminars. All students undertake a placement in a recognised host organisation where you'll work with experienced practitioners, and learn from the inside how participatory arts organisations function.

We have active partnerships with many companies, and the majority of the tutors, including the convenor, are active artists, with a variety of arts practices in performance, community and social settings.

Modules & structure

Practical workshops

In the autumn term we look at the roots of Applied Theatre in Education, in Social and Political Change, and in Community. Classes include work with Geese Theatre on their use of mask in Prisons, Drama and Theatre in Education techniques with Gail Babb of Talawa Theatre, intergenerational arts practices with Convenor Sue Mayo, and the use of Drama to explore Domestic Violence, with Tender. Throughout this term students are also engaged in skills-sharing sessions in order to pool their knowledge and expertise. 

In the Spring Term Tutor Raj Bhari, from Talk for Change, leads a module on creative approaches to Community Cohesion, Conflict Resolution, and the artist as activist. We have a short festival of art forms, with classes in song, puppetry and dance- and a residency shared with students of the MA in performance making, working across modules with artists of distinction from within the Goldsmith’s staff and beyond.

Throughout the practical sessions we work with students to develop their facilitation, devising,- project planning and management skills with attention to issues such as group dynamics; power and leadership; inclusion; accessibility; equality; conflict; intercultural practice; safe space and the ethics of touch.

In the summer term students design and lead a weekend of workshops for a public audience.

Histories, Theories and Contexts seminars

This contextual strand enables us consider the thinking behind our embodied knowledge. Through a series of seminars, we consider: the development of applied methods from political theatre; radical and celebratory arts; drama and theatre-in-education; community theatre; prison theatre; therapeutic creative practices and the legacy of Augusto Boal. We study the growing body of writing on applied theatre and its practitioners, and theatre theory. We consider local and international case studies; we read, discuss, watch videos and experience live performances.

Complementary Contextual lectures

Students also choose a lecture based Option module from one of the other exciting MA programmes. Previous modules have included, African Theatre, Performance Praxis, Radical Performance, and The Reflecxtive Practitioner. Our students can also take a specialist applied module led by Danny Braverman, on Disability Theatre, examining the scope and radical nature of disability theatre.

Placement

The Convenor, Sue Mayo, supports students to locate and develop a placement in a recognised host organisation. On the placement students further the skills they have practiced on the programme, whilst dealing with the challenges of a professional context. Placement hosts include London Bubble, Magic Me, Resonate. Greenwich & Lewisham Young People's Theatre, Talawa Theatre, Pan-arts, Crisis, Ovalhouse, Green Shoes Arts, The Young Vic, MIND, CEN8, Lewisham Youth Theatre and Spare Tyre.

Professional development

As part of our commitment to student’s employability, we offer up to five workshops covering various areas directly relevant to workplaces where drama may be applied; for example: planning and managing projects, child protection and working with vulnerable adults, ethics, evaluation, setting up a theatre company or working as an independent artist.

Assessment

The MA Applied Theatre has five points of assessment:

  • a 6,000-word essay based on material covered in Term 1
  • a 6,000-word reflective portfolio on the placement
  • a 12,000-word research project/dissertation

These assessments count towards 80% of the final mark.

The remaining 20% is derived from assessment of the two shared complementary/contextual modules, which include Disability Theatre, Performance Praxis, African Theatre, Musical Theatre and Cultural Theory.



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The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting). Read more
The Department of Music offers graduate studies leading to the master of music degree. Students may specialize in composition, music history or performance (instrumental, vocal, opera, conducting).

The graduate music program is small, and students receive personal attention from faculty, as well as quality performance opportunities.

Our opera program boasts a professional affiliation with the Tri-Cities Opera (TCO). Opera students are members of the TCO Resident Artist Training Program, where they gain professional experience while completing their studies. Our graduates have gone on to perform in major opera houses around the world.

Graduate Degrees Offered

*MM with track in Opera (associated with the Tri-Cities Opera Company)
* MM with emphasis in one of the following:
- Composition
- Conducting
- History and Literature
- Instrumental performance
- Vocal performance

All applicants must submit the following:

- Online graduate degree application and application fee
- Transcripts from each college/university you have attended
- Two letters of recommendation
- Personal statement (2-3 pages) describing your reasons for pursuing graduate study, your career aspirations, your special interests within your field, and any unusual features of your background that might need explanation or be of interest to your program's admissions committee.
- Resume or Curriculum Vitae detailing educational and professional experience
- The GRE is only required for applicants pursuing Music History and Literature emphasis.
- A live audition/interview is also required. For international applicants, the department will consider online audition/interviews via SKYPE or similar technology (contact the graduate director for details).

And, for international applicants:
- International Student Financial Statement form
- Official bank statement/proof of support
- Official TOEFL, IELTS, or PTE Academic scores

Depending on your desired track or emphasis, you must also submit the following:
- Composition applicants:
*Minimum of two manuscripts and/or recordings of compositions, preferably for differing performing genres. Electronic scores prepared with Finale or Sibelius preferred; hard copies accepted
*Recorded sample of compositions (if possible); live performance recordings preferred

- Conducting applicants:
*Preliminary screening DVD of rehearsal and/or performance conducting an instrumental or vocal ensemble (10-30 minutes)
*A (recent) recording sample, highlighting either:
*the candidate's major instrument
*voice; including a minimum of two composition(s) in contrasting styles

- History and Literature applicants:
*Minimum one writing sample (a research paper in music); two (or more) desirable

- Instrumental Performance applicants:
*Preliminary screening CD or DVD, including a minimum of two compositions in contrasting styles

- Opera and Vocal Performance applicants:
*Preliminary screening CD or DVD, including a minimum of four compositions in contrasting styles (one each in English, French, German and Italian)
*Opera/oratorio and song literature should be included

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Course content. Students appreciate the creative and modern approach to language teaching provided by the Modern Languages course. Read more

Course content

Students appreciate the creative and modern approach to language teaching provided by the Modern Languages course.

Content includes thorough coverage of National Curriculum and assessment requirements combined with a focus on creativity in lesson planning and delivery.

Students will develop their understanding of how children acquire additional languages and how to best support their learning in listening, speaking, reading and writing.

Particular attention is paid to the effective teaching of grammar to young learners and to the development of independent learners.  

Students will develop a range of strategies to motivate young learners effectively, including through the use of song, drama and ICT.

As part of the course students spend some time observing in Key Stage 2 and benefit from joint training with students on the Primary PGCE MFL specialism. 

There are opportunities for students to continue to improve their second foreign language.

Sessions are delivered at the Bognor Regis campus but also include a number of off-site visits to local partnership schools; there are also opportunities to benefit from the expertise of visiting speakers.

Our course includes a well-respected summer conference to which prospective, current and past students are invited along with local teachers, and which provides the opportunity to hear a number of national speakers present on a variety of engaging and thought-provoking topics. 

The Modern Foreign Languages modules are complemented by a Professional Studies programme, which is also based at Bognor Regis. 

There is also the option to gain some experience at Key Stage 2. The subject specific element of the course is delivered at our Bognor Regis Campus. 

Our facilities

Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.

At Bognor Regis campus there is an integrated approach to the provision of learning resources and support. We offer a substantial collection of books, journals and other materials to help you further your research. A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas. We use an electronic learning environment with an expanding portfolio of online library resources from anywhere at any time.

Our award winning Learning Resource Centre is at the heart of the campus. It hosts a modern library service with areas for quiet and silent study on both floors. Also situated in the LRC is the Support and Information Zone, Costa Coffee and over 80 open access work stations. An equipment loans centre offers laptops, tablets and other electronic devices for short and long term loans.

Where this can take you

This programme prepares you for a career as a secondary school teacher. At the end of the year you will be recommended for Qualified Teacher Status and will be ready for the next stage of your development as a Newly Qualified Teacher in school. Our students are highly successful in gaining teaching posts, many in our partner schools. 

Indicative modules

In addition to your subject specialism, you’ll study a Professional Studies element of the course, which includes:

  • Professionalism in Education
  • Identity, Equality and Inclusion
  • Closing the gap in access and achievement
  • Reflective practice
  • Positive behaviour management
  • Working with learning support assistants
  • English as an additional language
  • Child protection and Prevent
  • Pastoral care in schools
  • Literacy and numeracy across the curriculum
  • Research skills
  • The relationship between theory and practice
  • Special Educational Needs
  • Vocal skills
  • Applying for teaching posts
  • Personal, Social and Health Education
  • Building rapport and resilience

Teaching and assessment

The programme’s delivered full-time over 38 weeks with 70% practical school experience in established partner schools and 30% university-based time, divided between Professional Studies and subject study.

This experience provides you with the opportunity to work alongside serving teachers, learning about the broader roles and skills of teachers and other school staff.

The course is assessed through observation during teaching placements and written assignments.

To gain a Postgraduate Certificate in Education (PGCE) students need to complete three 4,000 word assignments at FHEQ level 7 (Masters), and two blocks of School Experience.



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Our Conservation and Biodiversity Masters offers great flexibility, with a wide choice of topics from across disciplines, enabling you to construct a programme that suits your individual interests and career ambitions in this increasingly important field. Read more

Our Conservation and Biodiversity Masters offers great flexibility, with a wide choice of topics from across disciplines, enabling you to construct a programme that suits your individual interests and career ambitions in this increasingly important field.

You will have the opportunity to gain a solid foundation in the key theoretical issues, such as wildlife population dynamics and conservation biology, and learn how these are applied to real-world problems, such as managing habitats or dealing with wildlife-human conflicts. Additionally, you will gain and develop the key skills that are valued by employers, such as problem solving, report writing, data analysis and presentation skills.

You will complete six taught modules delivered by world-leading researchers from our three internationally-renowned partner organisations: Lancaster Environment Centre, Rothamsted Research and the Centre for Ecology & Hydrology. This gives you the opportunity to interact with a wide range of expert specialists, including lake ecologists, political ecologists, food security biologists, earth observation geographers, social scientists and others, so that you can put your learning into a wider context.

Several modules include field trips to the beautiful and topographically varied countryside around Lancaster, and beyond. If you want to travel further afield, we have research projects and partners across the globe that provide exiting opportunities when it comes to selecting your dissertation project.

This project forms a substantial part of your Masters degree. It will enhance your practical and analytical skills and give you the opportunity to apply your learning to a real-world challenge. This may involve a doing a project with a government agency or conservation organisation through our award winning Centre for Global Eco-innovation, which uses our excellent links with the environmental and conservation sectors. Examples of previous dissertation projects are:

  • Effectiveness of habitat management for fritillary butterflies (with Butterfly Conservation)
  • Impact of tourist disturbance on breeding seabirds on the Isle of May (with CEH)
  • Predation impacts on breeding success of black-tailed godwits (with RSPB)
  • Deer and forestry interactions in the Czech Republic (placement with Czech university)
  • Habitat selection by sand lizards in coastal dunes
  • Impact of urbanization on blue tit song behaviour
  • Habitat loss and biodiversity in the Amazon rainforest (with Lavras University, Brazil)
  • Biodiversity in reed fringes on Lake Windermere (with Freshwater Biological Association)

Graduates have gone on to successful careers in the environmental and conservation sectors, as well as further study for a PhD.

Course Structure

You will study a range of modules as part of your course, some examples of which are listed below.

Core

Optional

Information contained on the website with respect to modules is correct at the time of publication, but changes may be necessary, for example as a result of student feedback, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes, and new research.



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Your programme of study. We are all shaped by the cultural experiences in our life and this programme offers you the opportunity to understand the different areas of culture and bring them together to broaden your understanding of Ethnology and Folklore. Read more

Your programme of study

We are all shaped by the cultural experiences in our life and this programme offers you the opportunity to understand the different areas of culture and bring them together to broaden your understanding of Ethnology and Folklore.

If you want to keep the traditions of the past alive across your culture this programme may interest you whether you are from Scotland or live in Scotland. The programme can lead to teaching and further research or you can be involved in bringing the past alive and re-inventing traditions in new events for the future. Examples of traditions which contribute significantly to their economies are Uphelia on Shetland and The Fireballs ceremony in Stonehaven which is also replicated in towns in Northern England such as the Tar Barrels ceremony at Allendale. All of these ceremonies come from traditions within cultures that came to Britain in our past and they offer us unique understanding about the life and times of ancient civilisations.

This is a programme has a North East (Scotland) focus so if you want to know about what your ancestors experienced or the traditions you still keep alive this programme will help you towards more knowledge. You can take this knowledge into niche areas of interest to you, extend it into local festivals and raise awareness of lost areas of culture or those which are at risk of being lost. You can either research or teach or use this knowledge to enrich tourism and local community experiences.

The course will develop a broad-based understanding of how Ethnology and Folklore evolved, and of their approaches to the major genres of study: material culture, custom and belief, oral narrative, song, childlore and games, sports and pastimes. You learn how to research into the cultural past across all art forms and cultural traditions.

Courses listed for the programme

Semester 1

  • History and Core Genes of Ethnology and Folklore
  • Intellectual Backgrounds and Methodologies

Semester 2

  • Oral Traditions
  • Scottish Context and Practical Field Work

Semester 3

  • Dissertation in Ethnology and Folklore

Find out more detail by visiting the programme web page

Why study at Aberdeen?

  • The programme is taught by the Elphinstone Institute a centre for the study of Ethnology, Folklore and Ethnomusicology
  • The degree is recognised by the Arts and Humanities Council
  • You are taught by experts who guide you to learn about our past and how it shapes our future

Where you study

  • University of Aberdeen
  • 12 Months or 24 Months
  • Full Time or Part Time
  • September start

International Student Fees 2017/2018

Find out about fees and living costs

*Please be advised that some programmes have different tuition fees from those listed above and that some programmes also have additional costs.

Scholarships

View all funding options on our funding database via the programme page

Living in Aberdeen

Find out more about:

Your Accommodation

Campus Facilities

Find out more about living in Aberdeen and living costs



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