Become a qualified music therapist to facilitate people’s move towards well-being through specific therapeutic aims using a primarily non-verbal relationship in music. Music Therapy as practised in Great Britain is largely based on improvisation, the music being the shared, and the spontaneous creation of client and therapist.
The Music Therapy programme offers training for competent, practising musicians to become therapists, bringing together their skills, education and other life experiences. On completion of the training, graduates are eligible to apply to the HCPC for registration, with the ability and flexibility to practice within the NHS, Social Services, education or private sector.
Essential to music therapy is the relationship between client and therapist. At Roehampton we have chosen to base our Music Therapy training programme on the use of psychoanalytic ideas to inform our understanding of the therapy process and the ways the client works with the environment, the therapist and the music. Broader theories and ways of working are also studied in order to equip students to meet a range of clinical need. Other styles of music, including song writing, the use of technology and pre-composed music are also used as appropriate to the need of the individual.
The course emphasises your emotional development as a practitioner, together with clinical exploration through critical enquiry. In addition to this, students must be prepared to enter mandatory individual personal therapy for one year of the training.
Music Therapists work within a wide range of clinical settings, individual and group work. They work with people of all ages; from infants and young children through to elderly adults. Music therapy can benefit people with a wide range of difficulties or challenges, including mental health problems, learning disabilities and autism, dementia and neurology, as well as people experiencing serious illness such as cancer or those who have experienced trauma.
The programme aims to encourage a critical and evaluative approach to both theory and practice in music therapy. It is designed to prepare students for work with children and adults with a range of disabilities and illnesses, and placements usually include work with children and adults with learning disabilities, autism and Asperger’s syndrome and mental health problems.
After visits to a variety of workplaces which offer music therapy, you will undertake individual and group work in two contrasting settings over six months, January to June (first placement) and September to February/March (second placement).These clinical placements will provide you with music therapy work experience alongside qualified Music Therapists. You will also participate in an experiential group, which gives you an opportunity to develop your own self-awareness and examine personal and group dynamics through verbal and musical processes. In addition, it is a requirement for you to find and fund personal individual therapy outside the course.
Key areas of study include human development and growth and the clinical context for music therapy, clinical improvisation, observational studies, music therapy theory, clinical case work and supervision, introduction to research and your dissertation. Personal development and reflection on this is central throughout the programme.
Here are examples of the modules:
Music Therapists work within a wide range of clinical settings. They work with people of all ages; from infants and young children through to elderly adults. Music Therapists work within statutory services (such as the NHS, education or social services), within charities and private organisations, and in private practice. To find out more, you can join the British Association for Music Therapy.
ICMP’s MA in Songwriting is London’s first and only songwriting-specific postgraduate Masters programme. Highly creative and personalised, it’s designed to enable students to examine, explore and focus on both their practical songwriting and songwriting education.
The course is a practice-based, industry-led programme, placing your development as a songwriter in a critical and contextual setting. Working in a peer community, with teaching and support from current industry songwriting practitioners and academics, you’ll explore and refine your creative output and goals, considering artist, commercial and intellectual outcomes.
Students complete a series of modules which focus on creative exploration, technical songwriting exercises, musicology and creative voice, before undertaking a final Masters project, choosing either the creation of a new Major Repertoire work (typically a debut album) or a Dissertation in the area of songwriting.
Classes explore the art and craft of contemporary songwriting, with students writing at least one song every week. You’ll collaborate with other ICMP students and will engage in small group ‘A&R-style’ feedback and critical discussion with your professional songwriting tutors and talented peers, regularly critiquing each other’s works-in-progress across the course of the year.
The highlight of this MA programme is the final module. You can choose between Major Repertoire or Dissertation projects, which allow students to progress specific songwriting interests in a distinctly personalised manner. The Major Repertoire Project allows you to develop a large-scale piece of repertoire work, which is typically a debut album. You’ll be allocated an expert, individual supervisor/ A&R to help guide your project with regular one-to-one support. This mentor will be hand-picked to suit your project from either within the ICMP Songwriting faculty or outside in the wider UK songwriting industry.
Songwriting students form a small but close-knit team, and you’ll immediately become part of the strong, diverse and inclusive community around the whole ICMP Songwriting department. As a special exclusive benefit, every ICMP MA Songwriting student receives a free yearly membership to the British Academy of Songwriters, Composers & Authors (BASCA) which includes regular industry news and advice, attendance at songwriting networking events throughout the year, legal advice, insurance and more.
As an MA Songwriting student, you’ll regularly network within the music industry thanks to monthly performance opportunities at our London songwriting industry event – Songwriters’ Circle – and events hosting MA-specific guest speakers from the worlds of songwriting and academia. You’ll also get the chance to attend occasions organised by the London chapter of the Nashville Songwriters Association International (NSAI), which is run out of ICMP – a group with exclusive links to one of Nashville’s most celebrated songwriting venues: the Bluebird Cafe.
MA students also undertake a large proportion of their classes on location at London’s Tileyard Studios – ICMP’s exclusive industry partner and home to the UK’s largest professional music community – with special use of the writing rooms at the complex and invitations to all their collaborative and networking events. The course’s international focus also allows for exciting exchange opportunities with songwriting partners based in Nashville and California.
As an MA student, you’ll have direct access to our amazing facilities with industry-standard hardware, software and instruments, including a 24-track recording studio, multiple Mac labs and dedicated performance spaces which can all be booked free-of-charge, outside of class hours, seven days a week. Postgraduate students also have access to studio and writing spaces at Tileyard Studios. You’ll also enjoy access to a range of UEL facilities, including the 24/7 multimedia libraries, with over 300,000 books, journals, audio-visual resources and archives, 500 electronic books and 25,000 electronic journals and databases.
As a graduate of the MA in Songwriting course, you’ll leave ICMP with the skills, knowledge, confidence and connections required to succeed in whichever direction your songwriting path takes you, whether that’s within the worlds of the music business, the songwriting industry, education, academia or beyond.
Successful completion of the programme leads to the award of Master of Songwriting by the University of East London.
Students take all of the following 30 Credit modules:
• Creative Process
• Songwriting Musicology
• Musical Language in Songwriting
• The Writer’s Voice
Students choose one of the following 60 Credit modules:
• Major Repertoire Project
This course will prepare you for a career in the music industry, in jobs such as performing songwriter, writer/producer, standalone songwriter, songwriting tutor, music business executive, writer or academic, or you can progress on to further postgraduate study in songwriting.
All great songs start with a great story, and this course will build on your storytelling and songwriting techniques and performance skills. It will also help you develop the strong networks needed to drive your career forward in the modern music industry.
You will study traditional creative songwriting alongside modern music production practice. You will analyse case studies across all genres to find your inspiration and create your own musical voice.
Working with experienced industry professionals, you will explore the technical and creative aspects of writing, recording and arranging, including storytelling techniques, the crafting of effective melodies and where best to place the hooks in a song, in order to develop a wide range of musical scores. You will also have the opportunity to collaborate with peers across our suite of music courses to compose and produce songs in our industry-standard studios.
This course will give you the confidence to develop your musical portfolio to enhance your career as an established artist.
As a student of the School of Film, Music & Peforming Arts, you will join our vibrant community of producers, giving you access to expertise from top industry professionals. The team includes Ken Scott, who has worked with The Beatles and David Bowie, and Phil Harding, Chief Engineer for Pete Waterman Limited.
You will also have the opportunity to be inspired by studio owners, songwriters, professional musicians, arrangers and composers, such as our recent visiting artists in residence Tom Williams, Utah Saint and Chris TT.
A wealth of volunteering opportunities will be available to you, including the chance to work with University partners Festival Republic, in roles such as sound assistant, production manager and stage crew at Leeds and Latitude festivals, all of which will expand your networks and give you additional hands-on experience.
You will have the chance to participate in The Unconference, part of Live at Leeds and Leeds International Film Festival, which hosts a day of panels, workshops, presentations and networking for those working in, or aspiring to work in the music industry. The event has previously attracted speakers such as Tom Robinson, Simon Rix (Kaiser Chiefs) and James McMahon (Kerrang! Editor).
On campus you will have access to a suite of professional music studios, including recording rooms, audio booths, instruments, portable audio recorders and fully equipped computer workstations.
The professional networks you will build throughout your course will open up a range of routes into the music industry. You will be an entrepreneurial musician, with the confidence and skills to produce your own material or write songs for others to perform. You could also pursue a career in festivals, music events or the arts, or you could write scores for film, TV and games.
This MA addresses the historical, political, theoretical and ethical issues of applied theatre and develops your ability to contextualise, critique and create.
Our aim is to prepare students to be collaborative, responsive, imaginative, politically engaged and culturally aware artist practitioners. The course is aimed at newly-emerging practitioners with a background in theatre, education, activism or social change, as well as at more established practitioners who want to reflect, refresh and develop their skills. We actively encourage the sharing of skills and expertise among our multi-national group of students. We prioritise applicants with some experience in the arts, education, activism or social care, and it is rare that we take applicants directly from their first degree.
Together we explore the ways in which theatre and performance is created by diverse groups of people in a variety of community, social and educational settings: in schools or on the streets, in children’s homes and elderly care, in conflict zones, conferences, crèches and youth clubs, pupil referral units and prisons, women’s refuges and refugee centres, hospitals and hostels – anywhere groups of people meet and interact.
Applied theatre is an umbrella term for a range of exciting worldwide performance forms concerned with personal and social change.
The term embraces: theatre of the oppressed, community theatre, theatre-in-education, drama in education, theatre for development, prison theatre, intercultural arts, intergenerational arts, theatre in museums, archives and heritage sites, story-telling, reminiscence theatre, conflict resolution. The work often moves across art forms. This is not a definitive list, as it is a field that is dynamic and changing.
The MA considers case studies from the UK and from across the globe. Central to this investigation are: questions of identity; representation; discrimination; health; equality; human rights; opportunity; access; social inclusion/exclusion; participation; ethics; evaluation and documentation; aesthetics and the role of the artist.
The course is structured so that practice and theory constantly respond to one another, through practical classes and seminars. All students undertake a placement in a recognised host organisation where you'll work with experienced practitioners, and learn from the inside how participatory arts organisations function.
We have active partnerships with many companies, and the majority of the tutors, including the convenor, are active artists, with a variety of arts practices in performance, community and social settings.
In the autumn term we look at the roots of Applied Theatre in Education, in Social and Political Change, and in Community. Classes include work with Geese Theatre on their use of mask in Prisons, Drama and Theatre in Education techniques with Gail Babb of Talawa Theatre, intergenerational arts practices with Convenor Sue Mayo, and the use of Drama to explore Domestic Violence, with Tender. Throughout this term students are also engaged in skills-sharing sessions in order to pool their knowledge and expertise.
In the Spring Term Tutor Raj Bhari, from Talk for Change, leads a module on creative approaches to Community Cohesion, Conflict Resolution, and the artist as activist. We have a short festival of art forms, with classes in song, puppetry and dance- and a residency shared with students of the MA in performance making, working across modules with artists of distinction from within the Goldsmith’s staff and beyond.
Throughout the practical sessions we work with students to develop their facilitation, devising,- project planning and management skills with attention to issues such as group dynamics; power and leadership; inclusion; accessibility; equality; conflict; intercultural practice; safe space and the ethics of touch.
In the summer term students design and lead a weekend of workshops for a public audience.
Histories, Theories and Contexts seminars
This contextual strand enables us consider the thinking behind our embodied knowledge. Through a series of seminars, we consider: the development of applied methods from political theatre; radical and celebratory arts; drama and theatre-in-education; community theatre; prison theatre; therapeutic creative practices and the legacy of Augusto Boal. We study the growing body of writing on applied theatre and its practitioners, and theatre theory. We consider local and international case studies; we read, discuss, watch videos and experience live performances.
Complementary Contextual lectures
Students also choose a lecture based Option module from one of the other exciting MA programmes. Previous modules have included, African Theatre, Performance Praxis, Radical Performance, and The Reflecxtive Practitioner. Our students can also take a specialist applied module led by Danny Braverman, on Disability Theatre, examining the scope and radical nature of disability theatre.
The Convenor, Sue Mayo, supports students to locate and develop a placement in a recognised host organisation. On the placement students further the skills they have practiced on the programme, whilst dealing with the challenges of a professional context. Placement hosts include London Bubble, Magic Me, Resonate. Greenwich & Lewisham Young People's Theatre, Talawa Theatre, Pan-arts, Crisis, Ovalhouse, Green Shoes Arts, The Young Vic, MIND, CEN8, Lewisham Youth Theatre and Spare Tyre.
As part of our commitment to student’s employability, we offer up to five workshops covering various areas directly relevant to workplaces where drama may be applied; for example: planning and managing projects, child protection and working with vulnerable adults, ethics, evaluation, setting up a theatre company or working as an independent artist.
The MA Applied Theatre has five points of assessment:
These assessments count towards 80% of the final mark.
The remaining 20% is derived from assessment of the two shared complementary/contextual modules, which include Disability Theatre, Performance Praxis, African Theatre, Musical Theatre and Cultural Theory.
Students appreciate the creative and modern approach to language teaching provided by the Modern Languages course.
Content includes thorough coverage of National Curriculum and assessment requirements combined with a focus on creativity in lesson planning and delivery.
Students will develop their understanding of how children acquire additional languages and how to best support their learning in listening, speaking, reading and writing.
Particular attention is paid to the effective teaching of grammar to young learners and to the development of independent learners.
Students will develop a range of strategies to motivate young learners effectively, including through the use of song, drama and ICT.
As part of the course students spend some time observing in Key Stage 2 and benefit from joint training with students on the Primary PGCE MFL specialism.
There are opportunities for students to continue to improve their second foreign language.
Sessions are delivered at the Bognor Regis campus but also include a number of off-site visits to local partnership schools; there are also opportunities to benefit from the expertise of visiting speakers.
Our course includes a well-respected summer conference to which prospective, current and past students are invited along with local teachers, and which provides the opportunity to hear a number of national speakers present on a variety of engaging and thought-provoking topics.
The Modern Foreign Languages modules are complemented by a Professional Studies programme, which is also based at Bognor Regis.
There is also the option to gain some experience at Key Stage 2. The subject specific element of the course is delivered at our Bognor Regis Campus.
Over the past few years, we’ve redeveloped both of our campuses so that you have the best facilities available for your degree. We pride ourselves on the quality of the learning environment we can offer our students.
At Bognor Regis campus there is an integrated approach to the provision of learning resources and support. We offer a substantial collection of books, journals and other materials to help you further your research. A range of study areas for group and quiet study including Wi-Fi areas for laptop use are available, or you can use our open access PC and Mac areas. We use an electronic learning environment with an expanding portfolio of online library resources from anywhere at any time.
Our award winning Learning Resource Centre is at the heart of the campus. It hosts a modern library service with areas for quiet and silent study on both floors. Also situated in the LRC is the Support and Information Zone, Costa Coffee and over 80 open access work stations. An equipment loans centre offers laptops, tablets and other electronic devices for short and long term loans.
This programme prepares you for a career as a secondary school teacher. At the end of the year you will be recommended for Qualified Teacher Status and will be ready for the next stage of your development as a Newly Qualified Teacher in school. Our students are highly successful in gaining teaching posts, many in our partner schools.
In addition to your subject specialism, you’ll study a Professional Studies element of the course, which includes:
The programme’s delivered full-time over 38 weeks with 70% practical school experience in established partner schools and 30% university-based time, divided between Professional Studies and subject study.
This experience provides you with the opportunity to work alongside serving teachers, learning about the broader roles and skills of teachers and other school staff.
The course is assessed through observation during teaching placements and written assignments.
To gain a Postgraduate Certificate in Education (PGCE) students need to complete three 4,000 word assignments at FHEQ level 7 (Masters), and two blocks of School Experience.
Our Conservation and Biodiversity Masters offers great flexibility, with a wide choice of topics from across disciplines, enabling you to construct a programme that suits your individual interests and career ambitions in this increasingly important field.
You will have the opportunity to gain a solid foundation in the key theoretical issues, such as wildlife population dynamics and conservation biology, and learn how these are applied to real-world problems, such as managing habitats or dealing with wildlife-human conflicts. Additionally, you will gain and develop the key skills that are valued by employers, such as problem solving, report writing, data analysis and presentation skills.
You will complete six taught modules delivered by world-leading researchers from our three internationally-renowned partner organisations: Lancaster Environment Centre, Rothamsted Research and the Centre for Ecology & Hydrology. This gives you the opportunity to interact with a wide range of expert specialists, including lake ecologists, political ecologists, food security biologists, earth observation geographers, social scientists and others, so that you can put your learning into a wider context.
Several modules include field trips to the beautiful and topographically varied countryside around Lancaster, and beyond. If you want to travel further afield, we have research projects and partners across the globe that provide exiting opportunities when it comes to selecting your dissertation project.
This project forms a substantial part of your Masters degree. It will enhance your practical and analytical skills and give you the opportunity to apply your learning to a real-world challenge. This may involve a doing a project with a government agency or conservation organisation through our award winning Centre for Global Eco-innovation, which uses our excellent links with the environmental and conservation sectors. Examples of previous dissertation projects are:
Graduates have gone on to successful careers in the environmental and conservation sectors, as well as further study for a PhD.
You will study a range of modules as part of your course, some examples of which are listed below.
Information contained on the website with respect to modules is correct at the time of publication, but changes may be necessary, for example as a result of student feedback, Professional Statutory and Regulatory Bodies' (PSRB) requirements, staff changes, and new research.
We are all shaped by the cultural experiences in our life and this programme offers you the opportunity to understand the different areas of culture and bring them together to broaden your understanding of Ethnology and Folklore.
If you want to keep the traditions of the past alive across your culture this programme may interest you whether you are from Scotland or live in Scotland. The programme can lead to teaching and further research or you can be involved in bringing the past alive and re-inventing traditions in new events for the future. Examples of traditions which contribute significantly to their economies are Uphelia on Shetland and The Fireballs ceremony in Stonehaven which is also replicated in towns in Northern England such as the Tar Barrels ceremony at Allendale. All of these ceremonies come from traditions within cultures that came to Britain in our past and they offer us unique understanding about the life and times of ancient civilisations.
This is a programme has a North East (Scotland) focus so if you want to know about what your ancestors experienced or the traditions you still keep alive this programme will help you towards more knowledge. You can take this knowledge into niche areas of interest to you, extend it into local festivals and raise awareness of lost areas of culture or those which are at risk of being lost. You can either research or teach or use this knowledge to enrich tourism and local community experiences.
The course will develop a broad-based understanding of how Ethnology and Folklore evolved, and of their approaches to the major genres of study: material culture, custom and belief, oral narrative, song, childlore and games, sports and pastimes. You learn how to research into the cultural past across all art forms and cultural traditions.
Find out more detail by visiting the programme web page
*Please be advised that some programmes have different tuition fees from those listed above and that some programmes also have additional costs.
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