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The MA Somatic Practices by Independent Research focuses on the study of somatic practices and somatically informed movement practices in a contemporary and historical context. Read more
The MA Somatic Practices by Independent Research focuses on the study of somatic practices and somatically informed movement practices in a contemporary and historical context.

It offers practitioners a means of validating and accrediting their prior experience and professional training and an opportunity to develop and deepen critical understanding of specific somatic practices and how to conduct somatically informed research.

The programme will enable you to analyse, critique and articulate your somatic and/or movement practice in relation to current industry practices, protocols and conventions and situate your work within the U.K, European and North American field of somatics.

It offers practitioners a means of validating and accrediting their prior experience and professional training and an opportunity to develop and deepen their critical understanding of specific somatic practices and how to conduct somatically informed research.

In particular, the programme provides you with opportunities for developing an understanding of individual practice in relation to current trends, practices and opportunities within the wider fields of somatic and somatically informed movement practices.

For further information please contact Jane Bacon:

Where this can take you
This course is suitable for you if you are a practitioner with 3 or more years of professional practice and/or a diploma in a somatic practice such as Integrative Bodywork and Movement Therapy (IBMT), Body-Mind Centreing, Somatic Experiencing, Feldenkrais Technique, Alexander Technique, Tamalpa Practice, Yoga, Skinner Releasing Technique.

It will offer you …

an opportunity to reflect on your professional practice and prior training
time to deepen your understanding of your professional skills through research and scholarship
Professional Development
deepening your ability to articulate what you do in written and spoken form
a stepping stone toward PhD study
You will develop skills in…

Problem solving
Creative and critical thinking
Working independently
Research and the articulation of that research in writing
It will give you…

A qualification that will aid your membership to the International Association of Somatic Educators Association or other professional training organisation
Preparation for further study i.e. PhD or professionally-related qualifications.
Indicative modules
This course consists of 2 modules. Prior to beginning the course you will have your prior professional learning accredited. This is done through an interview, the submission of a professional portfolio and an essay (for more details see ‘how to apply’ below).

Module 1: Somatically-informed Research Methodologies

Aims: This module aims to provide students with:

a solid grounding in research methods, which will be of value in postgraduate study in the study of somatics and body oriented research projects, and will facilitate students’ development as reflexive practitioners;
strategies for research that is somatically informed (or practiced);
strategies for research that are appropriate to the study of the body as subject (eg. phenomenology and heuristics which focus on lived experience rather than on an object of study)
an understanding of how somatic practices might fit within broader cultural and discipline contexts, debates and practices
Module 2: Somatic Practices Dissertation

Aims: This module aims to provide students with the opportunity to:

work independently on a substantial written research project of your choice;
further develop their research skills in an extended in-depth investigation;
produce self-reflexive innovative research presented in a scholarly and professional manner.
situate your research in a broad context of somatic and movement practices;
develop and apply appropriate somatically-informed research methodologies relevant to your research
develop theoretical insights and awareness of critical and/or philosophical concepts relevant to your research;
Teaching assessment
Assessed through a portfolio of prior work/training, the completion of a Research Methodologies module (30 credits) and a Dissertation module (60 credits), the programme addresses the needs of mature learners and professional movement practitioners who seek to extend and develop their professional learning through Masters study.

The M.A Somatic Practices by Independent Research degree offers Higher Education study to professionals who may not wish to engage with a taught programme of study but seek to validate their professional training and practice through accreditation of prior standing and through the completion of a Research methodologies module and through the completion of a Dissertation project developed through independent study.

The programme will be of interest to those who have completed professional training existing outside Higher Education (examples of such trainings in the UK and internationally include: Body-Mind CenteringÒ, Integrative Bodywork and Movement Therapy, Feldenkrais, Alexander, Skinner Releasing Technique) who seek flexibility of study.

The research methodologies module can be delivered in concert with the current MA Reflective Practice module and/or as a stand-alone module with flexible delivery (online, weekends, summer). Dissertation supervision will draw on existing staff research expertise and are normally delivered through a combination of face-to face tutorials, Skype, and email correspondence.

Applications & Course Pre-requisites
Application to the course is made by completing the online application form and completing the additional requirements as listed below. You will also be invited to attend an interview.

Your prior knowledge and skill as a somatic practitioner will be assessed prior to acceptance on the programme. This will take the form of an interview and the submission (prior to interview) of 1) a portfolio and 2) an essay.

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This is a unique, visionary and pioneering programme offering professional training in Dance & Somatic Movement Education. Read more
This is a unique, visionary and pioneering programme offering professional training in Dance & Somatic Movement Education. On the cutting edge of contemporary international practice, exploring the creative skills required to use movement with sensitivity, imagination and individuality, the course focuses on community facilitation. It offers the opportunity to study individual and group improvisation, kinaesthetic awareness and applied somatics philosophy to dance and movement studies. All sessions are taught in the spirit of self-discovery, non-judgement and reflection. The course develops somatic awareness with a focus on spontaneity, intuition and connection to others.

The MA Dance & Somatic Well-being course is taught on campus in Preston and has another section of the course taught in New York City, in the USA. Each section of the MA course covers the same course module content, and each course has unique dates, fee structure, and application process.

DBS CHECKS

This course will involve access to children and/or vulnerable adults. You will be required to obtain a satisfactory Enhanced Disclosure and Barring Service clearance (formerly termed CRB) and we will guide you through this process.

PROFESSIONAL ACCREDITATION

MA Dance & Somatic Well-being is an Approved Somatic Movement Training Programme of the International Somatic Movement Education Therapy Association (ISMETA).

The MA course fulfils all the educational requirements needed to become a professional member of ISMETA. To complete the professional practice requirements students need at least 150 extra hours of practice, post graduation.

LEARNING ENVIRONMENT AND ASSESSMENT

The programme is predominantly delivered through studio work, lectures, seminars, and tutorials. Given this is a body-based vocational course, most classes take place in the studio where creative ideas are explored through movement and other art forms. We provide a lively learning environment and encourage you to participate actively in all aspects of the course delivery.

Methods of assessment include workshop facilitation, essays and other written assignments (Critique of workshops and self-evaluation, Reflective Journal, Chapter review), class presentations and a research project.

FURTHER INFORMATION

Dance & Somatic Wellbeing: Connections to the Living Body centres on the lived-felt-body through explorations in the imaginal, sensuous, emotional, spiritual, and philosophical aspects of the body. This course sees somatic movement as a practical life tool through which to promote wellbeing, develop a more holistic sense of self, and a capacity to be in relationship with others and our environment. Sessions include group, dyadic, and personal explorations. Academically and experientially the course introduces students to the fundamentals of somatic practices and phenomenology.

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MA Dance and Somatic Wellbeing is a unique, visionary and pioneering programme offering a professional training in Dance & Somatic Movement Education. Read more
MA Dance and Somatic Wellbeing is a unique, visionary and pioneering programme offering a professional training in Dance & Somatic Movement Education. The programme is on the cutting edge of contemporary international practice exploring the creative skills required to use movement with sensitivity, imagination and individuality. A deeper connection to our bodily experience, as well as to image, story and metaphor, all contribute towards a sense of authentic self and vital skills of self-care.

Focusing on community facilitation, this programme offers the opportunity to study individual and group improvisation, kinaesthetic awareness and applied somatics philosophy to dance and movement studies.

All sessions are taught in the spirit of self-discovery, non-judgement and reflection. The course develops somatic awareness with a focus on spontaneity, intuition and connection to others.

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The Institute of Genetic Medicine brings together a strong team with an interest in clinical and developmental genetics. Our research focuses on the causes of genetic disease at the molecular and cellular level and its treatment. Read more
The Institute of Genetic Medicine brings together a strong team with an interest in clinical and developmental genetics. Our research focuses on the causes of genetic disease at the molecular and cellular level and its treatment. Research areas include: genetic medicine, developmental genetics, neuromuscular and neurological genetics, mitochondrial genetics and cardiovascular genetics.

As a research postgraduate in the Institute of Genetic Medicine you will be a member of our thriving research community. The Institute is located in Newcastle’s Life Science Centre. You will work alongside a number of research, clinical and educational organisations, including the Northern Genetics Service.

We offer supervision for MPhil in the following research areas:

Cancer genetics and genome instability

Our research includes:
-A major clinical trial for chemoprevention of colon cancer
-Genetic analyses of neuroblastoma susceptibility
-Research into Wilms Tumour (a childhood kidney cancer)
-Studies on cell cycle regulation and genome instability

Cardiovascular genetics and development

We use techniques of high-throughput genetic analyses to identify mechanisms where genetic variability between individuals contributes to the risk of developing cardiovascular disease. We also use mouse, zebrafish and stem cell models to understand the ways in which particular gene families' genetic and environmental factors are involved in the normal and abnormal development of the heart and blood vessels.

Complex disease and quantitative genetics

We work on large-scale studies into the genetic basis of common diseases with complex genetic causes, for example autoimmune disease, complex cardiovascular traits and renal disorders. We are also developing novel statistical methods and tools for analysing this genetic data.

Developmental genetics

We study genes known (or suspected to be) involved in malformations found in newborn babies. These include genes involved in normal and abnormal development of the face, brain, heart, muscle and kidney system. Our research includes the use of knockout mice and zebrafish as laboratory models.

Gene expression and regulation in normal development and disease

We research how gene expression is controlled during development and misregulated in diseases, including the roles of transcription factors, RNA binding proteins and the signalling pathways that control these. We conduct studies of early human brain development, including gene expression analysis, primary cell culture models, and 3D visualisation and modelling.

Genetics of neurological disorders

Our research includes:
-The identification of genes that in isolation can cause neurological disorders
-Molecular mechanisms and treatment of neurometabolic disease
-Complex genetics of common neurological disorders including Parkinson's disease and Alzheimer's disease
-The genetics of epilepsy

Kidney genetics and development

Kidney research focuses on:
-Atypical haemolytic uraemic syndrome (aHUS)
-Vesicoureteric reflux (VUR)
-Cystic renal disease
-Nephrolithiasis to study renal genetics

The discovery that aHUS is a disease of complement dysregulation has led to a specific interest in complement genetics.

Mitochondrial disease

Our research includes:
-Investigation of the role of mitochondria in human disease
-Nuclear-mitochondrial interactions in disease
-The inheritance of mitochondrial DNA heteroplasmy
-Mitochondrial function in stem cells

Neuromuscular genetics

The Neuromuscular Research Group has a series of basic research programmes looking at the function of novel muscle proteins and their roles in pathogenesis. Recently developed translational research programmes are seeking therapeutic targets for various muscle diseases.

Stem cell biology

We research human embryonic stem (ES) cells, germline stem cells and somatic stem cells. ES cell research is aimed at understanding stem cell pluripotency, self-renewal, survival and epigenetic control of differentiation and development. This includes the functional analysis of genes involved in germline stem cell proliferation and differentiation. Somatic stem cell projects include programmes on umbilical cord blood stem cells, haematopoietic progenitors, and limbal stem cells.

Pharmacy

Our new School of Pharmacy has scientists and clinicians working together on all aspects of pharmaceutical sciences and clinical pharmacy.

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This programme provides you with a broad understanding of the theories and practices of dance movement therapy necessary for safe and effective clinical work, and enables you to practise as a dance movement therapist- http://www.gold.ac.uk/pg/ma-dance-movement-psychotherapy/. Read more
This programme provides you with a broad understanding of the theories and practices of dance movement therapy necessary for safe and effective clinical work, and enables you to practise as a dance movement therapist- http://www.gold.ac.uk/pg/ma-dance-movement-psychotherapy/

Your learning will be underpinned by the principles and practices of psychodynamic psychotherapy within the social, political and multicultural context of mental health care and educational settings. Study is informed by contemporary dance practice, Laban Movement Analysis (LMA) and somatic bodywork.

Through theoretical studies, movement observation studies, dance practice workshops, clinical work and experiential learning, you integrate cognitive understanding and practical experience with a developing awareness of self and other.

The nature of the therapeutic relationship is explored in depth through movement and dance and you have the opportunity to put your learning into practice through at least 90 days of supervised placements. This gives you the opportunity to relate your practical experience to your theoretical studies.

You'll be encouraged to develop your own dance/movement practice and to situate your work in relation to your development as a therapist, to contemporary dance and movement practice. You're required to be in personal therapy throughout the programme.

On graduation you are eligible to become a registered professional member of the Association for Dance Movement Psychotherapy (ADMP UK).

Follow us on Facebook for more about the MA, including photos of our graduate show.

Dance Movement Psychotherapy Taster Evenings, 6pm–9pm

Come along to one of our taster evenings to find out more about the programme. They are taking place on:

Monday 7 December 2015
Tuesday 16 February 2016
Monday 9 May 2016

Contact the department

If you have specific questions about the degree, contact Caroline Frizell.

Modules & Structure

The MA in Dance Movement Psychotherapy programme is made up of 240 credits and provides you with a broad understanding of the theories and practices of Dance Movement Psychotherapy necessary for safe and effective clinical work as a Dance Movement Psychotherapist.

It aims to enhance your self-knowledge and interpersonal relationships and to promote your psychodynamic understanding of individuals, groups and society; working with questions of difference, equality and diversity.

Your learning is underpinned by the principles and practices of psychodynamic psychotherapy within the social, political and multicultural context of mental health care and educational settings, and informed by contemporary dance practice and Laban Movement Analysis (LMA). On successful completion of the MA you will be able to apply to the Association of Dance Movement Psychotherapists UK for registration.

Theory and Practice of Dance Movement Psychotherapy 1- 45 credits
Experiential Learning 1- 30 credits
Clinical Placement 1- 45 credits
Theory and Practice of Dance Movement Psychotherapy 2- 60 credits
Experiential Learning 2- 15 credits
Clinical Placement 2- 45 credits

Assessment

Coursework; mid-course case study; final clinical report; placement portfolios.

Skills

The programme enables you to develop:

research skills
understanding of research methodologies
critical evaluation skills in visual, oral and written forms

Careers

Our graduates go on to complete post-doctoral studies, take part in funded projects, progress in their careers, and undergo career changes.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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A double achievement. the rigorous challenges of a real life dance company and the demands of an MA. Become the best dancer you can be and develop the advanced skills you need to work in today's professional arts environment. Read more
A double achievement: the rigorous challenges of a real life dance company and the demands of an MA. Become the best dancer you can be and develop the advanced skills you need to work in today's professional arts environment. Trinity Laban's Transitions was the world's first graduate dance company and it has since acquired an outstanding reputation for technical excellence and originality; it offers you a bridge to the professional world while you study for a highly respected Masters. Your critical reflections and dissertation are embedded within the programme so that you achieve your MA within 13 months.

Please note: the MA Dance Performance is embedded within the Transitions Dance Company experience. You will need to be accepted into the company as a pre-requisite to applying for this programme.

Visit the website: http://www.trinitylaban.ac.uk/study/dance/postgraduate-programmes/ma-dance-performance-transitions-dance-company

Programme Information

Transitions Dance Company has gained an international reputation for the technical excellence of its dancers and the originality of the work it performs. This programme will give you the opportunity to work with outstanding international choreographers, culminating in an international tour. In the past, choreographers have included Rui Horta, Liz Aggis, Della Davidson, Yolande Snaith, Lea Anderson, Mark Murphy, Jamie Watton, Jasmin Vardimon and Jan De Schynkel.

As a member of Transitions Dance Company, you will work within a professional company environment, taking daily advanced level classes in both contemporary dance and classical ballet. These will be supported by classes in fitness and somatic techniques. You will work with professional performers and dance educators, rehearse repertory pieces, and actively engage with professional choreographers in the creation of new works. The company tours nationally and internationally, giving you a professional performance experience in a diverse and challenging repertory.

Programme Content

This challenging experience will help you grow into a performer who will contribute effectively and creatively to the profession, not only as a practitioner but as an articulate advocate for performance and performance practice. By advancing your skills, you'll have the opportunity to formulate a deeper understanding of the technical and artistic complexities inherent in performance. You'll be encouraged to critically reflect on your development in the studio and in wider theoretical contexts.

The taught element comprises the following modules:

M-502 Research Methods
M-521 Advanced Technical Practice
M-522 The Performer in the Creative Process
M-523 Dance Performance
M-505 Project

The Project (M505), which you undertake following your time with Transitions, may take the form of a lecture-demonstration, a written dissertation, or a practice-based project with supporting documentation.

See the Programme Specification on our website for further details.

Progression Routes

Transitions is constantly evolving to reflect changes in the dance scene, ensuring alumni are quickly employed. Recent MAP graduates have performed with Lost Dog, Michael Clark Company, Ballet Boyz, Fabulous Beast Dance Theatre amongst others, as well as making and performing in their own work.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/dance-applications

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This new programme, starting in 2013, combines diverse approaches to making and documenting performance. It draws on devising, physical theatre, directing, choreography, solo work and live art. Read more
This new programme, starting in 2013, combines diverse approaches to making and documenting performance. It draws on devising, physical theatre, directing, choreography, solo work and live art. The course is intended for graduate reflective performance practitioners to enhance knowledge and experience of a range of processes and forms in the areas of collaboration, composition, performance, directing and documentation. Practical sessions will include extensive contact with innovative performance practitioners, sharing a range of models of practice. You will be assessed on creative and critical responses to course content, and these could take diverse forms. The course addresses the centrality of different approaches to contexts in the world of work through the development of a portfolio of skills and increased capacities in documentation, as part of a means of self-representation for professional practice.

Throughout the course, you will have the opportunity to participate in independent and group-based practical projects, and to explore critically the methods, history and theory of theatre studies. While developing your projects, you will also benefit from access to a range of distinctive performance spaces on the campus.

All students complete an independently researched dissertation, which allows them to further develop their own areas of specialist interest.

See the website https://www.royalholloway.ac.uk/dramaandtheatre/coursefinder/macontemporaryperformancepractices.aspx

Why choose this course?

- The course is taught by professional practitioners who are also expert scholars in the field of performance practices. Their publications include research in dramaturgy, choreography, directing, dance, somatic practices, site based performance and documentation of performance.

- You will have the opportunity to benefit from our strong contacts with a wide range of companies and artists such as choreographer Jonathan Burrows (who holds an honorary doctorate with the college), Lone Twin, Jasmin Vardimon Company, Non Zero One, Theatre Ad Infinitum, Analogue and practitioners who have worked closely with Polish theatre companies including Gardzienice.

- The 2008 Research Assessment Exercise ranked the majority of the Department's research activities as world-leading (4*) or internationally excellent (3*).

- Royal Holloway has the largest Drama Department in the UK with 25 academic members of staff working at the cutting edge of the discipline.

- We foster an excellent research environment and support a vibrant community of postgraduate and doctoral students.

- You will benefit from a range of unique performance spaces which include a traditional Japanese Noh theatre, the fully equipped Caryl Churchill Theatre and the substantial Victorian Boilerhouse.

Department research and industry highlights

The Department is committed to theoretically informed research throughout the five major research groups that define our work:

- Applied and Participatory Theatre
- Contemporary Theatre
- Performance Practices
- Theatre History
- Transnational Performance

Many research staff in the Department are highly respected as theatre makers and for their practice-based research. Within the Department there are directors, playwrights and dramaturgs, as well as international practitioners in dance, applied theatre and puppetry. Our extensive collaborations with leading artists and theatremakers working in the cultural sector, and our theatre spaces, ensure that we are able to develop practice-based research throughout our degree programmes and in the professional theatre.

Workshops and lectures are regularly offered to postgraduates by leading playwrights, directors, choreographers and practitioners, including Katie Mitchell, Rebecca Prichard and Jonathan Burrows.

Course content and structure

You will study three core course units and complete a dissertation. This is a new course for 2013 designed to respond to the growing interest in how performance practices inform and interweave with each other. The details of the course form are undergoing validation and will be placed on the departmental website as soon as available.

On completion of the course graduates will have:
- enhanced and applied their skills as reflective theatre practitioners
- explored the scope of theatre studies and its critical and research methodologies
- developed their understanding of contemporary performance practices and its contexts
- experienced a range of ways of documenting practice to best represent their artistic concerns and focus
- developed their ability to undertake independent research and analysis.

Assessment

Assessment is carried out by a variety of means including essays and performance analyses, practical projects as well as a final dissertation of 10-14,000 words. Practical projects are sometimes carried out in a group and may include an element of assessment for an individual's contribution to group working and direction. All students undertake a summer term practical project.

Employability & career opportunities

Our graduates are highly employable and, in recent years, have entered many different drama and theatre related areas, including careers in professional theatre, training and education. This course also equips you with a solid foundation for continued PhD studies and many of our students go on to advanced research.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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The MArch at AUB explores the possibilities of architectural practices that conceive and articulate diverse processes of community development and transformation. Read more
The MArch at AUB explores the possibilities of architectural practices that conceive and articulate diverse processes of community development and transformation.

The “construction” of the “sites” of our interventions in the public sphere includes involvement with other institutions, governmental agencies and other actors at a local, regional, national, and global level.

Where are the options?

What is at stake?

Are there really options?

How should we choose?

The MArch at AUB program is structured around the idea of architectural intervention, interrogated in relationship to its duration and effects in and around the community where it takes place – indeed, in its potential to create community.

The notion that there is any singular definition of the architectural profession is, at least on the margins, continuously questioned. But the ‘middle’ is strong, and the very fact that a multiplicity of ‘other’ agendas and their attendant methodologies are marginalised attests to this strength.

So looking for something different and fresh in your route to becoming an architect in a changing world. The new MArch at AUB (RIBA*/ARB Part2) aims to produce: performative, projective enablers and architecture, cutting into societies deepest darkest myths; building interventions in the utopias and distopias past, present and future; and launching architectural careers and journey’s via its laboratory practice, where the body and somatic practice is at the fore.

Travel with MArch at AUB and @inspiredAUB, the arts campus and its cross disciplinary docks, on the ride of a lifetime with your new highly decorative AUB baggage. Join the eclectic global and local, MArch student body, be ready to catch a big one from the Portland Stone cliffs or disappear into the Mirkwood to live like a hobbit. The AUB MArch has the arts centre in Sway by the architect, Tony Fretton as a part of its portfolio of spaces AUB to the main campus and its multiple workshops, studios and laboratories. Although the course is new there is a fascinating history of drawing and representation. In former lives architects Michael Hopkins and Peter Cook were educated in Bournemouth with bright lights and late night inflatables on the beach. The emerging, social, political, and architectural in its many frightening forms, are being professionally dissected, compressed, crafted and beaten, by brave bodies in the embryonic laboratory practice ‘ROOM 101’, based in the Enterprise Pavilion.

From the first graduating cohort there many fascinating stories – ecological strategies from Haiti, Delhi and Wessex. They are now working and researching from the local practice and making/fabricating to teaching (on the BA Hons), to developing the ‘fablab’ in AUB’s workshop. They all came from different schools and found AUB & the MArch very welcoming and encouraging. The [email protected] broadens the architect’s range of activities, and empowers its community through its members’ ability to actually make a difference.

Ed Frith, Architect, MArch Course Leader & Prof Oren Liebermann, Dean of the Faculty of Art & Design

If you would like to discuss any aspect of this course, or details on the application process, please contact Astrid MacKellar on: or 01202 363384.

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A unique opportunity in the UK to build your own Dance Masters programme. Specialise in your areas of interest, experience a breadth of perspectives and develop your artistic excellence and creativity. Read more
A unique opportunity in the UK to build your own Dance Masters programme. Specialise in your areas of interest, experience a breadth of perspectives and develop your artistic excellence and creativity.

Visit the website: http://www.trinitylaban.ac.uk/study/dance/postgraduate-programmes/ma-mfa-creative-practice-transdisciplinary

Course detail

The MA Creative Practice is a one year (full-time) or two year (part-time) taught programme, culminating in an independent research project.

The MFA Creative Practice is a two year full-time programme. It shares the first year taught programme with the MA. An extended independent project forms the second year, providing time for in-depth research and realisation of a substantial body of work.

MFA applicants should be able to demonstrate their capacity to undertake self-directed research and propose a project that warrants the depth and breadth that an extended time frame can afford.

The choice between engaging in an MA or MFA programme of study will depend upon your prior experience and future aspirations.

We offer two routes of study through the MA and MFA:

- Transdisciplinary
- Dance Professional Practice

Purpose

The Transdisciplinary focus is ideal for recent graduates of dance, performing arts or humanities, and dance professionals who want to develop and promote their creative ‘voice’ within a safe and supportive environment.

Format

The Transdisciplinary focus offers the opportunity to build your own dance Master's programme. With its open format and broad range of modules, you can specialise in areas of interest, develop your skills, and experience new insights through engagement in practice based research, including collaborative projects. Areas of study incorporate a diverse range of perspectives, including theoretical and philosophical underpinning of arts practice, visual and body-based art, film making, writing, and somatic practice. Modules are designed to be conversant with one another, supporting an interdisciplinary approach to the development and articulation of your individual practice through studio exploration supported by reflective and theoretical study.

For MA students, the year culminates in an independent project, allowing you to build on the ideas encountered in the taught programme and undertake self-directed research, experimentation and reflection.

The MFA Extended Project is an extensive, self-directed module during which you consolidate your independent creative practice. You will create and present a substantial body of work that evidences your capacity to research, develop, realise and identify appropriate modes of presentation for your ideas.

Career progression

Graduates use their creative research to inform their practice in whichever professional setting they enter. Students have gone on to work as dance artists, performers, choreographers, visual/film artists, writers, and to teach in schools, colleges and universities. Alumni have had their work programmed in international festivals and performance platforms, and published research in peer-reviewed journals.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/music-applications

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Designed primarily for experienced dance professionals, in association with Siobhan Davies Dance and Independent Dance, this unique programme enables you to develop your artistic voice. Read more
Designed primarily for experienced dance professionals, in association with Siobhan Davies Dance and Independent Dance, this unique programme enables you to develop your artistic voice.

Visit the website: http://www.trinitylaban.ac.uk/study/dance/postgraduate-programmes/ma-mfa-creative-practice-dance-professional-practice

We offer two routes of study through the MA and MFA:

- Transdisciplinary
- Dance Professional Practice

Course detail

The MA Creative Practice is a one year (full-time) or two year (part-time) taught programme, culminating in an independent research project.

The MFA Creative Practice is a two year full-time programme. It shares the first year taught programme with the MA. An extended independent project forms the second year, providing time for in-depth research and realisation of a substantial body of work. MFA applicants should demonstrate their capacity to undertake self-directed research and propose a project that warrants the depth and breadth afforded by an extended time frame.

The choice between an MA or an MFA programme of study will depend upon prior experience and future aspirations.

Purpose

Dance Professional Practice is for experienced professionals in the fields of dance, performing arts or humanities, such as dancers, choreographers, academics, teachers and somatic practitioners.

Format

Davies Dance and Independent Dance, the Dance Professional Practice focus enables experienced practitioners to develop their artistic practice in a stimulating environment of intellectual and creative inquiry. We support mid-career artists to: reflect on their body of professional experience and its role in their ongoing learning; engage in intensive studio-based experiences with significant artists and a skilled peer group; deepen their own practice as performers/makers; develop their understanding of a range of research methodologies within the arts; and pursue their own area of artistic interest.

For MA students, the year culminates in an independent research project, allowing you to reflect on dance practice in its many forms, and the social, cultural, aesthetic and political contexts in which performance practice is located.

The MFA Extended Project is an extensive, self-directed module during which you consolidate your independent creative practice. You will create and present a substantial body of work that evidences your capacity to research, develop, realise and identify appropriate modes of presentation for your ideas.

Career progression

All graduates use their creative research findings to inform their practice in whichever professional setting they enter. Some graduates go on to work freelance, creating and performing their own work. Some graduates go on to become dance industry professionals, taking roles within arts management, and others go on to further study.

FACILITIES

• Thirteen purpose built dance studios with the latest sprung flooring and large windows
• Laban Library and Archive
• Laban Theatre
• Bonnie Bird Theatre
• Cafe and Bar

THE FACULTY OF DANCE

Trinity Laban's Faculty of Dance is one of Europe's leading centres for the training of professional contemporary dance artists. Based in the RIBA-award winning Laban Building, in the heart of South East London's thriving arts community, Trinity Laban's Faculty of Dance is a creative and cosmopolitan community of performers, choreographers, teachers, designers and researchers, and is acknowledged internationally as a leader in the contemporary arts.

With one of the largest teams of specialist contemporary dance artist teachers in the world, our world class facilities include a 300 seat theatre, studio theatre and outdoor theatre, 13 purpose built dance studios and the largest dance library and archive in Europe.

We believe that contemporary dance has a vital part to play in everyone's lives. Our unique mix of energy and creativity advances the dance art form and fuels the dance world, connecting people to the exhilarating possibilities that dance offers. Our links with the professional dance world, local communities and other arts organisations ensure that an experience at Trinity Laban will be a rich and rewarding one.

How to apply: http://www.trinitylaban.ac.uk/study/how-to-apply/music-applications

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This exceptional course is designed to enhance your professional skills in a range of artistic, academic, educational and community contexts. Read more
This exceptional course is designed to enhance your professional skills in a range of artistic, academic, educational and community contexts.
It offers you the opportunity for professional level repertory performance practice, as well as creative and choreographic practice in an industry-focused academic environment, supporting your development as a professionally equipped, independent and self-sufficient dance practitioner and scholar.

Polish your practical, theoretical and professional skills in performance and/or choreographic practice using excellent studio, theatre and library facilities as well as our on-campus professional performance work as you enhance your future employability prospects.

Intermediate qualifications available:

• Postgraduate certificate – 60 credits at Masters level
• Postgraduate diploma – 120 credits at Masters level

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/dance-performance-and-choreography#entry

Course detail

• Study with a dynamic and experienced team of tutors with internationally significant experience as academics, practice-led researchers and dance artists
• Explore a range of career opportunities including: independent/freelance dance artist; independent or collaborative choreographer; educator in HE, FE, school or wider community and professional environments; consultant or researcher; or in screen-based performance as a performer in film/video industry, commercial sector or in independent film production
• Develop your professional network through our existing relationships with key organisations such as; Arts Council England, regional and national dance agencies, Youth Dance England, dance development organisations, performance venues, professional dance companies, independent artists, community arts organisations, colleges and schools
• Gain high-level practical, theoretical and professional skills in performance and/or choreographic practice to enhance or sustain your opportunities for employment
• Benefit from a degree that aims to equip you with professional-level skills, abilities and knowledge in dance, as well as an advanced level of self-sufficiency and scholarship, enabling you to access wider employment options or continue to MPhil and PhD research degrees.

Modules

• Dance Research Project/Dissertation
• Researching Dance
• Inter-professional Working Project
• Choreographic Research
• Repertory and Performance
• Somatic Practice
• Dance for Inclusion and Diversity
• Dancing Mind: Dance Psychology
• Choreographic Practices

Assessment

Assessment drives the curriculum, and responds to course aims and learning outcomes by creating opportunities for you to demonstrate skills, knowledge and abilities through a diverse range of practical, creative and critically-informed contexts.

Assessment of practice mirrors professional working environments and expectations as far as possible, and tests skills and abilities as a means of enhancing and preparing for the demands of future employment.

This strategy places a premium on testing independent critical thinking as a catalyst for developing reflective and articulate artists, and independent and confident researchers.

Careers

The course will develop you as a professionally equipped and skilled dance practitioner and scholar, who is realistically able to pursue a range of career options in dance, and in wider creative and cultural industries. It focuses on developing your reflective, enterprising and independent management skills as an underpinning for future self-sufficiency and career longevity.

The course has a professional focus and you will be expected to demonstrate equivalent and relevant professional skills and attitudes throughout. You will utilise these skills to enable you to design and manage academic and creative projects, and be responsible for critical assessment of the outcomes against intended goals.

These learning opportunities reflect professional working contexts and expectations, and demand ambitious and sustained scrutiny on your part as preparation for future roles in project management and delivery.

Gain enhanced employability through experience of real-life dance environments, such as professional performance and touring in the University Dance Company

Explore exciting creative opportunities for interaction with other disciplines: dance and the screen, dance and new media/emerging digital technologies, dance and leadership, and dance and entrepreneurship.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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The MA Dance provides an insight into contemporary debates about trends in dance/performance practice and will enhance your sophisticated understanding of dance/performance conventions. Read more
The MA Dance provides an insight into contemporary debates about trends in dance/performance practice and will enhance your sophisticated understanding of dance/performance conventions.

You will have the opportunity to achieve a range of subject-specific outcomes, through acquiring an advanced knowledge of concepts, problems and traditions in dance and a capacity to apply that knowledge in a range of professional contexts. You will develop and apply advanced critical thinking skills and higher-level transferable skills essential for career enhancement.

You will study a range of subject specific modules including areas of somatic practice, cultural studies, professional practice, contextual studies and Advanced Research Methods through tutor-led, student-led, and self-directed study.

Reflective personal development practices are encouraged throughout the duration of the course, which will help you to monitor your progress.

Learning will take place through practical dance classes, workshops, practical classes, studio-based practice, screenings, lectures, discussions (both online and in class), seminars, and tutorials.

You will receive support for your learning from: your personal tutor, the Dance subject librarian, the Dance department technician, the Dance department administrator, departmental careers support (especially in relation to teaching, post-graduate study in a range of areas, and freelance dance work).

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This course provides an intellectually stimulating programme of study, examining dance practice from physiological, psychological and biomechanical perspectives. Read more
This course provides an intellectually stimulating programme of study, examining dance practice from physiological, psychological and biomechanical perspectives.

You will apply science to the notion of optimising dance using laboratory-based and psychological methods, with access to cutting-edge laboratory equipment, large dance studios and excellent learning resources.

Explore your own interests through elective units covering areas like nutrition, public health and performance analysis, combined with a unique opportunity to collaborate with students across a range of disciplines. This unique opportunity will allow you to create a distinct study and research pathway preparing you for a sustainable career in dance science.

Intermediate qualifications available:

• Postgraduate certificate – 60 credits at Masters level
• Postgraduate diploma – 120 credits at Masters level

Visit the website: https://www.beds.ac.uk/howtoapply/courses/postgraduate/next-year/dance-science

Course detail

• Study with staff with strong academic and practice backgrounds in dance and sport science research, dance making, performance and leadership
• Explore current research across dance, sport and exercise disciplines as you select study units in line with your own interests, and choose whether to focus on the role of dance in public health or on elite participation
• Develop your practical skills using excellent on-campus facilities for dance and exercise science training, including the Sport Science Laboratories and Human Performance Unit, and the professionally equipped 280 seat theatre, theatre studio and suite of dance studios
• Gain access to a wide range of elective units thanks to a unique partnership allowing you to work alongside students on sport, exercise and behaviour courses across the University
Benefit from a degree that develops you as a competent and rigorous dance scientist able to work holistically with recreational, vocational and professional dancers, and prepares you for roles including dance scientist practitioner, teacher, choreographer and dance artist or to continue to MPhil and PhD research degrees.

Modules

• Research Methods
• The Dancing Mind: Dance Psychology
• The Dancing Body I: Dance Physiology
• The Dancing Body II: Dance Biomechanics
• Dance Research Project/Dissertation
• Inter-professional Working Project
• Talent Identification and Development in Sport
• Performance Analysis
• Physical Activity, Nutrition and Metabolic Health
• Strength and Conditioning
• Psychological Approaches to Public Health
• Professional Skills for Healthcare Providers
• Somatic Practice
• Exercise Prescription for Clinical Populations

Assessment

There is a range of summative assessments used on the course. Written assessments include writing lab reports and journal articles, assessing your research design, analytical and written communication skills. These also identify your level of attainment regarding synthesising and understanding published theory, adherence to academic and scientific conventions, structuring arguments and the clarity and logic of your writing for specialist and non-specialist audiences.

Careers

You will be directly engaged in the context of applied dance science employment, by replicating the demands of the workplace in seminar tasks and assessments (e.g. presentations, testing, creating scientific posters).

You will have the opportunity to volunteer with staff research and are encouraged to attend relevant conferences and events that provide additional knowledge and networking opportunities.

Gain enhanced employability through experience of real-life dance environments, such as professional performance and touring in the University Dance Company

Explore exciting creative opportunities for interaction with other disciplines: dance and the screen, dance and new media/emerging digital technologies, dance and leadership, and dance and entrepreneurship.

Funding

For information on available funding, please follow the link: https://www.beds.ac.uk/howtoapply/money/scholarships/pg

How to apply

For information on how to apply, please follow the link: https://www.beds.ac.uk/howtoapply/course/applicationform

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The achievement of Chester’s MA in Drama will show that you have proved your professional performance abilities and have also demonstrated exceptional transferable skills of communication, self-confidence, energy and drive – attractive to many employers. Read more
The achievement of Chester’s MA in Drama will show that you have proved your professional performance abilities and have also demonstrated exceptional transferable skills of communication, self-confidence, energy and drive – attractive to many employers.

The philosophical basis of this course is a belief in artistic development through active self-discovery. You will use creative and somatic practices to allow academic thinking through the body as well as verbally. You will be encouraged to find and develop your unique professional performance identity. This may be in contemporary performance art practices or more established forms of theatre.

There is a strong commitment to interdisciplinary work, aided by the interaction you will have with Dance, Popular Music, Fine Art and Design students. The Programme Leader is both a performer and visual artist, and there is expertise in educational theatre work in the Department. Details of all staff specialisms appear on our website at: http://www.chester.ac.uk/departments/performing-arts/staff.

This course is taught at our Kingsway Campus in Chester.

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The MA Choreography and Professional Practices programme invites students to examine innovative and experimental approaches to choreographic practice, research and scholarship. Read more
The MA Choreography and Professional Practices programme invites students to examine innovative and experimental approaches to choreographic practice, research and scholarship. It provides you with time and space to explore choreographic dance practices and methods of research, experimentation and innovation i.e. improvisation methods / techniques, somatic approaches, developing new movement vocabularies, collaboration and devising to develop your own artistic voice.

The MA Choreography and Professional Practices draws on expertise from a number of professionals within the dance industry and is delivered in close relationship with a national dance agency, South East Dance based close by, in Brighton.

The degree incorporates opportunities for engaging in Continuing Professional Development opportunities such as workshops, career planning, master classes and residencies alongside the development of your own choreographic skills.

The MA offers an introduction to research methods in the arts and to strategies for documenting live performance practice and promoting your work to wider audiences.

It provides opportunities to pursue live performance practices as a choreographer and to consider how your work is situated in relation to the wider field of professional contemporary dance practice.

It allows for you to develop your own artistic voice and to explore single discipline or interdisciplinary practice-based arts research projects involving choreography, performance, fine art, music, installation, and so forth – led by you and your interest in performance making.

The MA is designed to cater both for students who wish to develop their dance-making skills in order to further their careers as reflective practitioners, and as a foundation programme for those hoping to pursue practical and/or theoretical research at M.Phil or Ph.D level.

For the award of the MA you need to attain 180 credits at Level 7 including the Dissertation module.

The MA Dissertation project can involve practical performance and or written work determined by your needs as a performance researcher and maker.

Course fees for 2017

1 Year full time including dissertation £8460.00.

There is an Alumni Discount of 10% for students applying within five years of completion of an undergraduate course at Chichester.

Our facilities
At Chichester, we teach in small groups and pride ourselves on the quality of the learning environment we have created for our students. The Dance courses are delivered on our Bishop Otter Campus where the Learning Resource Centre (LRC) is the hub of your learning environment. It has two upper floors of library resources with dedicated areas for silent work or group study, while on the ground floor you will find the Support and Information Zone, Media Centre, Otter Gallery, Costa Coffee and a variety of IT resources. There are over 130 open access PC workstations, 45 Apple IMacs and ample printing and media facilities. A state-of-the-art wireless network offers fast internet as well as access to all our online resources. You will also have a dedicated subject librarian who will be available to help you access all the library resources you need for your course, both on the shelves and online.
Our Dance facilities include four superb dance studios, a fully equipped 250-seat theatre and a 110-seat studio theatre.

Where this can take you
The MA in Choreography and Professional Practices will equip you for a range of careers in choreography, performing arts, dance development, arts administration, performance, teaching or dance research.
It will also prepare you for further study i.e. PhD or professionally-related qualifications.

Work placements
The programme has an industry-facing identity facilitated through the relationship with South East Dance, the region’s dance development agency, and you will be able to draw on the skills and expertise arising from this partnership.

The programme includes opportunities for presenting your work at choreographic platform sharings, participating in artist networking opportunities, developing your marketing, fundraising and ‘pitching’ / presentation skills.

Guest lecturers will introduce you to issues affecting dance employment, and your learning is supported by individual tutorials and group meetings to discuss your progress.

Indicative modules
Choreographic Practices
Artist as Producer
Dissertation (practical and written components)
Optional Modules
Choose one from
New Media and Performance Practices
The Body in Site distance learning module over the summer period
Technique for Performance
Writing and Performance
Performing Politics
N.B. This list is indicative not all optional modules will be available in any one academic session.

Teaching and Assessment
The Dance department is a leading provider of excellence in dance education and draws on the expertise of the teaching team. The team is made up of international professional dancers, choreographers, researchers, writers and directors. Each member of the team is renowned for his or her theoretical and practical expertise. You’ll work with, and learn from, a wealth of professional specialist tutors whose backgrounds stem from highly respected performance companies.
As an MA student you will have access to the lively arts research culture at the University including: regular full programmes of research presentations given by staff, web-based learning, research students and visiting artists/researchers, performances by visiting artists/companies, theatre trips to performance events, arts research training events and national arts conferences.

Learning is assessed using various methods chosen as the most appropriate for demonstrating achievement of the learning outcomes for each module. All modules are assessed by means of programme work in the form of practical choreography presentations, essays, reports, presentations, learning journals, portfolios, online tasks and group working.

Students are expected to carry out an independent research project on a topic relevant to the field of choreography. For this module students are supported through seminar sessions and tutorials during the two semesters so that they can develop research skills which are essential for lifelong learning, career flexibility; and for professional practice as well as for personal and professional development. In addition, students have the option to become involved in a number of collaborative projects through which they can, as part of the degree, develop project management, time management and interpersonal team work skills.

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