With a uniquely collaborative emphasis, this course offers opportunities for some of the scripts you develop over the course to be produced, through close collaboration with students from MA Producing for Film and TV, MA Directing for Film and TV and MA Radio Production. This equips you with the skills and attitudes required for successful script development processes in the industry. The course is busy, intensive and involves much teamwork alongside individual writing practice.
Throughout the course, you will develop your ideas from concept to industry standard final draft, with a development process that includes research, pitching, presentations, script reading and networking events, workshop groups, tutorials, script editing, and rewriting for production.
You will be encouraged to nurture and reflect on your creative process and originality of voice, and to explore the contexts – critical, creative and industrial that inform scriptwriting today.
The course is taught by scriptwriting professionals and theorists, alongside an exciting programme of industry guest speakers. The course is suitable for students who have previously developed their own creative writing projects within humanities or media production courses or with relevant professional experience. You may have an undergraduate qualification in a related subject or may be able to show your suitability for this programme of study through associated work-experience or evidence of and outputs from other related activities.
Successful participation in MA Scriptwriting will enable you to emerge from the course as a writer with a distinctive authorial voice, an industry standard portfolio of scripts, experience of writing in formats and genres, and a robust attitude to collaboration and development.
Our courses allow you to advance your creative ability through practice, discussion and revision. You will further your awareness of writing processes, professional writing and publishing. Our staff have received national and international recognition for their work. You will work with them to prepare creative work for submission and publication.
Our courses provide a unique opportunity to develop and hone your creative writing skills. We teach creative writing in four strands:
-Scriptwriting, with a unique emphasis on writing for radio
-Creative non-fiction, with a unique emphasis on memoir writing, essay writing and biography
The courses will introduce you to a wide range of subjects and areas in which writers are working professionally. You will build your awareness and broaden your knowledge of writing opportunities. You will also consider ways of matching your skills to jobs.
You will explore the many ways in which writing is produced, distributed and promoted to audiences. Our guest speakers are practitioners and/or associated with the world of publishing and performance. Working with them, you will explore the roles and importance of:
-New technology in contemporary publishing
The Newcastle Centre for Literary Arts (NCLA) offers you the opportunity to get involved in our writing community. Our readings and events feature poets, playwrights and novelists. Past speakers include:
At the centre of courses are writing workshops. We offer workshops in:
All our classes take place in the early evening.
You will develop your creative writing through our taught sessions and individual consultations. Our small seminar groups and one to one supervision gives you close contact with your tutors, who are all writing practitioners.
Those who complete the PGCert can choose to transfer to the second year of our part time MA.
The School of English Literature, Language and Linguistics is a lively and diverse community with over 700 undergraduates and 200 postgraduates.
We are based in the Percy Building where the majority of your seminars and tutorials will take place. Our purpose-built postgraduate suite includes several dedicated computer clusters, meeting rooms, a kitchen and lounge area.
You also have access to the award-winning Peter Robinson Library, which has an extensive audio-visual collection.
Our lively programme focuses on the craft of fiction, scriptwriting, poetry and writing for children through weekly writing workshops and literature seminars which engage in a close study of contemporary writing. We encourage collaboration with other art forms, allowing students to tap into our on-campus theatre and concert hall, the prestigious Winchester School of Art, and the research taking place in
English and other disciplines. Visiting writers and editors deepen student understanding of the publishing world. The programme culminates in a creative writing dissertation developed in consultation with a published writer.
Core modules: Creative Skills Workshop; Creative Project (dissertation equivalent)
Optional modules: up to four from: Narrative Non Fiction: The Interdisciplinary Art; Art and Craft of Fiction 1; Art and Craft of Fiction 2; Scriptwriting; and Writing for Children and Young People; one of these may be replaced by a module chosen from MA English or another MA programme
This highly-regarded taught programme offers the opportunity to engage in cross-disciplinary investigation of various aspects of cinema and moving image culture, and has diverse routes available via theoretical, vocational and practice-based perspectives to provide a uniquely flexible course. These routes allow students to combine vocational, theoretical and practice-based modules as preferred.
Theoretical modules involve study of British, American, European, Far Eastern and Middle Eastern Cinemas. Here, students will examine how film and television texts produced in these regions relate to their historical, social, and cultural contexts through a variety of critical and theoretical approaches, which range from aesthetics as cinematic discourse to the implications of terrorism for film and its audiences.
Vocational choices, which are available throughout, include Teaching Film and Media, Becoming an Academic, Film Festivals, Film Festivals Independent Study (that offer opportunities to attend a film festival, and to be involved in film festival organisation) and Film Journalism, supported by expert film critics, that develops skills required for the writing of film reviews and articles in journals such as Sight and Sound.
There are practice-based options to undertake experimental and documentary film production, and scriptwriting.
Full time students normally attend lectures for 9-11 hours per week, and part-time students attend 3-6 hours per week, depending on module choices. Most modules run on Thursdays so that a full time student might expect to attend from 10am – 9pm on Thursdays
Students are assessed via a diverse range of assignments including:
Course Specific Cost:
Course costs are at the usual MA rate with 20% discount for UoW graduates. The module Film Festivals requires an additional flat rate cost of £350 to over hotel, travel and festival entrance fee to a national/international Film Festival. Any additional cost for attendance at a film festival will be met by the university
Most of the modules are delivered at Light House Media centre which houses 2 purpose built cinemas. Otherwise, teaching is at other appropriate venues on City Campus. All teaching on the MA Film and Screen is informed by staff expertise, with their research directly underpinning each module. This expertise is reflected in the significant number of high-quality publications produced by Film and Media Staff who contributed successfully to REF2014.
Who will teach you on this course:
Dr Fran Pheasant-Kelly, Reader in Screen Studies, Faculty of Arts and Course Leader MA Film and Screen: teaches Space, Place and Culture in American Cinema, Screens of Terror, Becoming an Academic, and Far Eastern Cinemas
Dr Stella Hockenhull, Reader in Film and Television Studies, Faculty of Arts: teaches Picturing Britain and Screening Horror
Dr Eleanor Andrews, Senior Lecturer in Film Studies, Course Leader BA Film and Television Studies, Faculty of Arts: teaches Screening the Holocaust and Beyond
Dr Gavin Wilson, Lecturer in Film and Television Production, Faculty of Arts; teaches Film Festivals
Dr Peter Robinson, Principal Lecturer and Head of Marketing, Innovation, Leisure and Enterprise, University of Wolverhampton Business School
Dr Aleksandra Galasinska, Reader in Discourse and Social Transformation, Faculty of Arts: teaches Poetics and Practices of Polish Cinema
Dr Maria Urbina, Senior Lecturer in Multi-media Journalism, Faculty of Arts; teaches Film Journalism
The Director is central to the creative process in media production and this course has been designed to build and develop your knowledge of the industry, enabling you to step up to the challenge of delivering winning productions. This hands-on course provides many opportunities for practical production across platforms and genres. It will enhance your storytelling skills and build your technical understanding of film, television and transmedia production, developing advanced skills as a director in line with current industry practice.
The Faculty of Media & Communication encourage dynamic collaborations between students across courses. Working with the producing, scriptwriting, cinematography, sound and editing students you will create a showcase of your skills as a visual, creative storyteller. Many of these collaborations have continued beyond the course as students set up their own production companies. This comprehensive course will equip you with the skills to understand and manage the entire production process, from effective planning and pre-visualisation to overseeing creative post-production work alongside our editing students.
Under the guidance of experienced media professionals, you will develop your own directorial flair and style, and will gain a sound theoretical grounding of the social, cultural and intellectual context for media production work. The final production project will allow you to use the technical and directorial skills you have developed to mastermind your own portfolio of work in collaboration with other students within The Faculty of Media & Communication. As an alternative, you can choose a research-based option to undertake a detailed study of an aspect of directing.
You may have an undergraduate qualification in a related subject or may be able to show your suitability for this programme of study through associated work-experience or evidence of and outputs from other related activities.