With a uniquely collaborative emphasis, this course offers opportunities for some of the scripts you develop over the course to be produced, through close collaboration with students from MA Producing for Film and TV, MA Directing for Film and TV and MA Radio Production. This equips you with the skills and attitudes required for successful script development processes in the industry. The course is busy, intensive and involves much teamwork alongside individual writing practice.
Throughout the course, you will develop your ideas from concept to industry standard final draft, with a development process that includes research, pitching, presentations, script reading and networking events, workshop groups, tutorials, script editing, and rewriting for production.
You will be encouraged to nurture and reflect on your creative process and originality of voice, and to explore the contexts – critical, creative and industrial that inform scriptwriting today.
The course is taught by scriptwriting professionals and theorists, alongside an exciting programme of industry guest speakers. The course is suitable for students who have previously developed their own creative writing projects within humanities or media production courses or with relevant professional experience. You may have an undergraduate qualification in a related subject or may be able to show your suitability for this programme of study through associated work-experience or evidence of and outputs from other related activities.
Successful participation in MA Scriptwriting will enable you to emerge from the course as a writer with a distinctive authorial voice, an industry standard portfolio of scripts, experience of writing in formats and genres, and a robust attitude to collaboration and development.
If you want to be a filmmaker this is the place to learn, gain experience and make films you will be proud to have on your show reel.
As a student on one of the six pathways you'll develop your specialist skill. In addition, you'll also have a range of short optional modules in other production areas of your choosing to give you the kind of flexibility that the industry now expects. The options include script and project development, web drama, online content, and social activist filmmaking, alongside more traditional media such as camera and editing skills.
Our filmmaking facilities and scheduling are geared around fiction production, as this is a major opportunity that the learning on the programme provides. The ethos of the course is “form follows function.” Your study and practice throughout the year will equip you with the most appropriate means of telling your story in order to connect with an audience.
Filmmaking is a team activity. Every student is required to work closely with others as part of a creative team to produce their final project. All the programmes also have good contacts and connections with students in the other specialist areas your productions might require, such as music composition, hair and makeup, set design, scriptwriting and of course acting talent.
Filmmaking is very demanding; it requires a lot of commitment, imagination and teamwork. You will be fully stretched on these programmes.
This MA has six pathways you can follow:
The programmes also retain close links with MA Scriptwriting.
The filmmaking programmes are located within a large and very lively Media and Communications Department that is also home for a range of practice MA programmes in radio, journalism and scriptwriting for example.
There is also a range of theory MAs and strong research tradition, with the Department coming top in the entire country on research intensity. This makes for a very stimulating and creative environment.
Where is cinema going? Where is TV heading? How and where are people going to watch moving images? What do new audiences want these to look and sound like? What new platforms are on the horizon? How are the traditional craft skills relevant to the digital age?
These are the kinds of questions we’re interested in. And we don’t explore them alone. Our annual Olive Till Memorial debate features world-renowned industry speakers including directors Danny Boyle, Gurinder Chadha and Paul Greengrass, and producers Tessa Ross and Tim Bevan, so you get the best kind of insight while you’re here.
We offer advanced skills training to film school standards. You will work within a building with studio and rehearsal spaces, screening rooms and up-to-date camera, lighting and sound equipment, plus sound and edit suites. And we now have the Curzon Goldsmiths as our on-site cinema so you can showcase your work to the public.
We encourage you to meet filmmakers, work with others, and exchange ideas. The programme includes regular Master classes where students from all the programmes and others come together to learn about current industry trends, new opportunities and ideas with leading figures of the UK film and television industries. But filmmaking is not only about these industries, it also offers a wealth of transferable skills for students interested in all media platforms, including web drama, video games, art gallery installations of all types, interactive mixed media and live performance and music videos.
All programmes include:
You will also have a variety of research projects to undertake, as well as other module options. The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.
There is also a choice of short modules, such as:
In addition students are encouraged to “audit,” (that is, attend but not be assessed on) any other lecture course in the Department – in so far as their timetable allows.
For full module information, refer to the individual pathways.
From Steve McQueen to Sam Taylor-Wood, Goldsmiths graduates go on to shift the public perception of what makes film matter. And our MA filmmaking graduates are creating award-winning work including Best Cinematography at the NAHEMI Encounters International Film Festival and Best Documentary at the Exposures Film Festival.
The best advice we can give you is to make the most of your time with us. For a whole year you have access to the best in the field: highly qualified, industry-active and award-winning staff and guest speakers.
Find out more about employability at Goldsmiths.
Our courses allow you to advance your creative ability through practice, discussion and revision. You will further your awareness of writing processes, professional writing and publishing. Our staff have received national and international recognition for their work. You will work with them to prepare creative work for submission and publication.
Our courses provide a unique opportunity to develop and hone your creative writing skills. We teach creative writing in four strands:
-Scriptwriting, with a unique emphasis on writing for radio
-Creative non-fiction, with a unique emphasis on memoir writing, essay writing and biography
The courses will introduce you to a wide range of subjects and areas in which writers are working professionally. You will build your awareness and broaden your knowledge of writing opportunities. You will also consider ways of matching your skills to jobs.
You will explore the many ways in which writing is produced, distributed and promoted to audiences. Our guest speakers are practitioners and/or associated with the world of publishing and performance. Working with them, you will explore the roles and importance of:
-New technology in contemporary publishing
The Newcastle Centre for Literary Arts (NCLA) offers you the opportunity to get involved in our writing community. Our readings and events feature poets, playwrights and novelists. Past speakers include:
At the centre of courses are writing workshops. We offer workshops in:
All our classes take place in the early evening.
You will develop your creative writing through our taught sessions and individual consultations. Our small seminar groups and one to one supervision gives you close contact with your tutors, who are all writing practitioners.
Those who complete the PGCert can choose to transfer to the second year of our part time MA.
The School of English Literature, Language and Linguistics is a lively and diverse community with over 700 undergraduates and 200 postgraduates.
We are based in the Percy Building where the majority of your seminars and tutorials will take place. Our purpose-built postgraduate suite includes several dedicated computer clusters, meeting rooms, a kitchen and lounge area.
You also have access to the award-winning Peter Robinson Library, which has an extensive audio-visual collection.
Creative and Critical Writing at Winchester offers you the opportunity to evaluate and improve your creative writing in a dynamic, supportive environment. The programme is taught by professional writers: novelists, scriptwriters, poets and writers of creative nonfiction, as well as cultural critics and playwrights. There are opportunities to meet agents, editors and published writers, and as your knowledge of the publishing industry expands, find out where your work fits within the market.
You study twentieth century and contemporary literature, which allows you to explore different styles and genres and gain a critical foundation for your own writing while increasing your knowledge of the publishing world. The structure of the programme enables you to focus on one or more genres (for example, fiction, creative non-fiction, scriptwriting or poetry) during the year.
Throughout the course, you create and workshop your work in an encouraging group of peers, starting in the first semester with a module that focuses on contemporary fiction alongside a module about research and what this means for you as a writer. In the second semester you choose from options including Contemporary Non-Fiction, Contemporary Scriptwriting for Film and Television, Creativity Writing and Teaching and Advanced Contemporary Poetry. Through the Publishing Project you engage with writers, agents and editors through readings and workshops, exploring publishing opportunities for your own work. You can also volunteer at the Winchester Writers’ Festival on campus.
The Independent Study Preparation module is designed to help you prepare for your Creative Writing dissertation – an independent project of your choice of up to 30,000 words which constitutes nearly half of the MA. This could be the first part of a novel, a collection of short stories, a portfolio of poetry or a script, completed with full tutor support.
Graduates of the course frequently obtain publishing contracts, while others work in other aspects of publishing, or in teaching, media, the arts and business.
Graduates are increasingly obtaining publishing contracts, while some go into other occupations which may include publishing, teaching, media, the arts and business.
If you study a Bachelor Honours degrees with us, you will be pre-approved to start a Masters degree at Winchester. To be eligible, you will need to apply by the end of March in the final year of your degree and meet the entry requirements of your chosen Masters degree.
UK, EU, World
Students have the opportunity to volunteer at the Winchester Literary Festival on campus, working with a range of writers, publishers and agents and industry professionals.
Start date: September
Teaching takes place: Evenings
The academic staff are professional novelists, scriptwriters, poets and writers of creative non-fiction, as well as cultural critics and playwrights. They are supported by guest writers, editors and literary agents. This course has long enjoyed a vibrant programme of visiting speakers.
Students have the opportunity to develop their creative work, give and receive feedback in weekly workshops, and work with lecturers who are all practitioners.
Taught elements of the course take place at King Alfred or West Downs, Winchester.
Our validated courses may adopt a range of means of assessing your learning. An indicative, and not necessarily comprehensive, list of assessment types you might encounter includes essays, portfolios, supervised independent work, presentations, written exams, or practical performances.
Each module typically comes with a creative writing assignment, or an assignment plus rationale (reflective piece) of approximately 4,000 words in total.
Students undertake a Dissertation between 20,000-30,000 words as part of their independent study with full tutorial support.
We ensure all students have an equal opportunity to achieve module learning outcomes. As such, where appropriate and necessary, students with recognised disabilities may have alternative assignments set that continue to test how successfully they have met the module's learning outcomes. Further details on assessment types used on the course you are interested in can be found on the course page, by attending an Open Day or Open Evening, or contacting our teaching staff.
We are committed to providing timely and appropriate feedback to you on your academic progress and achievement in order to enable you to reflect on your progress and plan your academic and skills development effectively. You are also encouraged to seek additional feedback from your course tutors.
For more information about our regulations for this course, please see our Academic Regulations, Policies and Procedures.
This highly-regarded taught programme offers the opportunity to engage in cross-disciplinary investigation of various aspects of cinema and moving image culture, and has diverse routes available via theoretical, vocational and practice-based perspectives to provide a uniquely flexible course. These routes allow students to combine vocational, theoretical and practice-based modules as preferred.
Theoretical modules involve study of British, American, European, Far Eastern and Middle Eastern Cinemas. Here, students will examine how film and television texts produced in these regions relate to their historical, social, and cultural contexts through a variety of critical and theoretical approaches, which range from aesthetics as cinematic discourse to the implications of terrorism for film and its audiences.
Vocational choices, which are available throughout, include Teaching Film and Media, Becoming an Academic, Film Festivals, Film Festivals Independent Study (that offer opportunities to attend a film festival, and to be involved in film festival organisation) and Film Journalism, supported by expert film critics, that develops skills required for the writing of film reviews and articles in journals such as Sight and Sound.
There are practice-based options to undertake experimental and documentary film production, and scriptwriting.
Full time students normally attend lectures for 9-11 hours per week, and part-time students attend 3-6 hours per week, depending on module choices. Most modules run on Thursdays so that a full time student might expect to attend from 10am – 9pm on Thursdays
Students are assessed via a diverse range of assignments including:
Course Specific Cost:
Course costs are at the usual MA rate with 20% discount for UoW graduates. The module Film Festivals requires an additional flat rate cost of £350 to over hotel, travel and festival entrance fee to a national/international Film Festival. Any additional cost for attendance at a film festival will be met by the university
Most of the modules are delivered at Light House Media centre which houses 2 purpose built cinemas. Otherwise, teaching is at other appropriate venues on City Campus. All teaching on the MA Film and Screen is informed by staff expertise, with their research directly underpinning each module. This expertise is reflected in the significant number of high-quality publications produced by Film and Media Staff who contributed successfully to REF2014.
Who will teach you on this course:
Dr Fran Pheasant-Kelly, Reader in Screen Studies, Faculty of Arts and Course Leader MA Film and Screen: teaches Space, Place and Culture in American Cinema, Screens of Terror, Becoming an Academic, and Far Eastern Cinemas
Dr Stella Hockenhull, Reader in Film and Television Studies, Faculty of Arts: teaches Picturing Britain and Screening Horror
Dr Eleanor Andrews, Senior Lecturer in Film Studies, Course Leader BA Film and Television Studies, Faculty of Arts: teaches Screening the Holocaust and Beyond
Dr Gavin Wilson, Lecturer in Film and Television Production, Faculty of Arts; teaches Film Festivals
Dr Peter Robinson, Principal Lecturer and Head of Marketing, Innovation, Leisure and Enterprise, University of Wolverhampton Business School
Dr Aleksandra Galasinska, Reader in Discourse and Social Transformation, Faculty of Arts: teaches Poetics and Practices of Polish Cinema
Dr Maria Urbina, Senior Lecturer in Multi-media Journalism, Faculty of Arts; teaches Film Journalism
The skills of storytelling are timeless. Tackle the creative, analytical and professional sides of script writing for film, television and radio on this industry-accredited MA.
With myriad new media platforms there are more opportunities to create content than ever before. And all these require a script and a story. But how do you get your work to industry-standard and in front of the right people?
The main question you have to ask yourself for this MA programme is: do I really need to be a writer more than anything else? That’s quite brutal, but script writing is a tough profession. You’re totally exposed as a creative person, it’s you and the page and the tradition in which you’re working, and that can be a liberating but also uncomfortable place to be.
The programme is not about learning how to be a writer; it’s about developing and pushing forward your own writing projects as far and as fast as you can within 12 months. You’ll be developing your own voice, learning how to critique the work of others, and getting to grips with marketing your projects. You’ll also be making industry contacts so you can pitch for employment in an extremely competitive industry.
You’ll cover every aspect of the writing process from getting ideas, maintaining productive writing practices and developing characters and story lines, to presenting your work to an industry standard and pitching your ideas. Writing is a lonely business – that’s why the community of writers that the programme gives you is such a creative advantage.
This is an MA that really focuses on you as the student. There are lectures, but most of the time you’ll be working one-to-one with a writing tutor or within small group workshops (with a maximum of 13 people).
We keep the course small deliberately. In this way we know your individual work and you know other students’ work through the weekly feedback process. We also believe you don’t know who you are until you’re relating to another person, and ultimately this is what script writing is about: making that connection.
A core course is designed to give you the skills and understanding required to develop your Treatment for a feature film or equivalent television or radio script. The course is taught mostly with workshops, in which you present and discuss your own work with other students in a supportive environment. There are also class exercises, lectures, screenings, master classes, seminars and individual tutorials.
Starting in the Spring Term, the course then develops your Treatment into a second draft feature script (or its equivalent).
You'll then be able to pick from a selection of option modules.
The MA is composed of:
You also produce a Reflection Essay (15 credits), and choose option modules to the value of 75 credits from the following list:
You are assessed on your portfolio, which consists of your long form treatment and second draft feature script or equivalent, your 4,000-word Reflection essay on this script, linked to issues in Media and Culture and a radio script adapted from a source text. In addition, depending on your options, your portfolio could also include a 10-12 page short script or script-editing proposal and coverage. Other modules are assessed by 5-6,000-word essays.
MA Script Writing is all about the product. So when you complete this masters, you leave with a whole portfolio of writing, a set of professional skills, a list of industry contacts, and a set of professional friendships through the Goldsmiths Screen School.
The programme gives you a safe, supportive and stimulating environment to unpack your ideas, get constructive feedback, make mistakes, and find the story you want to tell. In the end though, it’s down to you as an individual to become the writer you want to be.
Find out more about employability at Goldsmiths