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Masters Degrees (Script Editing)

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Create a portfolio of scripts, develop skills in writing, editing and project development and gain working knowledge of the film, television and digital fiction industries. Read more
Create a portfolio of scripts, develop skills in writing, editing and project development and gain working knowledge of the film, television and digital fiction industries.

MA Screenwriting was launched at Edinburgh Napier in 2006 and has adapted and developed since to remain one of the strongest screenwriting Masters courses on offer in the UK. The degree is accredited by Creative Skillset and taught at Screen Academy Scotland - one of only three Creative Skillset Film Academies in the UK and the only one outside London.

While the course is primarily for aspiring screenwriters, it is also aimed at those interested in script editing, script development and creative producing.

Teaching staff are working screenwriters and producers and there are regular visits from professional writers, producers, directors and those working in script editing and development.

See the website http://www.napier.ac.uk/en/Courses/MA-Screenwriting-Postgraduate-FullTime

What you'll learn

The course has developed a strong international profile, attracting a diverse range of students and as a student at Screen Academy Scotland you will be part of a large and thriving film community.

Collaboration is encouraged and our MA Screenwriters work closely with students on the MA Film programme as well as students at Edinburgh College of Art.

The course will develop skills in screenwriting, creativity, analytical thinking, academic writing, professional writing for film (script reports, coverage), editing and developmental skills.

In summary, the MA Screenwriting:
• takes a general approach across film, television and other media
• develops the core craft skills for screenwriting
• enhances script editing and story development skills
• places teaching and student work in an industry context
• introduces students to staff and industry guests working as writers, producers, directors and in script development at a high, professional level

The course is taught two days a week (currently Thursdays and Fridays). Part-time students attend classes on Thursdays in Year 1 and Fridays in Year 2.

You may also take this course as a Postgraduate Certificate (distance learning). Details: http://www.napier.ac.uk/courses/pgcert-screenwriting-postgraduate-distance-learning-part-time

Modules

• Writing and Screen Project Development (craft skills)
• Business of Screen Project Development (industry context)
• Script Workshop 1 and 2 (practical screenwriting)
• Script to Screen (theory and critique)
• Interactive Media or Graphic Fiction
• Major Project (feature film or long form TV script)

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

Our students have gone on to success in various competitions, winning the PAGE International Screenwriting Award for five years. Former graduates work as self-employed writers for television drama and have gone on to find agents. Others are working professionally in script development and production.

You can find more details on the Screen Academy Scotland website http://www.screenacademyscotland.ac.uk/

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

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Digital technology has transformed the editing process, yet it has also dramatically diminished the role of the assistant editor so that opportunities to learn the art of editing as an apprentice are increasingly hard to find. Read more
Digital technology has transformed the editing process, yet it has also dramatically diminished the role of the assistant editor so that opportunities to learn the art of editing as an apprentice are increasingly hard to find.

-Unique course in UK.
-Creative and technical skills developed.
-Study in a collaborative, filmmaking environment.
-Students assigned individual editing suites.
-The NFTS is an Avid Education Partner.
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Those accepted onto courses starting in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England. It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here: https://nfts.co.uk/fees-funding/funding-guide

COURSE OVERVIEW

This course commences in January each year. This course provides a thorough education in editing skills in a professional filmmaking environment. Editing students are encouraged to consider their craft as part of the whole process of film and television production and not merely as the final stage, making them true collaborators, not just efficient technicians.

The emphasis of the Editing curriculum is firmly on storytelling and the relationship between editor and director. Students learn to apply their craft to the demands of fiction, documentary and animation, creating visual narratives while working with sound, music and, where appropriate, special effects. Workshops with other departments develop concepts of visual storytelling, mise-en-scène, storyboarding, sound design, music and scriptwriting.

Editing graduates have a high rate of employment on feature films, shorts and television programmes. Many new graduates quickly become editors on independent productions or assistant editors on features or TV drama, while others gravitate to visual effects, promos and i-dents. One recent graduate was joint winner of the Best Young Editor Award at Broadcast Magazine's B+ Awards. Recent graduate editing credits include Florence Foster Jenkins, Our Kind of Traitor, The Queen, Hannibal Rising, Reprise at the cinema and Downton Abbey, Paul Merton in China, Holby City, Hustle, CSI: Crime Scene Investigation and Spooks on television.

CURRICULUM

YEAR ONE
With Sound Design and Composing students Abstract Film Workshop
Without Images - a sound-only project
Dramaturgy Workshop - focusing on script and script analysis, blocking and cover, and performance
Modules and workshops include Foundation exercises for fiction and documentary editing
Storyboarding workshop with Animation students Short documentary
Zen and Beyond - fiction workshop focusing on visual storytelling
Comedy Workshop - workshop using rushes from a feature film and focusing on editing for comedy and/or drama
Animation Project - developed and produced to a soundtrack Investigative Documentary - the major first year documentary production First Year Film - the major 1st year fiction production collaborating with all other departments

YEAR TWO
Fiction editing exercise focusing on drama editing and co-editing using complete rushes from a feature film
2nd year fiction production, shot on a digital format
Graduation films in documentary, fiction and animation
Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team. Read more
This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team.

Participants will learn from practical hands-on workshops and through on set and in studio experience on a range of drama and entertainment projects. This will ensure that participants leave the course with the practical experience for starting out in the professional world.

The Script Supervisor’s role is an exciting, varied and demanding job requiring many skills for being part of the production team, working closely with directors and producers, interacting with performers and programme participants, and providing accurate information on location, in the studio gallery and for the edit suite.

COURSE OVERVIEW

The Script Supervisor is a key member of the production team, preparing and providing scripts, running orders, camera cards and information, prior to a rehearsal, recording or shooting day. In the studio, they keep the production team informed through cueing, timings, shotcalling, liaising with presentation, and maintaining an accurate log. They support the director and producer and are responsible for getting live transmission programmes on and off air. On single camera shoots, they are vital for continuity, keeping track of takes, timings, shooting angles, costume and make-up notes and props information essential for the editor.

To do this role, you will need to:
-Be calm and level-headed
-Work well as part of a fast-moving team
-Have exceptional organisational and time-management skills
-Be able to work to a deadline
-Pay close attention to accuracy and detail
-Be an excellent communicator
-Be adaptable to changing circumstances
-Multi-task
-Have a positive attitude
-Cope well under pressure
-Have stamina for long days and hard work

CURRICULUM

This course has been developed due to industry demand and combines practical experience on film shoots with NFTS student directors on fiction films, and in the studio with NFTS Television Entertainment student directors on their entertainment shows, using the recently refurbished 4k multi-camera television studio gallery. There is time for learning to use script packages such as Adobe Story and BBC Scriptwriter, lectures on all aspects of the job involving different genres of programmes, guest speakers and site visits to other television companies and media providers.

The course is three months, based at the NFTS and divided into three sections:

Weeks 1 - 4 Full-time lectures & practical exercises covering studio and film work.

Weeks 5 - 8 On location continuity experience working on two films each

Weeks 9 - 12 Practical experience for studio-based programmes plus additional lectures and site visits.

Specifically students will learn about:
-Script layouts, call sheets, breakdowns, running orders
-Shot lists, storyboards, recording orders, shooting orders
-Setting up a production
-Script packages
-Gallery techniques (e.g. calling shots, running EVS, using a stopwatch)
-Live programmes
-Music programmes (e.g. script styles & methods)
-Bar counting
-Studio drama techniques
-Continuity for film and single camera
-Post production and editing

There will be visiting lecturers, professionals in the industry, talking about their experiences and giving advice on methods and the latest techniques. Also, practical exercises and opportunities to work in the role on other student courses.

NFTS BENEFITS

Course participants will have full access to the NFTS facilities including: Cinema Club, Screen Arts and NFTS Masterclasses.

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This programme focuses on the creative, analytical and professional aspects of script writing, in the context of the contemporary film, television and radio industries- http://www.gold.ac.uk/pg/ma-script-writing/. Read more
This programme focuses on the creative, analytical and professional aspects of script writing, in the context of the contemporary film, television and radio industries- http://www.gold.ac.uk/pg/ma-script-writing/

The MA Script Writing is accredited by Skillset (further to the Department's accreditation as a Skillset Media Academy) and currently receives funding to support some student bursaries.

The programme is ideal if you already have some writing experience, but want to develop professional skills and expertise as screen or radio script writers.

Develop your writing and story ideas

It's geared towards developing each student's own writing and distinctive voice, to enable you to pitch for employment and production funding in a highly competitive industry. The programme will help you develop your own story ideas to end up with a second draft dialogue script as the major part of your portfolio. It's a very intensive course designed to take your writing as far and as fast as it's possible to go within twelve months. Only about twelve students are accepted each year.

There is no preferred medium (film, television or radio), genre or style. That is up to you. There tends to be a wide range of students in terms of age, background and writing experience. But it is not a programme for students who want to try writing, but for those who are committed to developing their writing skills.

You complete the programme with a feature film or equivalent television or radio script. You also gain knowledge of the film, television or radio industries and some of the contacts necessary to market your projects.

A supportive and stimulating environment

The teaching for the practice courses (long form script, short script and script editing) takes place in workshops in which students share their own work and comment on each others. The programme is designed to provide a supportive, stimulating and constructively critical environment for all students to do their very best work.

Once you have made your application, if you would like to find out more about what its like actually being on the MA, please email the programme convenor to arrange a visit to meet some of the current students.

Programme highlights include

-All scripts in the short script module receive a reading from professional actors. These scripts are also eligible for the Goldsmiths Short Script Competition, from which four are chosen for MA Filmmaking students’ final productions each year – and shown at BAFTA
-There is a mentorship scheme in place whereby students select and approach a mentor with the support of the programme convenor
-Specially invited industry speakers for the Olive Till memorial lecture each year. These have included Sir Alan Parker, the late Anthony Minghella, Michael Winterbottom, Gurinder Chadha, Danny Boyle, Stephen Frears, Paul Greengrass, Noel Clarke and Tim Bevan. Also there are visiting guest lecturer and masterclasses from Linda Aronson, Stewart Till, and others.

Contact the department

If you have specific questions about the degree, contact Julian Henriques.

Modules & Structure

A core course is designed to give you the skills and understanding required to develop your Treatment for a feature film or equivalent television or radio script. The course is taught mostly with workshops, in which you present and discuss your own work with other students in a supportive environment. There are also class exercises, lectures, screenings, master classes, seminars and individual tutorials.

Starting in the Spring Term, the course then develops your Treatment into a second draft feature script (or its equivalent).

You'll then be able to pick from a selection of option modules.

Assessment

You are assessed on your portfolio, which consists of your long form treatment and second draft feature script or equivalent, your 4,000-word Reflection essay on this script, linked to issues in Media and Culture and a radio script adapted from a source text. In addition, depending on your options, your portfolio could also include a 10-12 page short script or script-editing proposal and coverage. Other modules are assessed by 5-6,000-word essays.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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Our MA Scriptwriting is an intensive, practical course designed to produce professional writers and compelling scripts. It will take your writing to the highest level, and allow you to develop clear strategies for professional success. Read more
Our MA Scriptwriting is an intensive, practical course designed to produce professional writers and compelling scripts. It will take your writing to the highest level, and allow you to develop clear strategies for professional success. With a combination of expert guidance and peer-group workshopping, we encourage you to develop your unique voice while meeting the demands of a highly competitive industry.

We cover all media, including theatre, radio, film and television, and offer extensive training in professional skills. By the end of the course, you’ll have a comprehensive portfolio of original work, a finished script to professional standards, industry connections and a fully realised showcase presentation.

COURSE STRUCTURE

You’ll hone your writing for performance skills, while also acquiring the necessary professional knowledge needed to negotiate the industry.

Alongside completing a minimum of three polished scripts for theatre, radio and TV/film, you’ll meet scriptwriting agents and industry specialists and learn how best to pitch your work in a highly competitive field.

We recognise the importance of equipping you, as a scriptwriter, with the knowledge of how to produce your work. You’ll have the opportunity to record your own radio plays, stage your theatre pieces and shoot and edit your TV/Film projects within our supportive environment.

MODULES

In Craft, you'll learn the key components of a script, including structure, characterisation, visual storytelling and dialogue.

Writing for Theatre and Radio is a comprehensive guide to writing for these important media. You’ll prepare a script for each.

Develop your professional writing career in Professional Skills. Learn to prepare proposal documents, to pitch ideas, and to make connections in the industry.

Screenwriting is an in-depth course in writing for film and television. You’ll prepare a single script for either medium.

In Showcase Presentation, you'll write and produce a finished 15 minute piece in any narrative media for public presentation.

In Final Script, you'll prepare a calling card script in the medium of your choice, taken to the highest professional standard.

For more information on modules you can view the course handbook via our website: https://www.bathspa.ac.uk/courses/pg-scriptwriting/

TEACHING METHODS

The course is modular and can be undertaken as either full or part-time study. Part-time students take the Dramatic Structure and Writing for the Screen modules in their first year and Theatre and Radio, Professional Skills and Final Script in their second year.

Modules are taught over three weekends of intensive tutor-led workshops.

ASSESSMENT

You’ll be assessed by coursework and practical presentation. In the first two trimesters work will be assessed as work in progress. Your final assessment is based on three assignments: a final script (60%); a practical realisation of your work (30%); and a pitch (10%).

For more information on assessment please visit our website: https://www.bathspa.ac.uk/courses/pg-scriptwriting/

CAREER OPPORTUNITIES

Many of our graduates succeed with their career goals. Some have careers as professional Scriptwriters while others work in script editing, theatre and film criticism or education.

Our students have gone on to have their work produced and some have even managed to do this while still completing their MA. Others have found work within the script departments of TV/film and theatre companies while others work as script readers, theatre/film reviewers and as creative writing tutors.

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With a uniquely collaborative emphasis, this course offers opportunities for some of the scripts you develop over the course to be produced, through close collaboration with students from MA Producing for Film and TV, MA Directing for Film and TV and MA Radio Production. Read more
With a uniquely collaborative emphasis, this course offers opportunities for some of the scripts you develop over the course to be produced, through close collaboration with students from MA Producing for Film and TV, MA Directing for Film and TV and MA Radio Production. This equips you with the skills and attitudes required for successful script development processes in the industry. The course is busy, intensive and involves much teamwork alongside individual writing practice.

Throughout the course, you will develop your ideas from concept to industry standard final draft, with a development process that includes research, pitching, presentations, script reading and networking events, workshop groups, tutorials, script editing, and rewriting for production.

You will be encouraged to nurture and reflect on your creative process and originality of voice, and to explore the contexts – critical, creative and industrial that inform scriptwriting today.

The course is taught by scriptwriting professionals and theorists, alongside an exciting programme of industry guest speakers. The course is suitable for students who have previously developed their own creative writing projects within humanities or media production courses or with relevant professional experience.

Successful participation in MA Scriptwriting will enable you to emerge from the course as a writer with a distinctive authorial voice, an industry standard portfolio of scripts, experience of writing in formats and genres, and a robust attitude to collaboration and development.

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The UK has a world leading comedy pedigree, but no industry recognised comedy training course - until now. Read more
The UK has a world leading comedy pedigree, but no industry recognised comedy training course - until now. The new 18 month part-time NFTS Diploma in Writing and Producing Comedy will enable students to develop all forms of scripted and unscripted comedy including, sitcoms, sketch shows, and panel shows for radio and tv. The course is run in partnership with Channel 4.

-The world's first Diploma course in Writing and Producing Comedy.
-Delivered in partnership with Channel 4
-Part-time, evening course
-Regular Industry speakers
-Develop and write an original show and make a taster tape.

We welcome EU/EEA Students. Course fees charged at UK rate.

COURSE OVERVIEW

“This has been a fascinating job. My Tuesday evenings are a real joy. One thing I've learned is that people shine in different ways and at different times. When it comes to comedy you can't write anyone off." Bill Dare Course Tutor

Writing & Producing Comedy commences in January each year. Students are taught by the renowned comedy producer and writer BILL DARE supported by guest sessions from the people responsible for some of the UK’s most iconic UK shows including Peep Show, Father Ted, Have I Got News for You, Spitting Image, Horrible Histories and Green Wing.

The course is part-time (one evening a week and occasional Saturdays) over eighteen months and is delivered in central London. You will be expected to spend at least 8 hours a week working on assignments for the course. You will leave the course with a portfolio of material developed during the course, this could include a ten-minute taster tape of an idea you have developed, or a full script and some sketches and one-liners.

Specifically you will learn about:
-Comedy landscape
-Radio comedy
-Sketches
-Panel shows and formats
-Characterisation
-Story structure
-Narrative TV comedy
-Script editing
-Topical one-liners
-Outlines and treatments
-Pitching
-Commissioning processes
-Working with performers
-Compliance issues
-Working with writers
-Writing briefs

Students graduate able to:
-Generate comedy programme ideas
-Create a narrative comedy, sketch show or comedy entertainment show
-Pitch ideas to commissioning editors
-Work with writers and help them develop their ideas

The course advisory board includes:
-Dawson Bros – The Peter Serafinowicz Show, That Mitchell & Webb Look, Big School
-Sam Bain - Peep Show, Fresh Meat, Rev
-Richard Boden – Blackadder, 'Allo 'Allo, IT Crowd
-Gregor Cameron – Katy Brand’s Big Ass Show, Fighting Talk
-Saurabh Kakkar – Head of Development – Comedy – Big Talk
-Graham Linehan – Father Ted, IT Crowd, Count Arthur Strong
-Caroline Norris - Horrible Histories, The Armstrong & Miller Show, Dead Ringers
-John O’Farrell – Spitting Image, Have I Got News For You, Novelist
-Richard Preddy – Green Wing, Campus
-Lucy Robinson - Co-Founder Little Comet Film & TV/Head of Comedy Brothers and Sisters
-Lorna Watson & Ingrid Oliver – Watson & Oliver

"The NFTS course gave us great access to industry contacts, and we went from having no professional experience to working regularly on BBC radio and television. This diploma is a brilliant way of learning about comedy while strengthening key contacts in the TV and radio industry. It was invaluable to our career progression." Ed Amsden/Tom Coles

"I went from having a well-paid, secure, boring job in insurance, to having a badly-paid, insecure, cool job in comedy. I quit my well paid-job in insurance and ended up with a terribly-paid job in comedy. If this sounds like a good idea, then this is the course for you... Without this course I'd still just be writing jokes in my parents’ basement... Now I've got a degree they've let me move back into the main house.” Joel Pitcher

So you think you’re funny? Apply Now!

SCHOLARSHIPS AND BURSARIES

The NFTS want to encourage applications from the brightest and best talent out there….from all backgrounds. We are actively seeking to redress imbalances within the Industry by encouraging applications from under-represented groups, and have bursaries of £4650 on offer to 2 of the successful candidates. Bursaries help towards the cost of the course andwill be awarded to stand out talent who can demonstrate that without this funding they would not be able to afford the course, or who can demonstrate they bring a unique and distinct perspective and voice to the course.

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Graduates of this course win BAFTAs and multiple other awards every year. Read more
Graduates of this course win BAFTAs and multiple other awards every year. Our students have won the student section of the Los Angeles based Golden Reel Awards for best sound 13 times since 1996 (we won it again this year)! Sound Design students train in all aspects of audio post-production, developing the techniques and creative awareness required as dubbing editors, sound designers and dubbing mixers.

-Most comprehensive course in sound available.
-Study in a collaborative filmmaking environment.
-Aesthetic and technical skills developed.
-Facilities rival professional post-production houses.
-Work on both live action and animation films.
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Those accepted onto courses starting in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England. It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here: https://nfts.co.uk/our-courses/masters/sound-design-film-television

COURSE OVERVIEW

The components of the soundtrack – dialogue, atmospheres, Foleys, ADR, designed fx and music – are explored in detail using facilities rivalling those of the best audio post-production houses. With a firm emphasis on storytelling, students develop an aesthetic awareness integrated with technical expertise, encouraging them to be collaborators from an early stage in all productions and throughout the whole post-production process.

In 2016, an NFTS student won the Verna Fields Award for Best Sound Editing in the student category of the US Motion Picture Sound Editors Golden Reel Awards. This is the 13th time a graduating NFTS student has won this award in the last 20 years and, together with the demand for new graduates, demonstrates the esteem with which this course is regarded within the film and television industry.

CURRICULUM

The course represents a steady progression beginning with the basic technology and skills that underpin and support the creative process and ending with the responsibility for sound design on a range of graduation films. At each stage additional skills are added through specific workshops - e.g. music recording, to provide a comprehensive education that is of great value in understanding and communicating with other industry professionals.

Using the latest equipment and technology, students work as sound designers on fiction, documentary and animation projects developing their skills in digital tracklaying and mixing.

YEAR ONE
A series of exercises focusing on sound editing and mixing techniques Workshops with Editing and Composing students:
-Abstract Film Workshop
-Without Images - a sound-only project
-Dramaturgy Workshop - focusing on script and script analysis, blocking and cover, and performance
-Editing the Scene - editing a scene to learn the basics of scene structure
-Short documentary - sound mixing
-Zen and Beyond - fiction workshop focusing on visual storytelling
-Documentary Poetry - exploring the use of non- synchronous sound and music
-Animation projects - the application of music and sound effects
-1st year Fiction film - collaborating with all other departments
-Cross Spec - an introduction to film language and storytelling involving all departments

YEAR TWO
-Investigative Documentary - sound post for the major 1st year Documentary production
-Remixing the 1st year Fiction film tracks
-Advanced editing, design and mixing techniques including surround sound mixing
-2nd Year Fiction production, shot on a digital format
-Graduation films in documentary, fiction and animation

On the short films and 2nd Year films, Sound Design students work as sound supervisors, creating the track from pre-production through to the mix.

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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The NFTS trains composers in both live and electro-acoustic music for the moving image in a production context closely modelled on Industry working practices. Read more
The NFTS trains composers in both live and electro-acoustic music for the moving image in a production context closely modelled on Industry working practices.

-Training in live and electro-acoustic music
-Students compose for wide variety of audio visual material
-Creative and technical skills developed
-Study in a collaborative, filmmaking environment
-Flexible curriculum adaptable to individual needs
-Individual music suites
-Recording sessions with live musicians Business, legal and professional skills taught
-Unlike other schools, all production costs are met by the School.

We welcome EU/EEA Students. Those accepted onto courses starting in 2018 will have their fees guaranteed at the UK rate for both years of the course. Postgraduate students can apply for a loan to help with their studies via the Student Loans Company Loans. A £ 10,000 loan is available to contribute to course and living costs. The Post Graduate Loan is only open to EU/EEA and UK Students who normally live in England. It is not currently available to Scottish, Welsh or Northern Ireland Students. Find out more here: https://nfts.co.uk/fees-funding/funding-guide

COURSE OVERVIEW

This course commences in January each year. Our emphasis on collaboration means that Composing students are informed and involved throughout the filmmaking process. In particular, composers work closely with other students in Editing and Sound Post Production, increasing their understanding of the relationship between audio and moving images.

Today’s language of screen music has shifted. While many scores still provide a musical commentary on the action, others find a way to integrate music into the fabric of the film itself, creating a seamless weave analogous to the camerawork or editing, to the assimilation of music into the sound world of the film as a whole. Sound design and music grow ever closer - in fact, the roles of sound designer and composer are becoming blurred to the extent that a close collaboration between the two processes is often essential.

The application of music to film - the choices inherent in the "when", "how" and "why" - all stem from an informed understanding of the intention of the film and the contribution music could make to it. Informed understanding, musical versatility and the fostering of an individual musical voice are the intentions of this course and these are determined by the practical and intellectual demands on composers working in the industry.

Composing graduates are qualified to take on all forms of work in film and television as well as productions in multimedia and interactive programming.

CURRICULUM

The Composing course is developmental and progressive. In year one, students are taught the techniques and contexts which inform writing music for the screen. The first term comprises an intensive process during which students compose to a variety of exercises, each one chosen to focus on a particular problem of film composition. Some of these exercises are completed by each student and discussed in seminars and individually assessed. In term two, further exercises concentrate on issues having to do with scoring for live instruments, the combination of live and electro-acoustic elements and the integration a limited range of sound design into film scores. In addition, students will begin engaging with projects generated by other students at the NFTS. This process will continue and dominate the third term. Each student contribution to those films will also be assessed. Students will also participate in visits from industry professionals.

In year two, students’ activities will be dominated primarily by work generated from other parts of the school. However, lectures, seminars and the occasional workshop will be provided to clarify and expand issues arising from those projects. As in year 1, students will also participate in visits from industry professionals.

YEAR ONE
A series of composing workshops combining practical exercises and seminars:
-Basic narrative techniques
-Midi (sampling) use of samples and audio
-Combining music and sound
-Narrative with dialogue
-Non-fiction scoring
-Instrumentation and orchestration
-Composing to script

Ongoing analysis of feature film soundtracks and film structure Orchestration and recording with live musicians

Workshops with Sound Design and Editing students:
-Abstract Film Workshop
-Without Images - a sound-only project
-Animation exercises
-Dramaturgy Workshop – focusing on script and script analysis, blocking and cover, and performance

Productions
-Zen and Beyond Time - fiction workshop focusing on visual storytelling
-Documentary poetry exercise collaborating with Documentary Direction, Editing and Sound Design
-First Year Film – the major 1st year fiction production collaborating with all other departments
-Investigative Documentary - the major first year documentary production
-Cross Spec - an introduction to film language and storytelling involving all departments

YEAR TWO
-Orchestration and recording with live musicians
-Continued analysis of films
-2nd year short fiction production, shot on a digital format
-Graduation films in documentary, fiction and animation

Unlike other schools, all production costs are met by the School. In addition you will be given a cash Production Budget. NFTS students are engaged in more productions as part of the curriculum than any of our competitors.

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The Creative Writing programme at Glasgow has gained an excellent reputation amongst writers, agents and publishers. It is perfect for talented and aspiring writers who want to develop their craft, take risks in their work, and gain creative and critical skills; all as part of a supportive community of fellow writers. Read more
The Creative Writing programme at Glasgow has gained an excellent reputation amongst writers, agents and publishers. It is perfect for talented and aspiring writers who want to develop their craft, take risks in their work, and gain creative and critical skills; all as part of a supportive community of fellow writers. Skills gained in the study of Creative Writing may lead to career opportunities in literary and cultural fields such as editing, publishing and arts development.

Why this programme

◾Our dedicated teaching staff comprises successful and well-regarded writers who work in and encourage a variety of genres and forms.
◾We have strong links with literary agents and publishers, and an impressive number of our graduates are published and acclaimed authors.

Programme structure

The MLitt in Creative Writing is directed at those who are already engaged in writing. The programme’s clear three-part structure, focused on creative, critical and practical issues, distinguishes it from others offered in the UK.

The programme structure covers:

Semester 1
◾Creative workshops and guest speakers
◾Reading as a writer (Craft & Experimentation 1)
◾Copyright, publishing and the culture of reception (Editing & Publication 1)

Semester 2
◾Creative workshops and guest speakers
◾Experimentation (Craft & Experimentation 2)
◾Editing the twenty-first century: editorial project (Editing & Publication 2)

These courses have been developed to:
◾encourage you to experiment with a range of voices, techniques and genres alongside a consideration of major creative and editorial engagements from the modern through the contemporary period.
◾provide a space to undertake extended portfolios of creative and editorial work.
◾familiarise you with the writing context (audience, publishing in all its forms, the legal framework, modes of transmission); help you develop a critical understanding of diverse creative, theoretic and critical texts through consideration of major creative and editorial engagements in modern and contemporary writing.
◾and most importantly, to help you develop the discipline of regular writing by providing a stimulating workshop and tutorial environment in which writing skills can be acquired, discussed and honed.

Your portfolio, consisting of fiction, poetry, creative non-fiction, or script-writing, is at the heart of the summative assessment.

Glasgow is a city known for its culture and our students are involved in festivals, events, radio and literary magazines.

Career prospects

Graduates have gone into writing, journalism, publishing, and many other professions.

Many of our students have gone on to become published authors. You can find a list of alumni on our Creative Writing subject pages. Others have been published in magazines and journals, or have had their work produced and broadcast on radio and television. A number of our graduates have won or been shortlisted for major prizes for poetry, short fiction and fiction including the Dundee Book Prize, Booker Prize, Bailey’s Women’s Prize, Orange Prize, Fish Short Story Award, Bridport Prize, McCash Scots Poetry Competition, Macallan and Canongate short story awards, Saltire Awards, Scottish Book of the Year Awards.

Positions held by recent graduates include Managing Director, Freelance Writer, Editor, Programme Manager, Author, Copywriter, Author and Community Arts Worker.

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From television, film and radio, to gaming, digital and online advertising, the demand for specialists who can use sound creatively has never been higher. Read more
From television, film and radio, to gaming, digital and online advertising, the demand for specialists who can use sound creatively has never been higher. This course will give you an understanding of the innovation and technology behind studio sound production and design.

You'll study the relationship between sound, music and image, and build your skills in sound production technology and music editing techniques. You'll develop the ability to produce original sounds and audio-visual media so you can create professional audio across a variety of media formats.

Our short course is a fantastic opportunity to learn from experienced music and film professionals in state-of-the-art studios. We're dedicated to providing you with hands-on, practical experience so you can produce your own work, developing your ability to deliver professional sound content to a specific brief.

Visit the website http://courses.leedsbeckett.ac.uk/creativesound_apd

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

We believe a short course can make a big difference.Employment opportunities could be open to you in sound engineering,performance, digital media, gaming, music for film and television, production,radio, composition, sonic art, and music marketing and PR. If you would like tocontinue your studies, we offer a range of masters courses, such as AudioEngineering or Sound Design.

- Sound Designer
- Composer for Media
- Studio Engineer/Producer
- Audio Producer (Film, TV, Gaming)

Careers advice:
The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

You might have just finished your degree, or be working in industry looking to acquire new skills for your professional development. Taught over four weekends in the year - Saturday to Monday - we've designed this course so that it fits around your lifestyle, requiring minimum time off work.

You'll have access to a suite of professional music studios, including recording rooms, audio booths, instruments, portable audio recorders, lab with soundcard and mixer, and computer workstations with software such as Sibelius, Pro Tools and SynthMaker, and music analysis tools.

You will access an impressive range of facilities at our Northern Film School, including production studios, edit suites, production offices, and film and script archive.

We also offer exciting short study opportunities in film, music and performing arts, taught during Easter and Summer. These creative workshops, ranging from two days to a week, are a great way to build your expertise for professional use, embrace a subject you're passionate about, or develop your skills before applying for one of our postgraduate qualifications.

Core Modules

Sound, Music & Image
Evaluate the relationships between sound, music and image, and create examples of audio-visual media to a professional standard.

Creative Sound Design
We will equip you with the expertise to develop audio-based artefacts in the fields of electro-acoustic music, sonic art and sound design.

Martin Briggs

Senior Lecturer, Music & Sound

"We believe the particular combination of staff experience and expertise, first class facilities, real world practical assignments, guest lecturers and industry networks, contacts and accreditation make our specialist courses in sound second to none."

Originally training in music and media, Martin has worked as both a performer and producer in music, sound recording, video production and live events. His current research is concerned with collaborative partnerships and working practices in music and sound creation. Whilst still working as a musician and arranger, he is also involved in the promotion of local community music workshops, performances and events.

Facilities

- Sound recording & editing equipment
A comprehensive range of audio editing, composition and sound processing software is available.

You'll have access to a suite of professional music studios, including film composition and audio post production rooms, instruments, together with portable field recording equipment and extensive computer workstation facilities.

- Northern Film School
You will also be able to access an impressive range of facilities at our Northern Film School, including production studios, edit suites, production offices, and film and script archive.

- Library
Our Library is open 24/7, every day of the year. However you like to work, we have got you covered with group and silent study areas, extensive e-learning resources and PC suites.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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From start to finish, producers are the driving force behind the film and television industry; they generate new projects and ideas, secure finance, manage production and strategically market the project. Read more
From start to finish, producers are the driving force behind the film and television industry; they generate new projects and ideas, secure finance, manage production and strategically market the project. The producer’s role has been transformed by the advent of globalization, digital technology and the multi-channel environment.

This course offers aspiring producers an opportunity to acquire the creative entrepreneurial skills required to enter a rapidly changing film and television universe. The course concentrates on developing creative, managerial, financial and legal capabilities for a successful career in production.

This Master’s degree reflects the global nature of the contemporary media marketplace but its main focus is UK film and television fiction, rather than factual production. It is targeted at those who want to follow a career path as producers, rather than as directors.

See the website https://www.royalholloway.ac.uk/mediaarts/coursefinder/maproducingfilmandtelevision.aspx

Why choose this course?

- The course benefits enormously from close links with the film and television industry. Tony Garnett (producer of Cathy Come Home and This Life), whose company World Productions has built up a reputation for challenging and innovative drama, was a guiding force in designing the course and has played a great part in the course's success.

- Professor Jonathan Powell (former Controller of BBC 1, Head of Drama for the BBC and Controller of Drama at Carlton TV), one of this country's most respected and experienced drama producers, now delivers the 'Role of the Producer' and ‘Script Development’ lectures as well as providing you with support and advice.

- You will normally undertake a full-time internship in a production company. In most cases this internship lasts about four weeks. You will be offered guidance and assistance in an effort to obtain industry internships.

- Students who have graduated from the course are working successfully in independent television and film production, for broadcasters such as the BBC and ITV, and for distributors, exhibitors, talent agencies and entertainment lawyers.

- Regular networking events are arranged where former alumni can make contact with each other and with the current group of students.

Department research and industry highlights

- TRENT is an exciting and innovative collaborative project between the British Universities Film and Video Council (BUFVC) and Royal Holloway, University of London (RHUL) and funded by the Arts and Humanities Research Council (AHRC). Led by John Ellis the project brings together the nine existing online databases hosted and curated by the BUFVC which provide important film, radio and television material along with accompanying metadata and contextual information for academics, students, teachers and researchers. This project brings together all the material contained in these databases, yet Trent is not simply a master database. Instead it foregrounds creative searching through a common interactive interface using real-time ‘intelligent’ filtering to bringing disparate databases into a single search and discovery environment whilst maintaining the integrity and individual provenance of each.

- The EUscreen project is major funded EU project which aims to digitise and provide access to European’s audio-visual heritage. This innovative and ambitious three year project began in October 2009 and the project consortium is made up of 28 partners from 19 European countries and is a best practice network within the eContentplus programme of the European Commission. The Department of Media Arts at Royal Holloway’s is responsible for the content selection policy for EUscreen and those involved include John Ellis, Rob Turnock and Sian Barber.

- Video Active is a major EU-funded project aiming to create access to digitised television programme content from archives around Europe. It involves collaboration between the Department of Media Arts at Royal Holloway and Utrecht University, and eleven European archives including the BBC, to provide access to content and supporting contextual materials via a specially designed web portal. The team from the Department of Media Arts, who are John Ellis, Cathy Johnson and Rob Turnock, are responsible for developing content selection strategy and policy for the project.

- Migrant and Diasporic Cinema in Contemporary Europe is an AHRC-funded international Research Network, led by Daniela Berghahn, which brings together researchers from ten UK and European universities, filmmakers, policy makers and representatives from the cultural sector. The Research Network explores how the films of migrant and diasporic filmmakers have redefined our understanding of European identity as constructed and narrated in European cinema. The project seeks to identify the numerous ways in which multi-cultural and multi-ethnic presences and themes have revitalised contemporary European cinema by introducing an eclectic mix of non-Western traditions and new genres.

- Lina Khatib was awarded an AHRC Research Leave Grant to complete a book on the representation of Lebanese politics and society in Lebanese cinema over the last thirty years. The study focuses on cinema’s relationship with national identity in the context of the Civil War and the post-war period in Lebanon.

- Gideon Koppel was awarded an AHRC Research Leave Grant to complete his feature-length documentary portrait of a rural community in Wales, The Library Van, which has been partly funded by the Arts Council of Wales.

On completion of the course graduates will have:

- a broad and detailed understanding of the nature of film and television production; how the role of the producer impacts on the production as the creative and managerial driving force, and how the producer communicates meaning to the writer, director, film crew and to the audience

- advanced understanding of the process of producing a film and/or TV programme, from initial concept through distribution and sales

- advanced understanding of script development

- advanced understanding of the various stages of the production process and how to write a pitch, a treatment, business plan, make a deal, write a financial plan, re-coupment schedule and budget as well as all relevant production contracts and documents

- critical knowledge of the current genres and trends in film and television and how they have evolved in recent years

- an understanding of the UK film and television industries, including their structure, institutions and working practices

- a broad understanding of the group nature of film and television production and how the roles played by the key players shape and influence the creative as well as business outcomes of a project

- a clear understanding of management structure within the production company and film crew, hands-on experience of production in

- a professionally equipped television studio working with industry professionals as well as fellow students

- a broad understanding of health and safety, industry codes of ethics, best practice and legal undertakings

- an introduction to high quality industry software for budgeting and scheduling, and post production editing

- an understanding of film and television history

- an understanding of what creative and business skills are needed to be successful in the media industries.

Assessment

Assessment is carried out by a variety of methods including essays, script reports, treatments, pitching exercises, studio exercises, production papers, business reports and presentations.

Employability & career opportunities

Students who have graduated from the course are working successfully in independent television and film production, for broadcasters such as the BBC and ITV, and for distributors, exhibitors, talent agencies and entertainment lawyers.

How to apply

Applications for entry to all our full-time postgraduate degrees can be made online https://www.royalholloway.ac.uk/studyhere/postgraduate/applying/howtoapply.aspx .

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The MA in Filmmaking offers six pathways. Directing Fiction, Producing, Screen Documentary, Cinematography, Sound Recording and Design, and Editing- http://www.gold.ac.uk/pg/ma-filmmaking/. Read more
The MA in Filmmaking offers six pathways: Directing Fiction, Producing, Screen Documentary, Cinematography, Sound Recording and Design, and Editing- http://www.gold.ac.uk/pg/ma-filmmaking/

The pathways combine both fiction and documentary elements, and encompass a variety of new options such as script and project development, web drama, online content, and social activist filmmaking, alongside the more traditional media skills, to reflect the changing trends and diversity in the current media landscape.

Whichever pathway you choose, you'll receieve specialised film, television and multi-platform industry training. You'll also be able to produce films alongside others working in art, theatre and social media.

You'll learn how to critique existing forms and trends – pioneering creative new products that will make waves in the media and wider world. And you can benefit from an invaluable year-long mentorship with an individual or company within the industry.

Contact the department

If you have specific questions about the degree, contact Gerry McCulloch.

Modules & Structure

All pathways involve:

-Masterclassess
-Pitches
-Role-plays
-Exercises aimed at using your skills specialism in a variety of live shoot situations

You will also have a variety of research projects to undertake, as well as other module options.

The third term will be taken up with your final substantive project, and in writing up a process paper on your work and research over the year.

For full module information, refer to the individual pathways.

Screen Lab

As well as specialist teaching, all MA Filmmaking students will attend Screen Lab, where they will advance their collaborative skills by working in teams with fiction and documentary producers and sound and edit students, on a variety of projects and at least three scheduled films across the year.

Screen School options

As well as taking one of the specialisms mentioned above have the opportunity to take three extra short courses to enhance their main skill and critical approaches. Available option modules may include for instance:

-Screen Adaptation
-Principles of Editing
-Media Law and Ethics
-The Short Script
-Politics of the Audio Visual
-Social Activist Film Making
-Contemporary Screen Narratives
-Representing Reality
-Storyboarding
-The Practice and Aesthetics of Film Lighting
-The Current Landscape of the UK Media Industries

Industry mentorships

We have close relations with all sectors of the media industry, and offer each student an invaluable year-long mentorship with an relevant individual or company. Many of these relationships will develop into fruitful work and creative opportunities for the future.

If you are passionate about fashioning an exciting career for yourself as a filmmaker in an environment that promotes innovative filmmaking, this course is for you.

Skills

This programme is aimed at aspiring filmmakers intent on carving out a career in the creative and cultural industries through the production and distribution of fiction film content across multiple platforms. Possibly the most important skill we offer you is the opportunity to work collaboratively under pressure as part of a creative team on challenging projects.

The creative industries are presently undergoing a period of radical transformation and new modes of practice are emerging. You acquire traditional celluloid filmmaking skills and also engage with digital cinema technology and practice. The content of both our practice and theory courses reflects the evolving film and media landscapes.

In addition to your practical filmmaking skills, we encourage you to develop a variety of transferable intellectual, organisational and communication skills to equip you for a broad range of future employment opportunities across the 21st-century media landscape.

Careers

Upon completing the course, you are equipped to enter the job market, armed with an enhanced understanding of their practical, intellectual and creative capabilities as filmmakers. This equips Goldsmiths graduates to apply themselves to a broad range of occupations in the film and media industries that range from permanent posts in established organisations, to working freelance and launching your own creative enterprise.

As a beacon of culture and the arts, London is the hub of the UK film and creative industries. Goldsmiths’ position as a high profile arts institution in London means we can attract distinguished individuals from the creative industries to contribute to the course. Programme staff are experienced in assisting you to develop yourself as a creatively and conceptually capable sound designer, editor, cinematographer, producer or director.

Our graduates

Goldsmiths graduates regularly go on to win awards at major international film festivals, and have even been nominated for the short film Oscar. Our alumni are active in the film, media and cultural industries around the world. Many also pursue doctorate studies and occupy academic posts internationally. We aim to empower you through the knowledge you accumulate on the programme to realise your unique potential.

Funding

Please visit http://www.gold.ac.uk/pg/fees-funding/ for details.

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Embrace your interest in film, television and music by becoming a skilled professional in sound recording. We have an excellent reputation for teaching film and music, with many of our graduates going on to win BAFTA's and Oscars. Read more
Embrace your interest in film, television and music by becoming a skilled professional in sound recording.

We have an excellent reputation for teaching film and music, with many of our graduates going on to win BAFTA's and Oscars.

You might be a budding filmmaker, journalist, photographer or documentary director, or simply have a creative passion for recording sound. Whatever your motivation, we will teach you professional techniques in music recording and post production so that you can record high-quality sound for the moving image.

This short course - taught over four weekends in the year - is a fantastic opportunity to learn from experienced film and recording professionals in state-of-the-art studios. We?re dedicated to providing you with hands-on, practical experience by giving you opportunities to produce your own work and explore the creative possibilities in sound recording and mixing.

Visit the website http://courses.leedsbeckett.ac.uk/soundrecording_apd

Mature Applicants

Our University welcomes applications from mature applicants who demonstrate academic potential. We usually require some evidence of recent academic study, for example completion of an access course, however recent relevant work experience may also be considered. Please note that for some of our professional courses all applicants will need to meet the specified entry criteria and in these cases work experience cannot be considered in lieu.

If you wish to apply through this route you should refer to our University Recognition of Prior Learning policy that is available on our website (http://www.leedsbeckett.ac.uk/studenthub/recognition-of-prior-learning.htm).

Please note that all applicants to our University are required to meet our standard English language requirement of GCSE grade C or equivalent, variations to this will be listed on the individual course entry requirements.

Careers

There is a strong demand for well-trained soundrecording professionals and we provide the skills to help you on your way tobecoming an expert in quality sound broadcasting. If you would like to continueyour studies in this area there are opportunities to move onto one of our masterscourses such as Music for the Moving Image or Sound Design.

- Audio Editor
- Audio Engineer
- Studio Manager
- Composer for Film and Television

Careers advice: The dedicated Jobs and Careers team offers expert advice and a host of resources to help you choose and gain employment. Whether you're in your first or final year, you can speak to members of staff from our Careers Office who can offer you advice from writing a CV to searching for jobs.

Visit the careers site - https://www.leedsbeckett.ac.uk/employability/jobs-careers-support.htm

Course Benefits

You'll be learning at our Northern Film School ? the first film school in the UK to receive JAMES accreditation. JAMES, a professional body that represents organisations across the media sector, described us as 'a benchmark against which all other film courses need to be measured'.

Taught over four weekends in the year - Saturday to Monday - we've designed this course so it fits easily into your lifestyle, requiring minimum time off work.

You'll have access to a suite of professional music studios, including recording rooms, audio booths, instruments, portable audio recorders and a lab with soundcard and mixer. You'll be able to access an impressive range of facilities at our Northern Film School, including production studios, edit suites, production offices, and film and script archive.

We also offer exciting short study opportunities in film, music and performing arts, taught during Easter and Summer. These creative workshops, ranging from two days to a week, are a great way to build your expertise for professional use, embrace a subject you're passionate about, or develop your skills before applying for one of our postgraduate qualifications.

Core Modules

Studio Skills
You will gain a strong understanding of the creative possibilities of the studio environment through the development of a musical product.

Studio and Sound Location
We will equip you with the theory and the techniques for recording and mixing sound for film, television and radio.

Laura Taylor

Senior Lecturer

"Our courses prepare you for an industry that is ever-changing, demanding and highly competitive. You will emerge with a strong understanding of your specialism, and with a focused approach towards personal development and career planning."

Specialist sound tutor Laura Taylor has worked for the BBC, Channel 5, ITV Yorkshire and Discovery Channel. She has experience in live television, post production sound and commercial and community radio, and has worked within the educational and community sector. Laura has very close links with community radio station ELFM and the Soundmill Studios in Leeds.

Facilities

- Sound recording & editing facilities
You'll have access to a suite of professional music studios, including film composition and audio post production rooms, instruments, together with portable field recording equipment and extensive computer workstation facilities.

A comprehensive range of audio editing, composition and sound processing software is available.

- Northern Film School
You will also be able to access an impressive range of facilities at our Northern Film School, including production studios, edit suites, production offices, and film and script archive.

- Library
Our Library is open 24/7, every day of the year. However you like to work, we have got you covered with group and silent study areas, extensive e-learning resources and PC suites.

Find out how to apply here - http://www.leedsbeckett.ac.uk/postgraduate/how-to-apply/

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-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry. Read more
-Film and TV degree production provides an exciting opportunity to learn advanced producing, directing and screenwriting techniques and to build professional links within the UK and international film and television industry
-This postgraduate degree provides a practical and intensive study of filmmaking in an environment that encourages experimentation, professional development and cutting edge ideas. Students work with up to date professional equipment and facilities and, as part of their Masters Degree, produce, direct or write a major film project with an individually tailored marketing and distribution strategy
-The University of Hertfordshire film programmes and post-graduate school regularly host industry professionals who lecture and conduct workshops, seminars and tutorials. We work closely with the industry to enable students to connect directly with their future employers and mentors
-The combination of creative, technical, practical and management skills make this course unique and our graduates highly successful, as employees or as independent filmmakers

Why choose this course?

The MA Film and Television production programme offers an opportunity for students to initiate, develop and realise original film and television work in directing, producing and screenwriting. Students enhance their creative practice in film and television to professional levels, with the aim of pursuing a successful career in the industry. The programme commences with a series of taught modules, intended to augment the student's critical judgment and technical capability, before embarking on a major project, in the form of a substantial screenplay or digital film.

The project offers a setting in which the student can increase confidence in creative decision making, whilst expanding awareness of the requirements of film style and technology, finance, marketplace and audience. Students broaden their knowledge and experience to gain a better understanding of film and television production and its professional and commercial practices. They undertake a programme of screenings, master classes and seminars, to extend their knowledge of film and television histories, genres, aesthetics and narrative processes and to develop a range of research and communication skills. Students are encouraged to develop the aesthetic and conceptual awareness required to analyse and critically situate their work within current theoretical, cultural and commercial contexts, whether as a director, producer or scriptwriter.

The modules focus on script development, working with actors, camerawork, lighting, sound recording, post production techniques, funding, distribution and other relevant areas. You will benefit from the expertise and creative ideas of students working in specialised areas elsewhere in the School (eg Visual FX, Special FX, Animation or Music) whose input can enhance the professionalism of your major projects.

Careers

You will also have the opportunity to exhibit your work at the University and there are good opportunities to develop your teaching experience by mentoring undergraduate students in your subject area. When you successfully complete your MA, you will have made a very substantial addition to your CV and have a clear understanding of the next steps in the development of your career.

Teaching methods

You are taught in an intensive mix of lectures, seminars, workshops, tutorials, masterclasses and industry guest sessions. Tutorial support is offered in small groups and one-to-one, with further support available online and by email.

All students on the PG Media programme engage in an interdisciplinary project as a part of their MA study, giving them an opportunity to work with students from other disciplines in an experimental and creative way.

Structure

Core Modules
-Creative Economies
-Discourse/Reflection: Professional Project Development
-Major Study: Film and Television Production
-Practice 1: Script Development
-Practice 2: Camera, Sound and Editing
-Research and Enquiry

Optional
-Creative Economies (Online)
-Research and Enquiry (Online)

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