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Masters Degrees (Script)

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The skills of storytelling are timeless. Tackle the creative, analytical and professional sides of script writing for film, television and radio on this industry-accredited MA. Read more

The skills of storytelling are timeless. Tackle the creative, analytical and professional sides of script writing for film, television and radio on this industry-accredited MA.

With myriad new media platforms there are more opportunities to create content than ever before. And all these require a script and a story. But how do you get your work to industry-standard and in front of the right people? 

The questions we explore

The main question you have to ask yourself for this MA programme is: do I really need to be a writer more than anything else? That’s quite brutal, but script writing is a tough profession. You’re totally exposed as a creative person, it’s you and the page and the tradition in which you’re working, and that can be a liberating but also uncomfortable place to be. 

The processes we use

The programme is not about learning how to be a writer; it’s about developing and pushing forward your own writing projects as far and as fast as you can within 12 months. You’ll be developing your own voice, learning how to critique the work of others, and getting to grips with marketing your projects. You’ll also be making industry contacts so you can pitch for employment in an extremely competitive industry. 

You’ll cover every aspect of the writing process from getting ideas, maintaining productive writing practices and developing characters and story lines, to presenting your work to an industry standard and pitching your ideas. Writing is a lonely business – that’s why the community of writers that the programme gives you is such a creative advantage.

The approach we take

This is an MA that really focuses on you as the student. There are lectures, but most of the time you’ll be working one-to-one with a writing tutor or within small group workshops (with a maximum of 13 people). 

We keep the course small deliberately. In this way we know your individual work and you know other students’ work through the weekly feedback process. We also believe you don’t know who you are until you’re relating to another person, and ultimately this is what script writing is about: making that connection. 

Modules & structure

A core course is designed to give you the skills and understanding required to develop your Treatment for a feature film or equivalent television or radio script. The course is taught mostly with workshops, in which you present and discuss your own work with other students in a supportive environment. There are also class exercises, lectures, screenings, master classes, seminars and individual tutorials.

Starting in the Spring Term, the course then develops your Treatment into a second draft feature script (or its equivalent).

You'll then be able to pick from a selection of option modules. 

Modules 

The MA is composed of:

You also produce a Reflection Essay (15 credits), and choose option modules to the value of 75 credits from the following list:

Assessment

You are assessed on your portfolio, which consists of your long form treatment and second draft feature script or equivalent, your 4,000-word Reflection essay on this script, linked to issues in Media and Culture and a radio script adapted from a source text. In addition, depending on your options, your portfolio could also include a 10-12 page short script or script-editing proposal and coverage. Other modules are assessed by 5-6,000-word essays.

Skills & careers

MA Script Writing is all about the product. So when you complete this masters, you leave with a whole portfolio of writing, a set of professional skills, a list of industry contacts, and a set of professional friendships through the Goldsmiths Screen School. 

The programme gives you a safe, supportive and stimulating environment to unpack your ideas, get constructive feedback, make mistakes, and find the story you want to tell. In the end though, it’s down to you as an individual to become the writer you want to be.

Find out more about employability at Goldsmiths

 



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The Diploma in Script Development is the only comprehensive vocational programme in script development in the UK. -The world's first Diploma course in Script Development. Read more
The Diploma in Script Development is the only comprehensive vocational programme in script development in the UK.

-The world's first Diploma course in Script Development.
-Taught programme and practical development project with a screenwriter.
-Part-time, evening course.
-Access to new screenwriters.
-Regular Industry speakers.

COURSE OVERVIEW

A unique programme, the Diploma in Script Development is the only comprehensive vocational course in script development in the UK. This course offers a brilliant opportunity to grow the skills to develop for film and TV. It was launched in 2003 and has since trained some 150 people, most of which are successfully working in the UK or international film industry as developers for film and/or TV drama projects or as creative producers and a few are successfully writing drama.

SCHOLARSHIPS AND BURSARIES

The NFTS want to encourage applications from the brightest and best talent out there….from all backgrounds. We are actively seeking to redress imbalances within the Industry by encouraging applications from under-represented groups, and have bursaries of £1500 on offer to 5 of the successful candidates. Bursaries will be awarded to stand out talent who can demonstrate that without this funding they would not be able to afford the course, or who can demonstrate they bring a unique and distinct perspective to the course.

CURRICULUM

The programme covers:
-Story and Genre Theory
-Script analysis and script report writing
-Assessing and developing screenwriting craft skills
-Negotiating development meetings
-Detailed story development practice
-Assessing treatments and other short documents
-Adaptations - including legal and copyright issues
-The Industrial environment - development in its context
-Guest speakers from the public sector, agents, lawyers, independent producers
-Europe and the role of international film festivals
-Distribution and Marketing

The Final Project
At the beginning of the summer term, students are paired with a new screenwriter for a Final Development Project. Over six months, the student and writer will work together through two drafts and two development meetings. This project is closely supervised and intended to be a useful and practical experience for both the developer and the writer.

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The Advanced Television and Film – Script to Screen program at Centennial College offers a comprehensive, in-depth and hands-on understanding of what goes into developing and producing quality feature films and TV shows. Read more
The Advanced Television and Film – Script to Screen program at Centennial College offers a comprehensive, in-depth and hands-on understanding of what goes into developing and producing quality feature films and TV shows.

This multidisciplinary, two-semester post-graduate Advanced Television and Film program — facilitated by the School of Communications, Media, Arts and Design in the hub of Toronto's film and television district — is especially beneficial for writers, directors, producers, editors, actors and other film and television craftspeople who want to expand their knowledge of the industry.

The major focus of the program's first semester is on creating, pitching, outlining, developing, drafting and polishing production-ready short film scripts. During the second semester, you have the opportunity to prepare, perform in, shoot and/or post a number of these shows.

Additionally, the Advanced Television and Film - Script to Screen program sees you deconstructing classic films, television shows and scripts of all genres. The program also provides opportunities to receive advanced instruction from industry professionals in your major and minor areas of craft interest along with extensive employment information.

Career Opportunities

Program Highlights
-The Advanced Television and Film – Script to Screen program is unique among the few other post-graduate film and television offerings currently available in the Greater Toronto Area.
-Instead of streaming you into master classes immediately, the first semester ensures that you obtain a solid working knowledge of everyone's role on a film or television production.
-The amount of foundational lessons included in the offering allows you to better collaborate, improvise, problem-solve and empathize with your fellow cast and crew members.
-The program focuses on dramatic filmmaking, comedy and several other genres. The program does not, however, include documentary filmmaking.
-The time and effort devoted to script development in the first semester and production and post-production in the second results in higher quality student films than are customarily produced — at a time when student films continue to be key to gaining a foothold in the business.

Career Outlook
-Director
-Assistant director
-Trainee assistant director
-Personal assistant to the director
-Cinematographer
-Camera operator
-Assistant camera operator
-Lighting and grip department technician
-Lighting or grip assistant
-Dolly grip
-Audio technician
-Assistant audio technician
-Producer
-Associate producer
-Production manager
-Production coordinator
-Assistant production coordinator
-Production assistant
-Location coordinator or assistant
-Office assistant
-Personal assistant to the producer
-Screenwriter
-Script coordinator/story department coordinator
-Trainee/junior story editor/story researcher
-Personal assistant to the showrunner
-Script reader
-Editor
-Assistant editor
-Sound editor
-Assistant sound editor
-Personal assistant to the series lead/star

Areas of Employment
-Production companies
-Broadcast networks
-Other industry-related organizations

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This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team. Read more
This new, tailor-made course is delivered in partnership with the BBC and is designed to thoroughly train participants in becoming a key member of a drama or entertainment production team.

Participants will learn from practical hands-on workshops and through on set and in studio experience on a range of drama and entertainment projects. This will ensure that participants leave the course with the practical experience for starting out in the professional world.

The Script Supervisor’s role is an exciting, varied and demanding job requiring many skills for being part of the production team, working closely with directors and producers, interacting with performers and programme participants, and providing accurate information on location, in the studio gallery and for the edit suite.

COURSE OVERVIEW

The Script Supervisor is a key member of the production team, preparing and providing scripts, running orders, camera cards and information, prior to a rehearsal, recording or shooting day. In the studio, they keep the production team informed through cueing, timings, shotcalling, liaising with presentation, and maintaining an accurate log. They support the director and producer and are responsible for getting live transmission programmes on and off air. On single camera shoots, they are vital for continuity, keeping track of takes, timings, shooting angles, costume and make-up notes and props information essential for the editor.

To do this role, you will need to:
-Be calm and level-headed
-Work well as part of a fast-moving team
-Have exceptional organisational and time-management skills
-Be able to work to a deadline
-Pay close attention to accuracy and detail
-Be an excellent communicator
-Be adaptable to changing circumstances
-Multi-task
-Have a positive attitude
-Cope well under pressure
-Have stamina for long days and hard work

CURRICULUM

This course has been developed due to industry demand and combines practical experience on film shoots with NFTS student directors on fiction films, and in the studio with NFTS Television Entertainment student directors on their entertainment shows, using the recently refurbished 4k multi-camera television studio gallery. There is time for learning to use script packages such as Adobe Story and BBC Scriptwriter, lectures on all aspects of the job involving different genres of programmes, guest speakers and site visits to other television companies and media providers.

The course is three months, based at the NFTS and divided into three sections:

Weeks 1 - 4 Full-time lectures & practical exercises covering studio and film work.

Weeks 5 - 8 On location continuity experience working on two films each

Weeks 9 - 12 Practical experience for studio-based programmes plus additional lectures and site visits.

Specifically students will learn about:
-Script layouts, call sheets, breakdowns, running orders
-Shot lists, storyboards, recording orders, shooting orders
-Setting up a production
-Script packages
-Gallery techniques (e.g. calling shots, running EVS, using a stopwatch)
-Live programmes
-Music programmes (e.g. script styles & methods)
-Bar counting
-Studio drama techniques
-Continuity for film and single camera
-Post production and editing

There will be visiting lecturers, professionals in the industry, talking about their experiences and giving advice on methods and the latest techniques. Also, practical exercises and opportunities to work in the role on other student courses.

NFTS BENEFITS

Course participants will have full access to the NFTS facilities including: Cinema Club, Screen Arts and NFTS Masterclasses.

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Our MA Scriptwriting is an intensive, practical course designed to produce professional writers and compelling scripts. It will take your writing to the highest level, and allow you to develop clear strategies for professional success. Read more
Our MA Scriptwriting is an intensive, practical course designed to produce professional writers and compelling scripts. It will take your writing to the highest level, and allow you to develop clear strategies for professional success. With a combination of expert guidance and peer-group workshopping, we encourage you to develop your unique voice while meeting the demands of a highly competitive industry.

We cover all media, including theatre, radio, film and television, and offer extensive training in professional skills. By the end of the course, you’ll have a comprehensive portfolio of original work, a finished script to professional standards, industry connections and a fully realised showcase presentation.

COURSE STRUCTURE

You’ll hone your writing for performance skills, while also acquiring the necessary professional knowledge needed to negotiate the industry.

Alongside completing a minimum of three polished scripts for theatre, radio and TV/film, you’ll meet scriptwriting agents and industry specialists and learn how best to pitch your work in a highly competitive field.

We recognise the importance of equipping you, as a scriptwriter, with the knowledge of how to produce your work. You’ll have the opportunity to record your own radio plays, stage your theatre pieces and shoot and edit your TV/Film projects within our supportive environment.

MODULES

In Craft, you'll learn the key components of a script, including structure, characterisation, visual storytelling and dialogue.

Writing for Theatre and Radio is a comprehensive guide to writing for these important media. You’ll prepare a script for each.

Develop your professional writing career in Professional Skills. Learn to prepare proposal documents, to pitch ideas, and to make connections in the industry.

Screenwriting is an in-depth course in writing for film and television. You’ll prepare a single script for either medium.

In Showcase Presentation, you'll write and produce a finished 15 minute piece in any narrative media for public presentation.

In Final Script, you'll prepare a calling card script in the medium of your choice, taken to the highest professional standard.

For more information on modules you can view the course handbook via our website: https://www.bathspa.ac.uk/courses/pg-scriptwriting/

TEACHING METHODS

The course is modular and can be undertaken as either full or part-time study. Part-time students take the Dramatic Structure and Writing for the Screen modules in their first year and Theatre and Radio, Professional Skills and Final Script in their second year.

Modules are taught over three weekends of intensive tutor-led workshops.

ASSESSMENT

You’ll be assessed by coursework and practical presentation. In the first two trimesters work will be assessed as work in progress. Your final assessment is based on three assignments: a final script (60%); a practical realisation of your work (30%); and a pitch (10%).

For more information on assessment please visit our website: https://www.bathspa.ac.uk/courses/pg-scriptwriting/

CAREER OPPORTUNITIES

Many of our graduates succeed with their career goals. Some have careers as professional Scriptwriters while others work in script editing, theatre and film criticism or education.

Our students have gone on to have their work produced and some have even managed to do this while still completing their MA. Others have found work within the script departments of TV/film and theatre companies while others work as script readers, theatre/film reviewers and as creative writing tutors.

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Create a portfolio of scripts, develop skills in writing, editing and project development and gain working knowledge of the film, television and digital fiction industries. Read more
Create a portfolio of scripts, develop skills in writing, editing and project development and gain working knowledge of the film, television and digital fiction industries.

MA Screenwriting was launched at Edinburgh Napier in 2006 and has adapted and developed since to remain one of the strongest screenwriting Masters courses on offer in the UK. The degree is accredited by Creative Skillset and taught at Screen Academy Scotland - one of only three Creative Skillset Film Academies in the UK and the only one outside London.

While the course is primarily for aspiring screenwriters, it is also aimed at those interested in script editing, script development and creative producing.

Teaching staff are working screenwriters and producers and there are regular visits from professional writers, producers, directors and those working in script editing and development.

See the website http://www.napier.ac.uk/en/Courses/MA-Screenwriting-Postgraduate-FullTime

What you'll learn

The course has developed a strong international profile, attracting a diverse range of students and as a student at Screen Academy Scotland you will be part of a large and thriving film community.

Collaboration is encouraged and our MA Screenwriters work closely with students on the MA Film programme as well as students at Edinburgh College of Art.

The course will develop skills in screenwriting, creativity, analytical thinking, academic writing, professional writing for film (script reports, coverage), editing and developmental skills.

In summary, the MA Screenwriting:
• takes a general approach across film, television and other media
• develops the core craft skills for screenwriting
• enhances script editing and story development skills
• places teaching and student work in an industry context
• introduces students to staff and industry guests working as writers, producers, directors and in script development at a high, professional level

The course is taught two days a week (currently Thursdays and Fridays). Part-time students attend classes on Thursdays in Year 1 and Fridays in Year 2.

You may also take this course as a Postgraduate Certificate (distance learning). Details: http://www.napier.ac.uk/courses/pgcert-screenwriting-postgraduate-distance-learning-part-time

Modules

• Writing and Screen Project Development (craft skills)
• Business of Screen Project Development (industry context)
• Script Workshop 1 and 2 (practical screenwriting)
• Script to Screen (theory and critique)
• Interactive Media or Graphic Fiction
• Major Project (feature film or long form TV script)

Study modules mentioned above are indicative only. Some changes may occur between now and the time that you study.

Careers

Our students have gone on to success in various competitions, winning the PAGE International Screenwriting Award for five years. Former graduates work as self-employed writers for television drama and have gone on to find agents. Others are working professionally in script development and production.

You can find more details on the Screen Academy Scotland website http://www.screenacademyscotland.ac.uk/

How to apply

http://www.napier.ac.uk/study-with-us/postgraduate/how-to-apply

SAAS Funding

Nothing should get in the way of furthering your education. Student Awards Agency Scotland (SAAS) awards funding for postgraduate courses, and could provide the help you need to continue your studies. Find out more: http://www.napier.ac.uk/study-with-us/postgraduate/fees-and-funding/saas-funded-courses

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Master's degree programmes in Creative Writing have been offered here since 1997 and have attracted students from a range of backgrounds and experiences – from recent graduates to mature students with a wealth of life experience. Read more
Master's degree programmes in Creative Writing have been offered here since 1997 and have attracted students from a range of backgrounds and experiences – from recent graduates to mature students with a wealth of life experience. This programme is designed for committed writers who wish to complete significant pieces of work and generally broaden their experience as writers.

Course Overview

The MA in Creative and Scriptwriting provides the opportunity to specialise in creative writing for film, TV or theatre. The overall aim of the programme is to equip students with the ability to hone their screen, dramatic or other writing skills, with a particular understanding of commercial contexts and to develop areas of creativity at an advanced level. In all cases the emphasis is on developing the individual student's creative expression. There is no attempt to impose a house style.

The programme provides the opportunity to work with internationally recognised dramatists and screen writers as well as with writers with expertise in other genres of creative writing. The dissertation element of the programme will enable you to develop a full script, reflecting both creative and commercial imperatives, building upon exercises in dramatic writing developed through the screenwriting and workshop modules.

The MA has responded to the explosion of online publishing by supporting students in publication and promotion. The course is delivered by a mixture of professional writers and academics who prepare you for the realities of a hugely competitive market. You will learn how to prepare manuscripts, to approach publishers, and, increasingly important, to market yourself.

The School and the University support a number of reading and social events in which students are encouraged to participate. We also support the student-led design, production, publication and promotion of the well-received online journal The Lampeter Review. As a result of this activity several former students now work in publishing and we are proud of our excellent track record of student publishing success.

Modules

-Approaches to Creative Writing
-Writing Workshop: Research and Writing
-Writing Workshop: Writing and Context
-Writers World
-Screenwriting
-Creative Project (Dissertation)

Key Features

-The programmes are delivered on the University’s campus in Lampeter. They are taught through seminars, small workshops and individual tutorials and supervision that enable detailed and personalised feedback.
-Access to a Virtual Learning Environment (VLE) enables additional learning, especially work-shopping, to take place outside the sessions and supports the development of a mutually supportive cohort of committed writers. Graduates from the programmes have gone on to become successful and prize-winning authors.
-The MA programmes also offer students the opportunity to write and discuss their work through the medium of Welsh should they wish to do so.
-The programme is based upon an established pool of expertise in related concerns, and covers a range of projects undertaken over a number of years.
-Staff are active publishers and practitioners in their own right

Assessment

There are no examinations. All modules are assessed by original creative assignments supported by reflective and developmental material: logs, journals, treatments, reviews proposals. The Creative Project provides the opportunity for students to develop a substantial piece of work to publishable standard.

Career Opportunities

-Professional Writers
-Editors
-Publishers
-Marketing
-Expert tuition from professional writers, poets, novelists, dramatists, script-writers
-An opportunity to learn about publishing through the design and production of the digital journal, The Lampeter Review
-An opportunity to read your work at such events as the Hay Festival
-Programme delivered on our beautiful and inspiring campus in Lampeter

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From start to finish producers are the driving force behind the film and television industry. They generate new projects and ideas, secure finance, manage production and strategically market the result. Read more

From start to finish producers are the driving force behind the film and television industry. They generate new projects and ideas, secure finance, manage production and strategically market the result. The producer’s role has been transformed by the advent of globalisation, digital technology and the multi-channel environment. Now more than ever, the entertainment industries need creative leadership.

Our Masters offers aspiring producers the opportunity to acquire the creative and entrepreneurial skills required to enter the rapidly changing universe of film and television. You will learn to create script ideas, work with writers and directors, manage a production thoroughly and market across platforms, we'll teach you how to navigate the financial and legal aspects of the industry, too.

The course is taught from our creative hub at Royal Holloway's central London campus, 11 Bedford Square. Our proximity to the media industry means that we can draw upon professionals for outstanding master classes, industry panels and careers events. Students are encouraged to attend The London Film Festival, MIPCOM, Berlin, and Cannes international festivals. You will also try out interning at a production company or work on the crew of a professional production.

You will learn from top talent and practice what you learn by making films, and TV programmes. The ‘Role of Producer’ and ‘Script Development’ courses are taught by Professor Jonathan Powell, one of the UK's most respected and experienced drama producers, having previously worked as Controller of BBC1 and Head of Drama for the BBC. The course leader is award winning producer and executive, Gillian Gordon who brings thirty years’ experience in Hollywood and the UK to teaching ‘Producing Workshop’.

Through master classes, industry internships and alumni partnerships, students are provided with opportunities to network with international talent and expertise, as well as building links with current Royal Holloway students and academic partners.

Course structure

Core modules

The Role of the Producer

In this module you will develop an understanding of the role of the producer as the driving force in creating, managing and selling film and television products. You will look at how the independent sector works, and consider how to programme and pitch ideas. You will also examine approaches to working with creative talent.

Script Development

In this module you will develop an understanding of how to write an industry standard script report. You will learn how to analyse both film and TV scripts, and produce reports that constructively engage writers with the process of script development. You will consider the analysis of structure, character, dialogue, genre, and how to transfer feedback verbally.

Producing Workshop

In this module you will develop an understanding of how to create and pitch ideas to film, television and new media executives and financiers. You will learn the basics of script development, set procedure, scheduling, camera work, audio equipment and post production. You will consider how to develop and identify viable fiction projects and lead and manage the production of a short video, . You will work with creative talent, writers, directors, casting agents, and key craft team members, and examine how to finance and market your short film. You will put together a viable presentation package and pitch to a panel of industry professionals.

International Media Business

In this module you will develop an understanding of the global film and TV business. You will learn how to plan and conceptualise the creation and management of a sustainable media enterprise. You will examine the critical issues affecting the success or failure of film and television businesses, considering the role of financial planning in the life-cycle of visual media projects. You will also explore the wider context of finance in the development, marketing and distribution of film and television to investors, partners and government bodies, with a focus on the challenges faced by business startups.

Production Management

In this module you will develop an understanding of basic production accounting and the line management skills needed for film, TV and transmedia production. You will learn how to set-up a production company and budget, schedule, manage cash flow, and supervise a quality fiction production. You will consider how to manage 'below-the line' deals on a drama production and identify financial issues and their implications for day-to-day management. You will also examine how to manage a film crew and supervise the daily operations of a production team, and manage production costs, equipment and facility deals.

Marketing and Media Law

In this module you will develop an understanding of media marketing and promotion in film and television distribution and exhibition. You will look at social media and new trends in the global marketing of films and media projects, including cross-platform marketing. You will consider the fundamental principles of media law, including contract and intellectual property law, and examine issues of content and regulation.

Dissertation

You will produce a 10,000 word dissertation or media project on topic of your choice. You will carry out an investigation that has a clearly defined aim of study and arrive at a carefully argued set of conclusions derived from original research covering print, internet and first hand interview sources.

Teaching & assessment

Assessment is carried out by a variety of methods including essays, script reports, treatments, pitching exercises, studio exercises, production papers, practical film-making, business reports and presentations.

Your future career

Our close links to the film and TV production industry make this a practical course – and one that gives you building blocks for your future.

While you're on the course, we'll encourage and guide you into work placements and internships. Past students have secured placements with industry leading organisations including:

  • Disney studios
  • Heyday Films
  • West End Films
  • Paramount
  •  Universal
  • Channel 4
  • Company Pictures
  • Studio Canal
  • Lionsgate
  • Potboiler Productions
  • Sony Music
  • Warner Bros
  • Hanway Films
  • e-One Entertainment

Graduates from the Department of Media Arts have gone on to work in independent television and film production, for broadcasters like the BBC and ITV, for distributors, exhibitors, talent agencies and entertainment lawyers.



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The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series. Read more

The Master in International Screenwriting and Production is a graduate program that aims at creating professional scriptwriters, story editors and producers, providing them with a thorough understanding of the audiovisual industry and a strong knowledge of the storytelling techniques, which are the heart of every project of feature film and television series.

The MISP is a full-time intensive course, with a maximum enrollment of 42 students. The diploma, issued by Università Cattolica, is recognized as a first level Master’s degree by the Italian Government.

Learning objectives

The MISP will allow students to acquire the required knowledge to work in the entertainment industry, both as writers and/or professionals working in production or distribution companies, TV networks, talent agencies or as production assistants.

Students will receive a comprehensive and high level training which effectively combines the academic expertise of university professors with the professional know-how of high-ranking professionals with international profiles.

Career opportunities & professional recognition

Graduates from the MISP are exposed to a wide range of career opportunities. Graduates have both the theoretical knowledge and the methodological tools suited to pursue professional and managerial careers as:

● Screenwriters or creative producers of television series and feature films;

● Authors of TV entertainment programs and documentaries, copywriters, creators of video games and web series, writers of comic books and novels and fiction editors in publishing companies;

● Story editors and script consultants;

● Supervisors of evaluation, acquisition and programming of TV shows;

● Professionals working in different areas of the television and film industry (physical production, distribution, acquisition, product placement, etc.)

Guest Lecturers

Here is a list of some Professors and Guest Lecturers:

● Eleonora Andreatta - Director TV series and TV dramas for Rai Fiction

● Luca Bernabei, CEO Lux vide, Rome

● Armando Fumagalli, Director of the Master, professor of Semiotics and History of Cinema, UCSC; script consultant for Lux vide

● Robin Lyons - Animation Writer and Producer – Calon (UK)

● Luca Manzi - Writer for novel, theatre and television, and co-founder of the Master Program

● Cristiana Nobili - Director, Original Live Action Production, Disney Europe, Middle East and Africa (London)

● Paolo Sigismondi, professor of Global Entertainment, Annenberg School of Communication, University of Southern California, Los Angeles

● John Truby - Screenwriter and script doctor for Disney, Universal, Sony Pictures, Fox, HBO, BBC

Curriculum

● Screenwriting theory (8 ECTS/ CFU)

● Script analysis and project evaluation (8 ECTS/ CFU)

● Writing techniques for audiovisual products (12 ECTS/ CFU)

- Screenwriting practice: treatments, scenes and dialogues, scripts, pitches.

- The writing of genres and adaptation.

- Writing for different formats: comic books, novels, documentaries, entertainment TV shows, advertising, the web, mobile media, and transmedia projects.

- Screenwriting and production of animation projects.

● The audiovisual industry (4 ECTS/ CFU)

- Industries and audiences.

- TV acquisition and programming and film distribution

- The physical production: pre-production, shooting, post-production, contracts and budgeting.

● Communication ethics (4 ECTS/ CFU)

Final project

Three months before the end of theoretical classes, the students will have to choose between one of the following careers: screenwriting or production. The students, who choose the screenwriting career, will have to write and deliver a final project from which the writing abilities developed during the program should emerge. Typically,the final project takes the form of a script for a feature film, which can either be an original idea or an adaptation.

The final project can be written in English, Italian, French or Spanish. The students, who choose the production career, will have the opportunity to undertake an internship within an established production or distribution company, a TV network, an advertising agency or on a film set.

Industry related

The MISP aims at providing its stu- dents with the adequate knowledge, wide-ranging skills and contacts to meet the requests of an increasingly global and varied audiovisual industry.

Alumni achievements

In previous years, alumni from MISP (which, until 2015, was taught in Italian: Master in Scrittura e produzione per la fiction e il cinema) have been working as writers and producers for top rating TV series and highly successful feature films, or as writers of best selling novels, published in many countries; many of them have been working in high-ranking audiovisual companies such as Cattleya, Disney, Endemol, Focus Features, Freman- tle, Lux Vide, Mediaset, RAI, SKY, among others. They work not only in Italy, but also in London, Los Angeles, Madrid, New York, Paris, etc.

Career opportunities

Graduates from the MISP are exposed to a wide range of career opportunities. Graduates have both the theoretical knowledge and the methodological tools suited to pursue professional and managerial careers as:

  1. Screenwriters or creative producers of television series and feature films;
  2. Authors of TV entertainment programs and documentaries, copywriters, creators of video games and web series, writers of comic books and novels and fiction editors in publishing companies;
  3. Story editors and script consultants;
  4. Supervisors of evaluation, acquisition and programming of TV shows;
  5. Professionals working in different areas of the television and film industry (physical production, distribution, acquisition, product placement, etc.)

Scholarships

All scholarships are assigned on a merit basis and will be mostly given to students who apply by the priority deadline. Some scholarships may also target specific geographic regions.

Scholarship value: €4500



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The Master of Screenwriting is designed for those who have a desire to write audience-engaged stories for a visual medium and for people wishing to work as professional screenwriters. Read more

The Master of Screenwriting is designed for those who have a desire to write audience-engaged stories for a visual medium and for people wishing to work as professional screenwriters.

Semester one is classroom-intensive and is an introduction to the many facets of screenwriting. You take part in ‘Storytelling Workshops’ which analyse the universal essentials of storytelling. You also attend lectures, classes and screenings dedicated to the craft of screenwriting and undertake intensive modules focusing on feature film and television writing.

Semester two focuses on writing a first draft of your major project. You develop your script with the assistance of script tutorials, feedback from your lecturer and peers, and a unique script development hothouse. During this semester you also gain skills in giving and receiving creative feedback on your scripts. A first draft feature screenplay, or a TV Bible plus episode(s) of a script, are the expected outcomes after first year.

In semester three you are expected to implement skills you have learned to focus on redrafting your major project as you complete a second or third draft. Script tutorials plus lecturer and peer feedback is maintained throughout. In this semester, you also learn about the Australian and international screenwriting landscape.

LEARNING OUTCOMES:

  • Develop screenwriting skills for national and international screenwriting industries
  • Become confident with writing and rewriting screenplays
  • Grow concepts and ideas into screenplays using research methodology skills
  • Graduate with a third or final draft of a feature length screenplay or television bible and script.


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The MA Screenwriting course equips you with professional skills to develop your own voice and produce marketable and commercially successful scripts for film, television and web series. Read more
The MA Screenwriting course equips you with professional skills to develop your own voice and produce marketable and commercially successful scripts for film, television and web series. During your studies, you’ll do a unique industry project for an external client.

- Work with professional actors who will perform your script in front of you, pitch your script to a panel of industry experts at the end of each key module, and receive professional script development support from leading UK film and TV production companies

- Learn about writing for different platforms: film, television, web, radio and games

- Learn from award-winning tutors and guest speakers with extensive professional experience as writers, directors, producers, showrunners and script developers for film, TV, radio, gaming and online

- Write a script for an external client while working together with other MA students on an industry-integrated project

- Receive real-life screenwriting experience and improve your communication, teamworking and pitching skills

The Met Film School is London's leading provider of practical filmmaking courses, based in Ealing Studios.

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The Masters in Playwriting & Dramaturgy gives you a practical and theoretical engagement with the many forms of writing and production for theatre. Read more

The Masters in Playwriting & Dramaturgy gives you a practical and theoretical engagement with the many forms of writing and production for theatre. The programme is designed for those wishing to develop playwriting skills and knowledge of script development and support, opening the way to many theatre roles, including dramaturgy.

Why this programme

  • Theatre Studies at Glasgow is one of the longest-established theatre programmes in the UK. Our internationally renowned reputation for research, practice and teaching ensures an ideal environment for the pursuit of Masters study.
  • A significant part of the programme is delivered by professional writers and dramaturges, ensuring you engage with a wide variety of practices and that the programme content is relevant and up to date with the latest trends in theatre.
  • The programme includes the opportunity for playwrights to develop a major script, through workshops and staged readings with actors and directors.
  • In addition to masterclasses and workshops with external specialists, the work placement or internship builds on our long-term links and collaborations with an extensive number of theatre practitioners and arts organisations, including the National Theatre of Scotland, the Playwrights’ Studio, the Centre for Contemporary Arts (CCA), The Tron and the Citizens’ Theatre.
  • The city of Glasgow provides an unbeatable location for the programme. Glasgow is home to a huge variety of theatres and nationally significant theatre organisations that produce and show a range from the experimental and risky to the traditional and repertory, from canonical and new writing to devised and physical performance.

Programme structure

Our programme is the only one in Scotland that combines playwriting with dramaturgy. You will undertake core practical playwriting courses and core dramaturgy courses before choosing to specialise in one pathway.

A significant part of the programme is delivered by professional writers and dramaturges. This programme also includes the opportunity for playwrights to develop a major script, through workshops and staged readings with actors and directors.

Core teaching is delivered in two semesters, followed by an independent desk- or practice-based project.

Our core courses introduce you to the foundations of both playwriting as a craft, and dramaturgy as a historical and contemporary practice.

In addition, core courses develop other skills useful to the role of the dramaturg and the practitioner, including critical reading, writing and reflection, independent research skills (such as archival and audience research), and presentation skills.

These courses will also prepare you to pursue doctoral study in the future.

Courses include

  • Playwriting
  • Dramaturgy: Histories and Practices
  • Reading and Interpreting Performance
  • Dramaturgical Work Placement
  • Research Methods
  • Independent Research Project.

Career prospects

The design of the Playwriting & Dramaturgy programme is intended to develop both the practical and critical skills of students. There is both subject-specific development (including knowledge of playwriting as a craft and dramaturgy as a role, working knowledge of the playwriting process, in-depth knowledge of plays and processes of textual and production analyses) alongside more generic skills development (including presentation skills – written and oral, a capacity for critical reflection, project management, team work, and independent research skills). 

The role of the dramaturg is becoming increasingly recognised within the theatre industries, as is the capacity of playwrights to apply their skills and knowledge to other tasks (including, for example, providing script development support for emerging writers). This programme aims to equip playwrights and potential dramaturges with knowledge of other writing roles in theatre. 

The critical components of this programme also provide a good foundation for students wishing to progress to doctoral study. 

Graduates of this programme have gone on to become commissioned playwrights, production dramaturges, theatre critics, literary advisors, doctoral students, theatre makers and academics.



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This course is designed to equip students of exceptional talent with the skills necessary to pursue a career in theatre and related industries through the development of skills, professional practices and creative approaches to writing for performance. Read more
This course is designed to equip students of exceptional talent with the skills necessary to pursue a career in theatre and related industries through the development of skills, professional practices and creative approaches to writing for performance.

It encourages a self-reflexive approach to learning with a view to developing independent thinking practitioners of theatre. Through a series of skills-based writing workshops and tutorials with professional playwrights, directors and a dramaturge the individual voice of the student writer will be nurtured and developed. Classes in dramaturgy and contemporary theatre practice will supplement the training. The course will culminate in the writing of a performance for the student’s chosen medium that will benefit from staged readings, rehearsals, staging or recording.

Students on the course will work in a dedicated space for writers in The Lir building. In addition to the core classes and workshops, individual tuition from The Lir’s dramaturge will be a key feature of the training. In addition, master classes by visiting practitioners will supplement the student experience. Students can opt to take this course either part-time (24 months) or full-time (12 months).

Master in Fine Art Playwriting

Full-time and part-time students will take three concurrent modules in the first two semesters. The fourth module will be taught in the third semester and subsequent summer months (for full-time students) or in the second year of the course (for part-time students). The fourth module will be supplemented by an ongoing series of masterclasses from professional writers and script editors.

Contemporary Theatre Practice

This module will introduce students to a range of contemporary theatre practices as evidenced in the theatres of Dublin. The principal aim of the course is to enable students to become conversant in the styles, forms, theories and practices that constitute contemporary theatre making in Ireland. In addition, students will be introduced to a range of dramatic production in related media (radio, television and film) whose styles and forms will be analysed in this module. The Contemporary Theatre Practice module is shared by all Master in Fine Art students (directors, designers and playwrights).

Dramaturgy

This module will be taught by a professional dramaturge. Its aim is to introduce students to a range of dramatic texts for the theatre or related media with an emphasis on the dramaturgical composition of those texts. An understanding of the contexts within which those dramaturgical strategies were produced will also be fostered. This seminar-based module requires students to examine key problems related to the creation and structure of scripts for performance. Students will consider a variety of theories regarding dramatic structure, consider the research requirements of script creation, explore different approaches to script development and learn to apply a dramaturgical vocabulary to a number of case studies.

Writing Workshop

The overall aim of the module is to prepare students for the writing of a play for performance in Module 4. Students will share their creative writing in a workshop format, and will receive both group feedback and individual tuition in the development of their craft. The module includes: creative workshops; developing an awareness of the professional writing context; developing an explicit, personal aesthetic; and offers the possibilities for writing in numerous professional contexts (theatre, education, community), and for various media (theatre and recorded media). This module also outlines career development and group or self critique; it introduces research skills, rehearsal etiquette and re-drafting.

Play

This module will be taught through individual supervision of the writing of a student’s full-length play (of between 45 and 90 minutes performing time). The play will be submitted for examination along with a reflective journal of the student’s practice. The development of the script will be aided by the involvement of professional actors and directors in the redrafting process. The module will culminate in a rehearsed reading of a selection of students’ work in a semi-staged showcase to an invited audience of theatre professionals. This showcase, which does not form part of the assessment, is designed to bridge the gap between training and the theatre and related industries.

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Led by a professional playwright, this unique programme focuses on the practical exploration of the theory and craft of writing for performance. Read more

Led by a professional playwright, this unique programme focuses on the practical exploration of the theory and craft of writing for performance. It explores how a script is written to be interpreted by the key creative artists in theatre and how that script plays out in space and time in front of an audience.

Through seminars, tutorials, workshops and professional master classes (led by some of Europe’s leading playwrights and theatre artists), you will develop an understanding of live performance theory, self-motivation and the focus necessary to work as an independent artist within the theatre industry.

Edinburgh has a buzzing theatre scene and the programme draws on this to culminate in a public, professional reading of your work in progress at the Edinburgh Festival Fringe.

Programme structure

The programme will be taught through a combination of seminars, workshops, independent study, one-to-one supervision and professional master classes. There will also be regular theatre visits.

A central component of the programme will be development workshops with professional actors and established directors, focusing on your own work. You will also work with the performing artists-in-residence, who will offer workshops in each semester. Over two semesters you will take three compulsory courses and one option course.

On completion of these courses, you will produce a major piece of performance writing, supported by one-to-one supervision and development workshops, to be given a professional reading at the end of the programme.

Compulsory courses:

  • The Craft of the Playwright I
  • The Craft of the Playwright II
  • Time and Space of Performance

Option courses may include:

  • Theatre, Performance, Performativity
  • Cinema Auteurs 2
  • Shakespearean Sexualities
  • Theatre, Performance and Performativity
  • Shakespeare Adapted

Learning outcomes

Students who successfully complete this programme will:

  • be introduced to and become skilled in a range of applied methods for the development and structuring of dramatic script for live performance
  • develop a knowledge and understanding of writing for different kinds of performance contexts from the single-authored play to devised work
  • develop a knowledge and understanding of the theory, methodology and practice of writing different genres from tragedy and comedy to political theatre
  • develop self-motivation and the focus necessary to work as an independent artist within the theatre industry
  • develop their critical skills as readers of their own and others’ work and as creators and consumers of live performance
  • develop a familiarity with the professional development and production processes of live performance and how these impact on the making of script

Career opportunities

This highly practical programme allows you to forge valuable links within Edinburgh’s performing arts community. You may choose to use the research skills you have developed to pursue advanced study, or seek a role within the theatrical field.

The transferable skills you gain from your studies, such as communication, research and project management will be valuable to your career development whatever path you choose.



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Students have the flexibility to pursue a project that they are passionate about, and to be supported by the expertise of the staff team. Read more

Students have the flexibility to pursue a project that they are passionate about, and to be supported by the expertise of the staff team. This allows for a range of diverse backgrounds in terms of learning experiences, ethnic diversity, disability, gender and age; projects will be developed and tailored to the individual’s learning needs.

All staff members are actively publishing their writing and have won several awards between them for creative outputs. The team have expertise in speculative fiction, historical fiction, scriptwriting, screenwriting, adaptation, poetry, experimental poetry, hybrid forms, horror fiction, literary fiction, creative non-fiction (including memoir and true-crime), and are able to support writing in a number of genres.

The staff team of award-winning writers have an exciting and diverse approach to creative writing and are able to supervise a huge range of proposed projects. Current full-time staff members include: 

In addition, the Creative Writing team at York St John has a strong focus on the relationship between critical theory and creative writing and the intersection of a number of theoretical perspectives with creative practice, including eco-criticism, psychoanalysis, biopolitics and regionality. Members of the team have undertaken interdisciplinary and collaborative research exploring music, memory, medicine, uncanny landscapes and pollination.

Course structure

Creative Writing at York St John University is distinguished by:

  • The integration of writing practice, critical appreciation of texts and employability skills.
  • A focus on contemporary writing.
  • Regular engagement with visiting speakers and writers.
  • Partnerships with local publishers and writing festivals
  • The innovative use of the local and regional landscape in learning and teaching.
  • Research-led teaching.
  • Diverse and inclusive syllabi.
  • Opportunities for students to experience field trips as part of their learning experience.
  • Value added in terms of student achievement.

Routes

The three distinct routes offer focussed, but flexible structures to fulfil a range of motivations. This is distinctive in the UK market:

  • Publication/book route – your aim is to produce a full-length work (e.g. novel, poetry collection, script, biography) for publication/performance/dissemination. The Critical/reflective Commentary will focus on this, whilst the creative submission can be in any form/genre.
  • Community/Heritage route –your aim is to produce a book-length work, performance or account exploring an outreach project with a partner, for example in health, arts, music or heritage. The Commentary may focus on the development and implications of this project, and could incorporate some qualitative/quantitative data or case studies, where appropriate.
  • Critical/theoretical route – your aim is to produce a book-length work in any form (novel, poetry, script). The project has a strong theoretical/critical underpinning, in which the Critical/reflective Commentary explores and analyses a movement, literary theory or other critical idea and the creative work performs a practice-based exploration of the same. Intended for students considering moving onto a PhD, but not exclusively for them.
  • Your final manuscript will comprise 40,000-70,000 words of prose or approx. 1,200 lines of poetry (the aim being a book-length manuscript appropriate to the chosen the form). Writers wishing to produce a script will produce an equivalent ‘time’ length. Your final manuscript will be accompanied by a Critical Commentary of 6,000 words which reflects on the process of composition.
  • Your project will be supported by one to one, expert supervision. This can be undertaken full- or part-time, face to face, online or a blended approach to suit your circumstances.
  • You will take part in a termly Writers’ Workshop to share work in progress with like-minded peers in a nurturing atmosphere.
  • A Residential Writing Retreat offers an opportunity to reflect and focus on your progress amongst a community of writing peers, facilitated by tutors, in a beautiful and inspiring regional or city setting.
  • Close links to agents, publishers, literary events and local arts and heritage organisations will fuel your creativity and hone your employability skills.

Teaching and learning

  • Taught via one to one supervision in three ten-week terms starting in October.
  • Termly peer Writing Workshops.
  • Weekend Residential Writing Retreat in April/May of the final year (with Portfolio Progress presentation assessment worth 20 of the 180 credits).
  • Manuscript submitted in September of the final year.
  • Whilst the learning is independent, but supported, students are encouraged to take a professional approach and attend the variety of events provided by the York Centre for Writing, which include visits from agents, publishers, editors and writers and foster an important sense of belonging and community.

Key Graduate Attributes

  • To have the confidence to research, compose and critically evaluate a substantial, complete body of creative writing for potential publication/exhibition/dissemination
  • To be reflective in relation to their own work and a body of texts, cultural artefacts and cultural contexts.
  • To be aware of, and sensitive to, a range of audiences/readers.
  • To take a professional approach to editing, drafting and critiquing creative work.
  • To have an awareness of the wider role of creative writing in culture.
  • To understand the publishing industry and feel confident in approaching agents, publishers, editors, directors etc.
  • To engage with a writing community, both at a local and national level.
  • To be generous in the support of creative peers within a community of practitioners.

Programme specification

Further information on this course is available in the programme specification. Please note that the programme specification relates to course content that is currently being studied by students at the University. For new programmes, the programme specification will be made available online prior to the start of the course.

Learning support

York St John University works hard to create an inclusive environment for all our students. We offer a range of learning support services to assist students throughout their studies.



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